"As you can only imagine, being in a band with guys for 50 years, you can have problems," the Grammy-award winning singer, who also provided artwork for the facility, explained.
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Musician Mike Shellabarger produced the show's theme song for season 1 and 2. Comic book artist, Tony Miello, provided artwork for the Chiller Drive-In comic book.
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Deacon also provided artwork for a new version of Jim's Lion, published in 2014, which changed the format from a traditional picture book to a combination of text chapters and comics.
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Some of Boyle comic book art is included in Mysterious Visions Anthology, Ppfszt!, Tribute, and The Return of Happy the Clown. He also provided artwork for David Gerrold's comic A Doctor For the Enterprise.
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In 1989 Ankrom left the band and was replaced by Nick Frederick. They entered Radio Tokyo studios and recorded their only album, Eucalyptus, which was released the following year on local label Nemesis Records. Froberg provided artwork for the album while Reis acted as producer.
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"VIVA LAS VEGAS: Granov talks Iron Man". Comic Book Resources. Granov would later do concept work on the 2012 film The Avengers, and on the 2014 film The Amazing Spider-Man 2. He has also provided artwork for the packaging of action figures and other toys based on those characters.
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From 1988 to 1990, Flea was married to Loesha Zeviar (Loesha's name still remains tattooed on Flea's chest). Their daughter, Clara Balzary, was born in 1988. Clara was featured the band's Funky Monks documentary. She also has appeared at many shows and, as a child, provided artwork for the band's T-shirts and promotional material.
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Joe Quesada illustrated issues #8–13, 15 (1991), and Don Heck's final DC work was penciling and inking over Quesada's layouts for Spelljammer #11 (July 1991); Dave Simons also provided artwork for the title. Elliot S! Maggin served as an editor for DC from 1989 to 1991 and oversaw the licensed TSR titles, including Spelljammer.
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He also provided artwork for several annuals. By the late 1960s Jennings had ceased working as a comic strip artist. At one point he was employed as a long-distance lorry driver, supplementing his income by travelling around the Yorkshire Dales during his spare time painting pub signs and portraits. In later years Jennings retired to Cornwall.
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An English translation titled Walter Melon was unsuccessful. In 1996, an animated series of 52 episodes of 26 minutes each was produced. This series was also shown in English as Walter Melon. Other series Greg provided artwork for in the early 60s were the boxing series Rock Derby and the revival of Alain Saint-Ogan's classic series Zig et Puce.
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In September 2006, Lee returned to WildC.A.T.s with Grant Morrison as the writer, but only one issue that series' fourth volume was published. Lee provided artwork for the album booklet for Daughtry's 2009 album Leave This Town. In February 2006, it was announced that Lee would be involved with the concept art for the DC Comics online game DC Universe Online.
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First edition The Ammonite Violin & Others is Caitlin R. Kiernan's sixth short story collection. The twenty stories included first appeared in issues 1-23 of Sirenia Digest, Kiernan's monthly digest of weird and dark fiction. It was published by Subterranean Press in July, 2010. The cover features an illustration by Richard A. Kirk, who has provided artwork for several of Kiernan's other collections.
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Cook provided illustrations for the first and third issue and provided cover art for the second issue of Fraggle Rock. Cook has worked with DC Comics and Cook provided artwork for Jim Henson’s The Storyteller. Cook also makes artwork for the WonderGround Gallery in Disneyland, part of Downtown Disney. In 2018, Cook published her tutorial book entitled Drawing Cute with Katie Cook.
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The Metropolitan Museum of Art permanent collection also includes thirteen monotypes from McKenzie's Circus as well as three oils and three sketch books also by McKenzie. McKenzie authored and provided artwork for the book, A Painterly Approach, Watson-Guptill Publications, New York, October 1987.Painterly Approach book She has also contributed articles to several magazines. McKenzie was elected to the National Academy in 1994.
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They joined My Bloody Valentine as an opener to promote their debut record. David Lynch (Blue Velvet, Twin Peaks) did the cover art for the first LP and Malcolm Bucknall provided artwork for the second album. Lynch and Harding released a seven inch split together on Joyful Noise Recordings in 2015. David Yow (Jesus Lizard) directed a video for the debut album's single which appeared at Rolling Stone.
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Musicians featured on the label include Daniel Carter, Ha-Yang Kim, Devin Brahja Waldman, Max Davies, and Thurston Moore. Fast Speaking Music covers have featured the artwork of George Schneeman, and Patti Smith. Mariana Luna directed a video for the release of Jaguar Harmonics, and provided artwork for the album cover. Jaguar Harmonics became a live performance including participation of Kiki Smith, and postmodern dancer and choreographer Douglas Dunn.
