Sudu refashions it into finer yarn, which is then woven into scarves.
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Which is to say the machine constantly refashions the very threat it was designed to eliminate.
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Lang uses a combination of these two metrics as he fashions and refashions a cicada, a classic origami shape.
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The version by Jonas Dominique, played to the hilt here, refashions four of the dances into a shameless, brilliant showpiece.
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Perdomo's vibrant diction refashions the high lyric, drawing on local cant to render the intimacy of home, friendship, and shared loss.
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While his parents are divorcing, Warren lets his athletic scholarship slide and refashions himself as a James Dean rebel and small-time thief.
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Under Mayor de Blasio, New York City recently began an innovative program that refashions old public pay phones into Wi-Fi hot spots.
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At the foundry, Mr. Aceves retouches waxes and refashions pieces alongside the artisans who cast his creations, continuing the region's age-old collaborative tradition.
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And at her worst, Hollis refashions her own (apparently resolved) struggles into astonishingly harsh instruction for other women, under the guise of women's empowerment and tough love.
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In his new film, writer and director Paul Thomas Anderson ("There Will be Blood", "Magnolia" and "Boogie Nights") unpicks and refashions these well-worn tropes into something new.
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What follows is the film's funniest scene, as the suddenly spry Amy, in an attempt to save her friends, refashions sausages into nunchucks and sandwich tinfoil into explosives.
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Because ultimately Trump's campaign is tactile — a blind gnawing at the future from one moment to the next as he flips policy positions, refashions fact and history, and eschews careful vision.
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One installation that stands out despite its quiet nature is Azikiwe Mohammed's "Our Futures A Present #1," which refashions a corner of a room into a dark sanctuary for African Americans.
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The new film gives Baywatch the 21 Jump Street treatment, which is to say that it refashions the old show as an R-rated comedy peppered with ridiculous action and knowing winks.
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One adviser to Mr Anwar even worries that unless UMNO, now in disarray, refashions itself as a nimble opposition, the new coalition might fall for the "seductions of power" and reforms might slow.
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The noisy and acrimonious campaign over leaving the bloc played on inchoate fears in Europe and much of the developed world: dismay over globalization at a time of intensified competition for jobs, and angst over immigration as it refashions conceptions of national identity.
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In much the same way, Mr. Bartlett responds to Chekhov even as he refashions him, any temporal divide bridged by one's awareness that humankind viewed in its tragicomic amplitude is as rare and wondrous in today's theater as it was a century ago.
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Before leaving, the family take Grampa to a socialized tattoo parlour, where the tattoo artist refashions his Mona tattoo for free into a lemonade tattoo, giving him a new outlook in life.
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He refashions it thus: :Who controls the Rimland rules Eurasia; :Who rules Eurasia controls the destinies of the world. Therefore, British, Russian, and US power would play the key roles in controlling the European litoral and there the essential power relations of the world.
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Psyche in the grove of Cupid, 1345 illustration of the Metamorphoses, Biblioteca Apostolica VaticanaManuscript Vat. Lat. 2194, Biblioteca Apostolica Vaticana. The story of Cupid and Psyche was readily allegorized. In late antiquity, Martianus Capella (5th century) refashions it as an allegory about the fall of the human soul.
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McGrew, Rebecca. "Liz Young", Museum Exhibitions, Claremont, CA: Pomona College Museum of Art, 1999. Retrieved May 17, 2019. Her work combines fabricated elements (ranging from welded cages and hand-crafted nails to clothing and taxidermy animals), organic materials, and familiar objects evoking memory, which she refashions and recontextualizes.
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The Strada EE (semi- automatic) is introduced in January 2014. In 2013, the Linea PB, named after the machine's designer Piero Bambi model is introduced at the Boston SCAA conference. The Linea PB refashions the Linea Classic and is distinguished by a new proprietary software platform which controls brewing time and volume. The Vulcano Swift grinder is introduced as well and incorporates the Swift technology with the design of the Vulcano.
