94 Sentences With "requiems" | Random Sentence Generator

On July 513, "Mozart and Fauré Requiems," conducted by Martin Sedek.

In its place, that most operatic of requiems, Verdi's, conducted by James Levine.

SEAFORD Long Island Choral Society presents "Two Requiems," featuring music by Mozart and Fauré.

In its place: that most operatic of requiems, Verdi's, conducted by James Levine at 303 p.m.

Also traditionally, requiems are masses that are heavy on ceremony—are you interested in ritual in your music-making or music consumption?

I was going to divide the portion of the galleries into the requiem acts, but it turns out requiems are pretty repetitive.

Are his final works requiems for art, for life, for the possibility of redemption that is the very point of a requiem?

Requiems for his campaign are already being written, including a Politico piece portraying Sanders as bitter and increasingly isolated and bent on settling scores.

Her latest piece on that theme, "Last Audience," was inspired by Greek writings on democracy, the depiction of judgment and mercy in requiems and the political news of the day.

"I try to not only listen to requiems at my leisure, sort of indolently, but to make sense out of them, which is extremely difficult," she said over lunch at a Chelsea tapas restaurant.

I was looking forward to a program of his music — including the rarity "Musikalische Exequien," a soft-spoken masterpiece and one of the great requiems — that the ensemble Tenet Vocal Artists was planning to present on Saturday.

These three-day classes add a modern twist: Rather than being performed solely at a wake (by what Finns call a ''cry woman''), impromptu requiems are devoted to all manner of emotional hardship, from divorce to illness.

And when other top orchestras and conductors — a pantheon that included Claudio Abbado, Leonard Bernstein, Pierre Boulez, Carlo Maria Giulini and Riccardo Muti — needed choruses for their requiems, masses and choral symphonies, they often turned to Mr. Flummerfelt.

Among Zelenka's four requiems the most important is the last in D major for the exequies of King Augustus II the Strong.

His principal oratorios, "Das Gelübde", "Saul und David", and "Sauls Tod", were repeatedly performed by the Tonkünstler-Societät, of which he was conductor for fifteen years. He also wrote fifteen masses, two requiems, a Te Deum, and various smaller church pieces. Of these, two oratorios, one mass, the requiems, and Te Deum, and furthermore sixty secular compositions, comprising symphonies, overtures, pastorales, etc., were published.

There were twelve chaplains (hebdomidarii), eight for daily services and four for requiems. There were thirty-two prebendaries. The diocese had only twenty-six parishes.Gallia christiana VI, p. 644.

Ingrid Haubold (born 1943 in Berlin) is a German operatic soprano. She appeared at the Bayreuth Festival as Ortlinde in Wagner's Die Walküre in 1986 and 1988. She was a soloist in the 1990 premiere of Wolfgang Rihm's Requiems Mein Tod.

Rauf Dhomi (Albanian: Rauf Domi) (born 4 December 1945) is a Kosovan classical music composer and conductor and a teacher at the University of Pristina. Dhomi is the author of many operas, requiems, masses, cantatas, symphonic music, film scores and theater music.

His compositions were intended almost exclusively for a church choir. Only about 21 of his compositions have been preserved. He wrote offertoria, gradualia, Regina Coeli, Salve Reginas, requiems, litanies, Te Deums, and church cantatas. In some of his works Brixi also thematically elaborated folk spiritual music.

New York: G. Schirmer, Inc., 1907. 121. His main musical technique is that of parody, although this technique is notably absent from his Mass for two choirs. He has been credited with being among the first to use Tridentine form for the Dies Irae portion of his requiems.

João José Baldi (1770-1816) was a composer who was pianist at the court of the Marquis of Alorna and opera conductor in Leiria. He was a classical composer who composed mostly religious music: requiems. He was known in Leiria for his operas. He died in Lisbon, Portugal.

La Rue also was one of the first to use the parody technique thoroughly, permeating the texture of a mass with music drawn from all voices of a pre-existing source. Some of his masses use cantus firmus technique, but rarely strictly; he often preferred the paraphrase technique, in which the monophonic source material is embellished and migrates between voices. La Rue wrote one of the earliest polyphonic Requiem Masses to survive, and it is one of his most famous works. Unlike later Requiems, it includes polyphonic settings only of the Introit, Kyrie, Tract, Offertory, Sanctus, Agnus, and Communion – the Dies Iræ, often the center of gravity in more recent Requiems, was a later addition.

His other meta-music works deliver similar commentary related to his critical view of the development of music. A non-exhaustive list of these pieces includes Decadenze I, Farwell, Senza (1970), Collosus (1970), Labor (1971), and Alla Marcia (1974), criticizing church music, requiems, string repertoire, orchestral works, virtuoso solos, and militaristic genres, respectively.

Choqué also recorded that two Masses were read, the first by the Cordeliers (i.e., Franciscans) and the second by the Jacobins (i.e., Dominicans). Two requiems were also sung, possibly those that survive by Johannes PriorisFor a historical and musicological perspective on Prioris's Requiem, read Recording: Johannes Prioris, Missa pro Defunctis, Capilla Flamenca, 2003 (Eufoda 1349).

In 1875, Nagakura Shinpachi, with the help of the physician Matsumoto Ryōjun and several surviving former Shinsengumi comrades including Saitō Hajime among others, erected the monument for Kondō Isami, Hijikata Toshizō, and the fallen comrades of the Shinsengumi at Jutoku-ji temple boundary known as Graves of Shinsengumi in Itabashi, Tokyo and held requiems for their past comrades' souls.

Rising nationalism contributed to a deeper interest in folk music, from both ideological and aesthetic viewpoints. The eighteenth century saw the adoption of folk tunes into so-called "high genres", such as symphonies, cantatas, oratorios and opera seria. However, the desire to create a high "para-liturgical" genre, comparable with Western European masses, requiems and passions, remained unfulfilled.

