The conservative majority on the Court pays no heed to international law.
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Needless to say, this electric Silver Arrow pays no heed to practical considerations.
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The economy has flourished for three years under a president who pays no heed to economists.
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An iPhone SE shot on an iPhone SE. The world pays no heed to those who care little for shiny, new things.
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Federer, a player so great and so rare he rewrites history books one way or another most times he steps on court these days, clearly pays no heed.
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But since my uncontrolled eating pays no heed to the growing coronavirus threat in Seattle, I'm forced to consider new ways of actually storing up food despite myself.
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But they ignore the fact that, once governments start down this path, the process has no obvious end and pays no heed to the human rights of everyone involved.
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This global co-operation is particularly vital given so much terrorism is now plotted through the internet, which pays no heed to geographic borders and much of which is run by U.S. internet service providers [I.S.P.s].
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It's a giant echo chamber that pays no heed to actual policy considerations, such as the fact that the federal government has an obligation to know how many citizens and how many non-citizens live in the United States.
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By design, however, EAGLE pays no heed to such arguments: with just four majors played per year, and so much good fortune required to beat such strong competition, there is no statistically reliable method to distinguish "clutch" or choke-prone golfers from those who are merely unlucky.
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But Chokkalingam pays no heed. Meanwhile, Emily completes her studies and leaves to Chennai and this saddens Muthu. Vino Bhave's Bhoodan (Land donation) Movements gains momentum in all villages and Chokkalingam generously 5 acres of rocky and barren land. The same land is donated by the organisers to a deserving Pazhani.
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Sivaji is initially reluctant to this marriage, but agrees eventually after talking to Vanisri and learning about her good character. After their marriage, Padmini and Vanisri lead the family like non-biological sisters. Vanisri pays no heed to her parents who wanted a separate share for Jaishankar and herself. Their motive goes in vain.
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Siviah's wife pleads him to stop the fight, to which he pays no heed. She gives birth to twins, but one child and her parents are killed in a car-bomb, before her very eyes. This makes her to take Chandu and go to her native. After 2 years, she has a change of heart and comes to meet Siviah.
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Both brothers hate her, especially Nandu. The teacher (Poovilangu Mohan) complains about this and Nandu justifies that he is only reflecting the home environment. Enraged, Santhosh beats both his sons for disliking his new wife. One day, the brothers learn that Jayanthi is having an affair with another man and Nandu tries telling this to his father who pays no heed, and instead beats him.
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The shows were played at the Sydney Opera House. The festival described the band's art: "This dynamic duo has relentlessly pursued an uncompromising vision of the subversive power of music that pays no heed to commercial imperatives. Standing outside the industry, two fingers raised in salute, they have nevertheless managed to forge an international career completely on their own, idiosyncratic terms." The band split after the Sydney show.
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He pays no heed to external rites, he devotes himself to inner knowledge for liberation with Om and Hamsa (Atman-Brahman). The first chapter of the Parabrahma Upanishad is identical to the first chapter of more ancient Brahma Upanishad. The text also shares many sections with Kathashruti Upanishad. The text also references and includes fragments of Sanskrit text from the Chandogya Upanishad section 6.1, and Aruni Upanishad chapter 7.
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He hits the children with his staff, especially when he is teaching them to read. He refused to baptise an infant born too sick to live above an hour, then refused the infant burial in blessed ground because it was not baptised. In the market, he accuses the local baker of short- weighting his loaves of bread. On the land, he pays no heed to property lines until he oversteps and is challenged.
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Liking the financial rewards, Dick is persuaded to sanitize his gritty realism to make his works more attractive to the masses. Torp and fellow war correspondent "The Nilghai" (Dudley Digges) try to warn him about it, but he pays no heed; he becomes complacent and lazy. Maisie decides to move away and stop seeing him. One night, Dick returns to his lodgings to find a young, bedraggled woman (Ida Lupino) lying on his sofa.
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The movie starts with a small introduction that all the female fans of actor Mahesh Babu were "angry" with him when he got married. Even Lavanya (Swathi Reddy) is one of them. Although, her aunt Mandira Devi (Jhansi) keeps telling her that it's not possible to get her married to Mahesh, she pays no heed and stays depressed for days. Finally, she compromises with her aunt by demanding that her husband's name must be Mahesh.
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When he hears city attorney George Browning has fired secretary Hannah Kelly, he offers Hannah a job. Browning has no idea that Burdette and Hannah are actually accomplices in crime, and pays no heed when new secretary Edie Hanson suggests that possibility. Betrayed crooks Beecham and Evans show up, looking for Burdette and the necklace. Browning doesn't realize how involved Hannah is until she shoots the two thieves and ends up having the stolen necklace on her.
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Seeing this handsome young man, the gods are crestfallen. All four take the form of brahmins, secure a promise from Nala, reveal their true identity, and send Nala to Damayanti as a messenger to coax her into marrying one of them. Bound by his promises, Nala dresses as a yogi and goes to Damayanti as a messenger. In her heart, Damayanti has already given herself in marriage to Nala, and so pays no heed to the messenger's persuasive words.
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Next, Mahendar threatens to bury the Tantrik alive, but he says that his skeleton would rise from underneath the ground to revive him. Mahendar then strangles Kalasur and chokes him, but Kalasur manages to get an upper hand and lifts Mahendar up in the air grabbing his throat. Suhasini requests Kalasur to leave Mahendar unharmed but he pays no heed and insists on having a one-night stand with her. This invokes the ferocity and strength inside Suhasini who lifts up a villager's axe and chops off Kalasur's right arm that had grabbed Mahendar's throat.
