161 Sentences With "overarm" | Random Sentence Generator

Overs have been both six and eight balls long, delivered by players bowling overarm or underarm, on both covered and uncovered pitches.

After her right hand counters, Namajunas will often duck her head and swing a left almost overarm as if swimming front crawl.

"Subconsciously, it evokes negative feelings in others because it precedes a right overarm blow, a primal move most primates use in a physical attack."

And I prefer to play with these almighty lobs, fiery forehands, unreal slices and (the name's a giveaway) "ultra" overarm smashes active—because otherwise, it's just tennis.

On the other end of that, when Diaz throws his left hand he will often throw it overarm and lean well forwards at the waist, presenting his chin as Jose Aldo so famously did when he rushed to chase McGregor and gave McGregor an easy knockout victory in their title fight.

In sumo Ishinriki specialized in throwing techniques, with his three most common winning kimarite being shitatenage (underarm throw), uwatenage (overarm throw) and uwatedashinage (pulling overarm throw).

Hanakaze’s most common winning kimarite are uwatenage (overarm throw) hatakikomi (slap down) and yorikiri (force out).

Although overarm was now legal, Grace never developed a true overarm action. At this stage of his career, he bowled fast-medium with "a kind of slinging" style.Rae, p.60. His bowling performance at The Oval earned him his first selection for the prestigious Gentlemen v Players fixture.

Tagaryu preferred yotsu-sumo, or grappling techniques. His favoured grip on the opponent's mawashi was migi-yotsu, a left hand outside, right hand inside position. He also liked uwatenage, or overarm throw, and uwatedashinage, or pulling overarm throw. His most common winning kimarite was yori-kiri, the force out, used in about 40 percent of his victories.

Harumafuji was a relative lightweight known for his speed, particularly at the tachi-ai, or initial charge. He was regarded as a technician, like many other Mongolian sumo wrestlers, specialising in throws and lifts. He used 42 different winning kimarite in his career. He was adept at both uwatenage (overarm throw) and shitatenage (underarm throw) as well as uwatedashinage (pulling overarm throw).

The attacker extends their arm over the opponent's arm/back to grab the opponent's mawashi while pulling them forwards to the ground (pulling overarm throw).

His speciality was uwatenage, or the overarm throw, which he used to win over 20 percent of his matches (the average is only 7 percent).

Tomoefuji's favourite techniques were hidari- yotsu, (a right hand outside, left hand inside grip on his opponents' mawashi) uwatenage, (overarm throw) and yorikiri (force out).

The attacker extends their arm over the opponent's arm to grab the opponent's mawashi and throws the opponent to the ground while turning sideways (overarm throw).

Wakamisugi's favoured kimarite or techniques were hidari-yotsu (a right hand outside, left hand inside grip on the mawashi), uwatenage (overarm throw), and yorikiri (force out).

Jōkōryū's favoured kimarite or techniques are migi yotsu (a left hand outside, right hand inside grip on his opponent's mawashi), yorikiri (force out) and uwatenage (overarm throw).

Kitanoumi's favourite kimarite or techniques were hidari-yotsu (a right hand outside, left hand inside grip on the opponent's mawashi), yorikiri (force out) and uwatenage (overarm throw).

Chiyotenzan's favoured kimarite or techniques were migi-yotsu (a left hand outside, right hand inside grip on the opponent's mawashi), yori kiri (force out) and uwatenage (overarm throw).

He also regularly employed both uwatenage (overarm throw) and shitatenage (underarm throw). He often used henka (side-stepping) at the tachi-ai for which he was routinely criticized.

In fact, he started as an overarm right-handed fast bowler, but switched to lobs with great success when he took up regular county cricket in the late 1890s.

Takanowakas favoured kimarite or techniques were hidari-yotsu (a right hand outside, left hand inside grip on the opponent's mawashi or belt), uwatenage (overarm throw) and yorikiri (force out).

Extending the arm over the opponent's arm to grasp the mawashi, then pulling the mawashi down until the opponent falls or touches his knee to the dohyō (twisting overarm throw).

Azumaryū prefers a migi yotsu (left hand outside, right hand inside) grip on his opponent's mawashi. His favourite kimarite or techniques are yori-kiri (force out) and uwatenage (overarm throw).

During the post-war years, there was a discernible shift towards the adoption of roundarm bowling and questions about legalisation of roundarm dominated the sport for thirty years. At the end of the period, bowling reached the final stage of its evolution as overarm began with the same sort of controversy that had accompanied the introduction of roundarm. But this time the controversy was short-lived and overarm was rapidly adopted and legalised between 1862 and 1864.

Underarm bowling still plays a role in informal garden cricket games, which are often played by less athletic people or young children. Novices at playing the game are often unable to bowl overarm or roundarm effectively or accurately, so can be allowed to bowl underarm by general consensus. Since underarm bowling is also slower than overarm or roundarm, it is easier for novice batsmen to hit the ball, making it ideal for informal and children's cricket.

1862 was the 76th season of cricket in England since the foundation of Marylebone Cricket Club (MCC). The overarm bowling issue came to a head in a controversial match at The Oval.

Taking the opponent's arm extended over one's arm and twisting the arm downward, while grabbing the opponent's body and throwing it in the same direction as the arm (backward twisting overarm throw).

Wakanohana's favoured kimarite or techniques were yori-kiri, with a hidari-yotsu (right hand outside and left hand inside) grip on his opponent's mawashi, uwatenage (overarm throw), and sotogake (outside leg trip).

Wakashimazu's favourite kimarite or techniques were hidari-yotsu, a right hand outside and left hand inside grip on his opponent's mawashi, yori-kiri (force out), uwatenage (overarm throw) and tsuri-dashi (lift out).

An overarm motion would allow more effective combination of the aspis and doru if the shield wall had broken down, while the underarm motion would be more effective when the shield had to be interlocked with those of one's neighbours in the battle-line. Hoplites in the rows behind the lead would almost certainly have made overarm thrusts. The rear ranks held their spears underarm, and raised their shields upwards at increasing angles. This was an effective defence against missiles, deflecting their force.

