137 Sentences With "printed work" | Random Sentence Generator

It is a combination of the printed work and the gallery work.

She's been the secret benefactor of dozens of small presses in their formative years, making sure nothing stands in the way of ambitious printed work.

Later, Bourgeois donated an archive of her printed work to MoMA and, in 296, Wye organized an exhibition of Bourgeois's prints to accompany the publication of a catalogue raisonné.

To address those concerns, the form allows workers to use the I.R.S.'s online tax withholding estimator tool or to complete a printed work sheet to determine how much to withhold.

The process of creating a single artwork is laborious, requiring months of historical research and poring over source materials before photographing herself for a printed work, which she then hand paints with dizzyingly intricate layers of gold.

With around 7,000 chapters, it is the longest extant printed work of the Jin dynasty. It contains a number of sutras which are missing from subsequent editions of the canon.

Christian disciple.WorldCat. Christian examiner Ralph Waldo Emerson's first printed work, "Thoughts on the Religion of the Middle Ages," signed "H.O.N.," was published in The Christian Disciple in 1822.See vol.

His first printed work was an essay, ', which failed to gain the prize for which it was composed, but pleased Brissot so much that he printed it in vol. vii. of his '.

At its best, the Printers' International Specimen Exchange taught a generation of printers how to examine learn from printed work, and it inspired similar ventures in Germany, France, and the United States.

The printing house also published the first printed work of Bosnian Aljamiado literature, the book Sehletul-Vusul, which contained the principal teachings of Islam. It was composed by Omer Humo, the mufti of Mostar.

Early printed work on chess theory by Luis Ramirez de Lucena c. 1497 The earliest printed work on chess theory whose date can be established with some exactitude is Repeticion de Amores y Arte de Ajedrez by the Spaniard Luis Ramirez de Lucena, published c. 1497, which included among other things analysis of eleven chess openings. Some of them are known today as the Giuoco Piano, Ruy Lopez, Petrov's Defense, Bishop's Opening, Damiano's Defense, and Scandinavian Defense, though Lucena did not use those terms.

This work, printed in Florence by Nicolaus Laurentii is especially notable in that it is possibly the first printed work to contain copper plate engravings. These were executed by Baccio Baldini, based on designs by Botticelli.

Historically, governments issued monopolierechten (monopoly-rights) to publishers for the sale of printed work. Great Britain was the first to change this in 1710 with the Statute of Anne, which stated that authors, not publishers, had the right to claim a monopoly on the work. It also entailed protection for buyers of printed work in that publishers were no longer allowed to control the use of sold works. Furthermore, it limited exclusive rights to 28 years, after which the work or works would be released to the public domain.

He was author of the following privately printed work: Statuta Synodalia pro unitis Diœcesibus Cassel. et Imelac. lecta, approbata, edita, et promulgata in Synodo Diœcesana; cui interfuit clerus utriusque Diœoeceseos, habita prima hebdomada mensis Septembris, anno M.DCCC.X., 2 vols.

The Piano Sonata No.1 was his first printed work, published in Moscow, in 1926. This work was unusual for its time. It displays the fine skill of a piano player and a composer, who is not afraid of experimenting.

Thambiran Vanakkam (also known as Doctrina Christam en Lingua Malauar Tamul in Portuguese; ) is a Roman Catholic catechism translated by Henrique Henriques and published on 20 October 1578 at Quilon, Venad. It is the first printed work in an Indian language and script.

A practica was an annually printed booklet containing astrological predictions for that year. They were a popular genre of printed work in German-speaking territories from the 15th to the 17th century. Wenzel Faber von Budweis and Johannes Virdung were two leading authors in the genre.

The Weekly Arizonian was a newspaper published in Arizona Territory with a checkered existence from 1859 to 1871. It holds a special place in Arizona history as its first printed work, first newspaper and first political organ.Arizona Newspaper Project, Arizona State Library. Accessed January 21, 2008.

Ziegenbalg and his collaborators aimed at spreading their printed work all over India. Consequently, their marketing strategies cajoled them to produce almanacs which were quite scarce in the country. A Sheet Almanac was printed and sold on the coast of Coromandel as well as in Malabar and Bengal.

He prepared an annotated bibliography and developed a number of topics on the socio-economic history of Byzantium. At the same time, Dmitrev began literary anti-religious work in Moscow publishing houses. In 1929, the first printed work of Dmitrev was published, devoted to the question of the historicity of Christ.

On October 15, 2013, the Hindustan Times reported that the entry of BOL media electronic player was backed by the ISI, which sparked controversy. Later a corrigendum (an error in a printed work discovered after printing and shown with its correction on a separate sheet) was issued by Hindustan Times.

This example shows that it takes more efforts to establish background knowledge for the understanding of written language than spoken language. By extension, successful reading comprehension depends upon the establishment of shared knowledge between writers and readers. With the development of technologies, written language includes not only printed work but also hypertexts.

John Bell (1745–1831) was an English publisher. Originally a bookseller and printer, he also innovated in typography, being responsible for an influential font that omitted the long s. He was also noted for drawing the reading public to "the best literature" by commissioning attractive art work to accompany the printed work.

With the introduction of movable type in Europe, chroniclers could reach a wider audience and begin to write about Swiss history as a whole. The 1507 Chronicle of the Swiss Confederation by Petermann Etterlin exerted great influence on later writers because, as a printed work, it was the first to be generally available.

Reading Room, School Library In the Henneberg area, the driving force for printing was in Schleusingen. As early as 1555 printing begun here following the initiative of Earl Georg Ernst. Some of the books printed are still in the School Library today. One of the most important clients for printed work was the Gymnasium.

The printed work consists of approximately 150 titles distributed in approximately 40 ring binders with other binders providing for the service updates which are produced quarterly. The work is also available online and on CD, with the service updates in those media being consolidated into the titles. Several individual titles are reissued each year.

The sphere of privacy will be crossed only when the publisher gives these thoughts a broader footing; when he makes a book out of a manuscript. In this way, ideas go out to the world. Printed work imparts results and further tasks to the scientific world. It creates intellectual currents which connect times and countries.

It was published by Chapman and Hall. In addition to his printed work, Ferrier also painted during World War I. Some of this work is in the collection of the Imperial War Museum in London. He also produced a set of drawings used on sets of china ware from the Royal Albert China Collections.

De arte supputandi libri quattuor was the first printed work on arithmetic published in England. Published in 1522, it was written by Cuthbert Tunstall, Bishop of London, and based on Luca Pacioli's Summa de arithmetica, geometria, proportioni et proportionalità.p.28, Susan James, Catherine Parr: Henry VIII's Last Love, Tempus Publishing, Stroud, Gloucestershire It is dedicated to Sir Thomas More.

It covered the theory of music, counterpoint and composition. However, none of these subjects are to be found in the printed work that survives. Existing sections are based on instruments with illustrations and is notable for being the oldest printed source on this subject. The second is said to be Musica instrumentalis deudsch (1529) by Martin Agricola.

Clavigo is a five-act tragedy written by Johann Wolfgang von Goethe in 1774. The lead role is taken by Pierre Beaumarchais. The play was written in just eight days in May 1774. It was published by July 1774 and is the first printed work to which Goethe put his own name, although the play was received with disfavour.

Edge indices are forms of index that consists of marks on the edges of the pages of a printed work. These marks are step-like printed and usually contain order words, letters, or numbers, (e.g., A to Z in a dictionary or telephone book). Usually, they are colored and help to find desired points, especially in reference works.