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She started to wonder if she was able to portray the sound of intangible objects like emotions or senses. This has become the essential reason she created this series. She takes traditional music dynamics and refashions them into music notes. In one of her drawings, The Sound of Obsessing, Kim uses the symbol “p” to represent the sound of piano and indicate the note is played quietly. As more “p” appears, the notes are played more quietly.
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Amongst Women refashions characters, themes and situations from The Barracks and The Dark, McGahern's first two novels. For example, Moran resembles the character Mahoney in The Dark and Reegan, the bitter IRA veteran in The Barracks. McGahern's autobiography Memoir (2005) makes clear the influence of his early life on his work. His much-loved mother Susan died when he was a child, leaving McGahern and his siblings in the care of his father – a former IRA member – who was an authoritarian and self-absorbed Garda (policeman).
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His Body of the Dead Christ in the Tomb of 1522 expresses a humanist view of Christ in tune with the reformist climate in Basel at the time.Buck, 32–33; Wilson, 88, 111; Ganz, 8; Bätschmann & Griener, 88–90. Holbein knew Grünewald's Lamentation and Burial of Christ at Issenheim, not far from Basel, where his father had worked in 1509 and between 1516 and 1517. The Dance of Death (1523–26) refashions the late-medieval allegory of the Danse Macabre as a reformist satire.
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With the help of the dwarf smith Brom, she refashions her psypher into a weapon powerful enough to destroy Odin's psypher, winning a battle against him and taking Titrel. She also breaks Ingway's curse, and the two grow attached to each other. Titrel is subsequently stolen by Gwyndolyn, who uses it as a bargaining chip to rescue Oswald from Odette, who is killed by Gwyndolyn. Initially torn between love for Oswald and duty to Odin, Gwyndolyn defies her father and leaves with Oswald and Titrel, which now acts as a symbol of their love.
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Therefore, storytellers in England adapted legends of Charlemagne and his 12 Peers to the Arthurian tales.Charlemagne, King Arthur and Contested National Identity in English Romances Modelling his narrative on earlier Middle English texts, the English AMA-poet, appropriates aspects of the historical reality of Charlemagne and refashions them to fit Arthur, creating a hero that the English can claim as their own. In the Divine Comedy, the spirit of Charlemagne appears to Dante in the Heaven of Mars, among the other "warriors of the faith".Dorothy L. Sayers, Paradise, notes on Canto XVII.
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Game Revolution editor Nick Tan praised Kirby's Epic Yarn (amongst other games) as a great revival, commenting that (unlike the other titles) it completely refashions the character Kirby. He compares the graphical style to Yoshi's Story, describing it as a "ball of whimsy" and calling it a "certified winner" of E3. Siliconera editor Jenni agreed, stating that she was excited to play the game after seeing its trailer, commenting that the game looked great on the HDTV she played it on. GamesRadar editor Brett Elston described Epic Yarn as the "cutest, most charming game" for the Wii.
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A few years later in 1993, Itō explicitly played out the metaphor of poet as shamaness in her long narrative poem , in which she takes a story recorded from a shamaness in Tsugaru in the early 20th century and refashions it into a dramatic new myth of healing from sexual abuse and self-discovery.Jeffrey Angles, "Reclaiming the Unwritten: The Work of Memory in Itō Hiromi's Watashi wa Anjuhimeko de aru (I Am Anjuhimeko)," U.S.-Japan Women's Journal, vol. 32 (2007): 51–75. For a translation, see Hiromi Itō, Killing Kanoko: Selected Poetry of Hiromi Itō, (Notre Dame, IN: 2009), pp. 99–115.
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The Psycho-Pirate has been whisked away from his mission to protect a cosmic tuning fork, and Red Tornado and the Flash are similarly teleported away. The Anti-Monitor has kidnapped them and refashions Red Tornado's body into a weapon, telling him that he is more than a machine and even more than a man (which Red Tornado does not understand). Under the Anti-Monitor's control, he wreaks destruction on a massive scale across Earth- One and Earth-Two (which have been temporarily saved from destruction) before he is torn apart by a number of heroes.Crisis on Infinite Earths #5 (August 1985).