Yutakayama was a yotsu-sumo specialist who liked to fight on the mawashi or belt and his most common winning kimarite were yori-kiri (force out), tsuri-dashi (lift out) and uwatenage (overarm throw).

Fujinoshin employed a wide variety of techniques but was regarded by some commentators as a jack of all trades, master of none. He favoured a right hand outside, left hand inside grip (hidari-yotsu) on his opponent's mawashi or belt. His most common winning technique was yori-kiri (force out) but he also tried oshi–dashi (push out), hataki–komi (slap down), yori–taoshi (force out and down), uwate–nage (overarm throw), shitate–nage (underarm throw), uwatedashi–nage (pulling overarm throw) and katasukashi (armlock throw).

Kaiketsu's favourite kimarite or techniques were tsuppari (a series of rapid thrusts to the chest), hidari yotsu (a right hand outside, left hand inside grip on the mawashi), yori kiri (force out) and uwatenage (overarm throw).

He was a yotsu-sumo wrestler, who preferred fighting on mawashi or belt with a hidari-yotsu or right hand outside grip. His favourite techniques or kimarite were yori-kiri (force out) and uwatenage (overarm throw).

By the early 1860s, roundarm had replaced underarm as the standard form of bowling but overarm was still illegal, even though it was in use. Laws were modified in 1845 in an attempt to limit the ever increasing height of the bowler's arm. On 26 August 1862 at The Oval, Willsher became the first cricketer to be no-balled for bowling overarm. Playing for an England XI against Surrey he was called six times by umpire John Lillywhite for delivering the ball with his hand above his shoulder.

Oginohana was a yotsu-sumo wrestler who preferred grappling techniques to pushing and thrusting. His favoured grip on the mawashi was hidari yotsu, a right hand outside, left hand inside position. His speciality was uwatenage, or overarm throw.

Onishiki was a yotsu sumo specialist who favoured hidari yotsu, or a right hand outside, left hand inside grip on his opponent′s mawashi. His favourite kimarite or techniques were yori kiri (force out) and uwatenage (overarm throw).

Zaōnishiki favoured a hidari-yotsu, or right hand outside, left hand inside grip on his opponent's mawashi. His most common winning kimarite or technique was yori- kiri, a straightforward force out. He also liked uwatenage, the overarm throw.

The xyston was wielded either underarm or overarm, presumably as a matter of personal preference. It was also known, especially later, as the kontos; meaning literally "barge-pole"; the name possibly originated as a slang term for the weapon.

Weight throw. Encyclopædia Britannica. Retrieved on 2015-03-16. smaller, lighter objects such as balls and darts tend to use an extended overarm technique where distance or speed is required, and an underarm technique where greater precision is required.

Yutakayama's favoured techniques were migi-yotsu (a left hand outside, right hand inside grip on his opponent's mawashi) and uwatenage (overarm throw). His most common winning kimarite in his career were yori kiri (force out) and tsuri dashi (lift out).

Kitabayama's favoured techniques were hidari-yotsu (a right hand outside, left hand inside grip on his opponent's mawashi), yori kiri (force out) and utchari (ring edge throw). Other kimarite he regularly used were uwatenage (overarm throw) and tsuridashi (lift out).

He was a yotsu-sumo wrestler, and his most common winning techniques were yori-kiri (force out), uwatenage (overarm throw) and tsuri-dashi (lift out). He preferred a hidari-yotsu (right hand outside, left hand inside) grip on his opponent's mawashi.

As well as his great height Ōuchiyama was known for his strong and flexible legs, and his speed. His most common winning kimarite were yori kiri (force out), yori taoshi (force out and down), kotenage (armlock throw) and uwatenage (overarm throw).

The HW 45 is a spring powered, single-shot, air pistol with spring compression being achieved via an overarm cocking lever incorporating the barrel. The HW 45 features an adjustable two-stage trigger, fibre optic open sights and a grooved 11mm dovetail rail for mounting an optical sight. The pistol has a manual safety catch & comes in four different levels of finish with all but the basic HW45 having contoured wood laminate grips. Its design was based on the Colt Government, M1911 and the rear hammer acts as the release, for the overarm cocking lever The .

1864 was the 78th season of cricket in England (since the foundation of Marylebone Cricket Club (MCC)). It was a significant year in cricket history, as it saw the legalisation of overarm bowling and the first edition of John Wisden’s Cricketers’ Almanac.

He was known as "white lightning" because of his powerful tachi-ai and the speed and ferocity of his bouts. His most common winning kimarite, or techniques, were yori-kiri (force out), yori-taoshi (force out and down), and uwate-nage (overarm throw).

Chiyoshōma's preferred grip on his opponent's mawashi or belt is hidari-yotsu, a right hand outside, left hand inside position. He uses both pushing and grappling techniques. His most common winning kimarite are hatakikomi (slap down), yorikiri (force out) and uwatenage (overarm throw).

Wakanjo was a yotsu sumo wrestler, specializing in grappling moves rather than pushing or thrusting. He preferred a migi-yotsu (left hand outside, right hand inside) grip on his opponent's mawashi. His favourite techniques were yori- kiri (force out) and , uwatenage (overarm throw).

Asahiyutaka was a yotsu-sumo wrestler who specialised in grappling rather than pushing techniques. His preferred grip on the opponent's mawashi was hidari-yotsu, a right hand outside, left hand inside position. His favourite kimarite were uwatenage (overarm throw) and katasukashi (under-shoulder swing down).

Peltasts on the Tomb of Payava (circa 360 BC), around the time of Iphicrates. They are equipped with the exomis, the pilos with crest and cheekpiece, and the round pelte shield, and are depicted thrusting overarm with a long spear. Iphicrates () (c. 418 BC – c.

