31 Sentences With "play the devil" | Random Sentence Generator

And, to wrap up, I've got to ask: After all this time, is it still fun to play "The Devil Went Down To Georgia"?

Leggatt, Alexander. Jacobean Public Theatre. London, Routledge, 1992; pp. 67-70. Later examples include Dekker's If This Be Not a Good Play the Devil is in It (1611–12) and Jonson's The Devil is an Ass (1616).

Such an atmosphere also invited trouble and such towns also developed reputations as lawless and dangerous places.Henry Chafetz, Play the Devil: A History of Gambling in the United States, (1960), pp 145–150.Asbury, Sucker's Progress pp 349–57.

Kitaru asks Juma if they can rehearse the play again, and after some hesitation, Juma agrees. Scene two takes place in the dark amidst the baobab tree. For this rehearsal, Kitaru demands to play the devil. Juma refuses, and the two get into a physical fight.

Sartre also based his character Goetz in his play The Devil and the Good Lord (1951) on his analysis of Genet's psychology and morality.White (1993, 455). Sartre has been credited by David M. Halperin with providing, "a brilliant, subtle, and thoroughgoing study of the unique subjectivity and gender positioning of gay men".Halperin (2012, 511).

He returned to England in disgrace. The scandal was the basis of a novel, Pagan (1990), by Inez Baranay; it also inspired a play, The Devil is a Woman, by Louis Nowra and an opera, Eugene & Roie, by Drew Crawford. The scandal is documented in the film The Fall of the House, directed by Geoff Burton.

Abilene, Dodge City, Wichita, Omaha, and Kansas City all had an atmosphere that was convivial to gaming. Not surprisingly, such an atmosphere also invited trouble and such towns also developed reputations as lawless and dangerous places.Henry Chafetz, Play the Devil: A History of Gambling in the United States, (New York: Clarkson N. Potter, Inc, 1960), 145-150.

He begins to play. ("Petit airs au bord du ruisseau"/"Airs by a Stream") The devil appears disguised as an old man carrying a butterfly net, but Joseph does not notice him and continues to play. The devil sneaks up on Joseph from behind and startles him. The devil asks Joseph to sell him his fiddle, and when Joseph refuses, he offers him a book that he says contains untold wealth.

Credits: Camelot Reawakened. Retrieved 22 December 2011. and he is an acknowledged expert on the orchestral works of Horatio Parker (better known as teacher to Charles Ives) and on the music of Caryl Florio (aka William Robjohn), the English organist who became the in house composer at the famous Biltmore Estate. He also served as musical consultant to D. Elaine Calderin for two short stories from her book, Who Better to Play the Devil?.

His second wife seems to have been a woman of formidable character. Like her husband she was accused of corruption, in particular of taking bribes to influence her husband's judgements. Both were notorious for harshness to their tenants: in 1620 relations became so bad that Lady Tanfield threatened to "play the Devil " to the tenants, and grind them into powder. Like her husband she was remembered with fear and hatred in the locality for centuries after her death.

Personal Enemy is a play by John Osborne and Anthony Creighton. It was written in 1954, prior to Osborne's 'big break' with Look Back in Anger at the Royal Court Theatre in 1956, and first performed in Harrogate in 1955."John Osborne (1929 - 1994)", Doollee.com It was thought that the play manuscript was lost, but copies were found (along with another early Osborne play, The Devil Inside Him) in the Lord Chamberlain's archive in the British Library in 2008.

She used that skill to respond to Byron's "Don Juan I and II". Lady Caroline was most concerned with those allusions Byron had made about her; for example, the line "Some play the devil—and then write a novel" from "Don Juan II". In "A New Canto", Lady Caroline wrote – as Byron – "I'm sick of fame; I'm gorged with it; so full I almost could regret the happier hour; When northern oracles proclaimed me dull." Byron never publicly responded to the poem.

Nolan first acted as a cast member on the BBC Saturday morning children's show On the Waterfront. Critics positively reviewed her gift for comedy. The Nolan sisters and their music were a running gag on the show, and she was joined by her sisters for a musical performance during at least one episode. She left the group in 1995 to concentrate on her own acting career, which began with her 1993 performance in the stage play The Devil Rides Out.

His subsequent film credits included The Mind of Mr. Soames (1970), A Season in Hell (1971), Meetings with Remarkable Men (1979), and The Hit (1984), which won a Mystfest Award for Best Actor, shared with John Hurt and Tim Roth. Also in 1984, he had the opportunity to play the Devil in a cameo in The Company of Wolves. He also appeared in Link (1986), Legal Eagles (1986), The Sicilian (1987), and a cameo as Sir Larry Wildman in Wall Street (1987).

