It seems like we're in a period of recontextualizing things.
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It feels like dismissals or recontextualizing it is not addressing it.
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Her recontextualizing of overly sexualized women characters from old video games is subtle.
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I'm more interested in dismantling and taking the multiple myths apart and recontextualizing them.
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It throws their motivations into question, recontextualizing their decency as something far more sinister.
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Recontextualizing these images in distant lands and in spaces deemed safe by viewers unmasks their innate horror.
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Merriam on Kamala Harris: Part of contemporary design is recontextualizing design aesthetics of the past for today.
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There are plenty of Twitter memes that function around recontextualizing quotes — for example, the progressive "she persisted" meme.
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Recontextualizing the potentially dowdy, puffed-sleeved, floor-grazing style has been key in reselling it to a new generation.
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Fans produce art and original fiction that responds to their favorite franchises, reinterpreting and recontextualizing particular characters and relationships.
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I like the idea of recontextualizing music that isn't necessarily club oriented by making it work on the dancefloor.
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It might be understood as recontextualizing the global art apparatus in the setting that has historically underwritten its development.
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He'll be performing solo, playing some of his own compositions and recontextualizing others, with the music being recorded for a forthcoming album.
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Most of us are in our early-to-mid 143s, and so much of what we were raised on was recontextualizing other media.
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The game continually highlights this sort of reinvention, of taking something from the past and recontextualizing it as something useful for the present.
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There have been increasingly impassioned calls for the relocation and recontextualizing of Confederate monuments and flags throughout the United States in recent years.
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TikTok has proven how recontextualizing a song or vocal track with new visuals can create chains of jokes and content that go massively viral.
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Vesna Pavlović turns to the post-war history of her native Yugoslavia, recontextualizing black-and-white archival imagery in her series Fabrics of Socialism.
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Her creations explore the melting point between the virtual and the real, recontextualizing and questioning ever-evolving IRL/URL boundaries with her digitally-minded approach.
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"Fast Slow Disco" remixes Masseduction's Jack Antonoff-produced "Slow Disco," scrapping the string-accompanied original for parts and recontextualizing them over a lizard-brain beat.
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The movie is a Marvel mixtape, combining the very best of everything that's come before, but recontextualizing the individual parts to tell its own unique story.
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Secor's The Diversity of Nature similarly unravels the multitudes of female anatomy with dozens of exhaustive artworks, recontextualizing them with fresh points of view and surroundings.
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Both the lectures and the live paintings serve Alex and Allyson's ultimate goal of recontextualizing psychedelics and raving as sacred rituals utilized for thousands of years.
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Laxton argues that Atget's photographs deployed the idea of play by recontextualizing ordinary, shabby, often discarded objects to imbue them with a sense of the uncanny.
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"Fact-checking," in these situations, is more of a recontextualizing — there's a reason articles on sites like PolitiFact tend to run for thousands and thousands of words.
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Traumatic sexual experiences and harassment that I had spent years recontextualizing as funny stories were coming flooding back to me; I was depressed and really fucking mad.
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I learned more about my identity recontextualizing the characters in the X-Men films and comic books than I did from seeing straight actors play gay in Brokeback Mountain.
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Jean Shin: Collections is a great introduction to the artist for those who do not know her work, but encounters the pitfalls of recontextualizing public art within museum settings.
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Jean Shin: Collections is a great introduction to the artist for those who do not know her work, but encounters the pitfalls of recontextualizing public art for museum settings.
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The whole thing is shot in an empty Louvre, in what seems to be a continuation of Beyoncé's recent interest in reinterpreting and recontextualizing the art of the Western canon.
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Even "Passionfruit" itself knows it's great; recontextualizing a stray adlib from one of Chicago techno legend Moodymann's sets to give the impression that DJs are already winding this song back in parties.
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" Instead, White Wolf focused on recontextualizing the game by employing Bryk to add a mature content warning at the top and a five page appendix at the back titled "Advice for Considerate Play.
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Sometimes, the recontextualizing wasn't needed—is there any purer pleasure (other than watching Twin Peaks: the Return, that is) than watching Sharon Van Etten lean into her cathartic "Tarifa" as the credits roll?