College's annual Intra-college Sports Festival is named as 'Kridaratna'. It is held in the third week of January. Outdoor games like Overarm Cricket, Box Cricket, Football, Volleyball, Kabaddi, Tug of War & Indoor games like Carrom, Chess, Badminton, Table Tennis, Pool & Snooker are held.

Hananokuni′s favoured kimarite or techniques included yori taoshi (force out and down), uwatenage (overarm throw) and shitatedashinage (pulling inner arm throw. He used a migi yotsu grip on the mawashi, with his left hand outside and right hand inside his opponent′s arms.

He had knowledge of a wide range of throwing moves, such as uwatenage (overarm throw), shitatenage (underarm throw), sukuinage (scoop throw) and kubinage (neck throw), as well as extremely rare techniques such as amiuchi (the fisherman's throw), kawazugake (hooking backward counter throw) and susoharai (rear footsweep).

Daijuyama's favoured kimarite or techniques were migi-yotsu (a left arm outside, right hand inside grip on his opponent's mawashi), uwatenage (overarm throw) and utchari (ring edge throw). His most common winning move by far was yori-kiri (force out), which accounted for nearly half his victories.

Mienoumi was a yotsu-sumo wrestler who preferred grappling techniques to pushing or thrusting. His favourite grip on his opponent's mawashi was hidari-yotsu, a left hand inside and right hand outside position. He regularly won by yori-kiri (force out) and uwatedashinage (pulling overarm throw).

Before the match, the Tasmanians had been expected to struggle against the overarm attack of the Victorians, and Antill had performed effectively; yet the Tasmanians were helped by a large total of 24 extras (which included 11 byes and eight no-balls).Hutchinson and Ross, p. 16.

Before the advent of developed biomechanical and audiovisual technology, this law was implemented by the field umpires, who judged a delivery as illegal or "thrown" on visual judgement alone. The law against throwing has not changed in its essence since overarm bowling was legalised in 1864.

Asahisato was a yotsu-sumo wrestler who preferring grappling techniques to pushing or thrusting. When grabbing the mawashi or belt he used a migi-yotsu (left hand outside, right hand inside) position. He regularly used his left hand outside grip to win by uwatenage or overarm throw.

Kaidō's favourite techniques were hidari-yotsu, a right hand outside, left hand inside grip on the opponent's mawashi, and yori-kiri (force out). He also regularly used uwate-nage, or overarm throw, and like Kaiō was keen on arm grabs such as tottari and kote-nage.

Yamamotoyama's most common winning kimarite or technique was yori-kiri, the force out, and he preferred a migi-yotsu, or left hand outside, right hand inside grip on his opponent's mawashi. He also regularly won by oshi-dashi, the push out, and uwatenage, the overarm throw.

Tokusegawa was a yotsu-sumo specialist, preferring grappling techniques. His favoured grip on his opponent's mawashi was migi-yotsu (left hand outside, right hand inside) and his most common winning kimarite were yori-kiri and yori-taoshi (force out and down). He also regularly used uwatenage (overarm throw).

Thomas Walker (16 November 1762 – 1 March 1831) was an English cricketer who played for Hampshire in the days of the Hambledon Club and later for Surrey. He was famous for his brilliant defensive batting. He is also credited with introducing, roundarm bowling, the predecessor of modern overarm bowling.

Kinoarashi favoured yotsu-sumo, or grappling techniques, and used a left hand outside, right hand inside (migi-yotsu) grip on his opponent's mawashi. His favourite kimarite or techniques were yori-kiri (force out), yori-taoshi (force out and down) uwate nage (overarm throw), and sukui nage (scoop throw).

Takanohana's favoured techniques were hidari-yotsu (a right hand outside, left hand inside grip on his opponent's mawashi), tsuridashi (lift out) and uwatenage (overarm throw). He was also noted for his ability to spin at the edge of the ring and turn the tables on his opponent with the utchari throw.

This was the time of great players like William Caffyn, Julius Caesar, HH Stephenson and Tom Lockyer, and a fine captain in Frederick Miller. An incident in 1862, at the instigation of Edgar Willsher in a match between Surrey and England, led to the introduction of overarm bowling into cricket.

Kenkō favoured techniques involving grabbing the opponent's mawashi, or yotsu-sumo. His favourite grip was hidari-yotsu, with his right hand outside and left hand inside his opponent's arms. His most common winning kimarite was yorikiri, a straightforward force out, followed by uwatenage (overarm throw) and yoritaoshi (force out and down).

According to his Japan Sumo Association profile, Arawashi's favourite grips and techniques are migi-yotsu (a left hand outside, right hand inside hold on the opponent's mawashi), yori kiri (force out) and uwatenage (overarm throw). He was the lightest man in the top division until the promotion of Ishiura in November 2016.

Daidō preferred to fight on the opponent's mawashi or belt as opposed to pushing or thrusting. His favoured grip was migi-yotsu, with his left hand outside and right hand inside in his opponent's arms. His most common winning kimarite was uwatenage, or overarm throw, followed by yori-kiri or force out.

Okinoumi is a yotsu-sumo fighter, preferring grappling techniques to pushing or thrusting. His most common winning kimarite is yori-kiri or force out, and he favours a migi-yotsu grip on the mawashi, with his left hand outside and right hand inside his opponent's arms. He also regularly uses uwatenage, or overarm throw.

Mōkonami's favourite techniques as listed by the Sumo Association were hidari-yotsu (a right hand outside, left hand inside grip on the opponent's mawashi), yori (force out) and tsuppari (a series of rapid thrusts to the chest). After yori-kiri, his next most frequently used kimarite were uwatenage (overarm throw) and oshi-dashi (push out).

Kotoryū used both tsuki/oshi (pushing and thrusting) and yotsu (grappling) techniques. His preferred grip on the mawashi was hidari-yotsu, with his right hand outside and left hand inside his opponent's arms. Among his favourite kimarite were uwatenage (overarm throw) and tsuridashi (the lift out). However, he most often won with yori-kiri (the force out).