George Arliss in character. The Devil is a surviving 1921 silent drama film directed by James Young and starring stage actor George Arliss in a film version of his 1908 Broadway success of Ferenc Molnár's play, The Devil (aka Az ordog) [1].The AFI Catalog of Feature Films 1893-1993: The Devil Long thought to be a lost film, a print was discovered in the 1990s and restored by the Library of Congress. This was George Arliss' first film following a successful career on Broadway.

Jason Connery (Jondar) is the son of actor Sean Connery. Martin Jarvis makes a guest appearance as the beleaguered Governor of Varos; he had previously appeared in the series in a story in each of the previous two decades: The Web Planet (1965) and Invasion of the Dinosaurs (1974). Subsequent to Vengeance On Varos, Jarvis as a different character reunited with Colin Baker in the Big Finish story Jubilee. After Jubilee, Jarvis appeared in the Torchwood BBC radio play The Devil and Miss Carew.

God's Gift to Women is a 1931 American pre-Code romantic musical comedy film directed by Michael Curtiz, starring Frank Fay, Laura LaPlante, and Joan Blondell. The film, based on the play The Devil Was Sick by Jane Hinton, was originally completed as a musical film; however, because of audience dislike for musicals at that time, all the songs were cut in American prints. The full film was released intact in other countries, where there was no such decline in popularity."God's Gift to Women (1931)", catalog, American Film Institute (AFI), Los Angeles, California.

He has performed in many dramas opposite actress Saba Qamar as protagonist, including Pani Jaisa Piyar, Sangat, and Mein Sitara. In 2015, he played the role of Behroz Bakhtiyar Khan in romantic drama Diyar-e-Dil. Dawn praised Zulfiqar's performance and wrote, Meekal has finally chosen a role with depth as Behroz after a series of pot boilers. He looks amazing and reminds viewers again that he is the talented actor who could play the devil-may-care Shamraiz from Kuch Pyar ka Pagalpan or the self-absorbed, brooding Salman Ansar from Sheher-e- Zaat.

As in the play, the devil is attracted to a young man, Alvare, and assumes several incarnations, including a girl, Biondetta. The topic is reminiscent of the Faust myth, but in the play and the opera, the devil becomes more and more human, and the girl is ultimately freed by her love from supernatural powers. The opera requires two sopranos, mezzo-soprano, two contraltos, two tenors, two baritones, two basses, a small chorus and dancers. The core instrumentation follows Stravinsky's L'Histoire du soldat, employing clarinet, trumpet, trombone, percussion, violin and double bass.

Tom tries to gain employment, but is horrified by one of the jobs he manages to find, which is to cripple children to gain sympathy while begging. He's later befriended by the thief Moll Cutpurse, who gives him clothes and takes him to the theater, where he meets William Shakespeare. Tom ends up agreeing to perform in the play The Devil and his Boy for a foreign man named Dr. Mobius, but swiftly notices that something is very strange with Mobius and the other performers. All have a cross tattooed onto their arms and Mobius gives money to a strange disguised man.

The troupe are preparing for the play The Devil to Pay in Heaven, a fiction that was probably intended as a satire on the mystery plays which were heavily controlled by the church. Hogarth contrasts the roles of gods and goddesses that appear in the play with the mortal reality at every turn. The leaky, draughty barn stands in for the heavens in which they will shortly be play acting. The playbill on the bed introduces the cast and aids the viewer in identifying the figures portrayed: Diana, Flora, Juno, Night, Siren, Aurora, Eagle, Cupid, two Devils, a Ghost and attendants.

The inaugural installment of Producers Talk facilitated a conversation between FilmTT and the producers of the last three feature films in which the film company invested both grant and equity funds – Moving Parts (2018) by Emilie Upczak, Play the Devil (2016) by Maria Govan (represented by producer Abigail Hadeed), and The Cutlass (2016) by Darisha Beresford (represented by producer Teneille Newallo). The intention was for the first-time producers to share information about their experiences producing these films with an audience of other producers, directors, production crew, and other members of the film producing community. Topics included sales and distribution, exhibition, filming in Trinidad and Tobago and funding, among others.

The play was bound with Fair Em and Mucedorus in a book titled "Shakespeare. Vol. I" in the library of Charles II. As its publishing history indicates, the play was popular with audiences; it is mentioned by Ben Jonson in the Prologue to his play The Devil is an Ass. While Merry Devil was a King's Men play and Shakespeare may have had a minor role in its creation, it does not have the distinctive marks of Shakespeare's style. Individual 19th-century critics attempted to attribute the play to Michael Drayton or to Thomas Heywood; but their attributions have not been judged credible by other scholars.

Benét adapted his story as a play, The Devil and Daniel Webster: A Play in One Act (New York: Dramatists Play Service, 1938), and also as a folk opera, The Devil and Daniel Webster: An Opera in One Act (New York: Farrar & Rinehart, 1939), music by Douglas Moore (Moore and Benét had earlier collaborated on an operetta, The Headless Horseman [1937], based on Washington Irving's short story "The Legend of Sleepy Hollow" [1820]). Archibald MacLeish, a friend and associate of Benét's in the 1930s and until his death in 1943, also adapted the story as a play: Scratch (Boston: Houghton Mifflin, 1971). On Broadway very briefly, Scratch starred Will Geer in the title role and Patrick Magee as Webster.