Starting in 1907, when his translation from French of Two Tickets (Du Biletoj) by Florian appeared, he published 35 books and brochures. Never is Better than Late, a comedy translated from English, seemingly his first printed work, appeared in the lit. appendix of L. I. (International Language) in 1905. He became known mainly for a trio of original works.

He used politics to introduce US readers to the thinking of the French philosopher Simone Weil, publishing several articles by her, including "A Poem of Force", her reflections on the Iliad.Moulakis,Athanasios. Simone Weil and the Politics of Self-Denial Translated by Ruth Hein. University of Missouri Press, 1998 (pp. 2-3) He also printed work by Albert Camus.

Shiva Kumar Rai started his writing career in the late 1930s when he was in college. His first work was published in a hand-written youth magazine titled Bansuri. He was also the editor of this magazine. His first printed work, a poem titled Birahi Ko Basanta, is found in Rup Narayan Singh-edited magazine Khoji.

According to it was published early in 1648. It was the first printed work by Petty and covers a total of 31 pages. William Petty was educated in France and in Holland, and returned to England in 1646, to study medicine at Oxford University. By that time he had close contacts with scientists like Thomas Hobbes.

The Print Center has three gallery spaces, two upstairs and one downstairs, which can hold three separate shows or one large show at once. “The Print Center: Press Releases” The Print Center, Retrieved July 28, 2018 On average The Print Center holds around 7 solo and group exhibitions a year of both photographic and printed work.

McGill University's official colour is red, specifically PMS 485 (CMYK: 100% magenta, 90% yellow) for printed work. The coat of arms in full colour would be printed in the following colours: PMS 485 for the martlets, PMS 871U for the gold book and PMS 877U for the silver crowns. The RGB value is R237, G27, B47 or Hexadecimal value #ed1b2f for electronic display.

An edge index is a form of index that consists of marks on the edges of the pages of a printed work. These marks are step-like printed and usually contain order words, letters, or numbers, (e.g., A to Z in a dictionary or telephone book). Usually, they are colored and help to find desired points, especially in reference works.

The free area of the stipules is rooted, having entire margins with pointed upper end and often glandular-fluffy hairy.Gu Cuizhi & Kenneth R. Robertson: Rosa : Rosa chinensis, p 368 - Registered text as printed work , In: Wu Zheng-yi & Peter H. Raven (Ed.): Flora of China , Volume 9 - Pittosporaceae through Connaraceae , Science Press and Missouri Botanical Garden Press, Beijing and St. Louis, 2003.

The Palaramachandran Version was the ever first published version of Akilam, the scripture of Ayyavazhi by Thankaiyah. It was published in 1939 and thus become the second printed work to be published in Ayyavazhi after the Arul Nool. There is another opinion that this version was first published in 1933. This was released verifying the palm-leaf version of Swamithope.

The first Manx Bible was printed between 1771 and 1775 and is the source and standard for modern Manx orthography. The first printed work in Manx, , dates from 1707: a translation of a Prayer Book catechism in English by Bishop Thomas Wilson. With the revival of Manx, new literature has appeared, including , a Manx translation of Alice in Wonderland by Brian Stowell, published in 1990.

She set up her old press, and added a second, while also working closely with printers who came to her house to collaborate. A very active phase of printmaking followed, lasting until the artist's death. Over the course of her life, Bourgeois created approximately 1,500 printed compositions. In 1990, Bourgeois decided to donate the complete archive of her printed work to The Museum of Modern Art.

Shearn's non-fiction writing has appeared in The New York Times, Redbook, Real Simple, JSTOR, and many others. In addition to printed work, short fiction by Shearn has appeared on various literary websites including Brink, Sub-Lit, Gutcult, Five Chapters, Hobart, Nidus, and Elimae. Shearn currently resides in Brooklyn, NY, and has taught writing at Gotham Writers' WorkshopGotham Writer's Workshop Faculty Profile and NYU: SCPS.

The Sylph is a 1778 novel by Georgiana Cavendish, Duchess of Devonshire. It was her second printed work and was published anonymously under the name 'A Young Lady'. The Sylph is an epistolary novel. It centres on Julia Grenville, a Welsh beauty and ingenue (with whom there are parallels with Cavendish herself) who leaves her idyllic rustic life to marry a rich member of the aristocracy.

Jeremy Maas, Holman Hunt and the Light of the World (Scholar Press, 1974) Combe showed little interest, however, in producing fine printed work at the Press.Sutcliffe p. 6 The most well-known text associated with his print shop was the flawed first edition of Alice's Adventures in Wonderland, printed by Oxford at the expense of its author Lewis Carroll (Charles Lutwidge Dodgson) in 1865.Sutcliffe p.

Ehrman 2005, p. 46. Intentional alterations may have been made as well, for example the censoring of printed work for political, religious or cultural reasons. The objective of the textual critic's work is to provide a better understanding of the creation and historical transmission of the text and its variants. This understanding may lead to the production of a "critical edition" containing a scholarly curated text.

2, #20 (Sept. 14–21, 1967). The Last Times #1 and 2 also contained articles by French avant-gardist Jean-Jacques Lebel and Man Suicided by Society by Antonin Artaud, translated by Mary Beach, Plymell's mother-in-law.Bookseller's description (with photo) Issue #1 also contains the first Plymell printed work of R. Crumb that Plymell had "lifted" from the second issue of Yarrowstalks (a Philadelphia-based underground newspaper).

Once editing and design are complete, the printing phase begins, starting with a pre-press proof, for final checking and sign-off by the publisher. This proof shows the book precisely as it will appear once printed and represents the final opportunity for the publisher to correct errors. Some printing companies use electronic proofs rather than printed proofs. Once approved, printing – the physical production of the printed work – begins.

Title page of London edition of Meibomius De flagrorum usu, 1665 Tractus de usu flagrorum in re Medica et Veneria is a 1639 treatise by Ioannes Henricus Meibomius (1590-1655). The English title is A Treatise on the Use of Flogging in Medicine and Venery. It was published by the English publisher Edmund Curll. It is the earliest printed work on the subject, giving accounts of a number of examples.

These texts were all written by hand, by copying from another handwritten text, so they are not alike in the manner of a printed work. The differences between them are called variants. A variant is simply any variation between two texts, and while the exact number is somewhat disputed, scholars agree the more texts, the more variants. This means there are more variants concerning New Testament texts than Old Testament texts.

Although she did not enjoy a remarkable teaching career, Yeldham wrote books herself. She produced her first printed work in 1913. Her works include The Story of Reckoning in the Middle Ages, The Teaching of Arithmetic Through 400 Years, 1535–1935, A Study of Mathematical Methods in England to the Thirteenth Century and Percentage Tables. Her books were well regarded and included reference material which was not easily available.

The only fully authenticated printed work of Ory is his "Alexipharmacum" (Paris, 1544; Venice, 1551–58). In the second part he uses against the heretics five words of St. Paul, viz. grace, justification, sin, liberty, law (no exclusive reference to 1 Corinthians 14:19). Other works attributed to him are: Opusculum de imaginibus, and Septem scholae contra haereticos, but Jacques Échard does not assign the places or dates of their publication.