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Baloji's work is the most historical: it remakes the genre of the colonial portrait by taking ethnographic and colonial images of Congolese people, recontextualizing them within European watercolors that were made of the region.
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Mottahedeh sees the younger generation embracing meme culture as the political intervention of the moment, recontextualizing politics through viral images and bringing them into the real world through the protest posters of marches and demonstrations.
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Advertise on Hyperallergic with Nectar Ads TORONTO — Chinese artist Xu Bing has made a career out of appropriating and recontextualizing objects and cultural artifacts, while playing with a viewer's sense of recognition of such materials.
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The early portions of this scene snap into the wide-lens close-ups that dominated season one, immediately recontextualizing this once again as June's story, rather than utilizing the wider shots that have dominated season two.
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The filmmakers behind Ocean's 8 and Ghostbusters were also content to riff on their predecessors' work rather than recontextualizing it, but those films at least had a glow of female camaraderie and a lot of star chemistry.
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This is different from other politicians using weasel words or vague statements or recontextualizing something—Trump lies about everything from giving to charity to the size of the crowds he draws to whether American Muslims cheered on 9/11.
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When I was coming up in the '80s, postmodernism was primarily aesthetic, not theoretical: this visual mash-up of "no new tale to tell," the whole mix that comes from pulling references from any and all eras and recontextualizing them.
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"My Brilliant Friend" was one of three new theatrical adaptations I recently caught at the National, each of which inevitably inspired reflections on their differences from the works that inspired them and the perils and pleasures of recontextualizing the familiar.
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For the last ten years, the artist Rico Gatson has carefully cut out well known black and white images of celebrated black politicians, writers, musicians, boxers, and civil rights leaders, recontextualizing them from the cultural and political realities that define them.
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Simply titled "Oldenburgs," the show's 10 large-scale photographs represent Core's examination of the relationship between art and food, specifically the ubiquitous practice of photographing all things consumable, by cheekily recontextualizing Oldenburg's familiar yet grotesque works into photographs for today's Instagram era.
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Exquisite Ghost, a Winnipeg producer of the Peguis First Nation, manages to flip that theme on its head with his new two-part single "The Heart," recontextualizing seemingly random glitch as something literally natural, a possible extension of the planet's very will.
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When it works, like the season 23 revelation that the Man in Black (Ed Harris) is actually William (Jimmi Simpson) 30 years later, the pieces fit together with a satisfying click, recontextualizing what came before and sending the characters off in intriguing new directions.
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So when Beyoncé shoots at the Louvre — taking on by turns the poses of Venus de Milo and Victory — she's continuing an artistic project of recontextualizing classical Western art, of making herself the aesthetic object on which so much wealth and cultural capital has been spent.
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"Sister," the first single, is a good jumping off point with a very British new video, but everything about this album came from Thorn reflecting on her long career and rethinking/recontextualizing the various forms of discrimination she faced as a female artist in a male-dominated industry.
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In retrospect, many of these exercises in borrowing and reassigning meaning to his repurposed materials — sometimes appearing as essays in ambiguity and often incorporating visual or verbal puns — may be seen as textbook examples of postmodernist appropriationist and recontextualizing gestures, long before similar self-conscious pomo "strategies" had a name.
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And this "Mies Julie," set in post-apartheid South Africa, allows those audience members left reeling by Ms. Farber's own, more intense staging of the show six years ago (at St. Ann's Warehouse in Brooklyn), to grasp more easily the rhyme and reason of her political recontextualizing of a dark classic.
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Instagram gives all iOS users the ability to publish a post to several of their own accounts at once Instagram gives all iOS users the ability to publish a post to several of their own accounts at once Recontextualizing posts uniquely for different accounts or networks is some of the most common social media guru advice.
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By hearkening back to ancient Greco-Roman methods of mark making, Brown presents a meditation on how objects are historicized, represented, and abstracted in a museological context. Recontextualizing everyday objects from her childhood as fine art confers a different status upon them, and celebrates the emotions that these objects conjure: desire, aspiration, hope.