The disintegrating protagonist and the hellish celebrity demimonde he inhabits are reminiscent of both La Dolce Vita and 8½, while the interweaving of dreams and hallucinations into the plotline and the use of highly artificial art direction to reflect inner states resemble similar techniques used in 8½ and Juliet of the Spirits.George Porcari – Fellini's Forgotten Masterpiece: Toby Dammit (CineAction Magazine, January 2007) Fellini rejected Poe's version of the devil, a lame old gentleman with his hair parted in front like a girl’s, and cast a 22 yr old Russian woman (Marina Yaru) to play the devil as a young girl. Lending a "pedophiliac slant"Kezich, Tullio (2006). Fellini: His Life and Work (New York: Faber and Faber), 284.

In 1977, Senini made his acting debut by playing the small role of a sharpshooter in the World War III threat film, Twilight's Last Gleaming. In 1979, Senini and Jerry-Mac Johnston co-wrote the lyrics to a song for the stage play, The Devil You Say, with music by Tom W. Cranson. There was a break in his Hollywood career until 1986, at which time he co-wrote the screenplay for the action movie, Getting Even, which starred Edward Albert. Again, there was a break in Senini's career until the early 1990s, when he was a production associate for the TV movies: A Mom for Christmas (1990) and Death Dreams (1991).

Cushing's 1926 play The Devil in the Cheese premiered at the Charles Hopkins Theatre. In it, an American couple, played by (Robert McWade and Catherine Calhoun Doucet) and their daughter (Linda Watkins) visit Meteora, where they are held for ransom by a Greek bandit posing as a priest and archaeologist (Bela Lugosi) and later rescued by the daughter's boyfriend (Fredric March). The second act takes place within the daughter's imagination, and includes adventurous travels in the South Seas and on a desert island, domestic life, and her becoming First Lady. After her father eats a piece of mummified cheese he is made privy to his daughter's daydreams thanks to the Egyptian god Min.

Thomas Heywood, actor in the company, contributed the greatest part. John Webster's The White Devil and The Devil's Law-case, Thomas Dekker's If This Be Not A Good Play, the Devil Is in It, and John Cooke's well-known The City Gallant (Greene's Tu Quoque) were also included. They also came into possession of some older plays, including Christopher Marlowe's Edward II. The audience appears to have disapproved of The White Devil in 1611, and in later years the Red Bull as the cause of, or scene of, noted riots which are recorded in court cases. In 1616, the Queen's men, now directed by impresario Christopher Beeston, moved into Beeston's new indoor Cockpit Theatre.

Roche is perhaps best known for once excusing an absence in Parliament thus: "Mr. Speaker, it is impossible I could have been in two places at once, unless I were a bird." This quotation was referenced by Ambrose Bierce in The Devil's Dictionary in his definition of ubiquity: > In recent times ubiquity has not always been understood—not even by Sir > Boyle Roche, for example, who held that a man cannot be in two places at > once unless he is a bird. But Roche was not uttering a malapropism here, he was quoting, and quoting correctly. The line appears in Jevon’s play, The Devil of a Wife, as follows: :Wife: I cannot be in two places at once.

At age 10, following his primary school education, António unexpectedly expressed his desire to become a priest; he initially met some resistance from his father, who even though was devoutly Catholic, had envisioned a career in military for him and was planning to send him to the Institute of the Pupils of the Army. Joining seminary, he was a keen student (with some shortcomings in mathematics) and was also very keen on past-times such as sports (namely volleyball, basketball, handball, and field hockey) and theatre (where he was, ironically, found best suited to play the devil in popular morality plays). He started his Theology studies in Vila Real, but in 1968 the course was transferred to the Major Seminary in Porto, by decision of the bishop. He graduated at age 22, two years before the minimum age for ordination.

He was elected a Member of the American Academy of Arts and Letters in 1929, and Fellow of the American Academy of Arts and Sciences in 1931. Benét won the O. Henry Award on three occasions, for his short stories An End to Dreams in 1932, The Devil and Daniel Webster in 1937, and Freedom's a Hard-Bought Thing in 1940. He adapted his fantasy short story "The Devil and Daniel Webster" as a play, The Devil and Daniel Webster: A Play in One Act (New York: Dramatists Play Service, 1938), and also as a folk opera, The Devil and Daniel Webster: An Opera in One Act (New York: Farrar & Rinehart, 1939), with music by Douglas Moore. The story was filmed, for which he co-wrote the screenplay adaptation, but originally released as All That Money Can Buy (1941).