But Ricky's guitar playing made it a powerful song, musically.
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Those lyrics really hit home, and it's a really powerful song.
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It's a powerful song that demanded similarly compelling, raw visuals to accompany it.
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The impact of that extends far beyond creating a powerful song, Webb says.
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It is the most powerful song about oral sex you will ever hear.
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When I did that "Just Being Honest," that was an emotional, powerful song.
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King tells PEOPLE that the powerful song was inspired by his own health battle.
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Etheridge released the powerful song, titled "Pulse" after the Orlando nightclub, within 24 hours after the shooting.
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I think it's such a powerful song with such a great message to the people that wronged her.
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It was such an emotional and powerful song anyway that the feeling was already established for me when it came out.
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It's the title track because it's such a powerful song, and I just believe one of the best songs I've ever written.
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To that end, "Powerful," which was the Alicia Keys-Jussie Smollett duet, was also a powerful song and very much a story point.
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This is interspersed with clips of Lovato singing the powerful song, with special emphasis on the line "Tell Me You Love Me." It's stunning.
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In 2015, it would've taken a powerful song to completely overhaul Justin Bieber's image and convince us to open our hearts to him again.
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Perhaps the most powerful song on the record is a version of "Little Margaret," a ballad that can be traced back to fourteenth-century England.
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In "Mariners Apartment Complex," the album's most powerful song, she channels Leonard Cohen while refusing to apologize for "the darkness, the deepness" that make her who she is.
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It was by far the most powerful song on that record, but I couldn't quite bring myself to release any of the versions because it wasn't quite right.
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That being said, she's still Gaga, so we a symbolic, elaborate performance outfit will blend the drama she's known for with the gravitas fitting of such a powerful song.
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With meaningful lyrics and beautiful visuals at the front of his mind, Gilman released the powerful song "Soldier" in August and debuts its tear-jerking music video exclusively with PEOPLE.
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It's a powerful song of no regrets from a conflicted character seemingly at peace with sleeping her way to the top of Argentina's power structure, then using her perch to try to make a better country.
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In the interview, which aired on Thursday, the singer, 27, opened up about his powerful song "Two of Us," which pays tribute to his late mother Johannah Deakin, who died after a battle with leukemia on Dec.
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What surprises me is the presence of "Chandelier," because that is a triumphant, powerful song about being depressed and drunk and crying and the only activities it's suited for are singing, crying, drinking and dancing, preferably simultaneously.
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" By midcentury it was firmly established as a protest hymn, and its role as an anthem of the Civil Rights movement — even today — led the Library of Congress to declare it "the most powerful song of the 20th century.
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The singer and veteran songwriter, who has written for artists like Adam Lambert and Ellie Goulding, depicts the daily struggles of a trans teen through his powerful song and music video "The Village," which also features trans actor August Aiden.
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I've also been made aware, through Queen, what, lyrically, makes a powerful song and why the fans keep coming back to them: It's because they affect us all, and they are songs about the human condition and the human heart.
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Nina Simone's "Feeling Good" — a powerful song when used right — just about killed the momentum of the Handmaids leaving the stoning, and Tom Petty's "American Girl" was timed so bluntly at the end that it left me frustrated and rolling my eyes.
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Country singer Maren Morris released a powerful song on Monday (titled "Dear Hate" and featuring Vince Gill) following the horrific mass shooting carried out by a 64-year-old gunman on the Las Vegas Strip that killed at least 58 people and injured more than 500 others who were attending the Route 91 Harvest country music festival.
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Sexes are similar. It has a similar but more powerful song than that of the nightingale.
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Ray Waddell, of Billboard magazine reviewed the song favorably, saying that Keith "makes his politics readily apparent on the gentle, powerful" song.
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Jade Solid Gold (Chinese: 勁歌金曲, literally "powerful song golden melody") is a music show on the TVB Jade television channel in Hong Kong. It has been running since October 10, 1981.
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The composition is described as being a powerful song that delves into realistic subjects past normal auto-determined masochism such as intense depleting pain, the loss of those close and topics related to one's mental stability.