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Vicky (Prabhas), an expert in gaming software, lives in Australia and never compromises in his life, a principle that he adheres to since his childhood. He believes that one should be oneself in a relationship and one should not change one's characteristics or personality to get along with his/her partner. He also encourages his friends to follow his principle of life, but his principles and attitude lead to a clash of interests with his father (Nassar), who constantly advises him to adjust for his and others' happiness. Unfortunately, Vicky pays no heed.
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Lut is referenced a relatively large number of times in the Quran. Many of these passages place the narrative of Lot in a line of successive prophets including Noah, Hud, Salih and Shuayb. Islamic scholars have stated that these particular prophets represent the early cycle of prophecy as described in the Quran. These narratives typically follow similar patterns: a prophet is sent to a community; the community pays no heed to his warnings instead threatens him with punishment; God asks the prophet to leave the community and its people are subsequently destroyed in a punishment.
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Later, Huey puts on coal in the fire truck but Donald puts on even more, causing the house to catch fire. They then try to put out the fire but Donald instead unknowingly puts the hose on the car's gasoline tank. One of the nephews notices and tries to warn him, but Donald pays no heed. As a result, he causes the fire house and the fire truck to burn down completely and, to add insult to injury, Donald's hat burns down as well, resulting in its burnt frames becoming Donald's 'hair'.
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Meanwhile, Maria and Laila, daughters of Gul-e-Rana's aunts, are willing to do anything to marry Adeel who is the only son of Raana's uncle. Gul-e-Rana is very different from her cousins, as Rana exhibits the traits of a well-groomed and modest girl. Unlike Gul-e-Rana, her cousin Adeel is egotistic and narcissistic. To him, girls are merely a means of passing time and pleasure. He considers Gul-e-Rana perfect to marry as she wouldn’t have a say in his personal life and tries every way to trick her but she pays no heed.
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149-50 The sceptical Polish bishop Ignacy Krasicki told a story with a completely different ending in his Fables and Parables (1779). There the blind man pays no heed to his lame guide until, after various mishaps, they fall over a precipice.See Wikisource A lame beggar riding on the back of a blind man takes the story to an even further remove in The Cat and the Moon (1924), the mask play written by the Irish poet W. B. Yeats. The argumentative pair co-operate as they search out the holy well of Saint Colman but are never reconciled.
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Paro repents her decision of sending Juju away and when the latter pays no heed to her earnest calls and repeated words for forgiveness, a remorseful Paro decides to withdraw herself from singing so that she can penance for the "sin" she did by hurting her child, Juju. Meanwhile, Abhimanyu proposes her to have a child together,but Paro declines his proposal. Her self-imposed starvation leads her health to decline to a dangerous extent, but, is nursed back to health by Juju. Paro and Juju now clear up all their misunderstandings, and Juju starts living with the family again, much to Ananya's chagrin.
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When an engineer needs to connect several devices to the same set of input wires (e.g., a computer bus), but retain the ability to send and receive data or commands to each device independently of the others on the bus, they can use a chip select. The chip select is a command pin on many integrated circuits which connects the I/O pins on the device to the internal circuitry of that device. When the chip select pin is held in the inactive state, the chip or device is "deaf", and pays no heed to changes in the state of its other input pins; it holds its outputs in the high impedance state, so other chips can drive those signals.
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It offers no civic forum or function, just luxury flats and hotels. It stands apart from the City cluster and pays no heed to its surrounding context in scale, materials or ground presence. It seems to have lost its way from Dubai to Canary Wharf... The Shard has slashed the face of London for ever."Simon Jenkins, The Guardian, 3 July 2012 However, Jonathan Glancy in the London Telegraph defended Piano's building: "The criticism – hurled against Piano like the spears of Ancient Britons fighting the civilised Romans – is, I think, a bottled up attack on our low standards of design and the beetle-browed politics that have allowed so many poor tall buildings to have been rushed up around St Paul's.
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There is a movement among comparativists in the United States and elsewhere to re-focus the discipline away from the nation-based approach with which it has previously been associated towards a cross-cultural approach that pays no heed to national borders. Works of this nature include Alamgir Hashmi's The Commonwealth, Comparative Literature and the World, Gayatri Chakravorty Spivak's Death of a Discipline, David Damrosch's What is World Literature?, Steven Tötösy de Zepetnek's concept of "comparative cultural studies", and Pascale Casanova's The World Republic of Letters. It remains to be seen whether this approach will prove successful given that comparative literature had its roots in nation-based thinking and much of the literature under study still concerns issues of the nation-state.
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Cikovsky, 369-370 For art historian Nicolai Cikovsky, Jr., The Gulf Stream is more richly informed by these artistic predecessors than by Homer's direct experiences at sea, with the circling sharks derived from the tortured souls of The Barque of Dante, the dramatic sea and sky inspired by The Slave Ship, and the "mode of pictorial utterance" akin to The Voyage of Life. Elements in the painting have been interpreted as possessing funereal references: in addition to the black cross in the boat's bow, the open hatch (representing a tomb), ropes (for lowering the body), broken mast and torn sail (shroud) have been cited for symbolic meanings.Cikovsky, 383 By contrast, the boat in Homer's painting Breezing Up (A Fair Wind) of 1876 featured an anchor in its bow, symbolic of hope. The sailor in The Gulf Stream ignores these allusions, as he pays no heed to the sharks, waterspout, nor the ship in the distance, and inverts the optimism of the romantic masterpiece Raft of the Medusa painted earlier in the century by Théodore Géricault.
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