Hananosato's most common winning kimarite or technique was yori-kiri, or force out, but he was also fond of throws, both the underarm throw, shitatenage, and the overarm throw, uwatenage. He also used rare leg trips and sweeps more usually associated with Mongolian sumo wrestlers, such as ashitori (leg pick) and nimaigeri (ankle kicking twist down).

A powerful and versatile wrestler, Tochitsukasa preferred tsuki/oshi or pushing and thrusting techniques rather than fighting on the mawashi. His favourite kimarite were oshi-dashi (push out) and tsuki otoshi (thrust over). However he also regularly won by yori-kiri (force out), and was also capable of pulling off throws, both overarm (uwatenage) and underarm (shitatenage).

Gaebel, p. 164. This is usefully illustrated in the Alexander Mosaic, King Alexander is shown thrusting with his xyston underarm, whilst immediately behind him a cavalryman is employing the overarm thrust. There is no evidence that the Macedonian cavalry ever used a two-handed grip on their lances, as did later Sarmatian and Roman lancers.Markle, p.

Daishoho liked pushing techniques, particularly tsuppari, a series of rapid thrusts to the chest. However, he was also good at fighting on the mawashi or belt, where he preferred a migi-yotsu grip, a left hand outside and right hand inside position. His most commonly used kimarite were yorikiri (force out), oshidashi (push out) and uwatenage (overarm throw).

Several different versions of the layup are used today. Layups can be broadly categorized into two types: the underarm and the overarm. The underarm layup involves using most of the wrist and the fingers to 'lay' the ball into the basket or off the board. The underarm layup is more commonly known as the finger roll.

A key issue for the statisticians is when first-class cricket for their purpose is deemed to have begun. Writing in 1951, Roy Webber argued that the majority of matches prior to 1864 (i.e., the year in which overarm bowling was legalised) "cannot be regarded as first-class" and their records are used "for their historical associations".Webber, pp. 9–10.

Takanoiwa was a yotsu-sumo wrestler who preferred grappling techniques to pushing and thrusting. His favoured grip on his opponent's mawashi or belt was migi-yotsu, a left hand outside, right hand inside position. He regularly used his left hand outer grip to win by uwatenage, or overarm throw, but his most common winning kimarite was a straightforward yori-kiri, or force out.

It seems likely that both motions were used, depending on the situation. If attack was called for, an overarm motion was more likely to break through an opponent's defence. The upward thrust is more easily deflected by armour due to its lesser leverage. When defending, an underarm carry absorbed more shock and could be 'couched' under the shoulder for maximum stability.

Writing in 1951, Roy Webber drew a line between what is important historically and what should form part of the statistical record when he argued that the majority of matches prior to 1864 (i.e., the year in which overarm bowling was legalized) "cannot be regarded as (statistically) first- class" and their records are used "for their historical associations".Webber, pp. 9–10.

In his next match, on the 13th day, he finally lost to an overarm throw, by . Nevertheless, on the final day of the tournament he came through a four-way playoff to win the championship. This was his fourth consecutive playoff, a record. His calmness in the ring, and unaffected humbleness about his success at this stage was noted by commentators.

A typical milling machine of the era, built by Cincinnati Milling Machine Company. It is a horizontal, with an overarm for the arbor. The Cincinnati Milling Machine Company was an American machine tool builder headquartered in Cincinnati, Ohio. Incorporated in 1889, the company was formed for the purpose of building and promoting innovative new machine tool designs, especially milling machines.

Sōkokurai managed to increase his weight by about since joining professional sumo and was around as of 2010. He was primarily a yotsu sumo wrestler, preferring to fight at close quarters rather than push or thrust. He used a migi-yotsu (right hand inside, left hand outside) grip on his opponent's mawashi. He was fond of throws, both overarm (uwatenage) and underarm (shitatenage).

Caricature of W Read Walter William Read (born 23 November 1855 in Reigate, Surrey, died 6 January 1907 in Addiscombe Park, Surrey) was an English cricketer, who was a fluent right hand bat. An occasional bowler of lobs, he sometimes switched to quick overarm deliveries. He captained England in two Test matches, winning them both. Read was named a Wisden Cricketer of the Year in 1893.

On the 8th day at the May 2008 tournament, he amazed audiences by defeating Wakanohō with a perfectly executed utchari or spin throw on the bales. After the match, Wakanohō acted violently and was warned. On the 10th day, he also threw yokozuna Hakuhō into the seats with an overarm throw, ending his winning streak. After the tournament Ama was awarded his third Technique prize.

Kyokushuho is a yotsu sumo wrestler, preferring grappling techniques to pushing or thrusting. His favoured grip on his opponent's mawashi or belt is migi yotsu, meaning his left hand is inside and his right hand outside his opponent's. A straightforward yori kiri or force out is his most common winning kimarite but he also regularly uses oshi dashi (push out) and uwatenage (overarm throw).

Takanoyama during the May 2014 tournament Due to his exceptionally light frame, Takanoyama relied heavily on throws to defeat his much heavier opponents. His most common winning kimarite was uwatenage, or overarm throw, followed by shitatenage (underarm throw) and kakenage (hooking inner thigh throw). He had knowledge of a wide variety of techniques, having used at least 37 different winning kimarite in his career.

Kagamiō is a yotsu-sumo wrestler who favours grappling techniques as opposed to pushing and slapping his opponent. His preferred grip on his opponent's mawashi is migi- yotsu, a left hand outside, right hand inside position. He regularly uses his left hand outside grip to win by uwate-nage, or overarm throw. However his most common winning kimarite is yori-kiri, a straightforward force out.

Loose sleeves of > skin are drawn up over the arms, and are lashed to the overarm and to the > wrist, thus preventing the arm from becoming wet. Watertight mittens of skin > are drawn over the hands. This half-jacket is enough to keep out the smaller > waves which wash over the kaiak. In a heavier sea, on the other hand, a > whole-jacket (tuilik) is used.

