"I was doing back then, in the days before computers, what they called paste-ups and mechanicals," he told Vanity Fair in 2011.
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The shadow figure vamping in the background of "Pandora's Dawn" (1959) foreshadows the agitating sexuality and doom that radiate from the artist's paste-ups in the "Eros" room.
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Among all the illustrations in the case, but in the pairing with McClure especially, we see an impishness unclouded by the "joyful-fearful" motifs underpinning his more well-known paste-ups, or the wryness and irony woven into his Translations.
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Putting the work on paper is rarely enough; Jeremyville pops off the page, peppering reality through public sculpture, street paste-ups, brand collaborations, home goods, shareable GIFs, and in this case, a mascot for The Standard and a takeover of The Standard Spa, at Miami Beach.
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At the University of Minnesota, the collection Jack Kent Papers spans the years 1953 to 1985 and includes 50 pencil sketches, nine photocopies, 182 blue line illustrations, 251 ink illustrations (some with holograph, paste-ups, separations), two paste-ups for table of contents, eight pencil illustrations with holograph, three ink illustrations with color indications and three watercolor illustrations.
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Knoll was the first to use the method for interior design presentation. Her paste-ups were small representational plans of the space with fabric swatches, wood chips and finishes attached to represent furniture and other details. Knoll used the paste-ups to convey the feeling and experience of the space, in the pictured example the color and texture of the materials used better represented the humanized modernism that was essential to Knoll's designs. The paste-ups were essential in overcoming resistance to change, they gave executives something they could identify with, making them feel comfortable in adopting Knoll's new aesthetics.
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Alexandra Bell (born 1983) is an American multidisciplinary artist. She is best known for her series Counternarratives, large scale paste-ups of New York Times articles edited to challenge the presumption of "objectivity" in news media. Using marginalia, annotation, redaction, and revisions to layout and images, Bell exposes what she perceives as the pervasive racial and gender biases embedded in print news media.
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As of 2020, the Archive’s collection totals over 60,000 items. The Archive acquired the private collection of Dutch collector Jan Tholenaar in 2015. In 2016, the Archive acquired over 200 wood type prints from local printer and typographer Jack Stauffacher. Emigre Graphics also donated a large collection of their work, including interviews, printed sheets, posters, paste ups, ephemera, and the entire collection of Emigre magazine, that year.
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In 1941, Lee was made the editor of Timely Comics, the future Marvel Comics, then a division of a publishing company owned by a relative, Martin Goodman. Lieber began working for Goodman as an art assistant on the magazine side, "doing paste-ups. ... I was working during the day and I went to [the Pratt Institute art school, in Brooklyn, in] the evening."Alter Ego interview, pp.
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20th century Xerox technology made possible the ability to copy both flat images and three- dimensional objects using the copier as a scanning camera. Such copier images could then be combined with real objects in a traditional cut-and-glue collage manner. Contemporary photograph editors in magazines now create "paste-ups" digitally. Creating a photomontage has, for the most part, become easier with the advent of computer software such as Adobe Photoshop, Paint Shop Pro, Corel Photopaint, Pixelmator, Paint.
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Born in Cambridge, Marderosian grew up in Newton, Massachusetts. He started drawing when he was seven years old, inspired after his parents took him to see Pinocchio. After high school, Marderosian worked for advertising agencies and an art supply company, where he prepared paste- ups and mechanicals for catalogs. During this time, he also drew cartoons and comic strips, and freelanced for various magazines. In 1979, Marderosian enrolled at Massachusetts College of Art, where he earned a Bachelor’s Degree in illustration.
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Generalizations about Rat readership are based on market research conducted in Manhattan in 1969, including the author's brief conversations with, and observations of, various categories of consumer considering purchases of copies of Rat, as well as word-of-mouth reports from distribution staff. Samplings are not scientific. Rat was published during a period of layout innovation and had a dramatic look of jumbled letters and strong imagery. Stat camera reproduction of paste-ups composed of often "swiped" graphic elements, and letraset type, were fast and affordable.
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Street art in Adelaide is a growing aspect of the wider public arts scene found in the Adelaide central business district. Adelaide street art includes the full gamut of contemporary street art mediums, including stenciling, murals, paste-ups, sticker art and yarn bombing. Whereas Adelaide street art was previously painted over on occasion by the local authorities, street art in Adelaide is now recognised and cultivated by state and local governments through supportive policies, as well as events such as the Oi You! Urban Art Festival.