The bulk of Vitali’s output consists of dance music. His last collection of dance music, and his last printed work, Sonate da camera a tre, Opus 14 (1692), was published posthumously by his son Tomaso Antonio Vitali in 1692. Correnti, e Balletti da camera, Opus 1 (1666a), was first printed in Bologna and was reprinted four times during Vitali’s lifetime. The collection contains twelve balletti and twelve correnti.

This fact, the notion that something about hand written rubrication completes a printed work by attributing to it a sense of legitimacy and finality, is further supported by the fact that red ink "was not merely decorative… red's original function was to articulate the text by indicating such parts as headings that were so essential to the function of manuscripts that the printers had to deal with them in some way".

In August 1846, Whelan was elected as an assemblyman for St. Peters in Kings County. He remained an assemblyman until the last year of his life but had sporadic attendance. Critics of Whelan point out that his political voice lacked the passion and genius that was apparent in his printed work. In the fall of 1846, Whelan sought to embark on yet another newspaper venture, namely the Examiner.

Davin (1999), p. 47. Lasser printed work by some popular authors, including Fletcher Pratt, Stanton Coblentz, and David H. Keller,Ashley (2000), pp. 65–67. and two of the winners of the contests Gernsback frequently ran subsequently became well known in the field: Raymond Palmer, later the editor of Amazing Stories, and John Wyndham, best known for his 1951 novel The Day of the Triffids.Davin (1999), p. 39.

Cruz was a regular on the (now defunct) Genesis Comics "Swipe Of The Week" website around 1999. The site placed two pieces of published work by two different artists side by side, and allowed the users to vote whether they were seeing an homage, a coincidence, or a direct copy. Primarily, Cruz's work was placed beside the previously printed work of Joe Madureira,Cruz's X-Men: Alpha (February 1995), p. 30, vs.

9-pin and 24-pin are common; this specifies the number of pins in a specific vertically aligned space. With 24-pin printers, the horizontal movement can slightly overlap dots, producing visually superior output (near letter quality or NLQ), usually at the cost of speed. Dot matrix printing is typically distinguished from non-impact methods, such as inkjet, thermal, or laser printing, though they too may use a bitmap to represent the printed work.

Originally the brainchild of Nancy Tyson Burbidge, it began as a four-volume printed work consisting of 3,055 pages, and containing over 60,000 plant names. Compiled by Arthur Chapman, it was part of the Australian Biological Resources Study (ABRS). In 1991 it was made available as an online database, and handed over to the Australian National Botanic Gardens. Two years later, responsibility for its maintenance was given to the newly formed Centre for Plant Biodiversity Research.

The term "clipart" originated through the practice of physically cutting images from pre-existing printed works for use in other publishing projects. Before the advent of computers in desktop publishing, clip art was used through a process called paste up. Many clip art images of this era qualified as line art. In this process, the clip art images are cut out by hand, then attached via adhesives to a board representing a scale size of the finished, printed work.

The Hortus Malabaricus comprises 12 volumes of about 500 pages each, with 794 copper plate engravings. The first of the 12 volumes of the book was published in 1678, and the last in 1693. It is believed to be the earliest comprehensive printed work on the flora of Asia and the tropics. Mentioned in these volumes are plants of the Malabar region which in his time referred to the stretch along the Western Ghats from Goa to Kanyakumari.

His other printed work, Ḳol Yehuda (Venice, 1594), was the first commentary on the "Cuzari" of Judah ha-Levi. Since this fact would at once secure for it a wide circulation, the rabbis Cividali and Saraval of Mantua urged him to publish it. It appeared posthumously, and since then has always been printed together with the "Cuzari." Moscato wrote poetry also, especially elegies on the deaths of friends and scholars, including one on the death of Joseph Caro.

While the written language remained static as a result of Turkish domination, the spoken dialects moved further apart. Only very slight traces of texts written in the Macedonian language survive from the 16th and 17th centuries. The ﬁrst printed work that included written specimens of the Macedonian language was a multilingual "conversational manual", that was printed during the Ottoman era. It was published in 1793 and contained texts written by a priest in the dialect of the Ohrid region.

The production of electronic encyclopedias began as conversions of printed work, but soon added multimedia elements, requiring new methods of content gathering and presentation. Early applications of hypertext similarly had a great benefit to readers but did not require significant changes in writing. The launching of Wikipedia in the 2000s and its subsequent rise in popularity and influence, however, radically altered popular conception of the ways in which an encyclopedia is produced (collaboratively, openly) and consumed (ubiquitously).

Content is collected via digital transcription of scanned images of manuscripts and printed work in the Public Domain. The Open Siddur Project uses the ProofreadPage Mediawiki extension on Wikisource as its platform for crowdsourced transcription. New work under copyright is shared directly by copyright owners at the project's website, opensiddur.org. Copyright owners share their work with any of three free-culture compatible copyright licenses maintained by the Creative Commons: (CC0, CC BY, and CC BY-SA).

It was due to his efforts that the giant eland was first introduced to England between 1835 and 1851. Lord Derby sent botanist Joseph Burke to collect animals, either alive or dead, from South Africa for his museum and menagerie. The first elands introduced in England were a pair of common elands, and what would later be identified as a giant eland bull. The details were recorded in Smith-Stanley's privately printed work, Gleanings from the Menagerie at Knowsley Hall.

Among the earliest Scots literature is John Barbour's Brus (fourteenth century), Wyntoun's Cronykil and Blind Harry's The Wallace (fifteenth century). From the fifteenth century, much literature based on the Royal Court in Edinburgh and the University of St Andrews was produced by writers such as Robert Henryson, William Dunbar, Gavin Douglas and David Lyndsay. The Complaynt of Scotland was an early printed work in Scots. The Eneados is a Middle Scots translation of Virgil's Aeneid, completed by Gavin Douglas in 1513.

The first printed work appeared in 1911 and described in verses the lives of women over the centuries. In the same year she first married, but after only six years this marriage ended in divorce. In 1916 she met Raoul H. Francé, director of the Biological Institute in Munich, and became his assistant. 1920 the first utopian novel The fire souls described the problem of the destruction of soil fertility. After the divorce from her first husband, she married Francé in Dinkelsbühl 1923.

The Quirk was a for-charity literary magazine which publishes work from poets and artists across the world. It printed work from a wide array of writers, including W.D. Snodgrass, Yusef Komunyakaa, Robert Bly, Naomi Shihab Nye, Alberto Rios, Dorianne Laux, Daisy Fried, Diane di Prima, Jim Daniels, Alicia Ostriker, and many others. The magazine was founded in 2005 by Kaveh Akbar when he was a high school student. He was also the editor, as a local general interest magazine.

While Coleridge attended Jesus College, Cambridge, he began to contract debt and was soon overwhelmed by the amount that he owed. With his debts, he decided to travel to London during November 1793 and purchased an Irish Lottery ticket during that time. The occasion prompted him to write the poem To Fortune, on Buying a Ticket in the Irish Lottery, which was published by the Morning Chronicle on 7 November 1793;Ashton 1997 p. 40 this was his first printed work.

The King's theatre monopoly was controlled by the legislative power the Lord Chamberlain. Chamberlain had the power to censor dramatic and printed work, having patents submit work 14 days before the performance. The Duke's Company found themselves subject to Chamberlain's legislation, due to the comic performer and renowned improvisor, Edward Angel. During the run of Dryden and Davenant's The Tempest, 1667-8, Lord Chamberlain issued a warrant for the arrest of the comedian Edward Angel a member of the Dukes Company.

