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45 Sentences With "pulls the strings"

How to use pulls the strings in a sentence? Find typical usage patterns (collocations)/phrases/context for "pulls the strings" and check conjugation/comparative form for "pulls the strings". Mastering all the usages of "pulls the strings" from sentence examples published by news publications.

From PiS's headquarters in Warsaw, Mr Kaczynski pulls the strings.
"He's still the one who pulls the strings behind the scene," said Pavin.
Iago still pulls the strings, but has none of the dark charisma of Verdi's villain.
It's songs like "Satan Pulls the Strings" that mark True Sadness' biggest departure from its predecessors.
The confusion over who really pulls the strings makes it difficult for regulators to assess the riskiness of the deals.
Cuomo controls the MTA board, oversees its purse, hires its leaders and makes sure everyone knows who pulls the strings.
Given such moves, it isn't difficult to find specialists in Pakistan policy who still believe that the army pulls the strings.
Few doubt, however, that Mr Walsh, who earned the nickname "Slasher Walsh" for his penchant for cost-cutting, still pulls the strings.
Miku is different in that she's her own digital entity; no one pulls the strings at a Miku show except for Miku.
They're tough and talented, and led by Gylfi Sigurðsson, an attacking midfielder who now pulls the strings at Swansea City, in the English Premier League.
Key players: Nemanja Matic: The Manchester United enforcer pulls the strings in midfield and is expected to protect the back four as well as orchestrate the attacks.
Their answers on who really pulls the strings were varied, and shed light on the upcoming Congress -- akin to a closed-door election when China's next generation leaders are expected to be unveiled.
On the campaign trail, Trump fancies himself a prince of New York, someone whose calls are immediately returned, who rubs elbows with power brokers and decision makers, who pulls the strings in City Hall.
The story from the very beginning has been one where whoever pulls the strings builds a system through which they can vanish their political rivals, and you end up with a polarized society; one's victory is another's tragedy.
But many adolescents often get so lost in a story that they forget there is an author behind the words — a puppet master who sets the stage, pulls the strings, develops the conflicts and shares a bigger meaning.
They disdain the campaign by U.S. President Barack Obama to bring Iran in from the cold, believing him pusillanimous in the face of what they see as Iranian aggression and guileless in accommodating Iran's moderates when Khamenei pulls the strings.
But it also has to do with the wider world: fears of terrorism, the erosion of national identity, the erasure of borders, politicians in the grip of shadowy international forces (not for the first time in recent weeks, your columnist was informed that Goldman Sachs pulls the strings).
Show the world -- including Hillary -- how to dismantle Trump: his inherited wealth, his made-in-China ties, his belief that wages are too high, his plan to cut taxes for the billionaire class, his phony-baloney Trump University, his four business bankruptcies, his breathtaking cynicism in pretending to be an outsider while a Washington lobbyist pulls the strings of his campaign.
Bunty Pulls the Strings is a lostThe Library of Congress/FIAF American Silent Feature Film Survival Catalog: Bunty Pulls the Strings 1921 American silent comedy film directed by Reginald Barker and starring Leatrice Joy. It is based on a Broadway play by Graham Moffat.Bunty Pulls the Strings on Broadway; Collier's Comedy Theatre October, 1911 - Sept. 1912 On stage the part of Bunty was played and made famous by Molly Pearson.
He also penned a suffrage propaganda play, The Maid and the Magistrate.Elizabeth Crawford, The Women's Suffrage Movement: a reference guide 1866-1928, Routledge, 1999 Bunty Pulls the Strings became a (now lost) film. A few years later his comic play Bunty Pulls the Strings was a huge hit in London's West End, his biggest success, running for 617 shows at the Haymarket Theatre in 1911.
Unfortunately, as he pulls the strings to fire his cannons, the cannons flip in his direction ("Mother!") and blast him one-by-one (with Speedy observantly keeping count).
Filmography includes Comedia Moderna, for Canada's cinematic underground, funded in part by the Bravo television network. The Feist video Honey, Honey features the work of the Old Trouts.Tousley, Nancy (March 15, 2008). "Feist pulls the strings: Singer reconnects with Calgary puppet masters for music video", Calgary Herald.
