In his palinode Socrates corrects both his message and his character.
|
|
Afterwards, falling in love with a lady, he closes these sonnets with a palinode.
|
|
But any poem of retraction can be called a palinode these days without following this form.
|
|
He sent for all his servants, even the piggard-boy, to come and heare his palinode.
|
|
The lines in roman type are those of The Return, those in italic belong to palinode.
|
|
But although it revises the spiritual meaning of paralysis, East Coker is not a palinode of Eliot's earlier work.
|
|
The 1647 edition contains two poems, The Return and palinode, which stand to each other in a curious relation.
|
|
I look for peace in the way that Plato trod, and some day I shall write my palinode in that spirit.
|
|
It was also a sympathetic environment for his most famous poem, The Palinode, composed in praise of Helen, an important cult figure in the Doric diaspora.
|
|
They say that he was blinded for writing abuse of Helen and recovered his sight after writing an encomium of Helen, the Palinode, as the result of a dream.
|
|
Hrushevsky, M. Hierarchal relations (ЄРАРХІЧНІ ВІДНОСИНИ). History of Ukraine-Rus. Evidence of confirmation of Simeon according to Hrushevsky is mentioned in a palinode of Zachary Kopystensky. With this confirmation also was restored so called "modus vivendi".
|
|
They say that he was blinded for writing abuse of Helen and recovered his sight after writing an encomium of Helen, the Palinode, as the result of a dream. He was called Stesichorus because he was the first to establish (stesai) a chorus of singers to the cithara; his name was originally Tisias.
|
|
This proves to be done by the Bowels family, the undertakers of the title. More sinister proves to be the effort of the local banker to eliminate the eccentric Palinode family, which has inherited shares of stock once thought worthless. The banker proves also to be the moving force behind the service the Bowels family runs for criminals.
|
|
Coghill (1971: pp.xvii-xviii). In contrast to Boccaccio's final canto, which returns to the poet's own situation, Chaucer's palinode has Troilus looking down laughing from heaven, finally aware of the meaninglessness of earthly emotions. About a third of the lines of the Troilus are adapted from the much shorter Il Filostrato, leaving room for a more detailed and characterised narrative.Frazer (1966: p.5).
|
|
As Dunbar belongs to the latest medieval phase, his work is quite far from that of Chaucer’s. Although Dunbar's The Tretis includes many ironic gestures that recall the Wife of Bath and The Merchant's Tale, he utilizes a much wilder humor than Chaucer. Dunbar is even credited with the first printed use of the word “fuck.” He does not utilize the Chaucerian palinode, or retraction.
|
|
The final Epode (17) takes the shape of a palinode, a type of poem which serves to retract a previously stated sentiment. Here, the poet takes back his defamations of Canidia in poem 5. Still occupying the position of the captive boy, he begs the witch for mercy. His request is shrugged off by Canidia who thus has the last word of the collection.Epod. 17.53–81.
|
|
1 (1830), p.38 Copies of relevant papers, such as the Lords's "supplication" of 23 August 1582 and Lennox's protest, "D'Obany's petition", were given by John Colville to Robert Bowes and sent to England, where they remain in the Public Record Office.Laing, David, ed, Original letters of Mr. John Colville, 1582-1603, and his Palinode, 1600, Bannatyne Club (1858), pp.8-9: A copy of a declaration in French by Lennox, against the "calumnies of Gowrie and his confederates", Dumbarton, 22 September 1582, is preserved in Bibliothèque nationale de France, Ms Fr. 3308, Register of Mr Pinard, item 122.
|
|
64, cited by Campbell in Loeb, page 93 According to a colourful account recorded by Pausanias, she later sent an explanation to Stesichorus via a man from Croton, who was on a pilgrimage to White Island in the Black Sea (near the mouth of the Blue Danube), and it was in response to this that Stesichorus composed the Palinode,Pausanias 3.19.11–13, cited by Campbell in Loeb, page 41 (Campbell's translation: "In the Black Sea off the mouths of the Danube there is an island called White Island...note: Actually off the estuary of the Dnieper.") absolving her of all blame for the Trojan War and thus restoring himself to full sight.
