On the stage Monday night, Mr. Musk, showered praiseful adjectives like "bravest" on Mr. Maezawa.
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Most of her songs started in a gentle groove and gradually built to a praiseful, chanting repetition.
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The work is neither overtly critical nor praiseful, but focuses on the forms — at times beautiful, banal, and bizarre — seen from the car window.
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Greenman looks at those flaws with clear eyes, but he's such an admirer that he can be touchingly over-praiseful as well, particularly when it comes to lyrics.
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Some called him a puppet of Putin, while others questioned how an American leader could be so praiseful of a Russian leader who commits war crimes and has journalists killed.
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This — the trope of the mansplain-y, harass-y Sanders supporter who gets all up in the mentions of anyone insufficiently praiseful — is the definition of "Bernie Bro" that journalists tend to use when writing about the phenomenon.
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I felt the same when I read a recent (and rightly) praiseful article on the work of another senior curator (who is, full disclosure, an admired colleague of mine), which lauded the innovative exhibition roster produced under this curator's leadership, yet failed to acknowledge by name any of the (majority female) colleagues that played key co-authorial roles.
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It continued: 'Camerawork and editing are perfunctory, and Roger S. Crandal's production design's conventional. Michael Tavera's score is monotonous'. The New York Times was more praiseful of Swank's acting, saying that she 'gives an excellent account of herself in this made-for-TV movie'.
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He criticized Gorbachev, who he had previously been praiseful of. During his 1991 presidential campaign he vowed to prevent the disintegration of the Soviet army. In his 1991 presidential campaign Zhirinovsky vowed to gradually eliminate the policy of conscription, transitioning Russia's military into an entirely professional force.
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Withers was praiseful, but nitpicked Lent's "squandering" torpedoes (as critical as he had been with Joe Grenfell and Dave White before),Blair, p.120. because production from Newport Torpedo Station was running drastically behind use.Blair, p.120-1. He also criticised Lent's failure to follow up attacks and undue caution around Japanese aircraft.
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The Penitential Act instituted by the Council of Trent is also still permitted here, with the caution that it should not turn the congregation in upon itself during these rites which are aimed at uniting those gathered as one praiseful congregation. The Introductory Rites are brought to a close by the Collect Prayer.
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Maruti Stotra (Bheema Roopi) or Hanuman Stotra is a 17th-century stotra, hymn of praise, composed in Marathi language by saint-poet of Maharashtra, Samarth Ramdas. It is a compilation of praiseful verses that describe the many aspects and virtues of Maruti Nandan or Hanuman. There is another hymn to Hanuman called Hanuman Stuti by the same author.
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However the narrator comes across a praiseful review in The Empire. Mr Morrow, a journalist suddenly interested in writing about Neil Paraday's life now that he is successful, comes round and ends up scaring the writer; the narrator manages to see him off. He tells Mr Morrow all there is to know about Paraday is in his work; the journalist is not amused. Later, he publishes an article on Neil's house in the Tatler.
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When an official jealous of Yang, Su Duan (蘇端), was induced by Chang (who was also jealous of Yang) to argue that that was an overly praiseful posthumous name, Emperor Daizong was enraged and exiled Su. Those who praised Yang for his frugality and his understanding of Buddhist and Taoist philosophical principles compared him to the Han Dynasty officials Yan Zhen and Bing Ji (丙吉) and the Jin Dynasty (265–420) officials Shan Tao and Xie An.
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Abraham, Meera (1988). Two medieval merchant guilds of south India. pp. 132 The Koneswaram temple compounds and its adjacent region, from Periyakulam and Manankerni in the north, Kantalai and Pothankadu in the west, and Verugal in the south, formed a great Saiva Tamil principality. Residents in this collective community were allotted services, which they had to perform at the Koneswaram temple. An inscriptional record containing a praiseful poem of Raja Raja Chola I, who ruled the northern Malabar country from 993 to 1014 A.D. was discovered in the 1970s within the premises of the Koneswaram temple.
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This arrangement was likely facilitated by Bartolomeo Gadio, overseer in chief for the Duke, and Foppa likely worked first on the Castello of Pavia. While it is unclear what works Foppa was specifically enlisted for, he clearly made a strong impression on Duke Francesco Sforza. Vincenzo received an effusively praiseful letter of recommendation from Sforza which enabled him to receive patronage from the Doge of Genoa and the priors of the confraternity of St. John for frescoes in the Chapel of St. John the Baptist in the Cathedral of Genoa. Foppa had gone to Genoa in 1461 to evade the plague present in Pavia at the time, returning to Pavia in 1462 with only the ceiling completed.
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" Similarly praiseful was Pete Fyfe of Folking, who said "all of the tunes on this 11 set album go with a swing and the self-assured way in which they are put across leaves you in no doubt that Irish music is in safe hands and continuing to break the boundaries of musical prejudice." Newspaper The Irish Times rated the album five stars out of five, meaning the album is "absolutely unmissable." The review said "third album in and they’re already breaking speed limits" and concluded that "it doesn’t get much better that this." Mojo said the "wondrously fiery" album was "blistering, yet also imaginative," concluding that the "earthy, soulful, and instinctive" album surpassed the band's "last benchmark album, Otherworld.
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Critical reception of the band's work has oscillated from the dismissive to the unambiguously praiseful, with the Chicago Tribune declaring Turnstyles & Junkpiles "a disappointing bore", whilst The Wire has referred to the same album as "their excellent debut." The New Musical Express's review of Pullman's first album stresses the uniqueness of the band's approach to the genre: "Pullman refuse to allow the comfortable and reflective drift off into reverie that would normally accompany such a scaled-down recording." Giant Robot magazine called Viewfinder "a great album combining some of the best in music", going on to list the band's members, detailing their respective pedigrees, as did Jean-Baptiste Dupin writing for Les Inrockuptibles, describing Pullman "[a]s a land of suburbs, a small garden on the outskirts humbly handset by eight green hands".
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It was, however, removed from the New Hymnal which became prevalent in the 10th century. It was restored in the 12th century in hymnals that attempted to restore the praiseful intent of the rule of St. Benedict. In the traditional office, the Te Deum is sung at the end of Matins on all days when the Gloria is said at Mass; those days are all Sundays outside Advent, Septuagesima, Lent, and Passiontide; on all feasts (except the Triduum) and on all ferias during Eastertide. Before the 1961 reforms of Pope John XXIII, neither the Gloria nor the Te Deum were said on the feast of the Holy Innocents, unless it fell on Sunday, as they were martyred before the death of Christ and therefore could not immediately attain the beatific vision.
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