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"regisseur" Definitions
  1. a director responsible for staging a theatrical work (such as a ballet)

33 Sentences With "regisseur"

How to use regisseur in a sentence? Find typical usage patterns (collocations)/phrases/context for "regisseur" and check conjugation/comparative form for "regisseur". Mastering all the usages of "regisseur" from sentence examples published by news publications.

Wir haben den Regisseur zum Gespräch getroffen und uns mit ihm über den Film, das queere Kino und den Zustand von LGBT-Rechten in Deutschland im Jahr 2017 unterhalten.
Von Sydow worked as a film director in Germany. He married on three occasions.Focus.de: Kurz vor seinem 95. Geburtstag: Regisseur Rolf von Sydow ist tot, As an author, Sydow wrote several books and audible books.Tagesspiegel.
Weingartner in São Paulo in 2013 Hans Weingartner (born 2 November 1977)Reiter, Barbara (July 24, 2018). "Regisseur Hans Weingartner: 'Am liebsten würde ich komplett verschwinden'". Kurier. kurier.at. Retrieved September 16, 2019. is an author, director and producer of films.
Mickael Boshuijer – LA Cine festivalkrant. "Representando: hip-hop als troost, Interview met regisseur Antonio Jose Guzman" , Plan Noticias, 13 May 2005.Equipo Roca. "Representando at the Latin American Film Festival in London", Equipo Roca A Cross Cultural Marketing Firm, 29 November 2006.
The Titanomachy is a lost epic of the cosmological struggle between the Greek gods and their parents, the Titans, and is a probable source of the Prometheus myth.Reinhardt, Karl. Aischylos als Regisseur und Theologe, p. 30. along with the works of Hesiod.
Alles is Liefde. Makers. Regisseur Joram Lürsen. Retrieved on 2007-11-11. He directed the family film In Orange (2004), which received a Golden Film for 100,000 visitors and international awards at film festivals in Hamburg, Esfahan, Kristiansand, Los Angeles, Poznań, and Rimouski.
Edited by Ilka Kügler, a book reflecting Herlischka's work for the opera stage, Ein Magier der Bühne:Der Regisseur Bohumil Herlischka (A Magician of the Stage:The Director Bohumil Herlischka), appeared in the series Dokumente zur Theatergeschichte (Documents of theatre history) in Düsseldorf in 1989.
Bernd Fabritius in Sorge um Regisseur Oleh Senzow Deutscher Bundestag, August 10, 2015. In June 2017, Fabritius was one of only seven CSU members who voted in favor of Germany’s introduction of same-sex marriage.Bastian Brauns (June 30, 2017), Die progressiven Ausreißer der Union Die Zeit.
Alves was born the son of Portuguese guest workers in Paris. At 20, he became a full-time actor and initially played minor roles in French television productions and in some short films.Interview mit Regisseur Ruben Alves, Artikel vom 24. Dezember 2013 auf der Website The Adelaide Review (engl.), abgerufen am 18.
The cast receive directions from the Regisseur (Director/Presenter) on their ear- pieces, and have to follow the cues, e.g. "Eloise: Tell the others you're pregnant!". The show mostly airs unedited and things that go wrong are not removed, either. The original German show was created by Maike Tatzig who is also the show's executive producer.
In 2009, Mönning was jury member at the Sitges Film Festival, Spain. She confirmed living together with Roland Reber, his wife and the actress Marina Anna Eich."Sex-Nonne lebt mit Regisseur in Kommune" by Marc Baron and Christian Henning, Bild, 4 March 2010 Mönning coproduced and played a leading role Roland Reber's 2012 film Die Wahrheit der Lüge (The Truth of Lie).
He remained in Boston while awaiting trial. Wolfgang Vogel, East German lawyer and spy trader, was enlisted by the East German government to help free Zehe.Berliner Zeitung: Andreas Förster, "Der Regisseur fuhr im goldfarbenen Mercedes vor," June 12, 1995 , accessed December 8, 2010 Vogel contacted Alan Dershowitz to oversee the legal aspects of the effort and Ronald Greenwald to act as personal liaison between him and Zehe.