|
|
His suggestion was considered radical and indeed blasphemous (since the original Cyrillic in use by the Serbian Orthodox Church at the time had allegedly been created by Cyril and Methodius), so Mrkalj received so much offensive criticism from the church hierarchy that he decided to be tonsured as a monk to prove his orthodoxy in 1811, but was so disappointed with the monastic life that he left the order in 1813. In 1817 he retracted his alphabet reform proposal in a publication titled: A Palinode (or Defense of the Thick Yer). Later in life, Mrkalj became despondent and was hospitalised in Vienna mental hospital in 1827. Vuk Stefanović Karadžić came to visit him often.
|
|
About thirty years before this play, Herodotus argued in his Histories that Helen had never in fact arrived at Troy, but was in Egypt during the entire Trojan War. The Archaic lyric poet Stesichorus had made the same assertion in his "Palinode" (itself a correction to an earlier poem corroborating the traditional characterization that made Helen out to be a woman of ill repute). The play Helen tells a variant of this story, beginning under the premise that rather than running off to Troy with Paris, Helen was actually whisked away to Egypt by the gods. The Helen who escaped with Paris, betraying her husband and her country and initiating the ten-year conflict, was actually an eidolon, a phantom look-alike.
|
|
In the Phaedrus, Socrates makes the rather bold claim that some of life's greatest blessings flow from madness; and he clarifies this later by noting that he is referring specifically to madness inspired by the gods. Phaedrus is Plato's only dialogue that shows Socrates outside the city of Athens, out in the country. It was believed that spirits and nymphs inhabited the country, and Socrates specifically points this out after the long palinode with his comment about listening to the cicadas. After originally remarking that "landscapes and trees have nothing to teach me, only people do", Socrates goes on to make constant remarks concerning the presence and action of the gods in general, nature gods such as Pan and the nymphs, and the Muses, in addition to the unusually explicit characterization of his own daemon.
|
|
C.O.Pavese, Tradizione e generi poetici della Graecia arcaica, Rome (1972), cited by C.Segal, The Cambridge History of Greek Literature, page 187 Moreover, the versatility of lyric meter is suited to solo performance with self-accompaniment on the lyreM.L.West, 'Stesichorus', Classical Quarterly 21 (1971) pages 302–14, cited by D.Campbell in Greek Lyric III, page 5 – which is how Homer himself delivered poetry. Whether or not it was a choral technique, the triadic structure of Stesichorean lyrics allowed for novel arrangements of dactylic meter – the dominant meter in his poems and also the defining meter of Homeric epic – thus allowing for Homeric phrasing to be adapted to new settings. However, Stesichorus did more than recast the form of epic poetry – works such as the Palinode were also a recasting of epic material: in that version of the Trojan War, the combatants fought over a phantom Helen while the real Helen either stayed home or went to Egypt (see a summary below).
|
|
The Suda's claim that Hesiod was the father of Stesichorus can be dismissed as "fantasy"Cambell, Loeb page 35 yet it is also mentioned by TzetzesTzetzes Vit.Hes. 18, cited by Campbell, Loeb page 35 and the Hesiodic scholiast ProclusProclus Hes. Op. 271a, cited by Campbell in Loeb page 35 (one of them however named the mother of Stesichorus via Hesiod as Ctimene and the other as Clymene). According to another tradition known to Cicero, Stesichorus was the grandson of HesiodCicero De Rep. 2.20, cited by Campbell in Loeb page 37 yet even this verges on anachronism since Hesiod was composing verses around 700 BC.Jasper Griffin, "Greek Myth and Hesiod", J. Boardman, J. Griffin and O. Murray (eds), The Oxford History of the Classical World, Oxford University Press (1986), page 88 Stesichorus might be regarded as Hesiod's literary "heir" (his treatment of Helen in the Palinode, for example, may have owed much to Hesiod's Catalogue of Women)Charles Segal, "Archaic Choral Lyric" in The Cambridge History of Classical Literature: Greek Literature, Cambridge University Press (1985), page 191 and maybe this was the source of confusion about a family relationship.
|
|