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"overexpose" Definitions
  1. overexpose something to affect the quality of a photograph or film by allowing too much light to enter the camera opposite underexpose
  2. overexpose somebody/something to allow somebody/something to be seen too much on television, in the newspapers, etc.
"overexpose" Antonyms

37 Sentences With "overexpose"

How to use overexpose in a sentence? Find typical usage patterns (collocations)/phrases/context for "overexpose" and check conjugation/comparative form for "overexpose". Mastering all the usages of "overexpose" from sentence examples published by news publications.

Work quickly, so you don't overexpose the hair to heat.
The satellites are so bright, that they overexpose the cameras' sensors.
It also tends to overexpose skin tones and make everyone look pale.
Social media can make careers soar, but it can also overexpose them.
You're doing black folk a great disservice when you overexpose their skin.
Anti-paparazzi devices: CamoFlash, also by Harvey, triggers LEDs that overexpose paparazzi camera flashes.
And the phone does tend to overexpose images, so HDR would be handy in many situations.
And if you make the right investment decisions, it's a way to financially overexpose yourself to successful startups.
Indoors in mixed light, the HTC 10 turns up the same faded colors even when it doesn't overexpose.
Skin tones are true to life and the Max is not afraid to overexpose the highlights a bit.
Don't overexpose yourself for no reason: People love to share pretty much everything about their lives on social media.
"And if you overexpose them like two innings, that's when you're going to run into those problems," Collins said.
The S26 had a tendency to overexpose its images, and the same seems to hold true with the S1.73 phones.
This legislation ensures that we do not recklessly overexpose juveniles to the criminal justice system, which often contributes to recidivism.
Don't overexpose yourself for no reason: Lots of people love to share way too much about their lives on social media.
The S27 also tends to overexpose images, so I often found myself using the camera's exposure compensation tool to adjust for it.
With all of the public confessions and restorative video projects and public appearances, the past two years have threatened to overexpose us to them.
He notes that the palette is in service of the flesh of his figures, because it allows him to overexpose their brown and black skin tones.
He's a young kid so I don't want to overexpose him in any way, but I also want him to be able to follow his passions.
The camera kept wanting to overexpose the shot taken below, and focusing on the street cart resulted in an image that was a bit too dark.
Warm white balance can be good for portraits, but Samsung's tendency to overexpose images for brighter shots also makes skin tones look weird a lot of times.
There's a growing awareness of the prevalence of skin cancer and so we're admonished to make sure we don't overexpose any part of our skin to damaging ultraviolet rays.
"The WFC3 camera on Hubble is a very sensitive instrument, not initially designed to observe bright stars, and the instrument would overexpose like your cell phone camera held towards the sun would," Waldmann said.
There's a three-step switch on the right side of the lens that lets you under or overexpose your photo (or keep it neutral), and a switch for the flash on the opposite side.
Unfortunately, although it has similar specs to many other phones, it's not quite as quick as Samsung's S7 and it has a bad tendency to overexpose images and lose details in the highlights as a result.
"We're trying to make a run for a few more weeks, so I don't think he wants to overexpose me or my body to 40 minutes a night of something like that," Livingston said of Kerr, who was named the N.B.A.'s coach of the year on Tuesday.
A tripod may not be necessary if combining different scenes in one shot. In some conditions, for example, recording the whole progress of a lunar eclipse in multiple exposures, a stable tripod is essential. More than two exposures can be combined, with care not to overexpose the film.
AEC devices are susceptible to operator error (usually due to mispositioned anatomy or having the incorrect AEC chamber selected). Prosthetic devices such as total hip hardware can also cause the selected ionization chamber to overexpose the image receptor. This is due to the absorption of the x-ray beam into the metal of the hardware as opposed to exposing the ionization chamber.
Depending on the distance to the subject, using the full power of the flash may greatly overexpose the subject especially at close range. Certain cameras allow the level of flash to be manually adjusted e.g. 1/3, 1/2, or 1/8 power, so that both the foreground and background are correctly exposed, or allow an automatic flash exposure compensation.
A derivative of contrast masking is unsharp masking, an unusual term for a process intended to increase the apparent sharpness (acutance) of an image. Unsharp masking uses a blurred form of the image to increase contrast along regions of moderate contrast difference. Around edges, the blur region causes highlights to overexpose and shadows to underexpose. Taken to an extreme, the edges become overly visible and detract from the quality of the image—this is referred to as halation.
