Don't expect anyone involved to experience any pangs of conscience.
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You might get pangs of conscience or like pants-shitting terror and squeal.
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Do they suffer pangs of conscience about their role as makers of luxury commodities for the rich?
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"Violence is what we do," Mike tells Marcus, who is experiencing pangs of conscience, in a later exchange.
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They do not reveal if local Han-Chinese officials opposed the C.C.P.'s mass-internment policy because of pangs of conscience.
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Justice Minister Koen Geens told RTBF radio he was having pangs of conscience over whether the man should have been allowed the furlough.
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But eventually the pangs of conscience, compounded by the toll his actions had taken on his brother and on his sometime girlfriend, Kim Wexler (Rhea Seehorn), got the better of him.
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But even if "China Dream" paints a withering portrait of China's official class, Ma Daode's pangs of conscience also suggest that even people who participate in a deeply corrupt and repressive system are capable of redemption.
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Ted Kennedy's darkest hours Although Ted appears to be plagued by some guilt, any real pangs of conscience primarily reside with his aides, his cousin Joe Gargan (Ed Helms) and Paul Markham (Jim Gaffigan), to whom Kennedy went before approaching the local authorities.
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But when Blakemore actually takes to the two women, to the dismay of his butler, Manley (British stage actor Ian Richardson, who nails the stiff upper lip with the heart of a softie), things get more complicated — for Isaac, who just wants to get rich, but also for Nisi, who starts getting pangs of conscience.
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Everyone who knows Pat is shocked at his apparent turn to criminality, and even his cynical brother begins to feel pangs of conscience. When Pat uncovers the truth about the kingpin, his life is in great danger, and Mike must decide where his own true loyalties lie.
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Emma throws herself into his arms and takes a last farewell. Norcesto arrives with Olfredo and Etelia at the last moment before the execution. Norcesto, disturbed by pangs of conscience, has decided to reveal the truth. It was his father who murdered Edemondo's father, and as proof Norcesto produces the deathbed confession his father signed and gave to him.
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Yet Pangemanann also recognises the rottenness of the colonial administration, and knows that his attempts to suppress the dissidents will be ultimately futile. He privately sympathises with the independence movement, and is tormented by pangs of conscience. Despite Pangemanann's inner turmoil and his secret admiration for Minke, he nonetheless engineers the journalist's destruction. Visiting Minke's grave, he mourns over his rival.
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The film takes place in 1905. Governor-liberal attempts to prevent a strike in the city but the workers refuse to obey. The governor gives an order to shoot the strikers and suppresses the uprising with force while children die in the crossfire. As a reward, he is represented with the order of "White Eagle", but the governor is haunted by pangs of conscience.
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This unexpected inheritance and Woodville's ruin at the gaming tables create a possibility. Roderick plots his revenge and searches for his enemy Woodville in London, where he encounters Henry Woodville. Arabella and his enemy Woodville's friend Sydenham make appeals to Penruddock. The appeals and his own pangs of conscience cause Penruddock to repent, turn to forgiveness, abandon his plans for revenge, and bestow a fortune upon Henry Woodville and Emily.
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The insurgent groups, however, deny their any involvement in the incident. With the passage of time the incidents is forgotten but the repentant trio, though, cannot escape pangs of conscience. One day, Manab's father chances upon Manab's share of the ransom money and learns about his son's involvement in the kidnap- death. This shocks him to such an extent that he disowns his only son and forbids him to even light his pyre.
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The character Emmanuelle in the game is a wife of French business man whose job requires constant travelling, thus leaving his wife unfulfilled. Emmanuelle has taken a lover, Marc, but later suffers pangs of conscience, because she still loves her husband. Emmanuelle travels to Rio de Janeiro in Brazil, to escape him, but is followed by Marc. The aim of the game is to augment Marc's erotic potential so he can seduce Emmanuelle again.
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Eventually, however, pangs of conscience become so unbearable to Srubov that, after his own father is shot by his Cheka comrade and personal friend Katz, he experiences a nervous breakdown and is committed to a mental asylum. Medical examination reveals a stigma in the shape of a bullet scar on the back of his head. In a sequence ominously similar to the executions, he is ordered to undress, placed against the wall, and sprayed with water from a hose.