With Douglas Haig facing relegation from the 2016–17 Primera B, Martín Palermo signed Gallucci for Chilean Primera División club Unión Española. He started all but one match and was, according to El Mercurio headline writer, "the brain that pulls the strings" as the team finished as runners-up in the 2017 Torneo de Transición.
He even boasts of having trade relations with Martians, though the credibility of this claim is left unclear. Klimenko soon discovers, however, that Bayley is not the one who pulls the strings, but there are wealthy and influential Western imperialists behind the plot. Engelbrecht's daughter Nora is sympathetic to the prisoners. She helps Nikola to escape and warn the Soviets of the danger.
Scattergood Pulls the Strings is a 1941 American comedy film directed by Christy Cabanne and written by Christy Cabanne and Bernard Schubert. It is the sequel to the 1941 film Scattergood Baines. The film stars Guy Kibbee, Bobs Watson, Susan Peters, James Corner, Emma Dunn, Dink Trout and Monte Blue. The film was released on May 23, 1941, by RKO Pictures.
Stewart's play writing credits include Little Room (nominated for two Edmonton Sterling Awards), Grumplestock's (co-written and published in the NextFest anthology),"Who pulls the strings once the strings are cut?", Review of Grumplestock's, by Liz Nicholls, Edmonton Journal, January 22, 2010. Retrieved Apr 2, 2010. Twisted Thing (honorable mention, Larry Corse world-wide playwriting contest), Eleanor, and The City Green.
Scattergood Meets Broadway is a 1941 American comedy film directed by Christy Cabanne and written by Michael L. Simmons and Ethel B. Stone. It is the sequel to the 1941 film Scattergood Pulls the Strings. The film stars Guy Kibbee, Mildred Coles, William "Bill" Henry, Emma Dunn, Frank Jenks, Joyce Compton and Bradley Page. The film was released on August 22, 1941, by RKO Pictures.
William Graham Moffat (21 February 1866 – 12 December 1951)Scottish Theatre Archives at Glasgow University was a Scottish actor, director, playwright and spiritualist. Moffat formed a Men's League for Women's Suffrage in Glasgow in 1907 after his wife Maggie Moffat was arrested at a protest in London and imprisoned for refusing to pay the fine. He is known for his 1910 comedy Bunty Pulls the Strings which was a hit on Broadway.
Jameson then spent nearly a year in Chicago, and then joined the Toronto Theatre Guild in 1927/1928 for a similar length of time. In Toronto, he played in productions of A Kiss for Cinderella, The Second Mrs. Tanqueray, Diplomacy, What Every Woman Knows, Bunty Pulls the Strings, and Quality Street. Several of the plays starred Jameson's wife, Edith Taliaferro, who was already a well-known stage actress, while Jameson appeared in supporting roles.
Time magazine, 5 January 1959. Michel Contat and Michel Rybalka, who edited and annotated Sartre's writings, noted that Sartre introduced a strong element of communist class struggle into his adaptation of Miller's play, especially by turning Danforth from merely sanctimonious to a calculated villain who pulls the strings behind the trial, while making the character of Abigail more complex and consequently, almost sympathetic.Michel Contat, Michel Rybalka. The Writings of Jean-Paul Sartre Volume 1: A Bibliographical Life. . p. 607.
He recruits several agents from among dissident German intellectuals and persecuted clergy, and operates through the agent network. Stierlitz discovers, and later schemes to disrupt, the secret negotiations between Karl Wolff and Allen Dulles taking place in Switzerland, aimed at forging a separate peace between Germany and the western Allies. Meanwhile, the Gestapo under Heinrich Müller searches for the unidentified Soviet resident spy and his ring. To avoid capture Stierlitz cunningly manoeuvres among powerful Nazis and pulls the strings of his network.
A sensual version of "Candy Shop" is performed next with snippets of "Erotica" integrated into the number. After the song, Madonna moves into "Human Nature" while removing articles of clothing as shifting mirrors move around the stage. "Like a Virgin" is performed next with a pianist playing "Evgeni's Waltz" while a shirtless dancer puts a corset on Madonna and pulls the strings while she feigns she is out of breath. The segment ends with an acoustic version of "Love Spent", after being added to the setlist on September 20.