Odunjo commenced his teaching career as the schoolmaster of the Catholic Training College, Ibadan from 1924 till 1927 and was later the headmaster of his alma mater, St Augustine's, Abeokuta. As a teacher, he formed the Federal Association of Catholic Teachers to negotiate with the Catholic missions on behalf of mission teachers. Odunjo was a teacher and headmaster of various Catholic Schools from the 1940s to the 1950s. His printed work in 1958 was one of the early written works of the language.

The Masters Review printed anthology serves as a major endorsement for new writers. Printed annually, a guest judge contributes an introduction and selects ten writers from a shortlist to be published in the collection. Aside from national distribution and high visibility in the printed work, the anthology is also part of an exclusive mailing to agents, with the aim of connecting new writers with representation. The Masters Review Volume III with stories selected by Lev Grossman received an INDIEFAB medal for Best Short Story Collection.

The titlepage and frontipiece of Bradley's 1758 work The British Housewife Martha Bradley (' 1740s–1755) was a British cookery book writer. Little is known about her life, except that she worked as a cook for over thirty years in the fashionable spa town of Bath, Somerset. Bradley's only printed work, The British Housewife, was released as a 42-issue partwork between January and October 1756. It was then released in a two-volume book form in 1758, where is reaches over a thousand pages.

He retired from teaching in 1985 and returned to printing books full-time under the Cummington Press imprint. Duncan died on April 18, 1997, in Omaha, Nebraska. Marking the centenary of his birth, the Fall 2016 issue of Parenthesis included a portrait of Harry Duncan on its cover along with three articles by or about Duncan: the text of his talk "New England Novitiate," "An Apprentice's Story" by Juan Nicanor Pascoe, and "A Checklist of Printed Work, 1939-1997" by Michael Peich and Denise Brady.

McCorquodale was the son of Hugh McCorquodale and Lucia Hall. He started his printing career in Liverpool, opening a stationers shop, Liverpool Printing and Stationery Co. Ltd, in 1841, then founding McCorquodale & Co Ltd in Newton-le-Willows in 1846, taking over and converting the former South Lancashire Conservative Association Hall. The company became well-known as a printer for the rail industry, producing many British railway companies' tickets, timetables, posters and other printed work. During the 1870s, McCorquodale opened further factories in Glasgow, London and Leeds.

In the late 1970s Lamis became interested in computer-generated work. He taught himself computer programming and began creating geometric two-dimensional and three-dimensional art based on geometric shapes. A representative example is the lithograph Untitled: Computer Generated Image (1987), printed by Atelier Franck Bordas and in the collections of both the Metropolitan Museum of Art and the Smithsonian American Art Museum. In addition to printed work, Lamis also created digital projections, such as Untitled #35 (1998–99), part of the 1999 New York Digital Salon.

This was unusual as Klejn was a Jew and not a member of the Party, but he was appointed to the position by a special session of the faculty's Party Bureau on the strength of his academic qualifications. He was awarded a Candidate of Sciences degree (equivalent to a PhD) in 1968, defending a thesis on the origins of the Donets Catacomb culture. In 1976 he was made Docent (Associate Professor). Klejn's first printed work was published in 1955; his first monograph in 1978.

The USC Scripter Award (Scripter) is the name given to an award presented annually by the University of Southern California (USC) to honor both authors and screenwriters. Starting in 1988, the USC Libraries Board of Councilors award the year's best film adaptation of a printed work, recognizing the original author and the screenwriter. In 2016, a television adaption Scripter award was added as well as the Literary Achievement Award. The Ex Libris Award is occasionally presented to long-time supporters of the USC Libraries.

Constructing the tangent of the cycloid dates to August 1638 when Mersenne received unique methods from Roberval, Pierre de Fermat and René Descartes. Mersenne passed these results along to Galileo, who gave them to his students Torricelli and Viviana, who were able to produce a quadrature. This result and others were published by Torricelli in 1644, which is also the first printed work on the cycloid. This led to Roberval charging Torricelli with plagiarism, with the controversy cut short by Torricelli's early death in 1647.

George Baker (1781–1851), topographer and historian, was a native of Northampton, England. While a schoolboy, at the age of 13, he wrote a manuscript history of Northampton, and from that time he was always engaged in enlarging his collections. His first printed work was A Catalogue of Books, Poems, Tracts, and small detached pieces, printed at the press at Strawberry Hill, belonging to the late Horace Walpole, earl of Orford, London (twenty copies only, privately printed), 1810, 4to. His proposals for The History and Antiquities of the County of Northampton were issued in 1815.

Rimsky-Korsakov coat of arms by All-Russian Armorials of Noble Houses of the Russian Empire. Part 2, June 30, 1798 (in Russian) Most of his childhood years were spent in Moscow, where he joined the literary circle of Professor Merzlyakov at the age of 13. His first printed work was a translation of Horace's epistle to Maecenas, published when he was still 15. From that time on, his poetic language was distinguished from that of Pushkin and other contemporaries by its liberal use of majestic, solemn Slavonic archaisms.

Clarke briefly moved to London to seek work as a book illustrator. Picked up by London publisher Harrap, he started with two commissions which were never completed: Samuel Taylor Coleridge's The Rime of the Ancient Mariner (much of his work on which was destroyed during the 1916 Easter Rising) and an illustrated edition of Alexander Pope's The Rape of the Lock. Difficulties with these projects made Fairy Tales by Hans Christian Andersen his first printed work, in 1916. It included 16 colour plates and more than 24 halftone illustrations.

From the available data, it can however be concluded that Mentelin was the first book printer active in Strasbourg (and thus one of the first anywhere in Europe), even before Eggestein. The first printing which carries Mentelin's name is Augustine's Tractatus de arte praedicandi from the year 1465. However, it is assumed that Mentelin had already begun to print significantly earlier, probably even already in 1458. His oldest known printed work is a Latin Bible printed with 49 lines per page ("B49"), whose first volume is dated 1460.

Koloniale literatuur uit Nederlands-Indië, 1600-1950 (translation from English to Duch: Maarten van der Marel en René Wezel), (Publisher: Prometheus, Amsterdam, 1998) See DBNL: Both books were translated into Indonesian in 1976 by H.B. Jassin. The latter book into German in 1993 by W.Hüsmert. English translations by M. Alibasah were published in 1995. From 1952 to 1954 he worked as journalist for the newspaper 'Nieuwsgier' where he was continuously reflecting on life in his ever-changing homeland and wrote most of his often re-printed work 'Piekerans van een straatslijper.

Modern Korean literature gradually developed under the influence of Western cultural contacts based on trade and economic development.The first western-influenced work was perhaps the 1885 manuscript of 60 Corean Tales prepared by Kim Chae-guk(김재국) for diplomat William George Aston's language lessons in 1885. The first printed work of fiction in Korean was John Bunyan's Pilgrim's Progress (in Korean: 천로역정 Cheonno-yeokjeong), translated by James Scarth Gale (1893). Christian religion found its way into Korea, culminating in the first complete edition of the Bible in Korean published in 1910.

She experimentally works in many mediums including light, audio recordings, performance and printed materials . An example of her printed work was commissioned by Liverpool Biennial in 2018, entitled "Fight". Another unusual piece of performance art was her use of synchronised swimmers at Glasgow's Western Baths Club for "Sink" which was commissioned by Glasgow's The Common Guild for Festival 2018, the cultural programme for the Glasgow 2018 European Championships and supported by The High Commission of Canada . Both "Fight" and "Sink" involved Kerbel choreographing the performers' movements to create her narrative.