Hudson, Grove online Brumel's Missa pro defunctis for four voices, a late work, is notable for being the first polyphonic requiem setting to include the Dies Irae. Brumel's setting uses alternatim polyphony (sections of plainchant alternate with sections in polyphony). In addition, this is one of the earliest polyphonic requiems to survive: only Johannes Ockeghem's Requiem is earlier.

Umstatt was considered one of the most original composers of Viennese harpsichord music in the first half of the 18th century. He also composed sacred music such as oratorios, masses (e.g. the "Missa Natalitia") and requiems, as well as secular musical dramas. However, the vast majority of his work consists of symphonies, concertos and chamber music.

Yet the tone is consistent — yearning, struggling, tragic. Even the most joyous music is permeated with foreboding, and that ties it to our own time. And as we know from the great Requiems of Verdi, Berlioz, and Fauré, these are the very pieces that last." Richard Dyer of The Boston Globe similarly described it as "a particularly radiant work.

Oldfield has performed most of the standard concert repertoire for basses and baritones. He is well known for his interpretations of the requiems of Brahms, Mozart, Fauré, Duruflé and Saint- Saëns, the passions of J.S. Bach, and oratorios by Handel. Oldfield also regularly performs Orff's Carmina Burana, Elgar's Dream of Gerontius, Rossini's Petite Messe Solennelle and Puccini's Messa di Gloria.

From 1807 until his death he was choirmaster at what is now Pécs. A large portion of his output is sacred music, including masses and requiems. In 1843, some of his piano- and chamber music works were published by Tobias Haslinger (Vienna), Johann Anton André (Offenbach) and (Augsburg). His sons, Karl Georg Lickl (1801, Vienna – 1877, Vienna)Peter Branscombe, "Johann Georg Lickl".

Gale (1995), 31. Battle-Pieces is made up of 72 short lyric and narrative poems grouped into two sections. The first and longer sequence is centered on battles, but the emphasis is on taking stock of the results and on the personalities of the officers who led them. The second, shorter series is made up of elegies, epitaphs, and requiems.

Unlike most composers for the violin, Biber did not limit himself to music for the instrument. He was also a prolific composer of sacred vocal works: masses, requiems, motets, etc. Many of those were polychoral and employing large instrumental forces, inspired by the possibilities of the spacious interior of the Salzburg Cathedral. Among the polychoral works, Missa Salisburgensis (1682) is the best known.

Among his well-known pupils are Leoš Janáček, Mathilde Kralik, Gustav Mahler, who studied with him between 1875 and 1878, Richard Robert, Hans Rott, and Alexander von Zemlinsky. See: List of music pupils by teacher#Franz Krenn. His compositions include masses, cantatas, oratorios, requiems, choral and solo songs, works for organ and piano, and symphonies. He died in Sankt Andrä- Wördern.

This way, ancestors could experience a kind of return to a new life in the child. This custom has survived to this day, although the traditional animism religion has largely given way to Christianity. Since the move to the settlements, the dead are buried in cemeteries. All members of the community participate in requiems that last for hours, during which the towns appear deserted.

Hill died on January 25, 1907, having fallen ill shortly before Christmas. After three requiems and funeral at the Church of the Holy Apostles attended by 800 persons, he was buried in the graveyard with other tribal members and the missionaries he assisted.Bloomfield pp. 387-95 When fire from a lightning strike on July 17, 1920 destroyed the Gothic stone church, it was rebuilt in a similar design.

Miah Persson's discography includes Mahler Symphony No. 4 with Ivan Fischer and the Budapest Festival Orchestra, Mozart Mass in C minor KV427, Le nozze di Figaro, Cosi Fan Tutte, Mitridate, Rossini songs, Haydn's The Creation and The Seasons, the Requiems of Fauré and Duruflé, Handel's Rinaldo, Bach Magnificat and Cantatas BMV 105, 179 & 186, Michael Haydn Sancti Hieronymi, Fernström's Songs of the sea, and songs by Rangström, Stenhammar, Sjögren, Nystroem.

Abu Jahl said, "You have climbed high, you little shepherd." Then ['Abdullah ibn Mas'ūd] struck off his head and showed his head to Muhammad. When Muhammad saw his lifeless body on the battlefield he said, "This is the Pharaoh of this Ummah.""The Pharoah of the Community" Upon his death, the people of Quraysh mourned for him and composed elegies and requiems depicting him as a noble, generous and glorified man.

Bass also worked frequently as a guest conductor. He conducted performances with the New York City Opera, the Columbus Symphony Orchestra, the Nebraska Chamber Orchestra, and the Concert Association of Greater Miami. He also conducted numerous large choral works at Carnegie Hall, including Requiems by Brahms, Verdi, Mozart and Fauré, Beethoven's Missa Solemnis, Rossini's Stabat Mater, Bach's Mass in B Minor, Bernstein's Mass, Handel's Messiah and Mendelssohn's Elijah.

90-91 Her first vocal training during that time was at Cathedral of the Incarnation, during grade and high school. This mainly consisted of singing requiems and pontifical high masses. She sang in the girls' glee club and choir during that time; also; Cobb had 14 years of private piano training. From 1963 to 1967 she attended Central State University and acquired an undergraduate degree in Social Welfare.

Gnocchi left an enormous amount of music, mostly sacred, but including some secular vocal music as well as some instrumental compositions. None was published, and the only thing to emerge from a printer was the title page and dedication for a 12-volume set of masses, the Salmi brevi.Mariangela Donà, Grove online His compositions included 60 masses, many of which were Requiems, for four to eight voices, some with instruments; six Requiems, for two to four voices; six sets of Vespers for the entire church year, also for four to eight voices, with organ accompaniment; 12 settings of the Magnificat, for four voices; six settings of the Miserere, for four to eight voices; motets, hymns, and miscellaneous liturgical music. In addition to the sacred music, he wrote some canzonette, and a body of instrumental music that includes a concerto for seven strings and basso continuo and three trio sonatas for two violins and basso continuo.