She becomes editor-in-chief of Style by exposing her predecessor's alcoholism and eventually starts an affair with Eric Tyler, the owner of the magazine. At the same time she gently but firmly turns Tyler Publications into an empire aligned with the Democratic Party. She also pulls the strings in making Eric Tyler a candidate for the U.S. Senate. However, driven by some inexplicable force, Tyler holds the "wrong" speech on tax reform, voicing what he really thinks on the matter and thus forfeiting all his chances of ever becoming a politician.
In 2006, he was cast in the pivotal supporting role of Trooper Barrigan in The Departed. He then was cast as the lead in AMC's political thriller Rubicon which revolves around a secret society that pulls the strings on the world political stage like the alleged Illuminati and the Council on Foreign Relations. It centers on brilliant analyst Will Travers (Dale) discovering that his employers are not who they seem to be. He also stars as Robert Leckie (author), one of the three leads in the HBO miniseries The Pacific from executive producers Tom Hanks and Steven Spielberg.
Kahin, p. 232. Taylor cabled Washington to say "I can well visualize [the] necessity at some time of using full U.S. leverage ... to induce our Vietnamese friends to get Khánh out of [the] position of commander-in-chief (from which he pulls the strings) and to install their very best governmental line-up." He also told his State Department superiors that Khánh was very likely aware of his machinations, but that he did not care about this. At the same time, there was also the question of finding another military-appointed prime minister to replace Hương.
A bridge, standing on the skin table, supports two gut or steel strings, which pass up the rounded, fretless neck to two posterior pegs and down to the bottom, where they are attached to the spike protruding from the body. A small metal ring, attached to a loop of string tied to the neck, pulls the strings towards it and can be adjusted to alter the pitch of the open strings, usually tuned to a 5th. The thick, bass string is situated to the left of the thin, high string in frontal aspect. The bow's horsetail hair is inseparably interlaced with the strings.
DryShips then announced a new option contract to purchase 4 VLGC ships from other companies controlled by Economou at a total potential cost of $334 million for DryShips shareholders. Investors and traders speculate that Economou pulls the strings at Kalani, using it to recapitalize DryShips and unload assets at the expense of DryShips shareholders. In 2016 and 2017 Economou diluted DryShips shares four times through reverse split (total reverse split is 12,000 : 1) to decrease DryShips outstanding shares to 1 million. Then he issued 60 million new shares to make affiliate transactions from his own private company to sell DryShips four overpriced very large gas carriers (VLGC).
The title comes from the poem Slaves by George Sylvester Viereck (1884-1962) which is quoted twice in the movie, once during Professor Fuller's lecture on chromosome damage, and then as an audio flashback when Martin/Georgie is in a cell: :No puppet master pulls the strings on high :Proportioning our parts, the tinsel and the paint :A twisted nerve, a ganglion gone awry, :Predestinates the sinner and the saint.The poem was published in The poem is reproduced in full in Viereck's motives for his writing have been the subject of some discussion, and have further implications given the debate on eugenics during the middle of the 20th century, a subject somewhat alluded to in Professor Fuller's lecture in the film.
Second strikers tend not to be as tall or as physically imposing as a centre forward. They are required to be more "nippy", quick, mobile, and skillful, helping to create goals and scoring opportunities for centre forwards, utilising spaces created in the opposition's defence to provide passes to the strikers, picking up loose balls around the area, or attempting to dribble with the ball and score themselves. The position was initially developed by the famous Hungary national team of the late 1940s and mid-1950s led by Ferenc Puskás. Later, it was popularised in Italian football as the trequartista ("three-quarters") or fantasista, the advanced playmaker who plays neither in midfield nor as a forward, but effectively pulls the strings for his team's attack, and serves as an assist provider.
As Archie and Janet explore and befriend Castor, it becomes clear that the Americans are using their apparently innocent curiosity as a cover for spying on Castor, and that one of them may be Sandy in disguise. Sandy meets Archie and Janet in secret and tells them they are in danger, but they insist on staying and helping him uncover Castor's plot. At the hacienda of Olifan Don Luis, Sandy explains what he and Blenkiron have uncovered: Castor enslaves Indians, pulls the strings of the government, controls his followers using a local drug, astura, and is a megalomaniac out to destroy democracy by causing civil war in America. Sandy and Don Luis plan to lead an Indian uprising that will not fight Castor but call him leader, embarrassing him.