Next day he is invited to watch the filmed scenes. After the watch he meets the young regisseur in a public bath and gives him a lift to the train station. Koichi Tanabe is surprised about the interest expressed by Kastuhiko towards the movie and leaves him the script book. While Katsuhiko reads the script, Torii and two other crew members arrive at the station and prevent Koichi from escaping to the Tokyo.
August Kinderman in an 1891 portrait by Eduard von Grützner.F August Kindermann (6 February 1817 – 6 March 1891) was a German bass-baritone singer and regisseur, particularly noted for his performances in the operas of Richard Wagner. He was born in Potsdam. He began his career singing in the chorus of the Berlin State Opera in 1836 and made his solo debut there in 1837 in a small role in Spontini's Agnes von Hohenstaufen.
Born in Vienna, Matiasek studied directing and acting at the Max- Reinhardt-Seminar of the Universität für Musik und darstellende Kunst WienHellmuth Matiasek / österreichischer Regisseur und Intendant; Prof.; Dr. phil. Munzinger as well as theatre studies, musicology, German studies and philosophy at the University of ViennaCordula Dieckmann: Hobbyschreiner und Theatermann: Matiasek wird 80 (in German) Mittelbayerische13 May 2011 and completed his studies in 1958.Matiasek, Hellmuth on Austria-Forum with the promotion to Dr.phil..
Sparling also served as Martha Graham's choreographic assistant during his period with the Martha Graham Dance Company. Since then he has returned often to perform, coach and teach. As a regisseur of the Martha Graham Trust, he has staged Graham's works on his own company and on companies all over the world. Sparling presented Peter Sparling Dance Company and his solo performance, "Solo Flight", for five successive seasons at New York's Riverside Dance Festival from 1979-83.
Ernst Joseph Maria Lert, originally Ernst Joseph Maria Levy (1883, Vienna – 1955, New York City) was an Austrian stage director, writer, composer, librettist, and music historian. He was the brother of conductor Richard Lert who was married to writer Vicki Baum.Music: Buckeye Opera, Time, August 10, 1931 Lert studied music history, piano, and singing at the University of Vienna. In 1909 he was appointed the "regisseur" of the opera house in Breslau where he remained for three years.
After disagreements with Diaghilev he went to Riga as regisseur of the Latvian National Opera Ballet. He also founded his own company and produced Act IV of La Bayadere, La Fille mal Gardee, and Paquita, all from his Maryinsky notations. In 1925 the émigré Russian Prima Ballerina Olga Spessivtseva hired him to produce Giselle for her at the Paris Opera. This was a huge success, and gained for him the medal of L'Academie Nationale de Musique et la Danse.
He rehearsed the ballets of Lichine, DeMille, Nijinska, Balanchine and Tudor, and in 1946 choreographed his first ballet, Graziana. He danced the 1947 season with the Markova-Dolin Company at the Chicago Civic Opera and produced Camille for de Basil's Original Ballet Russe with Alicia Markova and Anton Dolin as the leads. Taras was principal dancer in de Basil's company and regisseur for their Covent Garden and Paris seasons. He produced The Minotaur for Ballet Society that year.
During his final year of study Alexander Lang also worked on Peter Hacks' production of Der Schuhu und die fliegende Prinzessin.Alexander Lang wird Regisseur He next went to work for at the Maxim Gorki Theater. In 1967 Lang switched to the Berliner Ensemble and then, in 1969, to the Deutsches Theater which is where he would build his reputation and his career as, in the first instance, an actor. He began, in addition, to direct plays at the Deutsches Theater in 1978.