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Some of Cope2's initial commercial artwork has been sold at Christie's for $10 USD per painting. Early work includes cover art for a Boogie Down Productions album titled Sex and Violence. In 2002, Cope2 provided artwork for Adam Bhala Lough's Bomb the System, including a piece on the Brooklyn Bridge. He can be seen on the DVD's behind the scenes footage painting one of the pieces at the end of the film.
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Douglas Gayeton received his BA in Literature and Writing from the University of California, San Diego in 1983, where he studied under dramatists Adele Edling Shank and Alan Schneider. Under the guidance of Reinhard Lettau he also founded the literary magazine Birdcage Review, which featured contributions from a mix of students and notable composers, writers and artists, including Ernst Krenek, Eleanor Antin, Robert Creeley, and David Hockney (who provided artwork for the Fall 1982 cover).
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The same year, British-born businessman Frederick Layton built, endowed and provided artwork for the Layton Art Gallery, now demolished. In 1911, the Milwaukee Art Institute, another building constructed to hold other exhibitions and collections, was completed, adjacent to the Layton Art Gallery. The Milwaukee Art Museum was founded in 1888 and is purported to be Milwaukee's first art gallery. That claim is disputed by the Layton Art Gallery, which opened the same year.
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Brewtnall had a particular interest in Folk tales and Ballads which became the subjects of many of his paintings such as "Cinderella", "The Frog Princess" (1880), "Little Red Riding Hood" (1895), "Sleeping Beauty" etc. He provided artwork for The Graphic, Pall Mall Magazine, The Quiver, and English Illustrated Magazine, among other magazines and periodicals, and illustrated books such as Barnard's edition of Bunyan's "Pilgrim's Progress"Bunyan, John, Barnard, Frederick. The Pilgrim's Progress (Philadelphia, Chicago etc. J. C. Winston & co.
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Prior to joining the CBC, he taught at the École des beaux-arts. In 1952, Back was hired by Radio-Canada to create titles for its television programs, and remained there the rest of his career. Back also provided artwork for Denys Arcand's 1964 National Film Board of Canada short documentary Samuel de Champlain (Québec 1603). Back created a massive stained glass mural entitled ' ("history of music in Montreal") at the Place-des-Arts Metro station in Montreal.
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The album's artwork was provided by famous Surrealist painter H. R. Giger. It is the third time in his career he has collaborated with Thomas Fischer; Giger also provided artwork for Fischer's former band Celtic Frost's first full-length, To Mega Therion, in 1985, and to Triptykon's debut Eparistera Daimones in 2010. It was Giger's last album cover before his death, just one month after the album's release. A music video for the track "Aurorae" was released on 7 August 2014.
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Michael Fleisher also wrote for the series. Jan Duursema drew the Advanced Dungeons and Dragons comic book series for three years.Jan Duursema at the Grand Comics Database Duursema drew issues #1-22, 24-30, 33-36, and Annual #1 (1988–91), while Ron Randall also provided artwork for issue #8, and Tom Mandrake illustrated issues ##23, 31-32, and Annual #1 (1990-1991). Elliot S. Maggin served as an editor for DC from 1989 to 1991 and oversaw the licensed TSR titles, including Advanced Dungeons & Dragons.
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Long was listed as associate producer on an independent film All About Dad in 2009. Long was the lead sprite designer for Super Street Fighter II Turbo HD Remix, a high definition remake of Super Street Fighter 2 Turbo that was released on Xbox Live Arcade and PlayStation Network in November 2008. He provided artwork for the limited collector's edition of Street Fighter IV released in 2009 and was the lead ending artist on Tatsunoko vs. Capcom: Ultimate All-Stars for the Nintendo Wii.
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Early in his career Bess moved to Sweden in 1970 where he lived for a period, illustrating for publications such as the Swedish Mad magazine sometimes under pseudonyms. During the period 1976 to 1988, Bess productively provided artwork for the serial publication The Phantom distributed by Scandinavian publishers of the popular periodical. Leela et Krishna (2000) by Layla and Georges Bess. Upon meeting Alexandro Jodorowsky in 1986, Bess began the Franco-Belgian comics phase of his career, and the two formed a productive partnership.
