How to use photoflood in a sentence? Find typical usage patterns (collocations)/phrases/context for "photoflood" and check conjugation/comparative form for "photoflood". Mastering all the usages of "photoflood" from sentence examples published by news publications.
Obtain either clamp-on lights that can carry the additional wattage, or get photoflood lights.
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The new IMAX 3D cameras, plus new photoflood lights and Digital Audio Tape recorders, required six months of flight tests, in order to qualify for space travel.
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Photoflood lamps are a type of incandescent light bulb designed for use as a continuous light source for photographic purposes.Photoflood lighting The filaments of such lamps are operated at much higher temperatures than is the case for standard, general lighting service lamps. The result is a brilliance of light much higher than the lamp's wattage rating would suggest. The trade off is that the lamp has a very short service life of seldom more than ten hours.
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Appropriate color conversion filters are used to compensate for the effects of lighting not balanced for the film stock's rated color temperature (usually 3200 K for professional tungstens and 5500 K for daylight): e.g., the 80A blue filter used with film for daylight use corrects the perceived orange/reddish cast of incandescent photographic photoflood lighting (for which the usual photographic term is "tungsten lighting"), and significantly improves the stronger cast produced by lower- temperature household incandescent lighting, while the 85B will correct the bluish cast of daylight photographs on tungsten film. Color correction filters are identified by non-standardised numbers which vary from manufacturer to manufacturer. The need for these filters has been greatly reduced by the widespread adoption of digital photography, since color balance may be corrected with camera settings as the image is captured, or by software manipulation afterwards.
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Rohmer made the film with no budget and out of order while he waited for Jean-Louis Trintignant to be available for My Night at Maud's, and this stricture possibly inspired the techniques and principles he and his cinematographer Nestor Almendros would return to in his later films: extensive rehearsal with the cast followed by very few takes; relying on natural light wherever possible, even for night scenes; "spying" fluid long shots to establish characters and their relationship together in a specific space. In his autobiography, A Man With A Camera, Almendros admits "The film had to have a 'natural' look, whether we wanted it to or not, because we had only five photoflood lamps." They used so little film that, "In the laboratories they thought they were the rushes of a short (film)." The character Sam was billed as Seymour Hertzberg but was in fact Eugene Archer, a former New York Times film reviewer.
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