Meticulous and phantasmic, "Low Country House" both documents a mode of dwelling and mythologizes unrecorded lives.
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Your eyes are liars, perception is a myth, reality a phantasmic invention of the gray goo between your ears.
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The phrase "phantasmic standoff" is lifted directly from "Redstart," where it refers not to humans but to strange "nocturnal / pods," surging in the dark water.
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Mario, Princess Peach, and three Toads have been kidnapped by King Boo and his phantasmic accomplices, and the portraits that imprison them are scattered throughout the building.
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Highlights include Lavar Munroe's phantasmic, multilayered canvases, from the artist's Redbones series, on view in Jack Bell's booth (and also in the Jenkins Johnson booth at Pier 94).
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The puppet artist Ralph Lee also launched the Village Halloween Parade, so his phantasmic creations are worth the trip alone, and don't miss his gargantuan spider creeping on the Rose Window.
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Great ball-handling, phantasmic quickness, and limitless shooting range have always been valuable basketball attributes, and it's hard to imagine Curry doing less with them against Robertson's Cincinnati Royals than he has against the rest of today's NBA.
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I knew that Prime Minister Viktor Orban won a third term in April by convincing voters that a phantasmic combination of Muslim migrants, the Hungarian-born billionaire George Soros and European Union bureaucrats was coming to get them.
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In 2009, Sherry had a total of three number ones in the Beatport Trance chart with his collaboration with James Allan and William Daniel ('Future Primitive'), 'Phantasmic' on Reset Recordings/Spinnin and with a remix of Public Domain's 'Operation Blade' making it to number one in the overall Beatport chart.
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In Noise: The Political Economy of Music (1985), Jacques Attali explores the relationship between noise music and the future of society. He indicates that noise in music is a predictor of social change and demonstrates how noise acts as the subconscious of society—validating and testing new social and political realities.Allen S. Weiss, Phantasmic Radio (Durham, North Carolina: Duke University Press, 1995), p. 90.
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Few have heard of it and even fewer believe in its existence. The entity cannot affect the world on a physical level. Its power lies in its ability to deceive, torment and manipulate others. It can take the form of anyone who has died (or as an enormous, phantasmic demon with large horns and long, talon-shaped fingers), and it can choose to be seen and heard by just one person or by multiple people.
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You have to nurture your soul and not focus on being perfect because who defines perfection anyway? A lot of people are obsessed with looks these days but if someone has a good heart, that will always come through. Edge of the blade is another way of saying 'the tip of the iceberg'; it’s very dangerous to get too wrapped up in unimportant things.” "A Phantasmic Parade" was inspired by the movies Inception and The Matrix.
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The mouth that was the original source of nourishment is now the mouth that takes pleasure in its own sucking. This substitution of the breast for milk and the breast for a phantasmic scene represents a further level of mediation which is increasingly psychic. The child cannot experience the pleasure of milk without the psychic re-inscription of the scene in the mind. “The finding of an object is in fact a re-finding of it.” It is in the movement and constant restaging away from the instinct that desire is constituted and mobilized.
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I Caught Crippen. London: Blackie and Son. p. 126, quoted in Begg, Jack the Ripper: The Definitive History, p. 198 Depictions were often phantasmic or monstrous. In the 1920s and 1930s, he was depicted in film dressed in everyday clothes as a man with a hidden secret, preying on his unsuspecting victims; atmosphere and evil were suggested through lighting effects and shadowplay. By the 1960s, the Ripper had become "the symbol of a predatory aristocracy",Bloom, Clive, "Jack the Ripper – A Legacy in Pictures", in Werner, p. 251 and was more often portrayed in a top hat dressed as a gentleman.
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Ferréol's motive lay in hopes of making conversions, according to the Vita Ferreoli, apud Marcus Antonius Dominicy, Ausberti Familia Rediviva, published in Paris, 1648 (Jewish Encyclopedia). He was restored to his see after three years (Benedictine Encyclopedia), but now had to toe the strict Merovingian line: "Ferréol ordered the Jews of his diocese to meet in the Church of St Theodoric, and preached to them a baptismal sermon. Some Jews abjured their faith; he forbade the others to remain in the city, and expelled them from his diocese" in 558 (Jewish Encyclopedia). Ferréol makes a brief appearance in the phantasmic parade of Episode 12 ("Cyclops") in James Joyce's Ulysses.
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In January 2013, Sherry released his last original track on Reset recordings with Trailblazer. In April, 'My Love' was remixed by Darren Porter and Jamie Walker on Liquid Recordings with Walker's remix making the top 10 in the Beatport Trance chart. Sherry's 2009 collaboration Phantasmic was remixed by Maarten De Jong and Heatbeat in May and was released as the final Mark Sherry release on Reset. In August 2013, Sherry's remix of Tempo Giusto's Blacksmith on Echelon got to No. 8 on the Beatport Trance chart and was featured on PvD's VONYC Sessions, closely followed by 'Venomous', a collaboration with rising Scottish artists 2nd Phase on Lange Recordings, which was another top 10 release.
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Allen S. Weiss considers him to be a major international figure in the fields of audio and radio art, from the 1980s to the present.Allen S. Weiss, "Lost Tongues and Disarticulated Voices: Gregory Whitehead’s Pressures of the Unspeakable", in Phantasmic Radio, Duke University Press, January 1995, "", February 2, 2010 Active in cassette culture during the 1980s, his early works include Disorder Speech (1985), Display Wounds (1986), Beyond the Pleasure Principle (1987), The Pleasure of Ruins (1988), Writing On Air (1988) and Reptiles and Wildfire (1989). In 1991, RRRecords released a 7” vinyl record titled Vicekopf. Whitehead collaborated with Christof Migone on the 1995 radio play, The Thing About Bugs, for New American Radio.
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" Prato also said, in his review of Just What I Needed: The Cars Anthology, that it was "previously released album tracks [on the album]" that were "highlights." In the Just What I Needed: The Cars Anthology liner notes, Brett Milano said, "Rockers like 'Getting Through' and 'Gimme Some Slack' had a heavier sound than before [Panorama]." Boston Globe critic Steve Morse called "Gimme Some Slack" a "true masterpiece." Morse praises how the song "paints a seedily phantasmic portrait of a tenement building" with the lines "the seven floors of walkup/the odor musted cracks/the peeping keyhole intorverts/with the monkeys on their backs/the rooftops strung with frauleins/the pastel pinned up sails/the eighteen color roses/against your face so pale.
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