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Embleton provided artwork for long-running features such as 'Men of Waterloo' (1971), 'Ships of the Seven Seas' (1971), 'The Winning of the West' (1972) and 'Mutiny!' (1972), as well as contributing a number of cover paintings (issues 118, 124 and 131). Late in 1973, he returned to World of Wonder to illustrate an adaptation of Lewis Carroll's Alice's Adventures in Wonderland. It was the increasing demand for his comic work that led Embleton to largely cease exhibiting his oil paintings at around this time.
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In November 2010, mixing for the album scheduled to occur at a studio in Vicenza, Italy was disrupted by floods to the area which damaged the studio, delaying production. Colombian artist Felipe Machado Franco provided artwork for the album. On January 10, 2011 worldwide release dates were announced, with 26 January 2011 for Japan and South East Asia, 28 March 2011 for most of Europe, 23 March 2011 for Spain, Finland and Sweden, 25 March 2011 for Germany, Austria, Switzerland and Italy, and April 5, 2011 for the United States and Canada.
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The outer box cover was painted by Martin Emond, who had previously provided artwork for singer Glenn Danzig's post-Samhain band, Danzig, and comic book company Verotik. Within the box, each of the five CDs came in its own "mini-LP" sleeve (unlike the jewel-cases used for the individual CD reissues the following year). Also included was a 32-page booklet of photographs and reprinted lyrics to Discs One and Three. The boxed set was advertised as "a $75 value, all for just $59.95" (USD), and is now out of print.
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Reutens also produced, mixed and recorded the album. In the Mix website's Sophiska described Heretiks tracks, which "range from straight up hip hop battle jams ... to more reflective, instrumental composition ... The remainder are very theme dependant, 'Driving Miss Layzy' employs more of a light-hearted funk, soul formula to complement rhymes about laying back and procrastinating". Her brother, James, provided artwork for the album including a comic book in place of typical liner notes. After the release of her debut album, aside from performing, Layla also studied for a degree in natural medicine.
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As an illustrator, Palumbo works mainly in the fantasy and science fiction genres, where he has painted cover art and interior art for dozens of books and magazines as well as numerous illustrations for Magic: The Gathering. Palumbo has also been a regular contributor to Heavy Metal Magazine since 2008 as one of the creators involved in the Tarot feature. He has provided artwork for collectible card games, comic covers, album covers, film posters, magazine covers, advertisements, and film preproduction and his artwork has appeared in such publications as Spectrum, ImagineFX, and 2D Artist Magazine. Other clients include Marvel Comics, Tor.
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The complexities you can hear in the sounds of one person's heartbeat are very similar to free jazz and if we were to make music that was in tune with the vibrations of our bodies, the results would be very powerful." Graves has also provided artwork for some of his albums, and more recently has exhibited sculptures which tie together his interests in music and martial arts, writing: "I've been thinking about sculpture as a teaching tool. There's a saying I used to always hear: 'sculpture is frozen music.' I want something with some kind of movement to it.
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After recording five Hi-Standard albums, the band entered a hiatus in August 2000, shortly after playing "Air Jam 2000". Guitarist Ken Yokoyama began working on other projects, including solo work in a similar vein to Hi-Standard, as well as exploring a more traditional hardcore punk style with BBQ CHICKENS, fronted by longtime friend and artist, Daisuke Hongolian, who provided artwork for some of Hi-Standard's early releases. Yokoyama revisited the band's original label Pizza of Death Records, which has since signed many punk and alternative rock bands. Bassist Akihiro Nanba's newest project is Ultra Brain.
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Stelfreeze began his career as the artist of the sci-fi miniseries CyCops in the mid-1980s.Collector Times Online Interview . April 2001 While Stelfreeze has been known throughout his career primarily as a cover artist, painting more than fifty cover illustrations for DC Comics' Shadow of the Bat, he's also produced a significant amount of sequential work, most notably of late with the miniseries Domino for Marvel Comics and Matador for DC Comics' Wildstorm imprint. Currently, Stelfreeze acts as art director for 12 Gauge Comics and occasionally has provided artwork for their series The Ride, and its prequel, Gun Candy.
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Powell has written and provided artwork for Dark Horse, DC Comics and Marvel Comics, but is most regarded for his original series The Goon, which debuted from the small publisher Avatar Press. Powell quickly switched to self-publishing under the moniker Albatross Exploding Funny Books, before being picked up by Dark Horse after only a handful of issues. The Goon's quality was recognized with an Eisner Award in 2004 for Best Single Issue (Dark Horse The Goon #1) as well as an International Horror Guild award. The following year, Powell won Eisner's Best Humor Publication and Best Continuing Series awards.