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But Frank repeatedly reminds Johnny that he must continue "playing dumb", as both of them face execution if either confesses. The prison authorities are suspicious of their attitude to each other and transfer Johnny from working in the prison shoe factory alongside Frank to the prison library run by a mild- mannered older convict known as Pop (Henry Travers). Johnny expects Fred to be cleared on appeal, not knowing that Frank also planted stolen property as evidence against him. When the appeal is denied, Johnny's pangs of conscience increase.
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The ass now consents to start for home, taking Peter with him. A loud cry is heard in the distance, which, though Peter does not know it, comes from the dead man's young son, who is searching for his father. Unnerved by this, and by the sight of the bloody wounds he has inflicted on the ass, Peter begins to feel unaccustomed pangs of conscience. His mind turns to his many past sins, and as he passes an outdoor Methodist meeting his heart responds to the preacher's calls for repentance.
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After publication of the Weltbühne issue, defence minister Wilhelm Groener filed a suit against editor Carl von Ossietzky who was at that time already in prison due to his conviction in the Weltbühne-Prozess. No charges were brought against Tucholsky because he had moved to Sweden in 1929 and was therefore out of reach for German courts. Tucholsky considered attending the trial in Germany to back his friend Ossietzky, but decided against it for fear of being attacked by Nazis. Even years later, shortly before his death, Tucholsky expressed pangs of conscience about this decision.
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Bingo: Scenes of Money and Death is a 1973 play by English playwright Edward Bond. It depicts an ageing William Shakespeare at his Warwickshire home in 1615 and 1616, suffering pangs of conscience in part because he signed a contract which protected his landholdings, on the condition that he would not interfere with an enclosure of common lands that would hurt the local peasant farmers. Although the play is fictional, this contract has a factual basis.Worthen 708 Bingo is a political drama heavily influenced by Bertolt Brecht and Epic theatre.Worthen 707 Some have praised Bond’s portrayal of Shakespeare while others have criticized it.
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One day Emil Sinclair, an eleven-year-old boy, returns from school and as nobody is at home he goes upstairs into his father’s room where he steals sugared and dried figs out of his dad’s chest of drawers. Although he has pangs of conscience and thinks a lot about his deed, he does not confess it to his father. Sinclair pretends to have bought the figs at the cake shop in Calw. That is why his father punishes him by taking him there; but before entering the shop, the boy tells that he did not get them there.
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During the autumn hunt and picnic an intense argument happens between Olga and the fiercely jealous Kamyshev and after a few minutes under mysterious circumstances Olga receives a gunshot wound in the depths of the forest thicket. The young woman dies a few days later from severe blood loss without informing the investigators who attacked her at the shooting party. Her husband Urbenin is the main suspect and he is exiled to Siberia and four years later sentenced to death. Tormented by pangs of conscience Kamyshev writes a story about the dramatic events and submits it for publication in a journal.
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Among these are the eternal tussle faced by every creative person between his mind and his emotions, the psyche of being in and out of the limelight and the inevitable pangs of conscience and humanism faced by celebrities. In this film-within-a-film, Soumitra Chatterjee has two roles. In the main story, he is a former matinee idol who has become a complete recluse and has cut himself away from the mainstream as much as from cinema. In the film that Angshuman is making, this actor, Pradyut Mukherjee is persuaded to enact the role of a 72-year-old painter suffering from dementia.
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These are, first, the purely psychic feeling states or emotions having a characteristically ego-quality (e.g., euphoria, happiness, sympathy, enjoyment, sadness, sorrow, anger, jealousy…), and which manifest intentionally as empathy, preferring, loving, hating and willing.Formalism, p. 342 & 336. As representing one’s prevalent mental disposition it is important to note that psychic feeling states are alterable though acts of free will, thought and positive social interactions. Finally, Scheler identifies spiritual feelings which differ sharply from personal psychic feeling states in that “all ego-states seem to be extinguished… [and such emotions] take possession of the whole of our being.”Formalism, p. 343. (e.g., bliss, awe, wonder, catharsis, despair, shame, remorse, anxiety, pangs of conscience, grief…).
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According to the Catechism, theft or stealing means "usurping another's property against the reasonable will of the owner" though exclusion exists for someone in great need to survive. "Unjustly taking and keeping the property of others" considered as theft, even if the act is outside the scope of civil law. Cardinal Christoph Schönborn gave example from the story of Saint Augustine, written in his Confessions, who took pears from neighbor's garden when he was young. Schönborn says that Augustine still has "pangs of conscience over a childish theft" even when he became grown person, indicating that human conscience is very aware of theft though the act perhaps not an offense against civil law.