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Vices music website, Noisey called the track "Breaker" off the album, "powerful" song, as well as "another example of their precocious talent and the sisters ability to craft hooks that are both instaneous and timeless." Spin called the track a "highlight" from the album.
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Loboda released her solo single "Жить легко" (Live easy) in January 2010, "Сердце бьётся" (Heart Is Beating...) with Max Barskih in spring, and "Revolution" in October. She described Revolution as "a powerful song, with a powerful message. It was very emotional to make." At the VIVA award ceremony, Loboda presented the single "Спасибо", dedicated to her daughter.
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It was first played on Citizen TV's Power Breakfast. Hey is a powerful song with a powerful track and out of the ordinary actors to back it. The story of an ordinary guy, missing his girlfriend is portrayed by two puppets 'Boflo' and 'Katunge'. Boflo is professing his undying love for Katunge and calls all other girls 'Kadhalika' which roughly translated means etc...
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Zhou Huaizheng (died 16 August 1020) was a powerful Song dynasty palace eunuch during Emperor Zhenzong's reign. After Emperor Zhenzong's illness in 1019 made him incapable of ruling, state power gradually fell to the hands of his wife Empress Liu and chancellor Ding Wei. Zhou plotted to assassinate Ding so that Kou Zhun could return to chancellorship, but his coup failed. He was arrested by Lei Yungong and executed.
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The song was called "Heart to Heart". Mike Batt queried whether this song could be well received by a jury, and didn't understand the theme, but it was very powerful. Song number 7 was called "This is the Kiss" by a group called Two-Che, featuring Irishman Paul Clements, and Manchester born Nicola Jackson. Gloria Hunniford liked the song, but felt that some aspects of it were repetitive.
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Immediately on returning to Britain, Daltrey was sacked, but was reinstated on the condition that the group became a democracy without his dominant leadership. At this time, the group enlisted Richard Cole as a roadie. The next single, "My Generation", followed in October. Townshend had written it as a slow blues, but after several abortive attempts, it was turned into a more powerful song with a bass solo from Entwistle.
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Alone is overrated! The message of the next song "Sing" is that all the feelings and pain is to sing from the soul. "Hurricane" is one of the "powerful song" of the album and is about the calm before the storm. The chorus is catchy: "He left me, when he walked away, this love - his love is like a hurricane" striking is the constant change of pace from slow to fast.
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In 968, however, he took the provocative step of adopting the title of Emperor (Hoàng Đế) and thereby declaring his independence from Chinese overlordship. He founded the Đinh Dynasty and called his kingdom Đại Cồ Việt. His outlook changed, however, when the powerful Song Dynasty annexed Southern Han in 971. In 972, Đinh Bộ Lĩnh ingratiated himself with the Song by sending a tribute mission to demonstrate his fealty to the Chinese Emperor.
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"Sorry, Sorry" is a 1998 Femi Kuti song from the album Shoki Shoki. It is one of his best known tunes.Rhythm: Global Sounds and Ideas 2000 When Femi Kuti and his band Positive Force played Africa Fete in 1995, most people saw a frenetic but pale reflection of Femi's dad, ... "Sorry Sorry," the most powerful song on Shoki Shoki, approaches the wild urgency of Fela's best work. The lyrics are a complaint against Africa's leaders and military rulers.
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The band begins composing music in advance of a live performance, but Mafuyu is unable to write lyrics for the song. The day of the performance, Mafuyu has a breakthrough and sings a powerful song about his feelings of loss over Yūki. The song prompts Ritsuka and Mafuyu to act on their growing romantic feelings for each other; they kiss backstage and begin dating. The band names itself "Given", in tribute to the guitar given to Mafuyu by Yūki's mother after his passing.
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The first song was "Attitude". The impact of this powerful song and Brendans energy stopped the audience in their tracks and they started to return to watch this unknown band play their set. One of the members of the audience who remembered their name was an unknown Band Manager by the name of Rick Lennox later to manage Daisy Chainsaw and as an A&R; manager to sign "Skunk Anansie" to One Little Indian. After this final gig the Driven disappeared back to County Limerick.