Combination printing was popular in the mid-19th century due to the limitations of the negative's light sensitivity and camera technology. For example, the long exposures required at the time to create an image would properly expose the main subject, such as a building, but would completely overexpose the sky. The sky would then lack detail, usually appearing as solid white. Hippolyte Bayard, a French photographer, was the first to suggest combining two separate negatives, one of the subject matter and one of a properly exposed negative of clouds, to create a balanced photograph.
One of the last scene shows her in a yellow dress made of flowers and wearing a yellow watch while singing to the song with a unique hairstyle which shows her hair pulled up and folded over. Then the camera quickly goes back to her in bed. David Balls from Digital Spy noted Gaga's homage to her Italian-American roots in the video, but wondered if Gaga would "overexpose herself" with the video. Like his review of the single, Moralde found the video to be complementing the simplistic composition of the song.
The 3D Color Matrix Metering II tends to overexpose minor parts of the image (e.g. sky or bright back-lights) if it detects faces near the image center that are darker (e.g. in shadow) than these minor parts.Nikon D7000 Test Image (showing overexposed sky due to faces in shadow) Imaging-resource This feature is sometimes surprising due to reliable scene recognition and face detection (including side-view of faces) of the new high-resolution sensor, even if there are only strangers (in the dark) near the image center.
In the autumn of 2006, Odd Nordstoga was the cause of a controversy between the Norwegian national broadcaster NRK, his management, Universal Records and the producers and cast of Norwegian-Swedish folk music adaptation of the Wolfgang Amadeus Mozart piece The Magic Flute (Tryllefløyten). Nordstoga, having played Papageno in the piece in the spring of 2006, withdrew from the plans to show the stage adaptation on NRK TV during Christmas 2006. According to Nordstoga's management and label, a screening of the play at this time would collide with Nordstoga's two album releases of 2006 and overexpose him. The result was a massive outburst from some of his contemporaries in the Norwegian folk music scene, most prominently the folk singer Kirsten Bråten Berg.
If the exposure setting indicated by an exposure meter is taken as the "reference" exposure, the photographer may wish to deliberately overexpose or underexpose in order to compensate for known or anticipated metering inaccuracies. Cameras with any kind of internal exposure meter usually feature an exposure compensation setting which is intended to allow the photographer to simply offset the exposure level from the internal meter's estimate of appropriate exposure. Frequently calibrated in stops, also known as EV units, a "+1" exposure compensation setting indicates one stop more (twice as much) exposure and "–1" means one stop less (half as much) exposure. Exposure compensation is particularly useful in combination with auto-exposure mode, as it allows the photographer to bias the exposure level without resorting to full manual exposure and losing the flexibility of auto exposure.
The photographer may carefully overexpose or underexpose the photograph to eliminate "insignificant" or "unwanted" detail; to make, for example, a white altar cloth appear immaculately clean, or to emulate the heavy, pitiless shadows of film noir. However, it is technically much easier to discard recorded information during post processing than to try to 're-create' unrecorded information. In a scene with strong or harsh lighting, the ratio between highlight and shadow luminance values may well be larger than the ratio between the film's maximum and minimum useful exposure values. In this case, adjusting the camera's exposure settings (which only applies changes to the whole image, not selectively to parts of the image) only allows the photographer to choose between underexposed shadows or overexposed highlights; it cannot bring both into the useful exposure range at the same time.
In 2017, the Milwaukee School of Engineering Grohmann Museum exhibited his Steel: The Cycle of Industry collection and repackaged a photo book of the same name, which chronicles steel from its start as taconite pellet mines in Minnesota to the blast furnaces of Gary, Indiana, and from its shipment across the Great Lakes to the demise of the mills in places like Lackawanna, NY. Plowden's photographs are characterized by their stark detail. In the steel mill photos, he attributed this to shots he would overexpose and under develop. On his subject matter — steam engines, small town Main Streets, steel mills — Plowden said: "I have always felt that I have been standing in the middle ground between two eras, with one eye on the 19th century and the other on the 21st ... all across America we have left abandoned, like carcasses after the feast, that which only yesterday was state-of-the-art invention." In July 1977, he married Sandra (née Schoellkopf).

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