The first printing press in Ireland followed later in 1551. Although the first book in Welsh to be printed was produced by John Prise in 1546, restrictions on printing meant that only clandestine presses, such as that of Robert Gwyn who published Y Drych Cristionogawl in 1586/1587, could operate in Wales until 1695. The first legal printing press to be set up in Wales was in 1718 by Isaac Carter. The first printed work in Manx dates from 1707: a translation of a Prayer Book catechism in English by Bishop Thomas Wilson.

In addition to printed work, Aragonés has worked in television animation. He worked on the NBC program Speak Up America (1980) where he would draw during the show. His segments were used for many years on the Dick Clark Bloopers programs. Frequent collaborator Mark Evanier related an anecdote from their time on the short-lived 1983 NBC series The Half Hour Comedy Hour, which featured a guest appearance by model Jayne Kennedy: > This was one of the most beautiful women in the world, and she wore this > dress that was very revealing.

By the end of the 15th century, Venice had become the European capital of printing, having 417 printers by 1500, and being one of the first cities in Italy (after Subiaco and Rome) to have a printing press, after those established in Germany. The most important printing office was the Aldine Press of Aldus Manutius; which in 1497 issued the first printed work of Aristotle; in 1499 printed the Hypnerotomachia Poliphili, considered the most beautiful book of the Renaissance; and established modern punctuation, page format, and italic type.

A tradition of , religious songs or carols, developed, probably with its roots in the pre-Reformation period. Until the 18th century, the authors of were generally clergy, but in the 19th century new words would be put to popular tunes for use in churches and chapels. The first printed work in Manx, , dates from 1707: a translation of a Prayer Book catechism in English by Bishop Thomas Wilson. Pargys Caillit was an abridged Manx version of Paradise Lost by John Milton published in 1796 by Thomas Christian, vicar of Marown 1780-1799.

After the defeat in the Crimean War, readership began to decline due to the radicalization of public opinion. After 1860, under Pavel Usov, the paper changed its course and printed work by democratic writers such as Vasily Sleptsov, Fyodor Reshetnikov, and Marco Vovchok, and reviews of Nikolay Nekrasov and Mikhail Saltykov-Shchedrin. The paper also published lesser-known writers such as Ilya Arseniev, Nikolai Gersevanov, Clement Kanevsky, and "Blind Domna" (Domna Anisimova). An attempt by Usov to convert the paper to be more like foreign papers in format and arrangement of sections was not successful.

It houses a very large percentage of the titles published before that date about the discovery, settlement, history, and natural history of the New World. The "JCB", as it is known, published the 29-volume Bibliotheca Americana, a principal bibliography in the field. Typical of its noteworthy holdings is the best preserved of the eleven surviving copies of the Bay Psalm Book the earliest extant book printed in British North America and the most expensive printed book in the world.BBC News, "Bay Psalm Book is most expensive printed work at $14.2m," BBC ; Sothebys.

The British Library is entitled to a copy of every printed work published in the United Kingdom. A publisher must send a copy to the British Library within a month of the work being published. The copy sent to the British Library must be of the same quality as the best copies published in the UK at the time. The other five libraries, the Bodleian Library, the Cambridge University Library, the Library of Trinity College, Dublin, the National Library of Wales and the National Library of Scotland are not automatically entitled to be sent a copy of the printed works.

Two years later, Greatheart (named for the character in Pilgrim's Progress) is disguised as an employee of Acme W-W Cleaners and narrowly avoids averting a kidnapping. The victim of the terrorist group turns out to be Micawber's estranged daughter, Jill Micawber, who went under an assumed name so she would not be associated with her ruthless father. Greatheart traces the kidnappers, despite the efforts of Micawber to trail him, to the Fokker D-LXIX Press building, specializers in erotica owned by Acme Zeppelin. Using a DRECC computer, executive Rade Starling can transform any printed work into a sensually appealing one (e.g.

Title page of Oddur Gottskálksson's 1540 translation of the New Testament into Icelandic One of the young men in the service of bishop Ögmundur was Oddur Gottskálksson, son of Gottskálk Nikulásson, a former bishop of Hólar. Oddur returned to Iceland from his studies in Germany in 1535, aged 20, and quickly began translating the New Testament into Icelandic. He is said to have done the bulk of the translation in the barn of the farm adjoining the Skálholt see. Oddur's New Testament was printed in Roskilde in 1540, and is the oldest preserved printed work in the Icelandic language.

The Brazilian graphic novel Achados e Perdidos ("Lost and Found"), by Eduardo Damasceno and Luís Felipe Garrocho, had an original soundtrack composed by musician Bruno Ito. The book was self-published in 2011 after a crowdfunding campaign and was accompanied by a CD with the eight songs (one for each chapter of the story). In 2012, this graphic novel won the Troféu HQ Mix (Brazilian most important comic book award) in the category "Special Homage". As Internet access became more widespread, a similar practice developed of accompanying a printed work with a downloadable theme song, rather than a complete and physically published album.

Miguel de Cervantes The narrative of the 17th century opens with the figure of Miguel de Cervantes, who returned to Spain in 1580 after ten years absence. His first printed work was The Galatea (1585). It is a pastoral novel (see Spanish Renaissance literature) in six books of verse and prose, according to the model of the Diana of Montemayor; although it breaks with the tradition when introducing realistic elements, like the murder of a shepherd, or the agility of certain dialogues. In 1605 he published The Ingenious Gentleman Don Quixote of La Mancha, with immediate success.

Christian Hansen was born to stonemason Nicholas Hansen (1775-1834) and his second wife Frederikke Christine, née Hess (1775–1850). He was admitted to the Giuseppe Siboni Conservatory when he was 11 years old, but soon had to focus his attention on composition because his beautiful voice began to change. He was encouraged by both J.P.E. Hartmann and Christoph Ernst Friedrich Weyse, to whom he dedicated his first printed work Six Romances written in 1835. In 1840 he took part in the Musikforeningen's overture competition in Copenhagen, where Gade won first prize with his Echoes of Ossian.

Oxford's chancellor, Archbishop William Laud, consolidated the legal status of the university's printing in the 1630s. Laud envisaged a unified press of world repute. Oxford would establish it on university property, govern its operations, employ its staff, determine its printed work, and benefit from its proceeds. To that end, he petitioned Charles I for rights that would enable Oxford to compete with the Stationers' Company and the King's Printer, and obtained a succession of royal grants to aid it. These were brought together in Oxford's "Great Charter" in 1636, which gave the university the right to print "all manner of books".

Due to the strict censorship of the period, Granovsky assumed that lecturing provided a surer way of disseminating Western ideals in Russia than writing. His major printed work was his doctoral dissertation of 1849, Abbat Sugerii (Abbot Suger), in which he "portrayed the great abbot as the architect of royal centralization."Edward Alan Cole, "Timofei Nikolaevich Granovsky," Russian Literature in the Age of Pushkin and Gogol: Prose (Gale Research, 1999; ), p. 173. His master's thesis of 1845, "Volin, Yumsberg, i Vineta" (Wolin, Jomsborg, and Vineta), attempted to disprove the historicity of Vineta and was very controversial, offending the Slavophiles.