Sadanoumi is a yotsu-zumō wrestler who prefers grappling techniques to pushing or thrusting. His favored grip on his opponent's mawashi or belt is migi-yotsu, a left hand outside, right hand inside position. His most common winning kimarite is yori-kiri, a straightforward force out, which accounts for around 40 per cent of his victories. He is also fond of uwate-nage (overarm throw).

David Cooper, "Canadians Declare 'It Isn't Cricket': A Century of Rejection of the Imperial Game, 1860–1960." Journal of Sport History 26 (1999): 51–81. In 1864, another bowling revolution resulted in the legalisation of overarm and in the same year Wisden Cricketers' Almanack was first published. W. G. Grace began his long and influential career at this time, his feats doing much to increase cricket's popularity.

Throughout his career, Chiyonofuji's trademark kimarite or technique was uwatenage, or overarm throw. He preferred a migi-yotsu, or left hand outside, right hand inside grip on his opponent's mawashi. His left hand outer grip was so effective that some commentators referred to it as his "death grip." Uwatenage was his second most common winning technique at sekitori level after yorikiri, or force out.

Wakanohana was a noted technician, and his trademark was his overarm throwing techniques. As well as uwatenage and dashinage he was also well known for yobimodoshi, or pulling body slam, a kimarite that has virtually disappeared from professional sumo today. He was equally adept at both a hidari-yotsu (right hand outside, left hand inside) and migi-yotsu (the reverse) grip on his opponent's mawashi.

"A three-dimensional, six-segment chain analysis of forceful overarm throwing" Journal of Electromyography and Kinesiology April 2001 During this phase the thrower's trunk will tilt to the side opposite the throwing arm to allow for greater distance of acceleration, which transfers more energy to the projectile. The acceleration phase ends at the time of the projectile's release from the hand, at which point it has attained its maximum velocity.

Misugisato was a solidly yotsu-sumo (grappling) wrestler who did not often push or thrust at his opponents. His favoured grip on the mawashi was migi-yotsu, a left hand outside, right hand inside position. His most common winning kimarite was a straightforward yori-kiri, or force out. He was also well known for uwatenage, or overarm throw, and the ring edge throw (utchari), sometimes dubbed "Misugisato's Magic".

His most common winning kimarite or technique was yori-kiri or force out, where he preferred a right hand inside grip (migi-yotsu) on his opponent's mawashi or belt. He was also fond of hip throws like sukui nage (scoop throw) and uwate nage (overarm throw). He was only of average height and weight for the top division but had a notably muscular frame as he was a keen weight-lifter.

Emmanuel Mudiay does a reverse layup in the 2014 McDonald's All-American Boys Game As the game has evolved through the years, so has the layup. Several different versions of the layup are around today. Layups can be broadly categorized into two types: the underarm and the overarm. The underarm layup involves using most of the wrist and the fingers to 'lay' the ball into the net or off the board.

The Van Diemen's Land team, designated "Tasmania" in newspapers, consisted of players from both Launceston and Hobart. The visiting team was expected to have an advantage through the use of fast overarm bowling. Cricket in Victoria was also considerably more advanced than in Tasmania, whose bowlers operated underarm. The match, intended to be played to a finish with no limits on time, took place on a pitch that made batting difficult.

Sadanoyama was known for employing pushing and thrusting techniques such as tsuppari (a series of rapid thrusts to the chest) and regularly won by such kimarite as oshi dashi (push out) and tsuki dashi (thrust out). However he was also good on the mawashi where he preferred a migi-yotsu (left hand outside, right hand inside) grip, and often won by yori kiri (force out) and uwatenage (overarm throw).

Nash began playing cricket at club level for Oving. At the club he started as an underarm bowler, but as was common at the time, he developed to the newer overarm style of bowling. He played cricket as a professional, moving around clubs, and playing for a time for Lancashire in first-class cricket. During his first-class career, he claimed 232 wickets at an average of 12.36.

He is credited with inventing the railroad, a fast overarm service that runs the length of the penthouse with a reverse twist. Pettitt continued to work in Boston at various clubs, retiring from the Tennis and Racquet Club in 1927 after half a century of service. He also taught lawn tennis at the Newport Casino during the summers from 1876–1929, and afterwards continued as a supervisor there. Pettitt died in Newport, Rhode Island.

Each Companion cavalryman was equipped with a 3-metre double-ended spear/lance with a cornel wood shaft called the xyston. The double spear points meant that, should the xyston break during a battle, the rider need only turn his weapon around to re-arm himself. The Thessalian and Greek cavalry would have been armed similarly to the Companions. The xyston was used to thrust either overarm or underarm with the elbow flexed.

Takanosato's most common winning kimarite or technique was overwhelmingly yorikiri or force out, which accounted for about 45 percent of his victories at sekitori level. He preferred a migi-yotsu grip (the same as Chiyonofuji), with his left hand outside and right hand inside his opponent's arms. He also regularly won by uwatenage (overarm throw) and tsuridashi (lift out), the latter a technique seldom seen today due to the increasing weight of wrestlers.

Ellen Mary Stawell-Brown (married name Ellen Hemsted) (1878–1958) was a British female badminton and tennis player. She has notably competed mainly in the All England Open Badminton Championships and Wimbledon Championships. Ellen Mary is the first woman ever to serve overarm in the Ladies' singles at the Wimbledon Championships. Ellen Mary Stawell-Brown represented United Kingdom simultaneously in both international badminton competitions and Tennis competitions during the early 20th century (in 1900s).

Dewanohana was a yotsu-sumo wrestler who grappled rather than pushed, and was noted for his skill on the mawashi. His most common winning kimarite were yorikiri (force out) and uwatenage (overarm throw), and he also liked to employ the rare move komatosukui (over thigh scooping body drop). Among his most memorable rivalries were with Wakashimazu (with whom he had a 15–14 win/loss record in the top division) and Takanosato (12–16).

