That arrangement rationalises what was a mish-mash of disbursements under the old system.
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The stability has in part been correlated to differences in volatility between the lanthanide metals. In EuB6 and YbB6 the metals have an oxidation state of +2 whereas in the rest of the lanthanide hexaborides it is +3. This rationalises the differences in conductivity, the extra electrons in the LnIII hexaborides entering conduction bands.
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A nova species was created when the new thing had a new identity or name. NicholasNicholas, B. (1961). An Introduction to Roman Law, Oxford: Oxford University Press rationalises this rule by reference to the vindicatio which requires the vindicator to name the subject of the vindication. The rights over the old items became extinguished if one could not name the item and have the iudex recognise it in the thing.
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Some "reservations" were made about State prerogatives and special Commonwealth powers (like over taxation); the reservations eventually became subsumed within some general intergovernmental immunity rules to emerge as the Melbourne Corporation doctrine. The Court considered its earlier decision in D'Emden v Pedder,. which had been the foundation case for the original intergovernmental immunities doctrine. It has been said that the Engineers case attacks the reasoning in D'Emden, but rationalises the conclusion.
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Rather than admit his failure to reach the grapes, the fox rationalises that they are not really desirable. One commentator argues that the story illustrates the state of cognitive dissonance. The fox is taken as attempting to hold incompatible ideas simultaneously, desire and its frustration. In that case, the disdain expressed by the fox at the conclusion to the fable serves at least to reduce the dissonance through criticism.
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The Russian government disavow him and enlist Section 20's aid in finding him. The search leads them to the Philippines, where Kuragin brings down a Cold War-era satellite containing the launch keys to a chemical weapons facility in Azerbaijan. Kuragin intends to launch missiles carrying VX nerve gas at London to force Russia and the West into a war. He rationalises the inevitable destruction of Russia as necessary to restore its dignity.
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The Doctor suddenly deduces that the Pting was attracted to the ship looking for energy sources, its true food source. With this knowledge, she returns to the ship's power source where she rationalises it has a built-in failsafe bomb. Removing it, she primes the device and feeds it to the Pting, giving it ample energy before she jettisons it into space. Durkas safely brings the Tsuranga to the space-station, while Ryan and Graham help Yoss give birth successfully.
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She then concocts a plan to test Pearus. She sends her elderly messenger Lusca (the one-eyed) to tell Pearus how she dies for him, would willingly give herself to him, and is unfaithful to her husband. Shocked, Pearus rationalises that it is a test of his loyalty planned by his master, Decius, and proclaims that just as Lidia is loyal to the duke, so is Pearus. What follows is a diatribe from Lusca on the evil of women, the promiscuity of Lidia, and the decline of the state of marriage.
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The Doctor explains that if they can find the Isolus pod and provide it power, the alien will leave Chloe. A frantic Chloe draws the TARDIS and the Doctor, trapping them both in one of her sketches and forcing Rose to try to find the pod herself. She rationalises that the pod is located on the hottest spot on the street, a patch of fresh tarmac, and is able to dig it up, ignoring Kel's complaints about council stuff. Meanwhile, Chloe has caused the entire crowd at the Olympic stadium to disappear and now is set on making everyone in the world disappear.
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Hiroko becomes bitter and cynical, and one day tells Ayako of a rumour going around that if someone afflicted with the disease kills an ugly girl on the third Friday of the month, they might be saved. Ayako is scared by Hiroko's willingness to believe the rumour, but rationalises that Hiroko wouldn't want to kill anyone. As time goes by, more girls die, and no explanation is found. An alternate theory emerges that the spate of deaths may be the result of the impending 21st century, but the theory of it being an epidemic still persists.
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Venus Libertina ("Venus the Freedwoman"), probably arising through the semantic similarity and cultural inks between libertina (as "a free woman") and lubentina (possibly meaning "pleasurable" or "passionate"). Further titles or variants acquired by Venus through the same process, or through orthographic variance, include Libentia, Lubentina, and Lubentini. Venus Libitina links Venus to a patron- goddess of funerals and undertakers, Libitina; a temple was dedicated to Venus Libitina in Libitina's grove on the Esquiline Hill, "hardly later than 300 BC."See Eden, p. 457. Varro rationalises the connections as "lubendo libido, libidinosus ac Venus Libentina et Libitina" (Lingua Latina, 6, 47).
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A religious hierarchy implied by the seating arrangements of priests (sacerdotes) at sacrificial banquets. As "the most powerful", the rex sacrorum was positioned next to the gods, followed by the Flamen Dialis, then the Flamen Martialis, then the Flamen Quirinalis and lastly, the Pontifex Maximus.Festus rationalises the order: the rex is "the most powerful" of priests, the Flamen Dialis is "sacerdos of the entire universe", the Flamen Martialis represents Mars as the parent of Rome's founder Romulus, and the Flamen Quirinalis represents the Roman principle of shared sovereignty. The Pontifex Maximus "is considered the judge and arbiter of things both divine and human": Festus, p.
