How to use playing ducks and drakes with in a sentence? Find typical usage patterns (collocations)/phrases/context for "playing ducks and drakes with" and check conjugation/comparative form for "playing ducks and drakes with". Mastering all the usages of "playing ducks and drakes with" from sentence examples published by news publications.
The Guv'nor finding this was playing ducks and drakes with his theatrical plans had a 'nuptial clause' inserted in every contract... Debutantes were competing with the other girls to get into the Gaiety chorus while upper-class youths were joining the ranks of the chorus boys.
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In April 1974, Gough said that in retrospect it was a mistake for the Conservative Party to have forced Sir Alec Douglas-Home out of the leadership in 1965. He lived to see the release of the film A Bridge Too Far, which he described as "[playing] ducks and drakes with historical facts in order to dish up an extravaganza fit for the American massed cinema market".
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After Connie Gilchrist and Rosie Boote had started the fashion a score of the Guv'nor's budding stars left him to marry peers or men of title while other Gaiety Girls settled for a banker or a stockbroker. The Guv'nor finding this was playing ducks and drakes with his theatrical plans had a 'nuptial clause' inserted in every contract.... Debutantes were competing with the other girls to get into the Gaiety chorus while upper-class youths were joining the ranks of the chorus boys.Information about the stagedoor Johnnie marriages The building was demolished in 1903 as part of the road widening of the East Strand and the new Aldwych-Kingsway road development, and Edwardes quickly built the New Gaiety Theatre at the corner of Aldwych and the Strand. The Orchid (1903) opened the new theatre, followed by The Spring Chicken (1905), The Girls of Gottenberg (1907), Our Miss Gibbs (1909), Peggy (1911), The Sunshine Girl (1912), The Girl on the Film (1913), Adele (1914), and After the Girl (1914).
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Wodehouse at Work to the End (revised edition, 1976), pp. 132-33; and Wodehouse, P. G. (1933) Heavy Weather, passim. Alan Hyman, an expert on burlesque theatre who penned the 1972 book The Gaiety Years, wrote: > At the old Gaiety in the Strand the chorus was becoming a matrimonial agency > for girls with ambitions to marry into the peerage and began in the nineties > when Connie Gilchrist, a star of the Old Gaiety, married the 7th Earl of > Orkney and then in 1901, the 4th Marquess of Headfort married Rosie Boote, > who had charmed London the previous year when she sang Maisie in The > Messenger Boy. After Connie Gilchrist and Rosie Boote had started the > fashion a score of the Guv'nor's budding stars left him to marry peers or > men of title while other Gaiety Girls settled for a banker or a stockbroker. > The Guv’nor finding this was playing ducks and drakes with his theatrical > plans had a 'nuptial clause' inserted in every contract.... Debutantes were > competing with the other girls to get into the Gaiety chorus while upper- > class youths were joining the ranks of the chorus boys.
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