Sports: football is most popular game in The village. Every body well know football game. Thukka Pattu (துக்க பாட்டு), a tradition by which the parishioners visit every Catholic house singing requiems in an around 8 sq km, knocking the doors to collect rice, coconuts, grams and money to prepare gruel. In Church premises, The parish people cook porridge/gruel (கஞ்சி) and all the people take it after the Palm Sunday Holy Mass.

After his retirement he lived in Esztergom- Szentgyörgymező, not far from the St Adalbert basilica. In 2005 he participated in the Papal Conclave which elected Pope Benedict XVI. On 17 July 2011, he celebrated the last in a series of requiems for Otto von Habsburg, Hungary's last Crown Prince and since pretender to the throne, in St. Stephen's Basilica in Budapest. He died on 17 August 2015 at the age of 88.

The burial was attended by 3,000 people, and churches across Brighton held Requiems in his honour. He left an estate of nearly £50,000 at 1902 prices; the money was endowed to the churches he founded and to the Community of the Blessed Virgin Mary. After Wagner's death, Belvedere was sold and became a hotel called the Park Royal Court Hotel. It was demolished in 1965, and the Park Royal flats now stand on the site.

Furthermore, he was part of the experimental band Carbonized from 1988 to 1990. Kärki appeared as a guest-singer of Entombed and sang "But Life Goes On" on the Entombed show in Sala on 24 June 1990. Moreover, he was the bass player for General Surgery during 1988 to 1990, and joined again in early 2000 when the band was temporarily resurrected to record a song for the Carcass tribute album Requiems of Revulsion.

Sehling was a very prolific composer of sacred music, namely arias, masses, requiems, motets and offertoria. Manuscript copies of his works are scattered throughout libraries, among others, in Nymburk, Roudnice nad Labem, Broumov, St. Vitus cathedral, and in the monastery of the elizabethans. He was possibly associated with Christoph Willibald Gluck. Among his pupils were the sopranist Johann Christian Preissler from Polevsko and the Premonstratensian Johann Oelschlegel (1724–1788), choir rector in Strahov Monastery, organ builder and composer.

György Kósa (24 April 1897, in Budapest – 16 August 1984, in Budapest) was a Hungarian composer. Kósa studied with Béla Bartók, Zoltán Kodály, and Victor von Herzfeld between 1905 and 1916. From 1927, he taught piano at the Budapest Conservatory. He composed nine operas, four ballets, and incidental music for four pantomimes, as well as nine symphonies, one orchestral suite, chamber music, eleven oratorios, several cantatas, one mass, one setting of the Dies Irae, two requiems, and lieder.

Her international career was cut short in 1970, when her parents became ill and she returned permanently to Malta to care for them.Antoinette Miggiani M.Q.R., Department of Information, Government of Malta, January 2002. Accessed 9 December 2008 However, she continued to sing in Malta in lieder recitals and concerts, and as a soloist in performances of sacred music, including the Verdi, Mozart, Elgar, and Rossini Requiems; Antonín Dvořák's Stabat Mater; and Gounod's Messe solennelle Sainte-Cécile.

It is red for the election of a pope, white for the anniversary of a bishop's election or consecration, violet in the general case of asking for some special grace and for the Passion. The particular case of votive Masses for each day of the week, corresponding to votive Offices ordered by Pope Leo XIII, was abolished by the Decree "Divino afflatu" of 1 November 1911. Requiems and Masses for marriages are really particular cases of a votive Mass.

David Willcocks was approached and agreed to conduct. Park gracefully deferred and played cello in the orchestra until his early death from cancer. From this point Messiah from Scratch became an event organised primarily for the benefit of choral singers, and the roster of works performed at the Royal Albert Hall grew. By the end of the 1990s, Requiems by Brahms, Mozart, Fauré and Verdi were taking their place alongside performances of Orff's Carmina Burana, Elgar's Dream of Gerontius and Vivaldi's Gloria.

He became the director of the organ school for a Bohemian organization called the Society for the Promotion of Church Music in 1830. He died in Prague. Vitásek's compositional output includes one opera (David, 1810), twelve masses, seven requiems, many other choral works both sacred and secular, some symphonies, concertos, chamber music, and preludes and fugues for organ. In 1823–24, he was one of the 50 composers who composed a variation on a waltz by Anton Diabelli for Vaterländischer Künstlerverein.

Beginning in the 18th century and continuing through the 19th, many composers wrote what are effectively concert works, which by virtue of employing forces too large, or lasting such a considerable duration, prevent them being readily used in an ordinary funeral service; the requiems of Gossec, Berlioz, Verdi, and Dvořák are essentially dramatic concert oratorios. A counter-reaction to this tendency came from the Cecilian movement, which recommended restrained accompaniment for liturgical music, and frowned upon the use of operatic vocal soloists.

On December 12, 2016, Witherfall released the first single "End of Time" off their debut album "Nocturnes and Requiems" available for release on February 10, 2017. Witherfall is the collective brainchild of guitarist Jake Dreyer, vocalist Joseph Michael and the late drummer Adam Sagan. With Dreyer and Michael having previously worked together in White Wizzard and Sagan collaborating with Dreyer on the critically acclaimed debut instrumental EP "In The Shadows of Madness", the trio combined forces to begin writing the project in 2013.

Cantores Minores un Helsinki Cathedral, 2013. Cantores Minores' permanent repertoire includes, inter alia, Johann Sebastian Bach's major works: St Matthew Passion and St John Passion, (which sets out in alternate years), Christmas Oratorio, and Mass in B Minor, as well as the composer's motets. Other notable major works are the requiems of Brahms and Mozart. The choir's a cappella program is a cross-section of the entire history of classical choral music, ranging from Orlando di Lasso to Olli Kortekangas.