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To replace her, Bert cuts the wires on Jenna's mouth, allowing her to sing a powerful song directed to her parents in the audience, telling them to accept her as she is. The benefit is a hit, but Vlad, Michael, and Ellen are still arguing. Vlad and Michael meet up by the lake, where Vlad strips down to gain Michael's attention. After being set straight by Michael, Vlad admits that he is an "attention junkie", and attempts to please everyone in order to gain their good favor.
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The title of the album directly comes from a lyric in the song "Screws Fall Out", but also from its use among the band to describe a powerful song that the band can rally behind, similar to "My Very Own Flag" and "Gainesville Rock City" from Pezcore and Borders & Boundaries respectively. Bassist, Roger Manganelli, often jokes that the title was selected by the band writing down every single word in the English language, crossing out words until "Anthem" was the only one left uncrossed.
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" BrooklynVegan commended the diversity of material found on the release, explaining: "Since it's just four songs, it's nice that each one is noticeably different from the rest, and each one really stands on its own as a powerful song. With this short EP alone, Mazzy Star remind you that they could never be pigeon-holed." A writer for Paste commented: "While the sound hasn't changed much, neither has the impact of the music that they've mastered. 28 years later, Mazzy Star can still create a hell of a mood, their dark romanticism sounding anything but dated.
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Upon the release of Honeymoon, the song was given praise by critics and fans alike, often cited as a standout song from the album. Hardeep Phull of The New York Post praised the song for its lyrical content and melancholic sound. Chelsea Smile of PopMatters called "The Blackest Day" the most powerful song on the record, saying that it "recounts the excruciating break up of a relationship, and the tone to Del Rey's voice is so emotive, it's as if she's nearly crying at points." Nylon editor Kristin Iversen ranked the song as the 21st best song of Del Rey's discography.
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For example, the powerful Song kingdom during the Zhou dynasty was the direct descendants of Shang people. During the later Song dynasty (960–1279 AD), an ancient bronze artifact, "Shu Yi Zhong"(叔夷鐘), was unearthed with an inscription describing how the founder of the Shang dynasty, Tang, overthrew the Xia dynasty. The owner of this artifact, Shu Yi, a high officer of the Qi Kingdom during the Spring and Autumn period (c. 600 BC), was actually a direct descendant of the Song Kingdom's kings, which means he himself was a descendant of Shang people.
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In contrast to Danielsen's previous solo album Enjoy the Process, which featured only the singer along with his acoustic guitar, Food Chain featured a full band. In October 2014, prior to the release of the EP, the singer released "Rescue Me", the second song from the album via Revolver Magazine. The singer stated that he selected the tune, because "it’s a very powerful song that a lot of people can relate to in this day and age", going on to say that "We live in an overly medicated society, and we all have people close to us being affected".
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Suddenly, a ray of moonlight burst through the clouds and shone down on his adversary, revealing his identity: it was Satan himself. Upon revealing himself, the devil played a powerful song, so powerful that the light of the moon and stars were snuffed out, leaving his burning eyes as the only source of light in the night. Understanding that this would be his greatest battle, the juglar fell to his knees, looked up to heaven, signed the cross, and prayed the Apostles' Creed forwards and backwards. He then got up and played the most beautiful melody ever heard.
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Upon the release of The Altar and the Door, "East to West" met with positive to mixed critical reception. Kevin McNeese of New Release Tuesday regarded the song as a "powerful song and moment", while Steve Morley of United Methodist Communications commented that the song "offers grace for the journey" and "emphasizes the sin-crushing power of Jesus’ death and resurrection". Andree Farias of Christianity Today was more negative, opining that the song took too long to reach its climax. At the 39th GMA Dove Awards, "East to West" won the awards for Song of the Year and Pop/Contemporary Recorded Song of the Year.
