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41 Sentences With "producing again"

How to use producing again in a sentence? Find typical usage patterns (collocations)/phrases/context for "producing again" and check conjugation/comparative form for "producing again". Mastering all the usages of "producing again" from sentence examples published by news publications.

Many others have tried and failed to get South Crofty producing again.
"Samarco has to start producing again in order to create jobs," he said.
But Arca will be co-producing again, so it's not going to be too happy.
Volkswagen (VLKAF), the world's largest carmaker, said Wednesday that almost all its locations in China are producing again.
The field, which has been shut since 2016, is expected to start producing again in the last quarter of 2020, as previously anticipated.
Iran could be forgiven for not wanting to cut output when it has only just started producing again after years of western sanctions for its nuclear program halted its oil industry and economy.
When we signed to Atlantic, we were telling ourselves and anybody who would listen that nothing had changed—we were just four guys going into the studio, Chris was producing again, we're just doing it the same way we'd always done it, no pressure.
"OPEC might use this as an opportunity as an exit strategy from the current strategy of restrained supplies, because what we see is that there is little scope for them to start producing again at the levels they would like to produce without having a negative effect on prices," Barbajosa said.
Fluorination is a subsequent chlorine-replacement reaction, producing again hydrogen chloride: : R−H + Cl2 → R−Cl + HCl : R−Cl + HF → R−F + HCl The resulting hydrogen chloride is either reused directly or absorbed in water, resulting in hydrochloric acid of technical or industrial grade.
The mines that remained operational laid off workers. Individuals who had thought about leaving Tombstone when the mine flooding started now took action. The price of silver briefly recovered for a while and a few mines began producing again, but never at the level reached in the early 1880s.
A post office was established at Charleston in 1895, and remained in operation until 1951. The camp revived in 1905, when the local mines started producing again. A five-stamp mill was built at the time. Another re-opening of the mines occurred during the period 1932 to 1937.
The band then recorded their debut album at Albert Studio with Vanda & Young producing, again. Six of the ten tracks were co-written by the Brewster brothers with Neeson. Ahead of the album's appearance they released their second single, "You're a Lady Now", in July 1977. The album followed in the next month in both LP and cassette formats.
"Interview with Clive Chin" at ReggaeVibes.com Further local hits followed with Carl Malcolm's "Miss Wire Waist" and "Fattie Bum Bum", which, with the help of Jonathan King, became a UK chart hit in 1975, reaching #8. After his family business moved to New York City, Chin spent some fifteen years running a Jamaican restaurant in Queens. He began producing again in 1998.
His television credits include shows scored for Discovery, National Geographic, and The History Channel. After a long absence, White Acre has begun performing and record producing again. He produced Adios, his second album for Josh Canova, in 2009. In March 2011, White Acre produced the debut pop song, Legendary for Mr. Downstairs, a band composed of Dani Artaud and White Acre's daughter, Asia.
On 18 December 2003 Ilium issued their debut album, Sirens of the Styx, with Lord Tim producing again and Steve Moore providing drums. It included three tracks from Ilium, as well as "Incipience: Beowulf Defeats Grendel", which is part one of a trilogy centred on the Beowulf and Grendel legends. Parts two and three appeared on their third release. "Incipience" was written by Hodges, Smith, Snedden and Noonan.
In 2007, Zinc stopped making and playing drum and bass, citing "disenchantment with the scene". He started producing again in 2009 with a fusion of deep house, funky house and fidget house, which he believed did not fit into any of these subgenres. He later named his new sound "crack house". In October 2009, DJ Zinc released Crack House EP encompassing his new sound of the crack house genre.
In February 2010, Variety reported that Walt Disney Pictures planned to film a sequel with Barry Josephson and Barry Sonnenfeld producing again. Jessie Nelson was attached to write the screenplay and Anne Fletcher to direct. Disney hoped the cast members from the first film would return and for a release as early as 2011. By January 2011, composer Alan Menken was asked about the sequel in an interview.
After a fire in 1917, production continued at the same location in the newly built factory in the summer of 1918. The ″Froschturm″, the landmark of the ″Erdal″ in Mainz, was also built at this new site. In 1944, a large-scale attack by allied bomber units destroyed 80 percent of the company buildings, but the frog tower remained intact. On 3 May 1946 Radio Frankfurt announced ″The world-famous Erdal factory is producing again″.