The choir played a major part with the London Symphony Orchestra in Sir Thomas Beecham's 'revitalisation' of George Frideric Handel's Messiah in December 1926, and undertook much of the choral work in the Delius Festival of 1929. Bust of Charles Kennedy Scott, 1925. They gave many performances of the great standard works such as the Mass in B minor, the St Matthew Passion and St John Passion, the Christmas Oratorio, the Requiems of Mozart and Brahms, and many of the Handel oratorios.Elkin 1944, 65–66.

Hartmann completed a number of works, most notably eight symphonies. The first of these, and perhaps emblematic of the difficult genesis of many of his works, is Symphony No. 1, Essay for a Requiem (Versuch eines Requiems). It began in 1936 as a cantata for alto solo and orchestra loosely based on a few poems by Walt Whitman. It soon became known as Our Life: Symphonic Fragment (Unser Leben: Symphonisches Fragment) and was intended as a comment on the generally miserable conditions for artists and liberal-minded people under the early Nazi regime.

Anton Bruckner was a devoutly religious man, and composed numerous sacred works. Among these are seven Masses, two requiems, and sketches for two additional Masses and one requiem. The three early Masses, composed between 1842 and 1844 during Bruckner's stay in Windhaag and Kronstorf, were short Austrian ' (country Masses)Österreichisches Musiklexicon online: Landmesse for use in local churches. The lost Requiem for men's choir and organ, composed in 1845, the Requiem in D minor, composed in 1849, and the Missa solemnis, composed in 1854, were composed during Bruckner's stay in Sankt Florian.

He continued his career as a concert tenor with a repertoire that included Beethoven's Missa Solemnis, and the Requiems of Verdi, Britten and Lloyd Webber. The tenor's Carnegie Hall debut occurred in 1993, with Mozart's "Great" Mass in C minor with the American Symphony Orchestra. He performed the tenor solos in George Frideric Handel's Messiah for the Dallas Symphony Orchestra, at the Morton H. Meyerson Symphony Center in 1994. He made his European debut in 1995, singing in Beethoven's Symphony No. 9 with the Orchestra Sinfonica di Milano Giuseppe Verdi, Alun Francis, conducting.

There is a range of musical opportunities with a symphony orchestra, brass and string ensembles, a junior choir, a choral society (known in the school as Christmas Choir) and a barbershop group. Recent choral performances have included Belshazzar's Feast (Walton), the Requiems of Mozart, Verdi and Fauré, and Gloria by Poulenc. The Brentwood School Big Band, which is now in its 34th year, often performs concerts for charity outside school and tours European every other year. The Big Band has released a number of albums, most recently "Music to Drive By" in 2013.

The imperial library of Vienna also preserves a valuable collection of Durante's manuscripts. Two requiems, several masses (one of which, a most original work, is the Pastoral Mass for four voices) and the Lamentations of the prophet Jeremiah are amongst his most important settings. His Magnificat achieved popularity partly because of its misattribution to Pergolesi. Durante finds a place on the Opéra Garnier, Paris, perhaps by virtue of his students The fact that Durante never composed for the stage brought him an exaggerated reputation as a composer of sacred music.

Conducting in Cairo Opera House during the Spiros Project His vast repertoire ranges from symphonic, opera, oratorios and ballet conducting to musicals and light music. He conducted Rossini’s 3 comic Operas: Il Signor Bruschino, La Cambiale di Matrimonio, L'occasione fa il ladro, Verdi’s Rigoletto, Puccini’s La Boheme as well as highlights from Aida, La Traviata and Il Barbiere di Siviglia. He also conducted Prokofiev’s Ballet Romeo & Juliet and Ravel's Bolero. His Oratorios repertoire includes Mozart, Brahms, and Fauré Requiems as well as Rossini’s Petite Messe Solennelle and Schubert Stabat Mater.

In 2008 in commemoration of the 65th anniversary of the liberation of Rostov region, under an initiative of Abbot Svyato-Troytskovo parish (archpriest Timofey Fetisov), a memorial chapel was built on the Mariupol Cemetery, and dedicated to Alexander Nevsky. The Chapel of Saint Warrior- Prince Alexander Nevsky is 15 metres high and is located near the graves of Soviet soldiers and officers on the Walk of Fame. There is a memorial wall with a list of the divisions that liberated Taganrog. Every day, funeral services and requiems for deceased are offered in the chapel, as well as readings from the Psalter.

Later in 1875, Sugimura Yoshie, with the help of the physician Matsumoto Ryōjun and several surviving former Shinsengumi comrades including Saitō Hajime (as Fujita Gorō) among others, erected the monument known as the Grave of Shinsengumi for Kondō Isami, Hijikata Toshizō, and the fallen comrades of the Shinsengumi at Jutoku-ji temple boundary in Itabashi, Tokyo and held requiems for their past comrades' souls. In 1882 (Meiji 15), Sugimura moved his family to Otaru, Hokkaido, and was invited by the police bureaucrat Tsukigata Kiyoshi to work as kenjutsu teacher to train the prison guards in Kabato prison for four years.

In addition, a striking similarity between the openings of the Domine Jesu Christe movements in the requiems of the two composers suggests that Eybler at least looked at later sections. After this work, he felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Süssmayr. Süssmayr borrowed some of Eybler's work in making his completion, and added his own orchestration to the movements from the Kyrie onward, completed the Lacrymosa, and added several new movements which a Requiem would normally comprise: Sanctus, Benedictus, and Agnus Dei.