Opening verses of Mediaeval Cornish manuscript, of the Origo Mundi Digital Medievalist sees it as its mission to provide a framework to enable members of its community to share information. These activities include an electronic mailing list, the participation in and organisation of conference sessions or other events, and a website containing an open-access academic journal of record, a wiki/FAQ, and a facility to post news releases.See printed work: O'Donnell, Daniel P., 'Disciplinary Impact and Technological Obsolescence in Medieval Studies' in A Companion to Digital Literary Studies, ed. by Ray Siemens and Susan Schreibman, (Oxford: Blackwell Publishing, 2007), p. 72.

In 1737 he wrote one of his most famous and most reprinted works The Afflicted Man's Companion, and also an explanation of the Shorter Catechism called An Example of Plain Catechising. Other catechetical pieces published by Willison at different times were The Mother's Catechism (a famous and much used young children's catechism) and The Young Communicant's Catechism. In 1742 he published another much printed work, The Balm of Gilead which includes twenty-four discourses, twelve of them relating to The Lord's Supper. In 1744 there followed his Fair and Impartial Testimony on the state of the Church of Scotland.

COSMOS (computer system for main frame operations) was a record-keeping system for main distribution frames (MDFs) in the Bell System, the American Bell Telephone Company and then, subsequently, AT&T;–led system which provided telephone services to much of the United States and Canada from 1977 to 1984. COSMOS was introduced in the 1970s after MDFs were found to be congested in large urban telephone exchanges. It assigns terminals so jumpers need not be so long, thus leaving more space on the shelves. COSMOS also converts customer service orders into printed work orders for staff who connect the jumpers.

It is probably his first printed work in Italian. In 1782 one of his poems, La Fiera di Sinigaglia o sia saggio sul commercio, signed with the pseudonym Ligofilo (a term he himself coined on the Greek assonance, "lover of reading") was reviewed by the Bologna magazine "Memorie Enciclopediche", a bibliographic information journal created the previous year. Compagnoni came into contact with the director, the lawyer Giovanni Ristori, and in a short time he started an external collaboration with the newspaper. The magazine contained (seven pages out of eight) reviews of works in Italian just published.

''''' (Summary of arithmetic, geometry, proportions and proportionality) is a book on mathematics written by Luca Pacioli and first published in 1494. It contains a comprehensive summary of Renaissance mathematics, including practical arithmetic, basic algebra, basic geometry and accounting, written for use as a textbook and reference work. Written in vernacular Italian, the Summa is the first printed work on algebra, and it contains the first published description of the double-entry bookkeeping system. It set a new standard for writing and argumentation about algebra, and its impact upon the subsequent development and standardization of professional accounting methods was so great that Pacioli is sometimes referred to as the "father of accounting".

Pergošić published his works in Zagreb and Varaždin. In 1574 he printed a translation of “Tripartitum” written by István Werbőczy. Pergošić referred to the language he used in this translation (titled Decretum) was Slavic (Szlouienski in original, ) and in its preface Pergošić emphasized that it was written for "Slavs and Croats". It is assumed that he used terms Slavs and Croats to refer to the people of two administrative regions of Habsburg Monarchy (Kingdom of Slavonia and Kingdom of Croatia) without any sort of ethnic connotation. Pergošić's 1574 translation of “Tripartitum” is considered the first printed book on Kajkavian dialect and the first printed work of Kajkavian literature.

Later histories retained the bias of the antagonists. In France in these years, despite much sympathy for Mary in Catholic court and Guisian circles, there were no publications in her support, probably because it was foreseen they would damage diplomatic relations with England. The first printed work to champion her cause was the anonymous L'Innocence de Marie Roine d'Ecosse (Reims, 1573). This was a response to the publication in London of a French version of George Buchanan's arguments against Mary, the Histoire de Marie Royne d'Ecosse & l'Aduterie commis avec le Comte de Bothwell, and L'Innocence sought to discredit the late Regent Moray's actions and his faction in Scotland.

In addition to these personal accounts, many presentations of the Black Death have entered the general consciousness as great literature. For example, the major works of Boccaccio (The Decameron), Petrarch, Geoffrey Chaucer (The Canterbury Tales), and William Langland (Piers Plowman), which all discuss the Black Death, are generally recognized as some of the best works of their era. La Danse Macabre, or the Dance of death, was a contemporary allegory, expressed as art, drama, and printed work. Its theme was the universality of death, expressing the common wisdom of the time: that no matter one's station in life, the dance of death united all.

Such an early separation of Indo-Aryans from Iranians leads to a revision of the time when the split of Indo-European community occurred – this must also have happened earlier than had previously been thought. #Ethnogenesis. From the very beginning Klejn had a keen interest in problems of ethnogenesis – his first printed work (1955) was devoted to the origin of Slavs. Later Klejn delved deeply into problems of the origins of Indo-Europeans, especially their south- eastern branch – Aryans, Greeks, Armenians, Phrygians and Tocharians. He postulated the existence of Indo-European sub-group in the past – Greco-Aryans including ancestors of Aruans, Greeks, Arnebians and Phrygians.

Their anti-magazine Gorgona (11 issues published 1961-1966) was simply designed, each edition intended to showcase the work and views of a single artist and was in itself a printed work of art. The group was preoccupied by the absurd, sent people invitations for events that never took place, placed ads for the sale of trivial objects, planned unfeasible projects, and even went so far as to exclude the audience to have the whole place for themselves. The Gorgona publication, and the group's activities raised interest in international art circles - and they had frequent contact with such artists as Dieter Roth, Victor Vasarely, Piero Manzoni, Lucio Fontana, and Robert Rauschenberg.

However, the five libraries have the right to send a publisher a request for a printed work within twelve months of the publication of the work. The publisher must deliver a copy within a month of receipt of the request. The quality of works sent to any of the five libraries must be of the same quality as the largest number of copies of the work published in the UK at the time of the request. Trinity College Dublin is included in the Act despite it being outside the UK's jurisdiction, as the Act continued the more ancient right bestowed on the college in 1801, when Ireland was part of the Union.

After Locke's later writings became famous (after the Glorious Revolution of 1689), his role brought attention to the Constitutions, particularly for its value in the context of classical liberalism. Armitage suggests that Constitutions were the first printed work with which Locke's name could be associated, and that it was published before his widely known writings Essay Concerning Human Understanding and the Two Treatises of Government published in 1689 and 1690.Armitage, 2004, p. 607. The STC catalog guesses there might be publications of the Fundamental Constitutions that correspond to the existing manuscripts (in 1670 and 1682). However first publication that can be confirmed is 1698, which postdates by almost a decade Locke's better known writings.

Cover of Le Petit Marseillais (15 October 1922) by an anonymous artist A collective work under the copyright law of France is a collective work that contains the works of several authors created, assembled, harmonized and published under the direction of a person or organization who owns the commercial and moral rights of the work as a whole. The work as a whole is distinct from the individual contributions, which are owned by the authors. It is common for publication of articles on the Internet, in a different context and layout from the printed work, to be considered to be outside the standard agreement between the author and the owner of the collective work.

Kenojuak Ashevak became one of the first Inuit women in Cape Dorset to begin drawing. She worked in graphite, coloured pencils and felt-tip pens, and occasionally used poster paints, watercolours or acrylics. She created many carvings from soapstone and thousands of drawings, etchings, stonecut prints and prints — all sought after by museums and collectors.See generally Jean Blodgett, Kenojuak (Toronto: Firefly Books, 1985) She designed several drawings for Canadian stamps and coins, and in 2004 she created the first Inuit-designed stained-glass window for the John Bell Chapel in Oakville, Ontario. In 2017, the $10 bill released in celebration of Canada’s 150th birthday features Kenojuak’s stone-cut and stencil printed work called "Owl’s Bouquet" in silver holographic foil.