On a mission to kill Jack, Chuck makes an appearance, supplying a gun which will do to the holder what it does to the victim. Sam is shocked when Dean accepts this as a solution for his building anger towards Jack but Sam becomes skeptical of God's intention and soon finds Dean aiming, point blank, at Jack. Dean realizes that this is not the solution and drops the gun, eliciting an angered response from Chuck. Sam, Dean, and Castiel begin to realize that their lives have been nothing more than entertainment to Chuck, while he pulls the strings. Chuck kills Jack and Sam shoots God who soon releases every evil spirit from hell to attack the trio in a dramatic show of frustration, with a prequel statement “Story’s over.
The New Masses featured the political art of a number of prominent radical cartoonists, including left In the 1930s New Masses entered a new phase: a magazine of leftwing political comment, its attention to literature confined to book reviews and explosive editorials aimed at non- Marxist contemporaries. For example, in 1935, John L. Spivak published two articles, “Wall Street’s Fascist Conspiracy: Testimony that the Dickstein MacCormack Committee Suppressed” and “Wall Street's Fascist Conspiracy: Morgan Pulls the Strings”, with a deleted portion of a congressional committee. He said there was a plot that was part of a fascist conspiracy of financiers to take over the United States, and cited the names of business leaders. Furthermore, “[t]he proletariat Stalinists of the founding group,” according to Samuel Richard West, “began applying a Marxist litmus test to every contribution; as a result, the less ideological contributors and editors began to drop away”.
Glasgow Repertory was, for example, the first theatre in Britain to produce a play by Chekhov (The Seagull). It was however less successful in its aim also to produce native Scottish drama, though its company did mount some productions of new Scottish work. One of the ironies of the company's existence was its rejection in 1910 of Graham Moffat's Scots Language comedy The Causey Saint which, under the title Bunty Pulls the Strings, went on to become the box office smash hit of London's West End in 1911 and continued to win outstanding success on international tour. Glasgow Repertory folded in the autumn of 1914 with the theatre closures which took effect in Britain in the weeks immediately after the start of World War One; this even though the company, in its final season, had broken even for the first time in financial terms.
The Haymarket's managers Frederick Harrison (who was sole lessee) and Cyril Maude remained through the first year of the 20th century. In 1904, the auditorium was redesigned in Louis XVI style by C. Stanley Peach.English Heritage listing details, accessed 28 April 2007 The following year, Maude acquired the Playhouse Theatre by Charing Cross Station, leaving Harrison in sole control. In 1909, Herbert Trench produced Maurice Maeterlinck's The Blue Bird. Productions from then to the end of World War I included Bunty Pulls the Strings (1911), a Scottish comedy by Graham Moffat, which ran for 617 performances with Jimmy Finlayson in the lead; Ibsen's Ghosts (1914); Elegant Edward, with Henry Daniell as P. C. Hodson (1915);Parker, John (ed). Who's Who in the Theatre, 10th revised edition, London, 1947, pp. 477–78 The Widow's Might (1916), a comedy by Leonard Huskinson and Christopher Sandeman, with Henry Daniell.Parker, John. 1748 Notable Productions and General Post, a comedy by J. E. Harold Terry, which opened on 14 March 1917 and ran for 532 performances, again with Daniell.
In the film, large portions of footage from the series, irrelevant to the overall narrative, are absent and long, new sequences were shot to replace them. Certain characters, such as Charlie's love interest in the series is entirely absent in the film, and other characters, such as Hikari's sister Susan, have greatly expanded roles in the film, while others that are far more relevant in the series, such as the "Mafia brothers" or Mimo the assassin, have their roles diminished to some extent in the film. A key difference of the film from the series is the presence in the latter of an additional main villain, who pulls the strings of the events of the story and to whom Hikari the japanese mobster is subordinate; he is entirely absent from the film in which Hikari is the sole main antagonist. Additionally, Jack and Charlie face two more enemies present only in the series, a pair of non-asian fighters who are even more powerful than Hikari's hitmen, after defeating them, then they face their final enemy, the previously mentioned main antagonist whom they have to kill to finally avenge William Chung and save Shanghai for good.

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