If you must have music, consider a small portable stereo.
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The film begins with Byrne walking onto a bare stage with a portable stereo.
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A portable stereo was on hand, and the photographer selected some other diva to set the mood.
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He rambles on, apologizes, tries to play a song on a small portable stereo, and does a little dance.
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The UE Boom, and other dedicated Bluetooth speakers are still excellent choices if all you're looking for is a portable stereo with amazing battery life.
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At $500, you could buy two UE Booms and have a great portable stereo speaker system—though that's hardly ideal for your home audio set up either.
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This portable stereo has an active two-way crossover system, which widens and deepens sound of any music genre and optimizes it for clarity and dynamic range.
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He tells how a wealthy friend at school asked him for advice on the best model of portable stereo to buy, which were "all the rage" in Italy in the 1970s.
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At the trial, prosecutors portrayed Perry as the mastermind behind the smuggling scheme. Johnson had never been abroad before, but Perry was an experienced traveler. Perry had paid for airline tickets in cash, and he was seen traveling with a bagful of cash. Finally, a flight attendant recognized him from the airplane, where Perry had been holding the portable stereo.
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The album track features ambient noise recorded in Sydney's Kings Cross district, including the sound of motorbikes, strip club spruikers and crowds of drunks, recorded by author Don Walker on a portable stereo. Also recorded are Walker's favourite busker and a snippet of Dragon's "Rain". This version appears on later greatest hits album and is most frequently played on radio. The original single version omits the street sounds.
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Surprisingly, the worker directs him to the nearest exit. Polgas soon exited the cave, but he wasn't out of danger just yet - at the mouth of the cave were scores of rabid dogs and a suspicious character injecting the dogs with an unknown substance. Upon seeing Polgas, he pressed a button on a portable stereo. Immediately, the rabid dogs went mad and attacked Polgas, who climbed a tree to evade the rabid canines.
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Johnson was arrested when customs officials found that the portable stereo he was carrying contained 3.5 pounds (1.6 kg) of 89 percent pure heroin, with an estimated street value of $1.8 million. The U.S. Drug Enforcement Administration spent the next several months accumulating evidence against Perry, who they suspected was involved with the drug smuggling. In January 1986, a warrant was issued for his arrest. After nine months of fighting extradition, Perry returned to New York for trial.
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But we were there for about half an hour. The security must have seen us with all this gear, playing a gig at the end of the runway and thought we must've had permission. The hardest bit was we had a portable stereo playing the track to mime along to, which sounded loud in the room but outdoors with a 747 going over your head and the ground shaking you can't hear anything. So, if you look carefully we're all out of sync.
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While there he honed his comedic talents as a standup at open mic nights. In his early twenties Dillon relocated to Union, Illinois he happened to move next door to Donley's Wild West Town and presented to the management his unique ability as a gunslinger. He quickly landed a position as a part time entertainer, to which Dillon recalled: "I'd have a little portable stereo on a picnic table, I'd hit play on a Western-sounding song, and I'd sit there and spin guns." By the age of 22, he became a world champion gunslinger.
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According to the director, Stephen Johnson, it was never his intention to make a consciously "political" video. A second clip for "Treaty" was made to accompany the Filthy Lucre remix. It was also directed by Stephen Johnson and dispenses with the overtly political shots of the previous video. The video features images of the band in concert as well as footage from the Gove Peninsula of ceremonial dancing led by Witiyana in the bush, Witiyana and Milkayngu dancing with their instruments on the beach, Mandawuy Yunupingu singing over a blazing fire and children dancing on the beach with portable stereo given to them by Mandawuy Yunupingu.
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AIWA logo, 1959–1991 The company was founded on June 20, 1951, as AIKO Denki Sangyo Co., Ltd., manufacturing microphones, and changed its name to , on March 10, 1959. Mitsuo Ikejiri served as president until 1969. The company was a leading manufacturer of audio products, including headphone stereos, minicomponent stereo systems, portable stereo systems, minidisc players, CD and cassette players, and car stereo systems throughout the 1970s, 1980s, and 1990s. Nearly 86 percent of company revenues were derived from such audio products. 12 percent came from products such as televisions and VCRs, and the remaining two percent from computer peripherals and other life products. Aiwa marketed Japan's first boombox, the TPR-101, in 1968, as well as the first cassette deck, TP-1009. In 1980, Aiwa created the world's first personal stereo recorder, TP-S30.
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Atlantic was one of the first independent labels to make recordings in stereo: Dowd used a portable stereo recorder which ran simultaneously with the studio's existing mono recorder. In 1953 (according to Billboard) Atlantic was the first label to issue commercial LPs recorded in the experimental stereo system called binaural recording.Kramer 1958, p. 38. In this system, recordings were made using two microphones, spaced at approximately the distance between the human ears, and the left and right channels were recorded as two separate, parallel grooves. Playing them back required a turntable with a special tone-arm fitted with dual needles; it was not until around 1958 that the single stylus microgroove system (in which the two stereo channels were cut into either side of a single groove) became the industry standard. By the late 1950s stereo LPs and turntables were being introduced.
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Due to its success, "Slam" became the first Pendulum song to have a music video, as well as their only song from Hold Your Colour and made while signed with Breakbeat Kaos with a music video. Under the production of Creative Wrkz and co-directed by Teebone and Adam Brown, it was released in 2005 and last a total length of four minutes and nineteen seconds (4:19). The video uses the "Prelude" track from Hold Your Colour as an intro. The video is about a man (John Dough played by actor Paul Nicholls) wearing a suit and holding a duffel bag (as seen in the CD single cover) who, after taking out a copy of Hold Your Colour and putting a CD of "Slam" into his portable stereo, is seen dancing in public in and around the Soho area of London with his suit off and his tie wrapped around his head.
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