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A cuttlefish employing camouflage in its natural habitat. Cephalopod intelligence is a measure of the cognitive ability of the cephalopod class of molluscs. Intelligence is generally defined as the process of acquiring, storing, retrieving, combining, comparing, and recontextualizing information and conceptual skills. Though these criteria are difficult to measure in nonhuman animals, cephalopods seem to be exceptionally intelligent invertebrates.
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He participated in the DAAD Artists-in-Berlin Program and 2015 Venice Biennale, and received the 2016 Bremen Böttcherstraße Art Award. His work has exhibited at the Brooklyn Museum, American National Museum of African Art, Menil Collection, Casino Luxembourg, and Kiasma. Critics noted his soundscapes' chaos and complexity, and his focus on recontextualizing rather than transforming the city's sounds.
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Many scholars have expressed different interpretations about why she used her partner's unwanted canvases. Some assert that she simultaneously demonstrated her admiration for his art while also recontextualizing his aggressive physicality through manipulating his images into a collage form.Landau, Ellen G. "Channeling Desire: Lee Krasner's Collages of the Early 1950s", Woman's Art Journal, Vol. 18, No. 2 (Autumn, 1997 – Winter, 1998): 27 – 30. JSTOR. Web.
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Joseph Jomo Pierre, also credited as Joseph Pierre, is a Trinidadian-Canadian actor and playwright."Q&A;: Joseph Jomo Pierre on hip-hop and Shakespeare". The Globe and Mail, February 8, 2013. He is best known for his 2013 play Shakespeare's Nigga, a play which explored racism by recontextualizing two Moorish characters from the plays of William Shakespeare, Aaron from Titus Andronicus and Othello from Othello, as slaves actually owned by Shakespeare in real life.
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Diaspora was also a major exhibition, which opened in New York at the Brooklyn Museum in 2003 and traveled to nine other cities in America, Europe and Mexico. In reviewing the book, The New Yorker wrote: "Brenner's work—elegiac, celebratory, irreverent—transcends portraiture, representing instead a prolonged, open-ended inquiry into the nature of identity and heritage." NPR's Robert Siegel has described Brenner's work as "a celebration of the diversity and complexity of diaspora." In 2006, Brenner founded This Place, a collective photography project aimed at recontextualizing Israel from multiple perspectives.
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The works are further complicated by the juxtaposition of illusionary shadows on the painted wall with real shadows, and by the multiple planes of illusionary and real space.Osberg, Annabel, "Recontextualizing Pieces of Art History and Scraps of Everyday Life," Huffington Post, May 16, 2014. In the "Re-mixes," Klamen warped well-known works by Monet, Picasso, Sargent and others, transforming them into jarring images that suggest liquefaction, visually, and art history in a state of flux, conceptually. Klamen created both individual paintings and multi-canvas installations in this series.
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Some of the more conspicuous samples of other artists to be found in Forrest's work include ones from Laurie Anderson, The Who, Supertramp, Steely Dan, Joe Jackson, Elton John, Creedence Clearwater Revival and Pat Benatar. This (along with his former stage name) shows his interest in appropriation as an artistic concept. Along with many images featured on the Cock Rock Disco web site it also shows his interest in recontextualizing popular culture from past decades. Forrest grew up in South Carolina, has lived in Atlanta and New York City and now (Winter, 2009) resides in Berlin.
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Although LL Cool J himself is not mentioned in the song, his works "I Can't Live Without My Radio", "Going Back to Cali" and Walking with a Panther were referenced. Chuck D of Public Enemy, who was at Greene Street to record Fear of a Black Planet, contributed to the call-and-response middle section. The production's musique concrète-influenced approach reflected Sonic Youth's inclination to record sound collages that feature varying rhythms and overdubbing. "Mildred Pierce" and "Scooter & Jinx" were worked out from methods that involved the band members reconfiguring and recontextualizing different types of sound in the studio.