Beweerde gekonkel met nuwe kantore vir eerste minister, Die Republikein, 27 July 2016 Some French loanwords are common to Afrikaans as well as Dutch, such as regisseur, used in both languages to mean director of a play or film, although the use of rolprent in Afrikaans instead of "film" is considered old-fashioned in Dutch.film, rolprent, NRC Handelsblad The word redakteur ("editor") is used in Afrikaans as well as Dutch, but in the latter it is now written as redacteur.
Edward Berger graduated from Theodor-Heuss-Gymnasium in Wolfsburg.Tatort: Wolfsburger als Regisseur erfolgreich. Wolfsburger Allgemeine Zeitung, retrieved, 29 April 2015 He attended the Hochschule für Bildende Künste Braunschweig from 1990 to 1991 and then transferred to the Tisch School of the Arts at New York University, where he finished his studies in directing in 1994.Edward Bergers Profil bei der Agentur Die Agenten, retrieved, 20 January 2014 At NYU, he created numerous short films, which were screened at many international film festivals.
From 1926 to 1938, Wallerstein also was Regisseur of the Salzburg Festival, where he worked for eleven consecutive summers, while continuing in his post at the Vienna State Opera. His career flourished despite rising political unrest in Austria. By the summer of 1938, however, the Festival was firmly under Nazi control. Productions by Wallerstein, Herbert Graf, and Margaret Wallmann—all regarded as "non-Aryans"—were replaced by productions that were regarded as "racially pure" and presented in the newly reconstructed Festspielhaus.
Nicholas Grigoryevich Sergeyev (1876-1951) (, variously written in the Latin alphabet as Nicholas or Nikolai Sergeev, Sergueev or Sergueeff etc.) was a Russian ballet dancer, choreographer and teacher, and regisseur of the Imperial Ballet at the Maryinsky Theatre, St Petersburg. He fled Russia in 1919 and spent the rest of his life in the west, producing ballets for many of the leading western companies of the time. He is remembered for preserving what is now called the Sergeyev Collection for future generations. Sergeyev was born September 15, 1876 in St Petersburg.
He was born Aloys Anderle at Libitz (now Libice nad Doubravou) in Bohemia. His voice, though not powerful, was extremely sympathetic in quality. He went to Vienna in the hope that his talents would be recognised there, but it required all the energy and influence of the singer, at that time Ober-Regisseur to the Theater am Kärntnertor, before he was allowed to appear there. He appeared for the first time on 22 October 1845 as Stradella in the opera of that name, though with no previous experience of the boards whatever.
334 This gave rise to the role of the director in modern theatre, and Germany would provide a platform for a generation of emerging visionary theatre directors, such as Erwin Piscator and Max Reinhardt. Simultaneously, Constantin Stanislavski, principally an actor-manager, would set up the Moscow Art Theatre in Russia and similarly emancipate the role of the director as artistic visionary. The French regisseur is also sometimes used to mean a stage director, most commonly in ballet. A more common term for theatre director in French is metteur en scène.
He appeared at all the principal Lower East Side theatres in the Yiddish Theater District: the Thalia Theatre, the People's Theatre, and the Windsor Theatre. In 1899 he was awarded the Thalia Theatre in a divorce settlement from his wife Jennie.David Kessler Divorce Suit The New York Times Kessler's Thalia Theatre was located at 46-48 Bowery between Bayard and Canal Streets, across the street from the Windsor Theatre in Manhattan.Museum of Family History He was listed as being the Lessee and Manager; Sigmund Mogulesko is the Regisseur and B. Young is the theatre manager.
Maiwald experienced the Second World War as a small child. Before he was three, he had been bombed out of three homes in Cologne "In Köln wurden wir dreimal ausgebombt." kölninside.de Interview with Armin Maiwald. Retrieved November 13, 2010 and fled with his mother and infant sister to Silesia. They stayed there from 1942 to 1945, when the Russians came, then fled to DresdenAchim Bodgan, Radio interview with Armin Maiwald (mp3) Bayerischer Rundfunk 2. "Armin Maiwald, Autor, Regisseur und Produzent: Mit der 'Maus' groß raus" (January 20, 2010) Retrieved November 18, 2010 and were there when it was bombed, shortly after Maiwald's fifth birthday.