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The band also began collaborating with Don Was, recording a song produced by Was and engineered by longtime friend Steve King. By 2007, The Go had begun working with Burger Records, whose owners Sean Bohrman and Lee Rickard had long been fans of the band. In 2010, Burger released an LP by the Go's alternate project, Conspiracy Of Owls, which featured songwriters Harlow, Krautner, and Fellis, along with a live lineup of fellow Detroit musicians (Steve Nawara, Johnny Lzr, and “Magic” Jake Culkowski). Singer Robert Pollard of Guided By Voices provided artwork for the LP as well as inspiration for the name of the band.
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His work on Fred the Clown was nominated for two Eisner Awards, a Harvey Award, a Reuben Award and an Ignatz Award.Fred, Mugwhump & More: Talking to Roger Langridge, Newsarama, 2 September 2008 Langridge also does illustration work. He has also provided artwork for Shaenon Garrity's Smithson webcomic. Langridge has provided the Fin Fang Four, with Scott Gray, first for Marvel Monsters,Marvel Revives Classic Monsters in October, Newsarama, 8 July 2005 then a series of short storiesPreviews: Marvel Holiday Special, Ult Vision #1, Newsarama, 5 December 2006Giant-Size Avengers III: The Return of Fin Fang Four, Newsarama, 23 November 2007 and in late 2008 as a digital comic on Marvel Digital Comics Unlimited.
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Lloyd regularly provided artwork for books published by Bogle-L'Ouverture and New Beacon Books, as well as having his paintings featured on greetings cards."Building the catalogue of a 'publishing maisonette'", George Padmore Institute.Andrews (2014), p. 131.Angela Cobbinah, "No Colour Bar: Black British Art in Action 1960–1990" , Camden Review, 16 July 2015. In 1969, he was responsible for the cover of Bogle-L'Ouverture's first title, Walter Rodney's The Groundings with my Brothers, as well as their next title and others over the years.Andrews (2014), pp. 118, 121. In 1971 he designed the cover for Bernard Coard's How the West Indian Child is Made Educationally Sub- Normal in the British School System, published by New Beacon.
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Released in December 2011 by Limited Appeal Records, Stories was recorded and mixed by Tim Shea in January 2011 in Boston, MA. Dean Styers was in charge of photography and provided the album's cover art. The original pressing was a small, numbered edition of 117 copies, and contained merely three tracks, the vinyl for which was cut by Bob Weston at CMS. The EP was re-released in a CD version which included three further tracks, all instrumental versions of the songs contained in the vinyl pressing. The vinyl release of the EP is single-sided, the B-side containing stencilled artwork by Dean Styers, who has in the past provided artwork for The Jesus Lizard, Aerosmith, and others.
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He has also provided artwork for Doctor Who webcasts that appeared on BBCi including Death Comes to Time, Real Time and Shada along with artwork for the official Doctor Who website. He produced line artwork for alternate issues of Doctor Who DVD Files and worked as pencils/inks artist on The Amulet of Samarkand graphic novel for Hyperion Books which was published in late 2010. In 2013 Sullivan returned to Doctor Who comic strips this time for the US IDW producing artwork for the Second Doctor instalment of their 50th Anniversary story 'Prisoners of Time', and also an Eleventh Doctor strip used in the Royal Mail Doctor Who Prestige Stamp Book, part of the range of UK commemorative stamps issue.
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Despite no longer being associated with Gwar, Jackson has continued to appear as Techno Destructo and Scroda Moon at comic conventions and independent professional wrestling organizations in California.. In 2006 and 2007, he appeared at the Comic-Con to promote Gwar's line of action figures from Shocker Toys which were ultimately unreleased. Jackson has provided artwork for California comedy punk band The Radioactive Chicken Heads, which the band has used for t-shirts, posters and visuals for their music video "Cluck You!". On September 1, 2013, Jackson appeared with the band as Techno Destructo during their set opening for The Dickies at the Whisky A Go Go in Hollywood. Jackson also appears and wrestles as Techno Destructo for Sinn Bodhi's Freakshow Wrestling promotion in California.
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In 2000, he joined director Guillermo del Toro as a conceptual artist helping work on the visual design for the film Blade II. In 2003, Bradstreet worked on a number of movie posters for the Marvel/Lions Gate film, The Punisher as well as the cover for The Punisher: Countdown mini-comic that was packaged with the original DVD release. In 2006 Bradstreet provided artwork for a black and white stop motion animated scene set in Kuwait for the extended cut DVD. Bradstreet has also done posters for the films – Punisher: War Zone, Dark Country, Give 'Em Hell, Malone, and I Melt with You. He has done a poster for the TV Series The Expanse. Bradstreet was also the regular cover artist for two books, Marvel’s The Punisher and Vertigo/DC’s Hellblazer.