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Using John Wisdom's parable of the invisible gardener, Flew attempted to demonstrate that religious language is unfalsifiable. The parable tells the story of two people who discover a garden on a deserted island; one believes it is tended to by a gardener, the other believes that it formed naturally, without the existence of a gardener. The two watch out for the gardener but never find him; the non-believer consequently maintains that there is no gardener, whereas the believer rationalises the non-appearance by suggesting that the gardener is invisible and cannot be detected. Flew contended that if the believer's interpretation is accepted, nothing is left of the original gardener.
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When Admiral William Cornwallis tries to put him in a position where he can make easy prize money by capturing a large shipment of Spanish gold, he instead takes on a stronger enemy frigate sent to warn the convoy and keeps it from accomplishing its mission. Eventually, by superior seamanship and skill, he drives it away. Hornblower rationalises that this is poetic justice, after he had earlier connived to facilitate the escape of his steward, who was facing hanging for striking a superior officer (a punishment Hornblower could not abide). It later transpires that the ships were claimed by the Government as (Droits of Admiralty) so that Hornblower would not have profited in any case.
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227–228 The depiction of Dalila, and women, is similar to that in Milton's divorce tracts and, as John Guillory states and then asks, "We scarcely need to observe that Samson Agonistes assumes the subjection of women, a practice to which Milton gives his unequivocal endorsement; but is there any sense in which that practice of subjection is modified by the contemporaneous form of the sexual divisions of labor?".Guillory 1986 p. 106 A wife is supposed to help a husband, and the husband, regardless of the status of the woman, is supposed to have the superior status. In blaming Dalila, he rationalises his actions and removes blame from himself, which is similar to what Adam attempts in Paradise Lost after the fall.
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Peter Hammill, interviewed by Sounds, said: "It's just the story of the lighthouse keeper, that's it on its basic level. And there's the narrative about his guilt and his complexes about seeing people die and letting people die, and not being able to help. In the end – well, it doesn't really have an end, it's really up to you to decide. He either kills himself, or he rationalises it all and can live in peace... Then on the psychic/religious level it's about him coming to terms with himself, and at the end there is either him losing it all completely to insanity, or transcendence; it's either way at the end... And then it's also about the individual coming to terms with society – that's the third level..."Christopulos & Smart, 121.
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Unwittingly, he risks his life in service to the monarchists he most opposes; to himself, he rationalises these actions as merely helping the Marquis, his employer, whom he respects. Meanwhile, the Marquis's languorous daughter, Mathilde de la Mole, has become emotionally torn between her romantic attraction to Julien for his admirable personal and intellectual qualities and her revulsion at becoming sexually intimate with a lower-class man. At first Julien finds her unattractive, but his interest is piqued by her attentions and the admiration she inspires in others; twice, she seduces and rejects him, leaving him in a miasma of despair, self-doubt, and happiness (for having won her over her aristocratic suitors). Only during his secret mission does he learn the key to winning her affections: a cynical jeu d'amour (game of love) taught to him by Prince Korasoff, a Russian man-of-the-world.
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During the pregnancy, Gary and Phoebe get married. In his conversations with Ron, Gary rationalises that he is not a bigamist, even though he is married to two different women: since Yvonne was not born yet during World War II (when Gary is married to Phoebe), and since Phoebe appears to have died at some point before the present (when Gary is married to Yvonne), Gary considers himself faithful to both wives. He argues that 'my wives exist in different temporal aspects of a four-dimensional space-time continuum' although Ron considers this to be a 'typical bigamist's excuse'. As the series progresses, Gary finds himself in increasingly complex time travel scenarios; in one episode, he uses the time portal for what he assumes will be a routine trip back to the 1940s, but is surprised to find that he has actually gone back to the Victorian era.
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He had previously conceived these fortunate coincidences in his mind, powerfully wished for them to come to pass, but never actually did anything about them. By the time his wife's ancestral home was destroyed by a fire in a clothes cupboard, he had already imagined how he could cause such an accident and then profit from it by dividing the land on which the house stood into plots and covering it with homes for sale. Between this fortuitous occurrence and some chance misfortunes of his competitors, Solness comes to believe that he only has to wish for something to happen in order for it to come about.Master Builder, Act 2: "desiring...craving ...willing a thing...so persistently that it has to happen" He rationalises this as a particular gift from God, bestowed so that, through his unnatural success, he can carry out God's ordained work of church building.
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Another factor is the pressure she placed upon herself in her work; for instance, her breakdown of 1913 was at least partly triggered by the need to finish The Voyage Out. Virginia herself hinted that her illness was related to how she saw the repressed position of women in society, when she wrote in A Room of One's Own that had Shakespeare had a sister of equal genius, "she would certainly have gone crazed, shot herself, or ended her days in some lonely cottage outside the village, half witch, half wizard, feared and mocked at.” These inspirations emerged from what Woolf referred to as her lava of madness, describing her time at Burley in a 1930 letter to Ethel Smyth: Thomas Caramagno and others, in discussing her illness, warn against the "neurotic-genius" way of looking at mental illness, which rationalises the theory that creativity is somehow born of mental illness. Stephen Trombley describes Woolf as having a confrontational relationship with her doctors, and possibly being a woman who is a "victim of male medicine,” referring to the contemporary relative lack of understanding about mental illness.
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