Pratt between 1852 and 1856 Pratt was a noted religious writer and poet. Many of Pratt's writings are the only credible or lasting accounts from important American and Mormon events, such as the Hauns Mill Massacre and the events and conditions of imprisonment with Smith at Liberty Jail. Pratt's first printed work was "'The Mormons' So Called", a 5500-word account of the persecution of Mormons in Jackson County in 1833.. Pratt wrote an autobiography, published after his death but likely his most widely read work in the 21st century.In the autobiography Pratt said that he was a good friend of Pantheist and freethinker John Shertzer Hittell, author of Evidences Against Christianity.

Burre published works of non-dramatic literature too: Pseudo-Martyr (1610), the first printed work of John Donne; a translation of the Pharsalia of Lucan by Sir Arthur Gorges (1614); and Sir Walter Raleigh's The History of the World (also 1614). One story, current throughout the seventeenth century, held that when Burre told Raleigh how poorly that book was selling, Raleigh threw the completed second volume of the work into the nearest fire.Frank Wilson Cheney Hersey, Representative Biographies of English Men of Letters, New York, Macmillan, 1909; p. 365. This story is certainly apocryphal, since The History of the World in fact sold well, going through three editions in its first three years in print.

More importantly, the batin guides the believer on a spiritual journey of discovery of the intangible truth (haqiqa) that engages both the intellect (aql) and the spirit (ruh) with the ultimate destination being that of gnostic enlightenment (marifa or fana- fillah). The word Quran means "recitation". When Muslims speak of "the Quran" in the abstract, they usually mean the scripture as recited rather than the printed work or any translation of it. For the Nizari Ismaili, the tafsir and tawil of the Quran are embodied most perfectly in the being of the Imam-i- Zaman (the Imam of the Time), due to his divinity as "the Imam from God Himself" as expressed in the third part of their Shahada.

It appears at numerous additional places in the text and in two other essays in the same collection but did not appear in any subsequent printed work. It was, however, included in the SYO as a recommendation for use in handwritten text, where it is also encountered. Yudl Mark, who authored one of the other 1930 essays in which the typeset form was used, was later to dub this character the shpitsik maksl ("acute Maxy"), and it remains enshrined in the YIVO logo. Further orthographic variation is seen in other YIVO publications from the same period, also using markings that were not included in the SYO, but which did have typographic precedent (for example, אֵ to represent /e/).

Papers Volume I Volume III (1950) opened with four major essays on textual matters: R. C. Bald's "Editorial Problems--A Preliminary Survey," W. W. Greg's "The Rationale of Copy-Text," Bowers's "Some Relations of Bibliography to Editorial Problems," and Archibald A. Hill's "Some Postulates for Distributional Study of Texts." Papers Volume III G. Thomas Tanselle called Greg's article "one of the most seminal papers in the history of English scholarship." Articles in later issues also discussed new technology, such as the Hinman collator, which used lenses and mirrors to compare copies of a printed work in order to show the differences. Bowers promoted this technique for early printed works, such as the First Folios of Shakespeare.

A collection by Johannes Honterus was the first Hungarian printed work with music, dating from 1548. These collections were enriched by "melodic configurations" that, according to Bence Szabolcsi, could be explained by the arrival of the "song material of the Czech Reformation, the melodic treasure of the German Reformation and the psalter of French Huguenots". The poet Bálint Balassi remains well regarded for his poems from this period, which were based on Polish, Turkish, Italian and German melodies, and may have also been influenced by the villanella. Some songs from this period, influenced by the music of the nobles and their minstrels from as far away as Italy, remained a part of the Hungarian folk tradition at least until modern song collection began.

Church Slavonic was also identified with the Proto-Slavic language, and its use in literature was seen as the continuation of an ancient tradition. The writers began blending Russo-Slavonic, vernacular Serbian, and Russian, and the resulting mixed language is called Slavonic-Serbian. The first printed work in Slavonic-Serbian appeared in 1768, written by Zaharije Orfelin. Before that, a German–Slavonic-Serbian dictionary was composed in the 1730s. The blended language became dominant in secular Serbian literature and publications during the 1780s and 1790s.Ivić 1998, pp. 129–33 At the beginning of the 19th century, it was severely attacked by Vuk Karadžić and his followers, whose reformatory efforts formed modern literary Serbian based on the popular language.Albin 1970, pp.

The drawing (reproduced above to the right) on the frontispiece of his only printed work gives his name simply as Ioseph Del Medico 'Cretensis, or 'Joseph [of] the Physician, from Crete, Philosopher and Physician'. It is hard to determine which of the two, the family name Delmedigo on the one hand or the profession (physician), existed in the first place, giving origin to the other. The Hebrew title page to Sefer Elim gives his occupations specifically as a "complete" rabbi (shalem; this may mean that he had some sort of official smicha), philosopher, physician, and "nobleman" (aluf). Born in Candia, Crete, a descendant of Elia del Medigo, he moved to Padua, Italy, studying medicine and taking classes with Galileo in astronomy.

Retrieved July 25, 2018 The Print Center also focused on bringing art into schools around Philadelphia. In the 1960s, they started Prints in Progress, which brought a portable printing press and printmakers to inner-city schools and communities for workshops. Allan L. Edmunds and Marion B. "Kippy" Stroud got their start in this program and would go on to found the Brandywine Workshop and the Fabric Workshop & Museum, respectively. In continuing its mission to promote printed work, The Print Center opened the Gallery Store in 1991, which currently represents about 75 local, national and international artists.“The Print Center Gallery Store” The Print Center, Retrieved July 28, 2018 The Print Center established a Curator position to provide a higher level of content for the wider Philadelphia community.

The work was first published as a printed work in 1904, with multiple later editions, including a foreword by Theodore Roosevelt who at the time was President of the United States and modernised by William Adolf Baillie Grohman and his wife Florence. It included some of the illustrations from the original French Livre de Chasse, and also added a glossary to explain the meaning and terms of medieval hunting. At the time it was republished, only nineteen copies of the original text were known, two of the best preserved copies were on the shelves of the British Library and one in the Bodleian Library. A further reprint was made in paperback in 2005, which was a straight reprint of the 1909 edition including the black and white reproductions of the original illuminations.

The first copyright law in the United States, the Copyright Act of 1790, covered maps, charts or books. The printed work was protected for 14 years from registration of its title with the district court, and could be renewed for another 14 years by the author, if still alive. It did not provide for the copyright to be vested initially in an individual or employee who ordered or commissioned a map, chart or book. The work only covered American authors, allowing publishers to flood the market with cheap reprints of British books. The first major revision was the Copyright Act of 1831, which extended the initial term to 28 years with the option to renew for another 14 years, and granted widows and children of deceased authors the right of renewal.

Thus the collection made by the Franciscan Fortunatus Hüber of the abbreviated lives of those of the Friars Minor who had died in the odour of sanctity, printed in 1691 under the title of "Menologium Franciscanum", was evidently intended for public recitation. In lieu of the concluding formula "Et alibi aliorum" etc. of the Roman Martyrology, the compiler suggests (364) as the ferialis terminatio cuiuscumque diei the three verses of the Apocalypse (vii, 9-11) beginning: "Post hæc vidi turbam magnam". The earliest printed work of this kind is possibly that which bears the title "Menologium Carmelitanum" compiled by the Carmelite Saracenus, printed at Bologna in 1627; but this is not arranged day by day in the order of the ecclesiastical year, and it does not include members of the order yet uncanonized.

