"Radicalness and subversiveness today means creating something that grows and doesn't just shock."
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Lee's radicalness accounts for his famous "Non-Sculpture" (21958), made early in his career.
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Such affinities can mute the radicalness of some works; others retain their streetwise beauty.
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The second major threat to the court comes from the radicalness of Republican-appointed justices.
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"With the radicalness in that moment, I connected the dots and chose to bleed freely," she said.
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She also performed and posed nude, the radicalness of which was somewhat undercut by how conventionally attractive she was.
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To the Editor: "The Christmas Revolution" stops short of appreciating the full radicalness of the meaning of the incarnation for Christians.
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The artist André Masson once likened this large (153-by-6½ feet) canvas in its radicalness to Picasso's "Les Demoiselles d'Avignon" of 1907.
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Although I don't believe in labeling myself with one word, right now I'm into using the word "bisexual" because of its radicalness in our generation.
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Again, the skill level is extraordinary, but it is also worth reflecting on the radicalness of making art out of such a basic but seemingly unworkable premise.
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"She was making ambitious and innovative paintings that stood the test of time in their radicalness," says Paul de Froment, the director of the New York gallery.
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Understanding the full radicalness of the incarnation helps one understand the special attention that Pope Francis consistently gives to poor people and the most disadvantaged in our society.
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One late Friday night, while walking through a party, I was struck again by this sense of inclusion and safety, by the radicalness that is created inside these spaces.
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With Ms. Schumer subdued into a more vanilla version of the flawed women she skewers in her Comedy Central series, this film may not approach the radicalness of her best work.
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The movie's radicalness is that it gives equal time to each family — Mary J. Blige plays another mother — dynamically putting them into play to create a story told in black, white and deepest red.
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It's rule-breaking music, ignoring established forms in favor of meandering, blooming passages of melody and static, a radicalness underscored by the cast of collaborators here, which include both a rapper (Bladee) and a noise musician (Puce Mary), colliding on songs that are nominally ambient in nature.
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Davidson, The Best of Enemies, 88. However, King declined to do so, likely put off by its radicalness and activist agenda. Moore soon parted ways with the Dialectical Society. He earned his Bachelor of Sacred Theology in 1953 and his Master of Sacred Theology in 1958.
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Doillon's love for music was enkindled by her father: "When my parents split, I discovered with Jacques, his taste for eclectic and a strange form of radicalness in music. He would say: 'sit down, shut up and listen to the music' while playing records from Chet Baker, Billie Holiday, Siouxsie and the Banshees, Patti Smith and Nick Drake." She often quotes Bob Dylan, Leonard Cohen,Philippe Brochen. "Lou Doillon connaît la chanson". Libération.
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In the Meiji Restoration, English and French civil society was introduced, in particular, utilitarianism and social Darwinism from England, and popular sovereignty of Jean-Jacques Rousseau from France. The thinkers of the early Meiji period advocated the British Enlightenment values derived from Western civil society. They attempted to criticise Japanese traditional authority and feudalism. However they were finally in harmony with the government and accepted the modernization from the above without the radicalness.
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Memorial plaque - Synagogue in Körnerstraße Although already in 1925 Cologne was the capital of the NSDAP-Gau of Cologne-Aachen, many didn't realize the growing radicalness of this party. Still in 1927 the synagogue in Körnerstraße was built as the last construction of the Jewish community of Cologne by the architect Robert Stern. It was dedicated to "the glory of God, the truth of faith and the peace of mankind".Quoted from Johannes Maubach: Quer durch Ehrenfeld; Ehrenfelder Geschichtspfad, Teil 1.
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The period of Austrian and Prussian police-states and vast censorship before the Revolutions of 1848 in Germany later became widely known as the Vormärz, the "before March", referring to March 1848. During this period, European liberalism gained momentum; the agenda included economic, social, and political issues. Most European liberals in the Vormärz sought unification under nationalist principles, promoted the transition to capitalism, sought the expansion of male suffrage, among other issues. Their "radicalness" depended upon where they stood on the spectrum of male suffrage: the wider the definition of suffrage, the more radical.
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The Baron Haussmann's transformations to Paris improved the quality of life in the capital. Disease epidemics (save tuberculosis) ceased, traffic circulation improved and new buildings were better-built and more functional than their predecessors. The Second Empire renovations left such a mark on Paris' urban history that all subsequent trends and influences were forced to refer to, adapt to, or reject, or to reuse some of its elements. By intervening only once in Paris's ancient districts, pockets of insalubrity remained which explain the resurgence of both hygienic ideals and radicalness of some planners of the 20th century.
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During his time in Poland, he had earned a reputation for himself as the ruthless chief, who fought with such determination and mercilessness to eradicate any, and all, Nazi opponents. Historian Michael Wildt suggests a stark increase in the activation of Streckenbach’s radicalness from his time as a Gestapo chief in Hamburg to his first few months as the Head of Einsatzgruppe I in Poland. Wildt notes the difference in responsibilities, going from arrests, abuses, assaults and killings of prisoners to the mindset of extermination of large groups of people. More than just a racial justification, Wildt suggests that Streckenbach’s first few months as head of Einsatzgruppe I escalated into a murderous ideology that was unconceivable before this position.
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This work in detail deals with the notion of the criminal laws (in the meaning of "lex"), with nature and purpose of penalty and with the relations of delict and penalty. Castro therein presents not only the prescription of analogy and the principle of restrictive interpretation in criminal law, but, with his own radicalness, he acuminates the notion of penalty (poena) completely to the penalty for guilt, and, accordingly and for the first time in history, fits penalty with moral blame. His notion of penalty survives through the canonists Martin de Azpilcueta and Diego de Covarubias y Leyva in secular criminal law. After his death the collected works were published in Paris 1565 in four volumes.
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Under new program director and disc jockey Gregory "Greg The Mack Attack" MacMillan, hired in 1983 from KMJQ in Houston, added hip-hop to the station's playlist to appeal to mostly young black and Latino listeners. DJ Dr. Dre and DJ Yella Boy became the first mixer DJs at the station. Def Jam acts such as Run-DMC, The Beastie Boys, Whodini, The Fat Boys, E.P.M.D., 3rd Bass, and Public Enemy became popular in the United States; KDAY brought their sounds to a new audience on the West Coast. In 1987, KDAY was the first station to introduce N.W.A, a Compton-based rap group that had the fusion of both Ice-T's gangster energetic rhymes and Public Enemy's black powerful political radicalness.
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Later will write the prologue to Torres' show in the Galeries Dalmau in 1912 and includes frequent references of Torres's work in La Ben Plantada, the book which summarizes the ideology of the noucentista. But Torres is far from being an adherent of the ideology indicated by D'Ors; his evolution follows his own theoretical elaboration, explicit already in two texts published before the configuration of noucentisme as a trend around 1910: "Augusta et Augusta" (1904) and "La nostra ordinacio I el nostre cami" (1907). In Classicism, Torres searches for model of order, a language and an adequate cultural reference to overcome the realistic tendency of representation and to develop a Catalan art of capable of universal proportions. Objective which coincides with noucentisme, but Torres's radicalness paradoxically separate him from artists who follow this tendency — Sunyer, Canals, Aragay — and ultimately D'Ors.
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