How to use pulpiness in a sentence? Find typical usage patterns (collocations)/phrases/context for "pulpiness" and check conjugation/comparative form for "pulpiness". Mastering all the usages of "pulpiness" from sentence examples published by news publications.
But if it leans toward didactic overstatement and soap opera pulpiness, "Tamara" also delivers a surprising, intricately shaded portrait of an artist as a conflicted woman.
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In terms of the adaptation: I think that the pulpiness you pointed to is actually one of the biggest changes we see from page to screen.
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Once you get past its gray surface, "The Witcher" turns out to be delightfully unpretentious, reveling in its pulpiness and occasionally poking fun at its stoic hero with preposterously large muscles.
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But The Water Dancer builds itself around the tension of Hiram learning how to Conduct, and it imbues that problem with a kind of comic book pulpiness: There are glowing lights and training montages, and also Harriet Tubman shows up to do a little glowing of her own.
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Carlo Ridolfi quoted in The district about Pordenone had been somewhat fertile in capable painters; but Pordenone is the best known, a vigorous chiaroscurist and flesh painter. The 1911 Britannica states that "so far as mere flesh-painting is concerned he was barely inferior to Titian in breadth, pulpiness and tone". The two were rivals for a time, and Giovanni Antonio would sometimes affect to wear arms while he was painting. He excelled in portraits; he was equally at home in fresco and in oil-color.
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The Daily Telegraph critic Chris Harvey awarded "The Long Bright Dark" five out of five stars, hailing True Detective as "the most ambitious TV drama for a long time". Not all critics were as enthusiastic in their reviews of "The Long Bright Dark". Hale, despite commending the flashback narrative, believed the dialogue devolved into "a languid character study and a vehicle for long-winded exchanges about religion and responsibility that are writerly in the worst way." Chris Cabin from Slant Magazine agreed that the writing too readily "defers to an earnest, rote view of bad religion", but wrote that Pizzolatto and Fukunaga "smartly embrace the pulpiness of their material".
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