The dictionary was, however, of great help to later Old English scholars, as it passed into the hands of Robert Cotton, and became part of the Cotton library as manuscripts Titus A xv and Titus A xvi. Joscelyn's written work on Old English grammar also became part of the Cotton library, but was lost after Cotton loaned the manuscript to William Camden in 1612. Parker published in 1572 a work entitled De Antiquitate Britannicae Ecclesiae & Priuilegiis Ecclesiae Cantuariensis, cum Archiepiscopis eiusdem 70, which is the first privately printed work to appear in English. Although Parker claimed in a letter that he was the author, it is likely that at the very least Joscelyn did most of the research, and the manuscript of the work, which is now Vitellius E xiv, is largely in his handwriting.

In the Catholic Church an imprimatur is an official declaration by a Church authority that a book or other printed work may be published; it is usually only applied for and granted to books on religious topics from a Catholic perspective. Approval is given in accordance with canons 822 to 832 of the Code of Canon Law, which do not require the use of the word "imprimatur". The grant of imprimatur is normally preceded by a favourable declaration (known as a nihil obstat) by a person who has the knowledge, orthodoxy, and prudence necessary for passing a judgement about the absence from the publication of anything that would "harm correct faith or good morals." In canon law such a person is known as a censor or sometimes as a censor librorum (Latin for "censor of books").

In 1618 three comets appeared over Europe, and Chiaromonti dedicated his first printed work, Discorso della cometa pogonare dell'anno MDCXVIII to Cesare d'Este. He thus entered into a scientific polemic on the nature of comets that involved Orazio Grassi and Galileo; while Galileo held that they were most likely optical illusions rather than heavenly bodies, Chiaramonti argued that comets were made of 'elemental substance', did display parallax and were definitely sublunar. Just as Galileo sought to interpret the phenomenon of comets in a way which supported Copernican heliocentrism, Chiaramonti explained it with the intention of supporting the traditional geocentric model. Chiaramonti was such a determined defender of classical astronomy that he rejected even the Tychonic system, which was by then commonly accepted among Jesuit scholars and other astronomers who did not agree with the views of Copernicus.

Some of the same methods were described in other manuscripts predating the Summa (such as the 1458 Della mercatura e del mercante perfetto by Benedetto Cotrugli), but none was published before Pacioli's work, and none achieved the same wide influence. The work's role in standardizing and disseminating professional bookkeeping methods has earned Pacioli a reputation as the "father of accounting". The book also marks the beginning of a movement in sixteenth-century algebra toward the use of logical argumentation and theorems in the study of algebra, following the model of classical Greek geometry established by Euclid. It is thought to be the first printed work on algebra, and it includes the first printed example of a set of plus and minus signs that were to become standard in Italian Renaissance mathematics: 'p' with a tilde above (p̄) for "plus" and 'm' with a tilde (m̄) for minus.

In writing 1632, Flint's web forum Mutter of Demons at Baen's Bar was soon taken over by exploratory posts as captivated readers commented on the E-ARC released book, creating a ground swell of interest ("Internet buzz") in the months before its hardcover release. So strong was the response, especially after the release of the printed work, that a new 1632 Tech Manual sub-forum was created for discussions about it in early 2000, for the discussions had also spilled over into Weber's Bu-ships tech forum, and Weber joined the bandwagon by suggesting a sequel was in order. In the event, the two co-wrote 1633 and collaborated further on integrating the short fiction (much of it unsolicited) into the de facto Ring of Fire sequel.Flint, in "Editors Forward" to Ring of Fire It was followed by two other related forums: 1632 Slush and 1632 Comments, within the next two years.

In contrast to other women writing within the colonial settlements—Louisa Atkinson, Caroline Dexter, Eliza Dunlop—Hassell does not write of frontier history and conflict arising during colonisation, adopting a uncritical position that the historical events she studied and heard were inevitabilities of 'progress'; events such as the disposition of land entitlement in which the Hassell family were themselves involved. A later researcher (Izett, Ms. 2014) suggests the motive may have been a form of 'tactical advocacy' at a time when the traditional culture of Australia's inhabitants was poorly known if not misrepresented as propaganda. Ethel wrote of her friends, The author's observations, aside from their ethnological value, included botanical notes and local history, and comparisons of the changing landscape to early sketches of King George Sound; examples of these were published in her locally printed work Early Memories of Albany (c. 1910).Mrs A.Y. Hassell, Early Memories of Albany (Albany, WA: Advr.

According to Article I VerbotsG, the Nazi Party, its paramilitary organisations such as SS, SA, the National Socialist Motor Corps and National Socialist Flyers Corps, as well as all affiliated associations were dissolved and banned; any restructuring is forbidden. To underpin the prohibition, the Verbotsgesetz itself, though constitutional law, comprises several penal provisions classifying any act of (re-)engagement in National Socialist activities (Wiederbetätigung) as a punishable offense. Section 3 h VerbotsG included in 1992 states that : whoever in a printed work, on broadcasting or in any other media, or whoever otherwise publicly in a matter that it makes it accessible to many people, denies, belittles, condones or tries to justify the Nazi genocide or other Nazi crimes against humanity shall be punished with imprisonment for one year up to ten years, in the case of special perilousness of the offender or the engagement up to twenty years. All cases are to be tried by jury.

The most important of Tannus's works was Akhbar al-a'yan fi Jabal Lubnan (The History of the Notables in Mount Lebanon), which he completed in 1855. The printed work was 770 pages and divided into three parts. The first part centered on the natural and political geography of Mount Lebanon and its surroundings and consisted of five chapters: the first chapter defined the boundaries of Mount Lebanon and surveyed its population; the second summarized the histories of the eight principal coastal towns of the Phoenicians, namely Tripoli, Batroun, Byblos, Jounieh, Beirut, Sidon, Tyre and Acre; the third described the mountain's nine main rivers; the fourth detailed the feudal districts of the mountain and the fifth was a table of the population. The second part of Akhbar al-a'yan was devoted to the genealogies of the feudal families of Mount Lebanon, with each family entitled to a chapter and grouped into three categories: Muslims, Maronites and Druze—the originally Muslim and Druze Shihab and Abi'l-Lama families, at least parts of which converted to Christianity, were grouped with the Maronites.

The printed work was submitted to Clement VIII, in 1598 for his approbation, which was refused. A new revision undertaken in 1607-08 had a similar fate, the reigning pope Paul V declining to approve the "Liber Septimus" as the obligatory legal code of the Church. It is divided into five books, subdivided into titles and chapters, and contains disciplinary and dogmatic canons of the Council of Florence, First Lateran Council and that of Trent, and apostolic constitutions of twenty-eight popes from Gregory IX to Clement VIII. The refusals of approbation by Clement VIII and Paul V are to be attributed, not to the fear of seeing the canons of the Council of Trent glossed by canonists (which was forbidden by the Bull of Paul IV, "Benedictus Deus", confirming the Council of Trent), but to the political situation of the day, several states having refused to admit some of the constitutions inserted in the new collection, and also to the fact that the Council of Trent had not yet been accepted by the French Government; it was therefore feared that the Governments would refuse to recognize the new code.