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Throughout the three volumes, all those involved in this act not only suffer pangs of conscience but are also quite literally haunted by the vengeful ghost of the murdered baby. In later stages of the plot, there are further cases where it is considered that the end justifies the means, and that anyone discovering the secret must be killed though they are completely innocent. There is a clear difference between the wizard Arkoniel - who tends to be more compassionate - and his teacher and mentor Iya, who while a positive character is more ready to take ruthless decisions. Arkoniel's approach is vindicated when he refrains from killing Ki, Korin/Tamir beloved friend, though Ki was on the point of discovering the secret.
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He set a booby trap with a weighted plant pot on a chain, which was triggered by the victim opening the radio cabinet after locking up for the night. Wimsey's reaction to the case – his arrangement for the defendant to be represented by top defence counsel; his guilt at condemning a man to be hanged; the return of his shell-shock – dominates the final chapters of the book. It is mentioned that Wimsey had previously also suffered similar pangs of conscience when other murderers had been sent to the gallows. His deep remorse and guilt at having caused Crutchley to be executed leave doubt as to whether he would undertake further murder investigations – and in fact Sayers completed no further Wimsey novels after this one.
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77 One curious matter is the name of Goebel's alleged teacher, Professor Münchhausen. Münchhausen is a rare family name in Germany and Münchhausen is the name of a literary figure in a collection of tales with title The Surprising Adventures of Baron Munchausen of Rudolf Erich Raspe (published 1785) and in another version of Gottfried August Bürger (published 1786), a popular book in Germany; a man telling lies and incredible stories. A thesis on this is, that Henry Goebel, an old man, was under pressure of lawyers to provide affidavits and got pangs of conscience and this was his way to indicate the story was untrue. In the culture of Germany there is a close association of "Münchhausen" and "untrue, telling lies".
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His mother Barb worries how close the two are after she finds out Ben prefers sleeping on Margene's couch rather than his own bedroom. Later, Ben meets Margene's ex-boyfriend and he makes several lewd comments about her, Ben violently pushes him to the ground, and some days later, angrily confronts Margene about her previous sexual exploits. It is revealed that while Bill may be comfortable with Margene's previous relationships, Ben isn't, possibly due both to his own unresolved pangs of conscience over his continuing relationship with Brynn and to his own romantic feelings for Margene. After it becomes clear that Barb wants to discourage Ben from polygamy, he starts dating twin girls from the compound in season two to the annoyance of his older sister who, like their mother, is concerned that Ben may one day end up like his father, a polygamist.
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Popularized in part by author and Army veteran Norman Mailer in his 1948 novel The Naked and the Dead, the term continued to spread into popular culture via the works of Woody Allen and Neil Simon. Nunberg suggests that there are more assholes on the right wing of American politics than the left (he includes Rush Limbaugh and Bill O'Reilly as prominent examples), but allows that the left wing has its share as well: "the genius of Rush Limbaugh and Stephen Colbert lies in their remarkable ability to convey the pure joy they take in being assholes without suggesting they suffer even the slightest pangs of conscience." Nunberg argues that the use of the term generates a sense of solidarity among those who are not (they believe) assholes themselves; directing the epithet "asshole" towards a perceived asshole, though insulting, is tolerated: Nunberg calls one who does so an "anti-asshole, the person who can violate bourgeois conventions and social norms in the cause of punishing offenders".
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The majority of Kross novels remain untranslated into English. These are as follows: Under Clio's Gaze (Klio silma all; 1972) This slim volume contains four novellas. The first deals with Michael Sittow, a painter who has been working at the court of Spain but now wants to join the painters' guild in Tallinn which is as good as a closed shop (Four Monologues on the Subject of Saint George). The second story tells of an ethnic Estonian Michelson who will now be knighted by the Czar as he has been instrumental in putting down a rebellion in Russia; this is the story of his pangs of conscience, but also how he brings his peasant parents to the ceremony to show his origins (Michelson's Matriculation) The third story is set in around 1824, and about the collator of Estonian folk literature Friedrich Reinhold Kreutzwald who, after passing his exams, does not want to become a theologian but wants to study military medicine in Saint Petersburg, then the capital of the Russian Empire; meanwhile, he meets a peasant who can tell him about the Estonian epic hero Kalev, here of the epic Kalevipoeg (Two Lost Sheets of Paper).
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