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While donative practices may activate a cycle of reciprocity, gifts may remain unreciprocated. Each cultural intervention, exemplary or not, engages a "logic of practice" (Pierre Bourdieu) that encourages an infinite variety of exchanges or gifts, challenges, ripostes, reciprocations, and repressions. The logic of practice privileges agency in its unpredictability and provides, according to Habermas, an alternative to money and power as a basis for societal integration. Among the artists engaged in donative art practices and who are mentioned in Barber's writings are: Istvan Kantor, David Mealing, Yin Xiaofeng, REPOhistory, Kelly Lycan & Free Food, Bloom 98, WochenKlausur, Ala Plastica, Peter Dunn & Lorraine Leeson, Art Link, Hirsch Farm Project.
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The Mind is bipolar in that intellect and reason comprise the 'sense' and nous poeticos and nous patheticos, the dual aspects of the nous itself, "the inmost nature" of mind. :The flux and reflux of the mind in all its subtlest thoughts and feelings…in its inmost nature - in modes of inmost being - the tremulous reciprocations of which propagate themselves even to the inmost of the soul. (Biographia Literaria) For Coleridge, the mind was an action, a power not a thing, ('the mind's self- experience in the act of thinking') and in this power there are two powers, active and passive, with the imagination functioning in-between. :There are evidently two powers at work, which relatively to each other are active and passive; and this is not possible without an intermediate faculty, which is at once both active and passive.
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' This world beyond the confines of space and time involved an 'ethereal element' by means of which individual entities, at base non- material, could communicate via 'the tremulous reciprocations of which propagate themselves to the inmost of the soul'. And these tremulations operate on and between entities via one's deep desire (love-resonance) that creates a circuit between subject and object, such that one has access via an inner organ (Coleridge's "inmost mind" or Goethe's Gemüt) and the corresponding 'philosophic' or re-emergent Greek noetic organ. All knowledge for Coleridge rests on the "coadunation" of subject and object, of the representation in the mind (thought) of a sense experience with the object itself, which can only occur where there is a connection between subject and object ('a reciprocal concurrence of both') beyond pure sense-experience, such that the thought that arises out of 'the mind's self-experience in the act of thinking' produces not a representation but a phenomenon (in the Heideggerian sense) that is the re-enactment in the mind of reality (such as for Collingwood in his Idea of History) and as such is knowledge that is apodictic, heuristic and hermeneutic all at the same time.
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