The band in 2007 In April 2006, after a headlining tour with Mendeed and God Forbid as openers, Trivium entered the studio with Suecof and Heafy producing again. The band played the Download Festival for a second time, again on the main stage, with Korn and Metallica. Trivium released The Crusade in October 2006. Debuting at number 25 on the Billboard 200, the album sold over 32,000 copies in its first week of sales.
Australian pop rock group, Men at Work, released their second album, Cargo, in April 1983, which peaked at No. 1 – for two weeks – on the Australian Kent Music Report Albums Chart. In New Zealand it reached No. 2. The album was recorded and finished by mid-1982 with Peter McIan producing again, but its release was pushed back due to the continued success of their debut album, Business as Usual.McFarlane, 'Men at Work' entry.
The EP featured a cover of Divine's "You Think You're a Man" on its B-side. By late 1987, Eugene's brother Charlie Kelly had joined on drums with James Seenan on bass. With this line-up and with Stephen Pastel producing again, they recorded the Dying for It EP, released in early 1988. It featured the songs "Molly's Lips" and "Jesus Wants Me for a Sunbeam," both of which Nirvana would later cover.
He was joined by Jackson, Johnny Pate as conductor, Ron Carter on bass and bass guitar, drummer Bernard "Pretty" Purdie, Burt Jones playing electric guitar, and Hubert Laws on flute and saxophone, with Thiele producing again. Scott-Heron's third album, Free Will, was released in 1972. Jackson, Purdie, Laws, Knowles, and Saunders all returned to play on Free Will and were joined by Jerry Jemmott playing bass, David Spinozza on guitar, and Horace Ott (arranger and conductor).
In the mid 1980s, Picker took over as President of Feature Films at Lorimar Productions, developing and supervising the films S.O.B., Being There, and Escape to Victory. Hired in 1985 by Columbia Pictures to serve as president of production, Picker greenlit Hope and Glory, School Daze, Vice Versa, Punchline, and True Believer. By the mid 1980s, Picker was independently producing again. He worked with Harry Belafonte to produce Beat Street and also produced a remake of Stella Dallas called Stella, starring Bette Midler.
Some wineries began producing again after Prohibition ended, but significant production did not begin until the 1960s and 1970s. This was when small winemakers began building in many different areas of the United States. In 1965 Stone Hill Winery in Hermann, south of the Missouri River, was the first in the state to be re-established. The Augusta AVA in Augusta was designated the first American Viticultural Area (AVA) in the United States in 1980 and Hermann AVA in Hermann was designated an AVA three years later.
It is widely acknowledged as one of the finest Australian pop-rock recordings. In May 2001, the Australasian Performing Right Association (APRA), as part of its 75th Anniversary celebrations, named "The Real Thing" as one of their Top 30 Australian songs of all time. Morris followed with a second number-one hit, "Part Three into Paper Walls", with Meldrum producing again. He now encouraged Morris to promote "The Real Thing" with a tour in the United States but Morris disagreed and they separated in late 1969.
Initially, coconut, peanut, stick, and hard candies were sold, as well as taffy. Chocolate and pecan candies products were then added to the company's product line. Pecan candies, later were marketed as "Bobs Pe-Kons" and "Bobs Pe-Kon- ettes," became a mainstay product until World War II. On February 11, 1940, a tornado destroyed the factory but within 6 months, the plant was rebuilt and was producing again. 150px Hard candies were popular during the late 1940s, but high humidity in southern Georgia caused production, shipping and shelf- life problems.
March 1977, after touring non-stop since the release of Moxy II, Moxy went back to the studio in Toronto to record another album with Jack Douglas producing again. The result was Ridin' High which once more contained all-original material written by the band members with a harder and heavy sound than the first two albums. The album received good reviews, with nomination of a Juno Award in 1977 for most promising group of the year. However airplay was limited as FM radio stations in Canada and northern U.S. shifted to softer rock.
Aloud began work on their fifth studio album at the rebuilt Mad Oak Studios in Allston in August 2016, with Benny Grotto producing again. The band posted realtime updates from the studio via their Instagram account. Their next album is set to feature a sound more heavily rooted in Memphis soul. The record is currently being mixed by Guy Massey, known for his work with The Libertines, Ray Davies, and The Beatles. In February 2017, Aloud released the charity single “Agua Mala”, recorded in conjunction with NYC-based group Cold Blood Club.