Hokuten'yū was a yotsu-sumo wrestler, preferring grappling to pushing techniques. His favourite grip on his opponent's mawashi was migi-yotsu, with his left hand outside and right hand inside his opponent's arms. His most common winning kimarite was yori-kiri, the force out. He also regularly employed both uwatenage (the overarm throw) and shitatenage (the underarm throw, which he listed as his preferred throw), as well as tsuri-dashi, the lift out.

Taihō was noted for his skill and power when he grabbed his opponents' mawashi or belt– techniques known as yotsu-sumo. His preferred grip was hidari-yotsu, a right hand outside, left hand inside position. His most common winning move was yori-kiri, a straightforward force out, which accounted for about 30 percent of his wins. His most frequently used throws were sukuinage (the beltless scoop throw) and uwatenage (the overarm throw).

Early in his career Chiyonoyama was known for the power of his tsuppari (thrusting) attack but during his successful run to yokozuna in 1951 he made an effort to improve his yotsu-sumo (grappling) techniques under the supervision of ex-yokozuna Tochigiyama of Kasugano stable and his own head coach, former yokozuna Tsunenohana. He liked a migi-yotsu (left hand outside, right hand inside) grip on his opponent's mawashi and his favourite kimarite was uwatenage (overarm throw).

The bowling was performed with under arm throwing during the early years. In 1856 Monmouth secured the bowling services of James Lillywhite as a coach and bowler who introduced overarm bowling and according to Keith Kissack was probably related to the Sussex round arm bowler W Lillywhite who pioneered such bowling in the 1830s. In 1866 Gloucestershire went on tour in to play Ross, Hereford and Monmouth. The tour was intended to encourage Cricket in the Area.

A study in body language: Haynes King's Jealousy and Flirtation An over-arm position is a posture in which a person's arms are extended over their shoulders or behind their head. This may take place, for example, during work or sporting activity, and is used in stretching exercises or during meditation besides other activities. In wrestling, for example, nelson holds are over-arm holds, in a contest for physical dominance. In cricket, Overarm bowling is the norm.

Besides a wide variety of specialized production machines, the archetypal multipurpose milling machine of the late 19th and early 20th centuries was a heavy knee-and-column horizontal-spindle design with power table feeds, indexing head, and a stout overarm to support the arbor. The evolution of machine design was driven not only by inventive spirit but also by the constant evolution of milling cutters that saw milestone after milestone from 1860 through World War I...

Azumafuji defeating Tochinishiki via the "overarm throw" (uwatenage) technique, 1953 Bouts consist solely of a single round and often last only a few seconds, as usually one wrestler is quickly ousted from the circle or thrown to the ground. However, they can occasionally last for several minutes. Each match is preceded by an elaborate ceremonial ritual. Traditionally, sumo wrestlers are renowned for their great girth and body mass, which is often a winning factor in sumo.

Others who sometimes bowled underarm into the overarm era were James Grundy and James Southerton. By the beginning of the twentieth century, underarm had more or less disappeared and was rarely seen thereafter, although exceptions did occur. There were cases where a bowler had been injured and so completed his over with underarms. In more controversial circumstances, there were instances of bowlers who had been no-balled for throwing who decided to bowl underarm to get through the over.

Takanohana was largely a yotsu- sumo wrestler, favouring techniques which involved grabbing his opponent's mawashi or belt. His preferred grip was migi-yotsu (right hand inside, left hand outside his opponent). His most common winning kimarite by far was yori- kiri, a simple force out, which accounted for 52 percent of his victories. He also regularly employed uwatenage, or overarm throw, and this was the technique he used to defeat Asashōryū in the second of their two meetings, in September 2002.

It was also used as a secondary weapon if the main shaft snapped, or for the rear ranks to finish off fallen opponents as the phalanx advanced over them. In addition to being used as a secondary weapon, the sauroter doubled to balance the spear, but not for throwing purposes. It is a matter of contention, among historians, whether the hoplite used the spear overarm or underarm. Held underarm, the thrusts would have been less powerful but under more control, and vice versa.

Wakanosato specialised in yotsu-sumo, or techniques that involve grabbing hold of the opponent's mawashi. He was known as being particularly difficult to beat once he had a migi-yotsu, or right hand inside, left hand outside grip. About 40 percent of his wins were by yori kiri, or force out, but he was also good at pushing and thrusting, winning many bouts by oshi-dashi or push out. His two most commonly used throws were sukuinage (scoop throw) and uwatenage (overarm throw).

He called his leg break a "leg-tweeker" but he put very little break on the ball, just enough to bring it across from the batsman's legs to the wicket and he invariably posted a fielder in a strategic position on the square leg boundary, a trap which brought occasional success.Playfair Cricket Annual 1948, p.10. He was unusual in persisting with his roundarm action throughout his career, when almost all other bowlers adopted the new overarm style.Birley, p.110.

According to his Japan Sumo Association profile, Kiribayama's preferred grip on his opponent's mawashi is hidari-yotsu, a right arm outside and left hand inside position. His favourite techniques are listed as yori-kiri (force out) and nage (throws), both underarm and overarm. In the run-up to his top division promotion he increased his weight by 10kg to 140kg, giving him a more powerful attack, but he is still able to outmaneuver his opponents by his speed and footwork.

On 21 August 1878, against Kent at Oval, Pooley made his eighth stumping of the match, then a record in first-class cricket. His wicket- keeping was fundamental to the success of spin bowlers like James Southerton. Off-spin and orthodox left-arm spin were recent developments following the legalisation of overarm bowling in 1864 and were a puzzle for keepers as well as batsmen. Including catches made when not keeping wicket, he finished with 854 dismissals in first-class matches.