Seyfried composed a large amount of music from 1797 to the end of his life, including overtures and incidental music for stage plays and singspiels, operas, ballets and melodramas; numerous sacred works - 10 masses including one for double choir, motets, requiems, psalms, hymns and oratorios; as well as two symphonies, cantatas, overtures and chamber music. Other works include concertantes for clarinet and oboe; a Konzertstück and concertante for waldhorn, and 10 serenades for four waldhorns.For a full list of his works, see BLKÖ:"Seyfried, Ignaz Ritter von". Biographisches Lexikon des Kaiserthums Oesterreich (online) (in German), Volume 34 (1877), pp.

His most famous work, and the only one to be fully preserved, is Opella ecclesiastica seu Ariae duodecim nova idea excornatae, a collection of 12 spiritual cantatas from 1723. The collection contains seven soprano, three alto and two bass vocal arias, which are accompanied by organ or harpsichord, two violins, violon, and solo oboe or solo violin. In 1724, he wrote an opera Zelus divi Corbinian Ecclesiae Frisigensis Fundamentum. It is also known that he composed numerous litanies, motets, Te Deums and requiems, as well as some special compositions called musica navalis (Naval Music) for rides on Prague's Vltava River.

Owen, who was born in 1893, was serving as the commander of a rifle company when he was killed in action on 4 November 1918 during the crossing of the Sambre-Oise Canal in France, just one week before the Armistice. Although he was virtually unknown at the time of his death, he has subsequently come to be revered as one of the great war poets. Philip Reed has discussed the progression of Britten's composition of the War Requiem in the Cambridge Music Handbook publication on the work. Britten himself acknowledged the stylistic influence of Requiems by other composers, such as Giuseppe Verdi's, on his own composition.

Antonio Brunelli (20 December 1577 in Pisa - 19 November 1630 in Pisa) was an Italian composer and theorist of the early Baroque period. He was a student of Giovanni Maria Nanino and served as the organist at San Miniato in Tuscany from 1604 to 1607, then moved to Prato where he served as maestro di capella at the Cathedral there. On 12 April 1612 he was appointed as maestro di capella to the Grand Duke of Tuscany. Between 1605 and 1621 he published works including motets, canzonette, Psalms, madrigals, Requiems, and other sacred works, some of which were included in Donfried's Promptuarium musicum (1623).

Disappointed with his lack of acclaim in the theater, Cherubini turned increasingly to church music, writing seven masses, two requiems, and many shorter pieces. During this period (under the restored monarchy) he was appointed Surintendant de la Musique du Roi, a position he would hold until the fall of Charles X (1830). In 1815 London's Royal Philharmonic Society commissioned him to write a symphony, an overture, and a composition for chorus and orchestra, the performances of which he went especially to London to conduct, increasing his fame. Cherubini's Requiem in C minor (1816), commemorating the anniversary of the execution of King Louis XVI of France, was a huge success.

On the concert platform Durlovski has appeared as a soloist in Beethoven's Ninth Symphony, the Verdi and Mozart Requiems, Dimitrie Buzharovski's Radomir Psalter, Vlastimir Nikolovski's oratorio To Clement, and Risto Avramovski's Winter symphony. He has sung with the Vienna Residence Orchestra, East-West Symphony Orchestra, Belgrade Philharmonic, Sofia Philharmonic, and ALEA contemporary music ensemble. He is married to opera singer Ana Durlovski, with whom he opens the Durlovski Opera Academy in 2019.. In 2020, it is announced that Igor Durlovski is Independent candidate list for VMRO-DPMNE in the fifth constituency, including Bitola, Ohrid, Prilep and Kicevo for the early parliamentary elections scheduled for 15 July 2020.

Dark Requiems... and Unsilent Massacre is the second full-length album by the British symphonic black metal act Hecate Enthroned, released in 1998 by Blackend Records. Stylistically this found the band utilizing a slower, more ambient feel versus the speed and heaviness heard on their previous album, The Slaughter of Innocence. Keyboards and reverbed vocals were put more in the forefront, with less emphasis on guitar riffs and fast-paced percussion. This album was the last to feature keyboardist Michael Snell and vocalist Jon Kennedy, the latter of which was fired from the group, as well as the last to have a heavily symphonic black metal approach.

The band jammed with a couple of drummers - Cam Murphy (of The Traits, The Peter Parkers, Ghostown Belle, Thee Requiems), who joined the band for one day, and Craig "Crud" McFadden (of Malicious Attempt and The McFaddens), also for a short period. The band eventually replaced Luc very temporarily with a Moncton guy named Dave (no one remembers his last name). Signed to Lameass Recordz-based out of Calgary, in 2000 Hope would go on to record their sophomore release "It's Not My Fault You're Ugly", again recorded by Doolang at Ham & Cheese Studios. The album was distributed nationwide and was very well received.

Among the major works they have premiered in Armenia are J. S. Bach's St John and St Matthew Passions and Britten's Cantata Missericordia, in addition to performances of Requiems by Mozart and Cherubini, Avet Terterian's Sixth Symphony, and Stepan Rostomian's "Entrance" chamber opera (conducted by Diego Masson). Hover has also participated in concert performances of operas Madama Butterfly, The Barber of Seville, and Pagliacci and toured Great Britain, France, and Germany. In 2007, the male contingent of the choir appeared in sacred music festivals in Poland. In 2008, a performance of choral pieces by Penderecki was praised by the composer as one of the best.

On his return be became the organist at the Allerheiligen-Hofkirche, the church of All Saints, for which he wrote many valuable compositions. In the 1820s he wrote two unsuccessful operas, before turning his energies to a crusade against the influence of Italian opera which eventually led to a revival of Christoph Willibald Gluck's Iphigenia in Tauris, re-orchestrated by Aiblinger. Utto Kornmüller Lexicon der kirchlichen Tonkunst Then he then turned to church music, studying the old masters and procuring performances of their works. His numerous church compositions comprise masses and requiems, offertories and graduals, psalms, litanies, and German hymns, many of which have been published at Augsburg, Munich, Regensburg, and Mainz.