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According to David Hajdu's The Ten-Cent Plague: The Great Comic Book Scare and How It Changed America, Wood was "[u]nderstood to have grown up in blue-collar South Boston," but he "rarely discussed his background or life outside of comics." Wood worked for the Harry "A" Chesler Group, which provided artwork for Lev Gleason Publications, MLJ Magazines, and Novelty Press. In 1942, Wood left the Chesler Group and went to work full-time for Gleason, where he co-created Crime Does Not Pay with Charles Biro, serving as editor and sometimes artist. Crime Does Not Pay would go on to become one of the best-selling crime comics in history, and was credited as the title that pushed the comics industry toward darker, crime-oriented titles.
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Although Bright inked some of his covers, most of his interior comics artwork was created in collaboration with an inker, primarily Romeo Tanghal, Randy Emberlin, Greg Adams and Mike Gustovich. During his years as a full-time comic book artist, Bright also provided artwork for analogous trading cards: The Green Lantern Hal Jordan card for Impel's 1992 DC Cosmic Cards, approximately one-third of Impel's 1991 G.I. Joe trading card set, and all of the Green Lantern and Green Lantern Corps artwork for Impel/Skybox's 1993 DC Cosmic Teams trading cards. After 20 years in American comic books, Bright moved into storyboarding for commercials, and live-action television and feature films, notably including M. Night Shyamalan's The Last Airbender. He has occasionally returned to comics, including an Untold Tales of the New Universe one-shot for Marvel Comics and a Transformers Spotlight issue for IDW Publishing.
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All four films were directed by filmmaker and long-time collaborator Paul Kelly who, over the years, has directed a number of the band's music videos and provided artwork for many of their releases. "A Good Thing" is featured both in Pedro Almodóvar's award-winning 2006 Spanish film Volver and in the Grey's Anatomy episode titled "Tell Me Sweet Little Lies", the fourteenth episode of season 2 in 2006. This track was co-written by Cracknell, Mark Waterfield and Lawrence Oakley. Their song "Hobart Paving," with slightly altered lyrics (replacing the title reference with the line "Hold on princess...") and an altered title ("Catch Me"), was covered for the soundtrack of the film Bandits (1997), and was an integral part of the soundtrack album (one of two promotional videos released for the soundtrack was for the song) which became the best-selling soundtrack album to a European film soon after release; actor-singer-guitarist Jasmin Tabatabai still performs that version in concert.
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Following the publication of Black Sands, Reynolds returned to the games industry to illustrate The Unspeakable Oath, now a professionally printed full-sized and full-colour publication. Reynolds also found work illustrating various pieces for MegaTraveller by Games Designers Workshop, and Blue Planet (1997) by Biohazard Games. He also provided artwork for Pagan Publishing's Call of Cthulhu campaign The Realm of Shadows (1997), which elicited special comment from reviewer Ray Winninger, who called his reaction to the illustrations "a uniquely Lovecraftian and unsettling experience the first time I flipped through this booklet [...] I stumbled over Reynolds' drawings of horrifying ghouls and monstrosities, all executed in the same photorealistic style." When Pagan Publishing released a new present-day military setting for Call of Cthulhu called Delta Green, Reynolds provided the sexually explicit story "Operation Looking Glass" for the companion fiction anthology Delta Green: Alien Intelligence (1998), and created the cover art for the sourcebook Delta Green: Countdown (1999).
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Bolland, one of the very earliest British creators whose work was brought to America, drew the first 63 covers for Animal Man, mostly for DC, but also the first six Vertigo issues before handing over to a succession of other artists. Bolland also drew the cover for Vertigo's first Doom Patrol issue and for the entire second and third volumes of Morrison's Invisibles (1997–2000) (and in addition provided artwork for the TPB collections of Morrison's Doom Patrol run, and all volumes of The Invisibles). Bolland provided covers for three issues of Mark Millar's Swamp Thing run (1995), and miniseries including Vamps (1994–5), both Vertigo Tank Girl (1995–6) miniseries and Blood + Water (2003) as well as the one-shot Zatanna: Everyday Magic (2003). Bolland also wrote and illustrated stories for the anthology titles Heartthrobs and Strange Adventures (1999) and OGN 1001 Nights of Snowfall, as well as providing a cover each for the Gangland and Winter's Edge anthologies. With issue #12, Bolland took over cover duties (from Fables cover artist James Jean) on Fables spin-off Jack of Fables, which he continues to produce .
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