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Ten further designs were added in later editions. The Dance of Death (1523–26) refashions the late-medieval allegory of the danse macabre as a reformist satire, and one can see the beginnings of a gradual shift from traditional to reformed religion.Wilson, 96–103. That shift had many permutations however, and in a study Natalie Zemon Davis has shown that the contemporary reception and afterlife of Holbein's designs lent themselves to neither purely Catholic or Protestant doctrine, but could be outfitted with different surrounding prefaces and sermons as printers and writers of different political and religious leanings took them up.
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Nor is it any longer > possible to ask whether or not these particles exist in space and time > objectively ... When we speak of the picture of nature in the exact science > of our age, we do not mean a picture of nature so much as a picture of our > relationships with nature. ...Science no longer confronts nature as an > objective observer, but sees itself as an actor in this interplay between > man and nature. The scientific method of analysing, explaining and > classifying has become conscious of its limitations, which arise out of the > fact that by its intervention science alters and refashions the object of > investigation. In other words, method and object can no longer be separated.
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The revised and expanded second edition (1996) includes two additional chapters, which critique Richard Herrnstein and Charles Murray’s book The Bell Curve (1994). Gould maintains that their book contains no new arguments and presents no compelling data; it merely refashions earlier arguments for biological determinism, which Gould defines as “the abstraction of intelligence as a single entity, its location within the brain, its quantification as one number for each individual, and the use of these numbers to rank people in a single series of worthiness, invariably to find that oppressed and disadvantaged groups—races, classes, or sexes—are innately inferior and deserve their status”.Gould, S. J. (1981). The Mismeasure of Man pp. 24–25.
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Helland states that the Ground Crew resorted to “many of the classic strategies to avoid prophetic disconfirmation and [consequent] cognitive dissonance.” For instance, he employs face-saving strategies such as “disclaimers”, and “exploits the full gamut of the ‘vocabulary of temporality.’” In general, Nidle has managed the failed prophecy by engaging in what J Gordon Melton states is a reconceptualization through the process of spiritualisation: a UFO landing with advanced technology is changed into a need to raise humanity spiritually by humans themselves. In the case of the Ground Crew, Nidle “refashions his following from a passive audience of ‘netheads’ waiting to be ‘zapped’ by a superior alien technology into involved participants” who form committees of activists helping Mother Earth and humanity.
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And that's about all you can say for Skyline." Screen Rant's Ben Kendrick wrote that the film "comes across as a big-screen B-movie with a convoluted plot and too limited of a scope to make the audience feel the worldwide alien-apocalypse that’s supposedly unfolding in the film". In the New York Times, Mike Hale concluded, "it turns out that all the running and hiding and chopping (there’s an axe) was beside the point, which is the sort of thing that can make you angry if you care about the characters, but in this case is kind of a relief." There were some positive reviews, including Matthew Sorrento's at Film Threat, who commented, "Skyline, if not always successful, refashions the modern alien invasion motif as the hopeless siege that it should be.
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In August 2008, Rebecca Armstrong of The Independent named Spook Country as one of the "Ten Best Thrillers". Mike Duffy felt that although the novel was less overtly science fiction than Gibson's earlier novels, it retained their "wit, virtuosity and insights", and had "the same giddy mix of techno- fetishism, nuanced edge and phraseological finesse which enlivened his previous work". "Spook Country, in essence," pronounced The Telegraphs Tim Martin, "is a classic paranoid quest narrative, but one that refashions the morbid surveillance tropes of the Cold War for a post-Iraq era". Ken Barnes of USA Today found that "[l]andscapes, events and points of view shift constantly, so that the reader never truly feels on solid ground", but judged the novel to be a "vivid, suspenseful and ultimately coherent tale".
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