New ensembles were created that reflected an expanding interest in music and the changing demographics of the school. These included a symphony orchestra, a pipe and drum corps, a gospel choir and a women's glee club. Additions to the program included an annual spring oratorio, expanding the choral repertoire to include major works for chorus and orchestra such as Requiems by Verdi, Mozart, and Brahms, symphonies with chorus by Beethoven, Mahler, and Vaughan Williams and other major works such as Mendelssohn's Elijah and Haydn's Creation. In 1992 he established and acquired funding for The Distinguished Artists Series which brings performers of international stature to the Academy's Alumni Hall, performing for the Brigade of Midshipmen and the Annapolis community.

Past performances include the Rachmaninoff Vespers (All-Night Vigil, op. 37), Requiems of Herbert Howells, Durufle, Gabriel Faure, Brahms, and Mozart; Frank Martin’s Mass for Double Chorus, Thomas Tallis’ Lamentations of Jeremiah, Handel’s Messiah, Arnold Schoenberg’s Friede auf Erden, and Bach’s St. Matthew Passion, Mass in B Minor, Magnificat, and Christmas Oratorio, which the choir performed both in Chicago and in Mexico City with the Orquesta del Nuevo Mundo. In 2008 the Chorale performed at the Ravinia Festival with the Chicago Symphony Orchestra under the direction of Erich Kunzel, and in 2011 under Ludwig Wicki. Chorale has appeared four times on WFMT (98.7 FM) radio’s “Live with Kerry Frumkin” and recorded six CDs.

He sang in such works as Beethoven's 9th Symphony, Mahler's Symphony of a Thousand and Das Lied von der Erde, Schoenberg's Gurre-Lieder, Handel oratorios, Dvořák's Stabat Mater, and the Requiems of Mozart, Verdi and Berlioz (Grande Messe des morts), under such conductors as Sir Thomas Beecham, Antal Doráti, Eduard van Beinum, Jascha Horenstein, Josef Krips, Rudolf Kempe, Wolfgang Sawallisch and Carlo Maria Giulini. On his return to Australia to sing Tannhäuser in 1968, his voice was showing signs of degeneration. His last performance in opera was in the title role of Verdi's Otello at Tiroler Landestheater Innsbruck in 1975. Although he was then aged 61, his interpretation of Otello was highly praised, both vocally and dramatically.

A couple of months after the release of Dark Requiems..., due to problems and creative divergences between him and the rest of the band, vocalist Jon Kennedy was fired. Keyboardist Michael also left the band; he was then replaced by Darren "Daz" Bishop, and Kennedy was replaced by Dean "The Serpent" Seddon. In the following year they recorded their first album with Seddon, Kings of Chaos; its style changed drastically from that of the previous three releases, heading towards a more death metal-oriented direction, while still retaining the keyboards and dark black metal melodies of the older albums. In 2001, Hecate released a small EP of original songs plus a cover of "Buried Alive" by Venom, entitled Miasma.

Rathgeber-Memorial, Banz Abbey Rathgeber was a very versatile and productive composer and was one of the most popular and respected composers in southern Germany. He composed both secular and sacred works, the majority of his output being sacred vocal works. He wrote several hundred works, mainly masses (43), hymns, arias, litanies, requiems, magnificats, offertories (164), Marian antiphons (44) and also instrumental concertos (24) and songs. His Augsburger Tafel-Confect, short for Ohren-vergnügendes und Gemüth-ergötzendes Tafel- Confect (Augsburg Table Confectionery, short for Table Confectionery, Pleasuring the Ears and Delightful to the Soul) is a collection of songs meant to be performed for dessert, whereas a Tafelmusik was performed during a main course.

C. Myron Flippin is an American conductor and cellist, best known for conducting the North Arkansas Symphony Youth Orchestra in a performance at Carnegie Hall on April 6, 2008,Carnegie Hall website (Sunday, April 6, 2008 at 8 PM - Program Details ) and as guest conductor for MidAmerica Productions on June 6, 2010, in a performance at Carnegie Hall in New York City of Mozart's Mass in C, the "Coronation" mass, K317. He currently resides in Northwest Arkansas where he is music director for the Ozarks Philharmonic Youth Orchestras, Inc. and conducts the Youth Symphony of the Ozarks. Flippin is also a professional bass vocalist specializing in the requiems, oratorios, and orchestra solos.

Petr Migunov (; born August 24, 1974) is a Russian opera and classical singer (bass) who graduated from the Saint Petersburg Conservatory and was a winner of both the Tokyo and Salzburg Competitions in 1997 and 1999 respectively. He is well known for his performances as the bass soloist in Beethoven's Ninth Symphony as well as in the requiems of Mozart and Faure. He is also known for his singing of operatic bass roles such as Mephistopheles in Faust, Prince Gremin in Eugene Onegin, René in Iolanta and Don Iñigo in L'heure espagnole. In 2000 he performed at both Carnegie Hall and Lincoln Center Theater and since that time performs in Russia where he is a soloist of the Bolshoi Theatre.

Late attention to Zenetti also explains the fate of his work. The number of compositions formally attributed to Zenetti is small: the Pastoralmesse in C for choir, soloists, orchestra and organ (1851), the Festmesse in B-flat for men's choir a cappella (written in 1883 for the inauguration of the pavilion of the Ennser Männergesangverein 'Concordia') and the Terzetto for violon, viola and cello (1882). However, many unsigned manuscripts can be attributed to Zenetti: orchestral scores, vocal music, songs, masses, Vespers, Requiems and instrumental music. The bulk of his music library is lost or is scattered in various collections (including the Austrian National Library, the Museum of the city of Enns, the Museum of the Church of Enns, and the musical archives of the city of Linz).

