This fiscal year, Gap said it expects to close about 50 company-owned stores, net of any new openings or re-positionings.
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Covering of short positions, or bearish bets that certain stocks will fall, and other positionings have been behind the recent rally, she added.
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What does the board think about this, about these positionings and now that they're both board members too, what does that mean just from board's perspective?
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The seasoned player, on the other hand, will have subconsciously abandoned focus on the feeling of his equipment, shifting his mental faculties to analyze defensive positionings and potential receiver routes instead.
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But the brother or sister, the best friend, the classmate, the parent, the child, the lover, the ex-: our families, loves, and enemies alike, not to mention the strange relations of our work, play, and activism, prove that even people who share all or most of our positionings along these crude axes may still be different enough from us, and from each other, to seem like all but different species.
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OpenType has the ccmp "feature tag" to define glyphs that are compositions or decompositions involving combining characters, the mark tag to define the positioning of combining characters onto base glyph, and mkmk for the positionings of combining characters onto each other.
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Regular terms are used for some positionings. For example, double play depth is used when there is potential for a force play at second base. This means the shortstop and second baseman are playing slightly closer to second base and sometimes a little bit shallower. This position makes it easier to turn the double play.
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An Adcept is a tool used in marketing & advertising development to test creative ideas or brand positionings. The term is an amalgamation of the words 'advertising' and 'concept', indicating its role as a halfway stage between a concept idea and an advertising execution. Traditionally, adcepts have been used to check early creative work, typically with advertising agency clients or in market research focus groups.
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Atelier Bow-Wow (2006). "Bow- Wow from POST BUBBLE CITY", INAX Publishing Ltd The book also explores the issues in the housing industry brought by the bubble economy in post WWII Japan, and Kaijima in particular was concerned with “how to relate architecture to the appearance of the individual”Atelier Bow-Wow (2006). "Bow- Wow from POST BUBBLE CITY", p.8. INAX Publishing Ltd in terms of social and architectural positionings of the individual house.
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Izod and Lacoste both continue to produce similar piqué polo shirts and are often mistakenly believed to be the same company. Lacoste polo shirts have the crocodile logo, while Izod has a monogram crest. Izod has had a number of re-positionings in the market place (its current image being mid-range preppy and performance apparel). Lacoste has only recently become available again in the United States, though its current positioning remains entirely upscale.
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The 2nd Marching Regiment of the 1st Foreign Regiment was extracted from allocated positionings between April 22 and 24 of 1915. The regiment garrisoned from April 24 to 25 in Villers-Allerand, Louvois, Montchenot and Sermiers until being train transported to Aubigny-en-Artois. On the 27th, the regiment was at Villers-Brûlin and at Béthonsart. Already since the 28th, the regiment was posted at the front and relieved elements of the 77th French Infantry Division ().
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Amiri was released under the SIL Open Font License. The typeface itself has four styles: regular, bold, slanted, bold slanted, and two companions for Koranic typesetting: Amiri Quran and Amiri Quran Colored. All of which are available in TrueType outlines and OpenType format. The Amiri font makes extensive use of OpenType features to produce automatic positionings and substitutions, including wide varieties of contextual forms, ligatures and kerning to the Arabic letters and the verse number of āyah, and offers several optional features including character variants for specific letters and text figures for Arabic digits.
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The Black Country derby is most commonly the local derby between the English association football teams West Bromwich Albion and Wolverhampton Wanderers, who are located eleven miles apart in the Black Country region of the West Midlands. Black Country derbies are also contested between either of these teams and neighbours Walsall, though such matches are less common as a result of the teams' relative league positionings. Albion and Wolves have played 160 games against each other and only 14 and 16 competitive matches respectively against Walsall. Wolves and West Brom are currently in the Premier League after West Brom's promotion from the EFL Championship in 2020, while Walsall are currently in EFL League Two after relegation in 2019.
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Ed Sizemore of Manga Worth Reading says Tezuka's central idea critiques "the false dichotomy that society creates among male and female." Rebecca Silverman of Anime News Network (ANN) and Sheena McNeil of Sequential Tart both wrote that Tezuka put feminist positionings on it and Chris Mautner of The Comics Journal highlighted the presence of Friebe, "a swashbuckling" swordswoman, as another depiction of women in a non-subservient position (in contrast to the usual depiction). On the other hand, Silverman affirmed it shows gender stereotypes and "some of the more misogynist ideals of 1960s Japan," as exemplified by the fact her boy's heart gives her physical strength. Mautner also found "some" sexism in the work, given as an example the fact she loses her swordsmanship ability when she is without her boy's heart.
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It was a collaboration between NOMAD, Marres, Hedah, and Istanbul Technical University Center for Advanced Musical Studies (MIAM). All through the month of September 2003, several events were realized in two cities, Istanbul and Maastricht: (i) an introductory presentation, a CD launch, performances by two artists from the Netherlands and Turkey in Marres (Maastricht); (ii) a panel and workshop series at Istanbul Technical University, Faculty of Architecture and MIAM; (iii) a series of performances in Babylon, Istanbul during the opening of the 8th International Istanbul Biennial; (iv) a panel, and performance series at Marres; (v) an exhibition at Marres; (vi) an audio CD which was distributed in Europe through Lowlands, and the international distribution of the CD-ROM was carried out by NOMAD. ctrl_alt_del aimed at introducing Turkey to sound-art via sound-art's pioneering names, together with panels and workshops. More than 30 people from 16 different countries contributed to the project in 2003. In 2005, ctrl_alt_del took place in the “positionings” section of the 9th International Istanbul Biennial.
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