The clear and sharp recording of the new demo procured them three of the most important deals of their career: Century Media Records for Europe and Americas, V2 for Italy and King Records for Japan. In January, Labyrinth began recording the new self-titled album, with the band self-producing again. It was recorded at the Noise Factory in Milan, Italy, and it was mastered at House of Audio in Germany. On April 24, 2003 Labyrinth signed a record deal with Century Media Records. The release date for their next album was set for June 30, 2003.
After touring and promoting in the United States, Divinyls came back to Australia to begin the follow-up to Desperate, with Mark Opitz producing again. They produced three songs including "Don't You Go Walking" and "Motion" but Amphlett and McEntee were not satisfied so they returned to the road, replacing drummer Richard Harvey with J.J. Harris, and wrote more songs. A year later they again tried recording, this time with the producer Gary Langan who was the founding member of the band Art of Noise. He brought a sophisticated, high-tech edge to Divinyls' sound, but a full album failed to get done.
Sundrud and Bixby decided to make Great Plains a band again and brought multi-instrumentalist / singer Lex Browning on board. They scrapped what they had been working on during the second album and started over, with Brent Maher and Don Potter producing again. The result was 1996's "Homeland". The label released 3 singles from that album, all of which once again failed to move beyond the 40s in the charts, including "Dancin' With The Wind", written by Sundrud and long-time Nashville songwriter / performer Craig Bickhardt; "Healin' Hands", written by Sundrud and Chuck Cannon; and "Wolverton Mountain", written by Claude King and Merle Kilgore.
At first Charles de Geer was sceptical about rebuilding the ironworks in Lövstabruk, and considered giving up, going back to Wallonia. However, his able manager Georg Svebilius, who had successfully saved Skebo bruk by a civil militia of his during his employment there, persuaded him to go on.Molin, Harry, Carlholms Bruks Bok Within four years the ironworks was producing again, and in the 1730s the current Manor house, now built in stone with four wings, and other less important buildings were also reconstructed. The baron Charles de Geer was bestowed head of county in addition to many years of tax exemption for his efforts.
In New Zealand it reached No. 2. It had been finished in mid-1982 with McIan producing again, but was held back due to the success of their debut album on the international market, where Business as Usual was still riding high. Cargo appeared at No. 3 on the Billboard 200, and No. 8 in the UK. The lead single, "Overkill", was issued in Australia ahead of the album in October 1982 and reached No. 6, it peaked at No. 3 in the US. "Dr. Heckyll & Mr. Jive" followed in March 1983 made it to No. 5 in Australia, and No. 28 in the US. "It's a Mistake" reached No. 6 in the US. The band toured the world extensively in 1983.
The band recorded and released their second single, "Where the Traffic Goes"/"Mr Magic", once again at Alaska for a similar budget, with Foster producing again. McGee had the idea to promote "Where The Traffic Goes" by doing a one-day busking tour, an idea which he may have "borrowed" from the Violent Femmes, an American band the Jasmine Minks had supported. They played eight gigs in one day, all on acoustic instruments, were moved on by the police, were invited into pubs, and then went to McGees's club, the Living Room to perform that night’s gig. By then bored with the acoustics, the band played an all-electric set, amps cranked up to the max, with a 1-2-3-4 between each song, Ramones style.
Silverchair began recording their second studio album, Freak Show, in May 1996 while experiencing the success of Frogstomp in Australia and the US. It was produced by Nick Launay (Birthday Party, Models, Midnight Oil) and was released in February 1997. The album reached number-one in Australia and yielded three Top 10 singles – "Freak", "Abuse Me", and "Cemetery". Its fourth single, "The Door", reached No. 25. The songs focused on the anger and backlash that the expectations of Frogstomp brought upon the band. Freak Show was certified gold in the US, 2× platinum in Australia, and global sales eventually exceeded 1.5 million copies. By late 1997, the trio had completed their secondary education and, from May 1998, they worked on their third album, Neon Ballroom which had Launay producing again.
The band first worked with Grammy nominated Irish producer Jason Donaghy (Band Of Horses/Sum 41) in October 2009 producing a live acoustic album recorded at LA's Cat Club released on April 23, 2010. Their work together continued in Perfect Sound Studios in Hollywood, leading to the contribution of MGS's version of "Dry Riser" to 1990s cult Irish rock band "Kerbdog's" tribute album, "Pledge: A Tribute To Kerbdog". In March 2010 MGS began work on their sophomore studio album "No Is Not An Answer" ("NINAA") with Donaghy producing again, however the album was set back after tracking when bassist and founding member Jonathan Myles departed the band to pursue other interests. The band found their new bass player in fan, Barry Monahan, playing together for the first time in January 2011 before returning to the states.