It is the oldest of the county cricket clubs and represents Sussex in the eighteen-club County Championship. Sussex players, including Jem Broadbridge and William Lillywhite were instrumental in bringing about the change from underarm bowling to roundarm bowling, which later developed into overarm bowling. For some time roundarm bowling was referred to as 'Sussex bowling'. Sussex CCC have won the men's County Championship three times, while the Sussex Women cricket team has won the women's County Championship four times.

Tochiazuma had an all-round style, equally adept at yotsu (grappling) techniques, and tsuki/oshi (thrusting and pushing) techniques. Early in his career he was regarded as an oshi-sumo specialist, and oshi-dashi (push out) was the kimarite he used most often overall, but he also won many bouts by yori-kiri or force out. His favourite grip on the mawashi was hidari-yotsu (right hand outside, left hand inside), and he was fond of using uwatenage (overarm throw) and uwatedashinage (pulling outer arm throw).

His most common winning kimarite was oshi-dashi, a simple push out, and he also regularly won by tsuki-dashi, the thrust out. In later years he also used his reach to more often grab his opponent's mawashi, or belt, and then use his weight and power to force the opponent from the ring by yori-kiri. He liked a migi-yotsu, or left hand outside, right hand inside grip, and was fond of using his left hand to employ uwatenage, or overarm throw.

However, because he was in danger of injuring other wrestlers, he was eventually told by the Sumo Association to stop using some of them, and by the end of his career he had a much more defensive (and less successful) style. His most common winning kimarite overall were uwatenage (overarm throw) and yorikiri (force out), using his preferred mawashi grip of migi-yotsu (left hand outside, right hand inside). However his next most common were hatakikomi (slap down) and hikiotoshi (pull down), reflecting his change of style.

Lillywhite's umpiring stats Retrieved 8 October 2012 On 26 August 1862, during an All-England Eleven v. Surrey match at The Oval, Lillywhite no-balled Edgar Willsher six times in succession for what he deemed to be illegal "high" deliveries. Willsher and the majority of his All-England teammates protested and abandoned the match, and Lillywhite was replaced the following day. The incident provoked much discussion and resulted in the laws of cricket being change to allow overarm bowling from the beginning of the 1864 season.

The batsmen coped better than expected with the overarm bowling, although Thomas Antill took three wickets in four balls in returning figures of seven wickets for 33 runs. Batting again, the Victorian team scored 57, leaving the Tasmanian team needing 36 to win. When the first day's play ended due to bad light, Van Diemen's Land had scored 15 runs and lost six wickets. The next morning, the home team scored the required runs for the loss of one more wicket, recording a three-wicket victory.

Edgar "Ned" Willsher (22 November 1828 – 7 October 1885) was an English cricketer known for being a catalyst in the shift from roundarm to overarm bowling. A left-handed bowler, and useful lower-order batsman, Willsher played first-class cricket for Kent County Cricket Club between 1850 and 1875. He took over 1,300 first-class wickets, despite only having one lung. He led a tour of Canada and the United States in 1868, and after retiring from his playing career became an umpire (cricket).

Kotofuji was a yotsu-sumo wrestler, preferring a hidari- yotsu, (right hand outside, left hand inside) grip on his opponent's mawashi. His most common winning kimarite was yori-kiri, a straightforward force out, which accounted for half his victories at sekitori level, but he was also fond of using his right hand grip to win by uwatenage, or overarm throw. His height of 192 cm made him amongst the tallest wrestlers but his weight of 145 kg was not much more than most of his competitors.

Akinoshima favoured yotsu- sumo or grappling techniques, preferring to fight at close quarters rather than thrust to the chest. His favourite grip on the mawashi was hidari-yotsu, with his right hand outside and left hand inside his opponent's arms. His most common winning kimarite was yori-kiri or force out, but he also regularly used throws, both overarm (uwatenage) and underarm (shitatenage). He was known for his excellent balance, and for his ability to bury his head into his opponent's body, making him almost impossible to shake off.

He began as a tsuppari specialist and would attack his opponents with a series of rapid thrusts to the chest. Following a left wrist injury he changed his style and would use his right hand to grab his opponent's mawashi and draw him in. He would use his great reflexes and flexible lower back to win with techniques such as uwatenage (overarm throw), uchimuso (inner thigh twist down), katasukashi (shoulder swing down) and other leg and yotsu-sumo moves. However he lacked the power to consistently beat the top ranked wrestlers.

Kotoinazuma was one of the lighter men in the top division at around , and he lacked the power and skill to compete with the strongest wrestlers in the top division. Although he was fairly adept at pushing and thrusting techniques, he favoured yotsu-sumo or grappling techniques. His preferred grip on his opponent's mawashi was migi-yotsu, a left hand outside, right hand inside position. He would regularly use his left hand outer grip to win by uwate-nage or overarm throw, although his most common winning kimarite was yori-kiri, a straightforward force out.

Edward ("Ted") Sainsbury (5 July 1851 – 28 October 1930) was an English cricketer who represented, and captained, Somerset County Cricket Club in the late 19th century. During a 10-year first-class cricket career, he also represented Gloucestershire and the Marylebone Cricket Club (MCC). Most commonly employed as a right-handed opening batsman, Sainsbury was one of Somerset's most talented batsman during their formative years. His slow underarm bowling was effective in second-class cricket, but in an era when overarm bowling was becoming the standard, he was used sparingly in the first- class game.

The Hambledon Club was founded in the 1760s and, for the next twenty years until the formation of Marylebone Cricket Club (MCC) and the opening of Lord's Old Ground in 1787, Hambledon was both the game's greatest club and its focal point. MCC quickly became the sport's premier club and the custodian of the Laws of Cricket. New Laws introduced in the latter part of the 18th century included the three stump wicket and leg before wicket (lbw). The 19th century saw underarm bowling superseded by first roundarm and then overarm bowling.