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In the 21st century, the NFB launched a project to counter the sometimes colonialist outsider perspectives reflected in many of its old documentaries on First Nations and Inuit cultures by commissioning indigenous filmmakers to make their own new films responding to and recontextualizing the older films.Dana Gee, "Short film celebrates return of totem pole raising in Haida Gwaii after a century of banishment". Vancouver Sun, December 20, 2019. Christopher Auchter's Now Is the Time, a response to This Was the Time which mixed footage from the original film with contemporary footage including Davidson's own reflections on the project, was released in 2019.
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Rorty views Proust, Nietzsche, and Heidegger each as different types of ironists. In Remembrance of Things Past, Proust almost perfectly exemplifies ironism by constantly recontextualizing and redefining the characters he meets along the way, thus preventing any particular final vocabulary from becoming especially salient. Nietzsche is an ironist because he believes all truths to be contingent, but he tends to slip back into metaphysics, especially when discussing his superman. Heidegger is an ironist because he has mostly rejected metaphysics, but his discussion of elementary words forces him to propose a generality that cannot be considered contingent or ironic.
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Bezemer and Kress, two scholars on multimodality and semiotics, argue that students understand information differently when text is delivered in conjunction with a secondary medium, such as image or sound, than when it is presented in alphanumeric format only. This is due to it drawing a viewer's attention to “both the originating site and the site of recontextualization”. Meaning is moved from one medium to the next, which requires the audience to redefine their semiotic connections. Recontextualizing an original text within other mediums creates a different sense of understanding for the audience, and this new type of learning can be controlled by the types of media used.
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The Bran Flakes make extensive use of sampling, recontextualizing the samples into new works, often resulting in ironic statements about modern pop and media culture. The group scours thrift shops for obscure and quirky LPs; some of their songs also make use of recognizably famous basslines, television shows, and soundtracks from video games. The unauthorized nature of such sampling has prevented much of the band's work from official commercial release. However, they did contribute six tracks to the fully authorized Raymond Scott Rewired, an album of Scott remixes (including tracks by The Evolution Control Committee and Go Home Productions) which was released in February 2014 on the Basta label.
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Schizophonic mimesis is a term coined by Steven Feld that describes the separation of a sound from its source, and the recontextualizing of that sound into a separate sonic context. The term in and of itself describes how sound recordings, split from their source through the chain of audio production, circulation, and consumption, stimulate and license renegotiations of identity in an ethnomusicological perspective. The term is composed of two parts: schizophonia and mimesis. Firstly, schizophonia, a term coined by Canadian composer R. Murray Schafer, refers to the split between an original sound and the reproduction/transmission of this sound, be it in a recording, a song, etc.
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Although it is structured similarly, We're New Here eschews the original album's stark style and lo-fi production for bass-driven, musically varied production and sonical illumination of Scott-Heron's vocals. It has been noted by music writers for recontextualizing Scott-Heron's narratives in Jamie xx's own musical influences and tastes. The album did not chart in the United States, but debuted at number 33 on the UK Albums Chart, on which it spent two weeks. It was promoted with a multi-format release, including a limited edition box set, and the release of two singles, "NY Is Killing Me" and "I'll Take Care of U". We're New Here received universal acclaim from critics upon its release.
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Stoklasa's reviews have been considered part of an emerging art form that hybridize mashup with video essays, as they use a combination of footage from the movie in question and other related sources. Literary and cultural critic Benjamin Kirbach argues that Plinkett enacts a kind of détournement by recontextualizing images that would otherwise serve as Star Wars marketing material (such as behind-the-scenes footage and interviews). Defined by Guy Debord as "the reuse of preexisting artistic elements in a new ensemble", détournement is a way of generating meaning out of cultural texts that is antithetical to their original intent. Kirbach argues that Stoklasa uses this tactic to construct a subversive narrative that frames George Lucas as "a lazy, out-of-touch, and thoroughly unchallenged filmmaker".