The Rolling Stones returned to Munich, Germany, in December 1974—where they had recorded their previous album It's Only Rock 'n' Roll—and began the recording of their new album at Musicland Studios, with Mick Jagger and Keith Richards (as the Glimmer Twins) producing again. With a view to releasing it in time for a summer 1975 Tour of the Americas, the band broke for the holidays and returned in January in Rotterdam, Netherlands, to continue working—all the while auditioning new guitarists as they recorded. Among the hopefuls were Steve Marriott, Harvey Mandel, Wayne Perkins, Peter Frampton, and Ronnie Wood (although only Mandel, Perkins and Wood's guitar work would appear on the finished album). Guitar heroes Rory Gallagher and Jeff Beck both went over for a jam with the band "just to see what was going on," but both declined interest in joining the group, happy with their solo careers.
In October-November 1991 they recorded their next album, Get Your Wah Wahs Out, with Elliot producing again.. By 1992 they had signed with Shock Records' label, Shagpile Records and released the album that year. McFarlane felt the title was apt as it "featured an unsettling sonic assault of wah wah and fuzzed guitar effects that was remarkably intriguing by the same token". In October 1993 they followed with a six-track album, Couch, produced by Darren McBain, Dave Lokan and Lizard Train; and recorded at Big Sound Studios in April.. In March 1995 the next album, Everything Moves, appeared; it was preceded by its associated single, "It all Came from Nothing", a month earlier. They were produced by Steve Albini (Nirvana, The Breeders, The Jesus Lizard) at Mixmasters Studio in Belair.. Both albums "maintained the noise factor as well as the song quality".
Ronnie Spector 1971 In February 1971, during Phil Spector's tenure as head of A&R; at Apple Records, Spector recorded the single "Try Some, Buy Some/Tandoori Chicken" at Abbey Road Studios, released as Apple 33 in the UK and Apple 1832 in the US. The A-side was written by George Harrison, and produced by both him and Spector. Although the single was not a big hit, its backing track was used two years later for Harrison's own version of the song, on his chart-topping Living in the Material World album. "Try Some, Buy Some" had another lasting influence when John Lennon recorded "Happy Xmas (War Is Over)" later the same year and asked Spector (co-producing again) to reproduce the mandolin-laden Wall of Sound he had created for Spector's single. Lennon liked the rockabilly B-side too; he sang it at his birthday party in New York in October 1971 (a recording of which has appeared on bootlegs).
The side-projects of Juan Carlos Oganes kept him busy over the years but he remained close to the music and film industry producing albums for other bands and solo artists and making movies. Planning for a new come-back were said to happen in 2003 and 2004 and there is proof that some songs were already recorded in 1999 for their second album which is bound to be released by the middle of the decade with a new Alter Ego line-up. Now it is confirmed that they are releasing an album on 2006 with new and unreleased songs of the primer era of the band with Oganes producing again and recording on Emporium Digital Studios. Recent news on Peruvian newspapers stated the new way of recording they'll use taking advantage of today's technology and preparing private FTP servers to upload and download their music parts and send them to band members overseas.
Sunnyboys was recorded by the group of the same name, which had formed in Sydney in July 1980 by the brothers, Peter (bass guitar) and Jeremy Oxley (guitar and vocals), together with Bil Bilson (drums) and Richard Burgman (guitar). Their first public performance occurred on 15 August 1980, two months after formation. Within a few weeks the quartet were playing on an almost nightly basis at venues across Sydney’s pub and club circuit. Among the band’s early fans was Jules Normington, the label owner of Phantom Records, who arranged for the band to make their first recording in October that year with the producer, Lobby Loyde (ex-Aztecs, Coloured Balls). The resulting self-titled 4-track 7" EP was released in December. The initial pressing of 1,000 copies was sold out in two weeks. The EP was later remixed and reissued as a 12" EP. In February 1981 Sunnyboys became the first Sydney- based band to sign with Mushroom Records. From May they started recording Sunnyboys at Alberts Studio with Loyde producing again. Their first release in June, on that label, was the lead single, "Happy Man", from the album which debuted at No. 26 on the Kent Music Report singles chart on 6 July.

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