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"Long Live" received mixed to positive reviews from critics. Rob Sheffield of Rolling Stone found the song to be heavy-handed but effective: "Speak Now peaks with 'Long Live,' a ridiculously over-the-top prom anthem with all the epic girl- group swoon of the Ronettes or the Shirelles, plus a guitar lick from Def Leppard's 'Hysteria' ... Yet when Swift sings it, damn if you don't believe every word." In About.com's review of Speak Now, Bill Lamb referred to "Long Live" as "perhaps the most powerful song [on the album]", noting its effectiveness as an album closer, and listed it as #5 on its top five album tracks.
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According to Komsomolskaya Pravda, the Soviet leader Leonid Brezhnev liked this song greatly, especially when performed by Joseph Kobzon, and predicted to Kharitonov that "folks would sing this tune for many years after you and I are gone". Brezhnev's expectation did not fail to materialize, in part because, as the US-American researcher David MacFadyen explains, "this powerful song draws not upon the bravery of youthful soldiers but the private memories of ageing, greying veterans. Its poignant combination of joy at a stunning victory and sadness at great loss sounds just as relevant today, when the war itself is something about which many young Russians neither know nor care".David MacFadyen.
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Grossman enjoyed a reputation in the folk scene of being commercially aggressive, generating more income and defending his clients' interests more fiercely than "the nicer, more amateurish managers in the Village". Dylan critic Andy Gill has suggested that Grossman encouraged Dylan to become more reclusive and aloof, even paranoid. While recording Freewheelin in New York, Dylan had his first performance at Carnegie Hall On September 22, Dylan appeared for the first time at Carnegie Hall, part of an all-star hootenanny. On this occasion, he premiered his new composition "A Hard Rain's a-Gonna Fall", a complex and powerful song built upon the question and answer refrain pattern of the traditional British ballad "Lord Randall".
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Although Ono appears to have a more active role, she is again blindfolded and the words she utters cannot be heard. Lennon and Ono also promoted the single with an appearance on Emperor Rosko's BBC Radio 1 show Midday Spin, shortly after the "cue card" clip aired. In response to the many letters asking about her role in the Top of the Pops performance, Ono said: "the blindfold means to me like everybody in the world is like blind ... the stool was like a grove ... And everybody's sitting on the grove blindfolded and trying their best, you know." Rodriguez describes both clips as "terrifically engaging, providing suitably dynamic visuals to a powerful song".
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In his book Revolution: The Making of the Beatles' White Album, David Quantick recognises the song's musical qualities – describing it as "a powerful song, full of angry climaxes" with "a fine [vocal] performance ... [and] a charming baroque feel" – yet he bemoans its "arrogant" and misanthropic message. Quantick concludes: "Although the Beatles preached peace and love and meant it, large parts of the White Album indicate that they could be a bit selective about it." Ian Inglis considers that the intentions behind Harrison's send-up of capitalist consumerism were reasonable, and acknowledges the sinister connotations that the song gained through Manson. He says that the track fails, however, melodically and lyrically, and lacks cohesion in its musical arrangement as well as "any subtlety or charm".
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In 2004, Mojo placed the song at number 17 on its list of the "100 Epic Rock Tracks". The September 2018 issue of Q included the song on a list of the "50 Greatest Revolutionary Songs"; writer Niall Doherty said, "It's no little irony that it became the most powerful song on the album that made U2 stars in America, Bono serving up this tale of the horrors of US foreign policy to packed stadiums, night after night." The U2 Podcast Editions in iTunes mentions that this is Paul McGuinness' (former U2 manager) favorite song. The song is covered by Sepultura in their covers EP Revolusongs, by P.O.D. in their album The Fundamental Elements of Southtown and Queensrÿche in their album Take Cover.
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Her most memorable performance proved to be the one in Kharkov on March the 4th. "A serious University city, a high-brow public… But Vyaltseva arrived, sang her powerful song of overpowering love, beamed out this inimitable smile of hers and the same crowd that yesterday discussed Ibsen, was now madly calling out for Troyka and Caressed by Magic... Her connection with Kharkov remained: that was the city where she was adored," wrote the theatre critic Y.Lvov. "As a performer of Gypsy romances M-lle Vyaltseva has no equal…The artist renders these songs masterfully and expressively, easily involving audiences into her art," wrote Odessky Listok several days later. Then, despite the sceptics' predictions to the contrary, she triumphed in Tiflis, the Georgian city with its old theatre and opera traditions.