At the age of 21, the six foot actor was thus cast as Ulrich (Ulli) Prozeski. After three and a half years and 342 episodes on Verbotene Liebe, Stenschke left the series and recorded a CD single, Just When I Needed You Most.CD Singles Jacket, Edel Records 2000 In 2001, he applied for and was accepted among 800 entrants for admission to the prestigious Filmakademie Baden- Württemberg in Ludwigsburg.Stuttgarter Zeitung,"Vom Teenieschwarm Zum Regisseur" by Kerstin Ruchay, 29/9/2005 At the same time, he had guest starred on a weekly serial, Die Anrheiner, and was then asked to join the regular cast, taking the role of Ben Merker.
German film critics responded very positively to the film and praised the film's combination of artistic values with mass appeal. In the weekly newspaper Die Zeit Hans-Christoph Blumenberg called the film "the most accessible (and thus most commercial) and mature work of the director"., "dem zugänglichsten (und damit auch kommerziellsten) und reifsten Werk des Regisseur" Karena Niehoff wrote in the daily newspaper Süddeutsche Zeitung that The Marriage of Maria Braun "is a charming and even amusing film, at the same time extraordinarily artful, artificial and full of twists and turns"., "ein richtig charmanter und sogar witziger Kinofilm und zugleich ungemein kunstvoll, künstlich und mit Falltüren noch und noch" Hanna Schygulla was praised by many film critics.
At the State Opera in Vienna, where Wallerstein continued working during the winters, he evaded an arrest by the Gestapo and fled to Italy where he already had contracts with Teatro Reale in Rome and Maggio Musicale Fiorentino in Florence. Both contracts, however, were cancelled by Nazi Germany's crackdown on every aspect of Italian life. Wallerstein then traveled to Amsterdam to join his colleague, Bruno Walter, who had found both political refuge and artistic work. Walter was preparing to conduct Don Giovanni and invited Wallerstein on board as Regisseur. During Wallerstein’s tenure in Holland, he was named professor at the Royal Conservatory of The Hague and, also, at the Conservatory in Amsterdam.
When Alexandre de Ségur married Marie-Thérèse de Clauzel, Latour became a part of his vast property, to which he also added Château Lafite in 1716, just prior to his death. In 1718 his son Nicolas-Alexandre de Ségur added Château Mouton and Château Calon-Ségur to his holdings and began producing wines of great quality. The widespread reputation of Latour emerged at the beginning of the 18th century when its status was established on export markets such as England, alongside chateaux Lafite, Margaux and Pontac. With the death of Nicolas-Alexandre Ségur in 1755 the estate was divided among four daughters, three of whom inherited Latour in 1760, and with absent landlords, Latour was managed by a regisseur charged with efficient administration and thorough correspondence with the owners.
The founder, Ramiro Guerra Suarez, widely known as the grandfather of modern dance in Cuba, Pedro de la Hoz. "Ramiro Guerra a los 90: eterno, lúcido, fundador", Granma, 29 June 2012 is a dancer, dance teacher, choreographer and dance researcher who has published Appreciation of Dance in 1969, The Theatricalization of Folklore and Other Essays in 1989 and Dancing Caliban in 1998. The current membership includes Director Miguel A. Iglesias Ferrer and Regisseur Isidro Rolando Thondike, with Maîtres Luís Roblejo, Dulce María Vale, Isabel Blanco, Margarita Vilela, Luz M. Collazo, Theo clikard and Yoerlis Brunet. The choreography is provided by Resident Choreographers are Isidro Rolando, Jorge Abril, Lidice Nunez, George Céspedes, Julio César Iglesias and Osnel Delgado and Invited Choreographers Jan Linkens, Joaquín Sabaté, Gianni di Cicco, Kenneth Kvamström, Samir Akika, Cathy Marston, Rafael Bonachela and Mats Ek.

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