Haza studied in the Conservatoire of Santo Domingo and debuted on 13 March 1958 as a singer, in a chamber concert celebrated in the presence of the dictator Rafael Trujillo. In 1961 she studied in the Conservatoire of Music Santa Cecilia in Rome with Elena D'Ambrossio, Inés Alfani-Tellini and Roberto Caggiano. Haza’s repertoire covers all the genres of vocalic music, from operetta and opera to requiems and symphonic poems as well as songs and hymns. With the National Symphonic Orchestra of the Dominican Republic she presented under the direction of the Dominican Teachers Manuel Simó, Carlos Piantini, Rafael Villanueva, Julio de Windt, Manuel Marino Miniño, and José Antonio Molina and guest directors of orchestra like Roberto Caggiano, Carlos Chávez, Enrique García Asencio, Paul Engel and Robert Carter Austin.

It has been described as "environmental parable for the 21st century". Its main character is an "ecowarrior" who becomes involved in campaigns around the world, in the jungles of the Amazon and Indonesia, and the nuclear testing grounds of the South Pacific. His third novel, A Verse to Murder, is available as an e-book. His first collection of poetry, Coill (the Irish word for forest), was published by Lapwing Publications in 2005. Belfast-based poetry journal The Black Mountain Review said it contained “haiku-style poems which fit nicely with early Irish of Gaelic traditions.” Bailie's second collection, Tranquillity of Stone, published by Lapwing in 2006, was long-listed for the London New Poetry Award. A short story, The Druid’s Dance, was featured in the crime fiction anthology Requiems for the Departed, published by Morrigan Books in June 2010, which also featured fellow Irish writers Ken Bruen, Stuart Neville, Arlene Hunt, Brian McGilloway, and Sam Millar. Bailie plays guitar in the rock band Samson Stone.

Currently (2019) directed by Jeremy Filsell, the choir performs regularly with the period instrument ensemble Concert Royal, and with the Orchestra of St. Luke's as part of its own concert series. The choir's primary raison d'être, however, is to provide music for five choral services each week at St. Thomas Church. Whereas the men of the Saint Thomas Choir are professional singers, the boy choristers are students of the Saint Thomas Choir School. In addition to annual performances of Handel's Messiah, concerts at Saint Thomas Church have included requiems by Fauré, Brahms, Mozart, Duruflé, and Howells; Bach's Passions and Mass in B Minor; the Monteverdi Vespers of 1610; a Henry Purcell anniversary concert; Rachmaninoff Vespers; the U.S. premiere of John Tavener's Mass; a concert of American composers featuring works by Bernstein and Copland; a composition by Saint Thomas chorister Daniel Castellanos; the world premiere of Scott Eyerly's Spires; and a concert of works by Benjamin Britten.

Bontoux made his debut at the Opéra Garnier in Rameau's Hippolyte et Aricie, in which he interpreted the Third Fate, under the baton of William Christie. He was a soloist in the Requiems by Liszt (recorded in 1989 under the direction of Yves Parmentier),Yves Parmentier on Choralia.fr Verdi, Fauré, Mozart (Bertrand de Billy conducting), and Cimarosa (recorded in 1995); Bach's Christ lag in Todesbanden and St John Passion; Haydn's The Seven Last Words of Christ (Valérie Fayet conducting); Mozart's Great Mass in C minor, K. 427, Vesperae solennes de confessore, and Coronation Mass; Rossini's Stabat Mater; Dvořák's Te Deum and Mass in D major; Beethoven's Choral Fantasy and Symphony No. 9; Puccini's Messa di Gloria; Handel's Messiah and Mendelssohn's Psalm 42. On stage, he played Arkel in Debussy's Pelléas et Mélisande at the 1990 Loches festival, a role he performed and recorded at the Théâtre impérial de Compiègne in 1999, 2000 and 2002, before performing it in London in 2003.

She has performed the soprano solos in Messiah, The Creation, The Seasons, the Nelson Mass, the Christmas Oratorio, Carmina Burana, Elijah, Monteverdi's Vespers, Mozart's Requiem and Great Mass in C minor, Poulenc's Gloria, Beethoven's Ninth Symphony, the Brahms, Fauré and Verdi Requiems, Mahler's Fourth Symphony and Janáček's Glagolitic Mass. In 2004 Yuen released her first solo CD, Per l'amore, with the Siam Philharmonic Orchestra under the baton of Somtow Sucharitkul. In 2005 she repeated her performance as Cio-cio- san at the Singapore Esplanade Theatre with the Singapore Lyric Opera; she made her debut with the Singapore Chinese Orchestra, singing the role of Princess Han Li Bao in the world premiere of the operatic cantata Zheng He, written specially for her by Law Wai Lun, as part of the Singapore Arts Festival. She also repeated the title role of Mae Naak with the Bangkok Opera, a coloratura role created for her by Somtow Sucharitkul in 2003.

In the same year, Hecate released its first full-length album: The Slaughter of Innocence, a Requiem for the Mighty, produced by Andy Sneap, which saw the band enter a faster, more brutal direction, with more emphasis on the symphonic interludes. Although it was very well-received, the band was also very criticised for being considered a "Cradle of Filth rip-off", a view that Cradle frontman Dani Filth also shared. As he stated on a 1997 interview: In the end of 1997, Paul Massey and Marc left the band, Paul was replaced by Dylan Hughes (who returned to the band after leaving it in 1995) and Marc was replaced by long-time guitarist Andy Milnes; Next year, they released their second full-length, Dark Requiems... and Unsilent Massacre, this time lowering the speed and using the keyboards as the primary instrument and creating more horror-styled atmospheres, though still retaining the brutal heaviness of the first two albums.