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His three-song set marked the first public performance of "A Hard Rain's a-Gonna Fall,"It was the final song performed in the set. It followed a rendition of "As Long as the Grass Shall Grow", which consisted of music written by Dylan and lyrics by the noted Native American poet/singer/songwriter Peter LaFarge, recounting the US government's violation of its longstanding treaty with the Seneca nation in upstate New York. a complex and powerful song built upon the question-and- answer refrain pattern of the traditional British ballad "Lord Randall", published by Francis Child. One month later, on October 22, U.S. President John F. Kennedy appeared on national television to announce the discovery of Soviet missiles on the island of Cuba, initiating the Cuban Missile Crisis.
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The story of the game is told through the viewpoints of two character pairs: Cass and Delta, and Earthes and Ion. Initially, Cass and Delta are tasked to rescuing their friend Sarly after she disappeared during a mission in enemy territory. After the rescue, they discover she had in her possession a powerful Song called Ciel N Protecta, but it was stolen and it supposedly is the cause for the ship's guardian robots attacking Felion, as their enemy, the Archbishop of the Genomirai Church, Zill is controlling them through it. During their searches for it, they are captured by the Genomirai Church, and as they escape from them, they discover Zill is planning to set up and sing a very dangerous kind of Song Magic called Class::CIEL_NOSURGE;.
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Marc Hogan of Pitchfork awarded the song "Best New Track", stating that the track continued Ocean's tradition of masterful short story writing, and that "the lyrics refer back to and build on themselves, so the emotional payoff is all the more powerful". The publication later listed the song as the fourth best of the year, with Jace Clayton writing that "love songs that trade in high-contrast emotions draped over straightforward song structures may be aspirational but they rarely ring true, which is why this love song stays with us, irrefutable and unexpected". Rob Sheffield of Rolling Stone listed the song as the second- best track of 2016, describing it as "the most powerful song Ocean has created yet". Chris Payne of Billboard listed it in Ocean's top ten tracks, praising the track's incorporation of indie rock.
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Kidd and the Pirates' finest moment was the powerful song "Shakin' All Over", memorable for opening guitars and solo from Joe Moretti,born Joseph Edward Moretti, 10 May 1938, Glasgow, Lanarkshire, Scotland, died 9 February 2012, Johannesburg, South Africa, aged 73; Moretti also featured on the follow-up "Restless" it reached number one in the UK singles charts in 1960. The song and the group's proto- power trio line-up both made a strong impression on the Who, who would cover it in their 1970 album Live at Leeds, whose CD liner notes proclaim the original to be the UK's best pre-Beatles rock single. Canada's The Guess Who reached #1 in their home country and skirted the US Top 20 with a cover version in early 1965. Music critics Roy Carr and Tony Tyler would later write that "Shakin' All Over" was the second-ever genuine British rock classic, following Cliff Richard's "Move It".
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Alex Caldwell of Jesus Freak Hideout gave the album three out of five stars and called it a "mixed bag of tunes that mostly play it safe and stick to the well-established (and somewhat rote) formula of much of modern worship". Caldwell complimented lead single "Won't Stop Now" and the title track, and named "Echo" the standout track as its "rhythmic change here is a much needed directional turn from the sameness of much of the similar mid-temp rhythms and dynamics". In a review for New Release Today, Jasmin Patterson said the band has delivered an album that is "not only impactful spiritually but will also be a ton of fun to play and sing in personal or church worship settings". Patterson deemed the highlight a tie between "Echo" and "Then He Rose", calling "Echo" a song that "just connects with people and makes a heart come alive in worship" and "Then He Rose" a "powerful song about the resurrection of Jesus that would make a great addition to Easter setlists".
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