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According to that archive, > This collection contains dummies, sketches, paste-ups, preliminary and > finished artwork, and color separations for eight books illustrated by > Evaline Ness. "Evaline Ness Papers" at the University of Southern Mississippi is two boxes of material from her illustrations of four stories written by other authors, published 1965 to 1975. According to that archive, > Because printer's ink is flat, Ness' constant concern was how to get texture > into that flatness. The primary challenge in illustrating children's books, > she believed, was how to maintain freedom within limitation.
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Florence Knoll Paste-up One of Knoll's main challenges was convincing executives and the public to adopt a modernist aesthetic. Knoll Showrooms played a key room in selling the public on modernist design, but Knoll was also gifted at convincing executives to hire Knoll to transform their offices. Knoll was renowned for her how she communicated and presented the designs of the Knoll Planning Unit through what she referred to as "paste-ups". A "paste- up" was a general graphic-arts term for any draft or finished mechanical flat art, traditionally using an adhesive commonly used in fashion and set design.
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For several years the paper's typesetting and paste up were done on the Canadian island of Deer Island. The copy, advertisements and other newspaper contents, and the finished paste ups, were taken from Eastport to Deer Island and back by seasonal ferry in the summer or by fishing boat in the winter. The first edition of The Quoddy Tides appeared late. A note on the paper's front page explained that the editor (Winifred French) "had a car accident taking copy to the printer in Blue Hill and now has a broken nose and black and blue eyes".
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Guesswho (or Guess Who) is an anonymous graffiti artist active since 2012 in Fort Kochi, Kerala, India. Guesswho uses street art as a subversive medium of expression to practice and participate in the creation of an ever-changing culture of a city’s visual landscape and experiments through wry commentary on socio-political issues. The artist(s)'s paste-ups and stencils have been sighted in Trivandrum and Bangalore as well. One news paper reported that Guesswho said his work was in part a reaction to the Kochi-Muziris Biennale, which he said restricted which artists were publicly showcased.
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"I want to believe" – paste-up by Van Ray Van Ray's career began with public graffiti at the end of the 90s when he started using his art to communicate with the general public and to demonstrate social criticism. His works were based on various techniques (including stencils, stickers, paste-ups, and sculptures) and meant to express his view of Western society. After moving to Cologne in 2007, Van Ray became the founder of the artist collaboration 'fancyroom' which concentrated on textile designs by combining elements of graffiti and graphic design. The results were used for own textile collections and by several fashion brands.
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Shortly thereafter, he served in the Korean War, first in California, then Japan, and finally Korea. LeWitt moved to New York City in 1953 and set up a studio on the Lower East Side, in the old Ashkenazi Jewish settlement on Hester Street. During this time he studied at the School of Visual Arts while also pursuing his interest in design at Seventeen magazine, where he did paste-ups, mechanicals, and photostats. In 1955, he was a graphic designer in the office of architect I.M. Pei for a year. Around that time, LeWitt also discovered the work of the late 19th-century photographer Eadweard Muybridge, whose studies in sequence and locomotion were an early influence.
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In recent years, the use of paste-ups has been steadily replaced by desktop publishing software, which allows users to create entire document layouts on the computer. In the meantime, many printers now use technology to take these digital files and create printing plates from them without use of a camera and negative. Despite this, the term camera-ready continues to be used to signify that a document is ready to be made into a printing plate. In this new digital-to-plate system, a digital file is usually considered camera-ready if it meets several conditions: # It is created with a software program commonly used in the printing industry, such as LaTeX, InDesign (Adobe), Illustrator (Adobe), Freehand (Adobe/Macromedia), Quark XPress (Quark, Inc), and exported in a commonly used file format, such as EPS, PDF and sometimes TIFF.
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At the age of 14 he would be dropped off at a neighbors house, Adelaide Johnson once a week where he would spend several hours drawing and receiving advice and encouragement for his animal sketches and imitations of Mad Magazine cartoons by artists who worked for the magazine at the time, such as Jack Davis and Mort Drucker. Cuneo attended Roosevelt Jr. High, followed by Westfield High School until his junior year, when his family moved to Florida. Once in Florida, the artist would graduate from Lely High School in Naples, Florida in 1975 and go on to attend Florida State University for one year, followed by attending Colorado Institute of Art for an additional year. At Colorado Institute for Art, Cuneo would learn skills needed in the graphic design business of the time, such as paste-ups with wax, making storyboards and rendering typefaces.
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