There are 59 religious works, of which there are 17 larger choral works (seven masses, two requiems, one religious cantata, five psalm settings, one Te Deum hymn and one Magnificat hymn), 40 smaller choral works (16 hymns, six antiphons, six graduals, three settings of the offertorium, two chorale, two religious elegies, two Libera me, one litany and two other motets), of which a few are in two or three versions, and two aequali for three trombones. In addition, Bruckner made sketches for two other masses and another requiem. Bruckner also composed 44 Weltliche Chorwerke (secular choral works), seven secular cantatas, of which two are in three versions, and about 20 Lieder for voice and piano. Bruckner's chamber music includes one theme and variations and six scherzos for string quartet, one string quartet with alternative rondo, one string quintet with additional intermezzo, one duo for violin and piano, and about 50 small piano works.

One exception to this is Arturo in Donizetti's opera, Lucia di Lammermoor, in which he made his role debut on 28 October 1961 in Guadalajara, Mexico and his U.S. operatic debut on 16 November of the same year at Dallas Civic Opera in Dallas, Texas. The only other exception is his performance as Antonio in Cano's modern opera, Luna, in which he appeared on an abridged recording in 1997 and in a concert performance at the Palau de la Música de València on 15 May 1998. The official list does not include his previous roles in zarzuelas or musicals with his parents' company or theaters in Mexico prior to September 1959, nor does it include his performance as the Spanish painter Francisco Goya in the musical, Goya: A Life in Song, which he recorded in both English and Spanish-language versions. It also contains only a fraction of his sung symphonic works, excluding his performances of the tenor parts in Verdi and Andrew Lloyd Webber's Requiems and Beethoven's Ninth Symphony, Missa Solemnis, and Christus am Ölberge, among others.

Fux's sacred works include masses (Missa canonica, Missa Corporis Christi,), requiems, oratorios (Santa Dimpna, Infanta d'Irlanda, K 300a (1702) Il fonte della salute, K 293 (1716) ), litanies, Vespers settings, motets, graduals, offertories, Marian antiphons (21 settings of Alma Redemptoris mater, 22 settings of Ave Regina, 9 of Regina coeli, and 17 of Salve regina), settings of the text "Sub Tuum Praesidium", Hymns (many are lost), Sequences, Introits, Communion hymns, German sacred songs (all lost), and other sacred works. Some of Fux's masses (along with Caldara and others) utilized the canon (imitative counterpoint in its strictest form) as a compositional technique, one of the telltale signs of the stile antico. Other indications of the stile antico include large note values (whole, half, or quarter notes). However, while most associate Fux with composing in the stile antico, referring to him as the "Austrian Palestrina", due to his treatise Gradus ad Parnassum, he also had the ability to compose in the stile moderno as well, evident in his oratorios, such as Santa Dimpna, Infanta d’Irlandia.

The installation of a dictatorship under General Juan Carlos Onganía led to a marked influence of the Catholic Church over the repertoire, and its new director, Juan Carlos Zorzi, offered up mostly requiems, masses and te deums, as well as frequent collaborations with the Argentine Catholic University's choir. The symphony performed at the reinauguration of the Cervantes Theatre, which had been nearly lost to a 1961 fire, in 1968, though the Onganía regime's continuing hostility to the symphony led to its being stripped of a formal home, and the body performed as a radio orchestra. Losing numerous musicians, Zorzi resigned, and though the 1970 appointment of Spanish conductor Jacques Bodmer as director was followed by a sponsorship from the Italian Embassy, lack of federal support kept the symphony on the brink of closure throughout 1971 and 1972.Cultura Sinfónica: Juan José Castro Clarín: La Sinfónica, en la encrucijada The election of Peronist candidate Héctor Cámpora in 1973 brought with it restored support for the institution, including disbursement for a year's worth of unpaid salaries.

The monks in Sorø were outraged, above all because the loss of the queen's earthly remains would mean a significant loss in income from requiems — at that time monks and clergy would typically have been paid to say requiem masses for a dead person, and for a queen such masses would likely have been said on a regular basis in perpetuity, each one incurring a fee — as well as a loss of prestige. Though often blamed on the bishop, it is quite possible that the move was orchestrated by the queen's adoptive son, Eric of Pomerania. This is reinforced by the inscription on the sarcophagus, which describes how it was given by the new king, Eric VII, in 1423. In his "Chronica novella", German chronicler :de:Hermann Korner describes the vast, three-day-long burial ceremony involving King Eric VII, several noblemen, the Archbishop of Lund, and all of the Danish bishops. There is an account of how the procession granted substantial gifts to each of the 50 altars in the cathedral.

In recent years, they have performed in concert with the Royal Philharmonic Orchestra, the Henryk Wieniawski Orchestra of Lublin, members of Queens' Park Sinfonia, Fiori Musicali, and the Stephen Petronio Company in a performance of Rufus Wainwright's Bloom. They gave their first full performance of Handel's Messiah in 2008, and in recent years have given concert performances of Monteverdi's Vespers, J. S. Bach's Cantata Wachet auf, ruft uns die Stimme, BWV 140, Haydn's Nelson Mass, Vaughan Williams' "Five mystical songs", Britten's "War Requiem", "Friday Afternoons" and "Ceremony of Carols", and Requiems by Bednall, Duruflé, Fauré and Rutter. In March 2010 they performed J. S. Bach's St Matthew Passion alongside the Northampton Bach Choir and the period orchestra Charivari Agréable, and the Choral Scholars and Lay Clerks's joined the Northampton Bach Choir to perform Rachmaninoff's Vespers in November 2010. In January 2011, they sang again alongside the Northampton Bach Choir and the Royal Philharmonic Orchestra in a performance of Requiem (Fauré) and Handel's Zadok the Priest; in March 2011 they gave a concert performance of Franz Schubert's choral works with the Tyburn String Quartet; in July 2012 they gave a concert performance of the Coronation and Sparrow Masses by Mozart.