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In 2013, Fosso unveiled his new series, The Emperor of Africa . In this series, Fosso “explores the relationship between Africa and China by recontextualizing icons of Mao Zedong” . Like many other self- portraits in The Emperor of Africa, the self-portrait of Fosso as Mao Zedong is seen as a reflection Mao Zedong's image, as well as a symbol of the economic interests Africa had with China . In Gabriel García Márquez’s novel, Autumn of the Patriarch, she describes Fosso’s Mao Zedong Portrait as an “ancestral figure and absent dictator” . Fosso not only portrays Mao Zedong as a liberator who is well-admired in Africa, but also as a founder “of a modern imperial behemoth” of China’s growing economy and cultural presence that is embraced throughout Africa .
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" Dean Van Nguyen of The Guardian wrote that the "lean soul sample" recalled West's 2013 single "Bound 2", while Chicago Tribunes Greg Kot commented that it evoked West's earlier music which had a "knack for astutely reviving and recontextualizing snippets of soul 'dusties.'" In a review for Clash, Will Rosebury felt the Whole Truth sample complimented the "incredible" song's thumping drums. Rawiya Kameir of Pitchfork wrote that despite Jesus Is King lacking the vulnerability which made West "a uniquely compelling artist," "Follow God" was an exception because it "prompts consideration, however shallow, of what it means to be 'Christlike.'" In her review of the album, Phoebe Luckhurst of the Evening Standard regarded "Follow God" as "the best of a fairly poor bunch.
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Since their inception Peter Nolan (through his Arbitrary Signs imprint) has consistently produced limited release cdr and tape snapshot documents of the Magik Markers studio/4-track recordings and live performances, all with original handmade artwork, intended for a small audience. With the increasing ubiquity of file sharing, the entire catalogue of long out of print cdrs became readily available. Gucci Rapidshare Download was created by downloading Magik Markers cdrs from websites where they had been posted and remixing and recontextualizing the sounds with newly recorded and archival material. In the same way the Magik Markers have at times blurred the line between performer and audience live, here they have attempted to switch out the authority of the producer and creator with the perceived ownership of the listener.
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In the mid-1990s, Harple became friends with songwriter and record producer Todd Rundgren, with whom he co-founded Context Labs, a media research company focused on exploring and developing new technologies intended to enhance and converge traditional media delivery systems for audio, video and music with the web. The company's name echoed Rundgren's and Harple's vision of "recontextualizing" the Internet by developing tools and products that helped process the vast amount of knowledge contained in it, "putting it into a context that derives the most meaning to each of us as individuals." Harple worked with Rundgren on many projects. Patronet embodied Harple's goal of a more personalized Internet experience where users could combine different parts of an artist or band’s web presence, such as video clips, band news or songs, to create an individualized context meaningful to them.
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Reconstructivism is a philosophical theory holding that societies should continually reform themselves in order to establish more perfect governments or social networks. This ideology involves recombining or recontextualizing the ideas arrived at by the philosophy of deconstruction, in which an existing system or medium is broken into its smallest meaningful elements and in which these elements are used to build a new system or medium free from the strictures of the original. Some thinkers have attempted to ascribe the term Reconstructivism to the post-postmodern art movement. In an essay by Chris Sunami, ("Art Essays: Reconstructivist Art") "reconstructivist art" is described as follows: One of the examples Sunami provides of this technique is the way some modern music incorporates deconstructed samples of older music and combines and arranges the samples in a new way as part of a new composition.
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In 1990 ABTV received the Special Prize of the Cuban Section of International Association of Art Critics (IAAC) for this exhibition. From July to December 1988, the Museo Nacional de Bellas Artes de La Habana ((MNBAC) (National Museum of Fine Arts of Cuba) presented a major exhibition of the work of Raúl Martínez (artist) under the “museological conception” of Corina Matamoros, specialist from the Museum. For young Cuban artists, Raul Martinez's work was a point of reference in the problem of recontextualizing international artistic trends within the rigid official discourse of national identity. For ABTV the National Museum presented the work of Raúl Martínez (artist) as a great socialist, colorful and pop propaganda billboard, which celebrated the social achievements of the Revolution while hiding the complex scaffolding of contradictions of a complex, at times violent, revolutionary process that the same artist had suffered and was somehow implicit in the author's representative irony.
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