This was a 3-4 performance at makushita 2 when he was on the cusp of promotion to the salaried ranks of jūryō in July 2019. He quickly bounced back the following tournament in September and with a 4-3 winning tournament, or kachikoshi, he earned jūryō promotion for the November tournament in Fukuoka. His jūryō debut was a makekoshi, decided on the last day in a loss to fellow Mongolian Sakigake by overarm throw. Despite this setback he logged two 8-7 records in the next two consecutive tournaments.

This was partly owing to their bowlers' use of overarm bowling at pace; by contrast, bowlers in Tasmania preferred underarm bowling at a time when roundarm bowling was permitted in the rest of the world. The match was played at the Launceston Racecourse ground, but the state of the ground was such that the umpires were unsure of the best place to pitch the wickets. The Victorian team were dismayed by the state of the pitch, which looked extremely difficult to bat on, and later received an apology from the government of Tasmania.Jackson, p. 8.

Retrieved on 2010-11-20. The rarity of submarine pitchers is almost certainly attributable to its unusual technique. It is not typically a natural style of throwing--it is often a learned style-- and because the vast majority of pitchers use an overarm motion, most young pitchers are encouraged to throw overhand. Though the bending motion required to pitch effectively as a submariner means that submariners may be more at risk of developing back problems, it is commonly thought that the submarine motion is less injurious to the elbow and shoulder.

Willsher left the field with eight of his professional colleagues (the two amateurs in the England team remained on the field) and play was abandoned for the rest of the day. When Lillywhite refused to accept the legality of Willsher's action, he was replaced as umpire so that the game could continue. Willsher went on to take 6 for 49. As a result of this incident, which may well have been planned in advance to force the issue, the laws were changed and overarm was legalised from the beginning of the 1864 season.

The "roundarm era" began in 1827 with the roundarm trial matches being played that season; 1863 was the last season before overarm bowling was legalised. MCC played all its home matches through the roundarm era at its own Lord's venue in north London. Although many of the players who represented the club were members or ground staff, others were associated with county clubs or teams and appeared for MCC by invitation. MCC teams have always operated at all levels of the sport and players who represented the club in minor cricket only are out of scope here.

Tochinoshin favours yotsu-sumo techniques, preferring to grapple with rather than push his opponents. His stablemaster urged him to concentrate on traditional forward moving sumo, in contrast to other European and Russian sumo wrestlers of the time who specialized in pulling techniques. His favourite grip on the mawashi is migi-yotsu, meaning he likes his right hand inside and his left hand outside his opponent's arms. His most common winning technique or kimarite is yori kiri or force out, but he also uses his left hand grip to good effect by regularly employing uwatenage, or overarm throw.

Charlie Frith's family moved from England to New Zealand in 1867. A "tall, cheery fellow with an easy, full overarm action",Don Neely & Richard Payne, Men in White: The History of New Zealand International Cricket, 1894–1985, Moa, Auckland, 1986, p. 29. Frith was "a right-hand medium-paced bowler, with a slight off-break. His great success as a bowler was his ability to keep a fine length ... he was able, even on a perfect wicket, to quickly wear a spot that enabled him to get work on the ball."Evening Post, 8 April 1919, p. 3.

The change was evolutionary and has been described as the event that took cricket out of its "pioneering phase" into what may be termed its "pre- modern phase" (i.e., which ended when overarm bowling ushered in the modern game in 1864) and effectively created a different code of cricket, just as there are now two different codes of rugby football. The pitched delivery was established by 1772 when detailed scorecards became commonplace and the straight bat had already replaced the curved one by that time. There is no doubt that the straight bat was invented to contest the pitched delivery.

Diodorus Siculus, Bibliotheca Historica, XV.44 However, thrusting spears are included on some illustrations of peltasts before the time of Iphicrates and some peltasts may have carried them as well as javelins rather than as a replacement for them. As no battle accounts actually describe peltasts using thrusting spears, it may be that they were sometimes carried by individuals by choice (rather than as part of a policy or reform). The Lykian sarcophagas of Payava from about 400 BCE depicts a soldier carrying a round pelte, but using a thrusting spear overarm. He wears a pilos helmet with cheekpieces, but no armour.

Kirishima was a yotsu sumo wrestler who preferred grappling techniques to pushing and thrusting. His favoured grip on the opponent's mawashi was hidari-yotsu, a right hand outside, left hand inside position. His most common winning kimarite was yorikiri (force out), and he was also fond of uwatedashinage (pulling overarm throw) and utchari (ring edge throw), the latter of which he memorably used to defeat yokozuna Ōnokuni in September 1988, his first ever kinboshi. His trademark, however, was tsuri-dashi (lift out), a technique requiring tremendous strength and seldom seen today due to the increasing weight of wrestlers and the risk of back injury.

Kotomitsuki was a yotsu- sumo wrestler, and his favourite grip on the mawashi was migi-yotsu, with his left hand outside and right hand inside his opponent's arms (although he was also capable of fighting in the reverse position, hidari-yotsu). His most common winning kimarite by far was yori-kiri, the force out, followed by oshi- dashi (push out) and hataki-komi (slap down). He was fond of dashinage (pulling throws, both overarm and underarm), and was also one of the few rikishi to employ uchi-muso, a technique which involves tapping the opponent's inner thigh with the back of the hand to off-balance him, before twisting him down.

The Byzantine cavalry used lances (Kontos (weapon) or kontarion) almost exclusively, often in mixed lancer and mounted archer formations (cursores et defensores). The Byzantines used lances in both overarm and underarm grips, couched (held horizontally). The best known usage of military lances was that of the full-gallop closed-ranks charge of a group of knights with underarm-couched lances, against lines of infantry, archery regiments, defensive embankments, and opposition cavalry. Two variants on the couched lance charge developed, the French method, en haie, with lancers in a double line and the German method, with lancers drawn up in a deeper formation which was often wedge-shaped.

Kaiō in May 2007 Kaiō was solidly a yotsu-sumo wrestler, favouring a right hand outside, left hand inside grip (hidari-yotsu) on his opponent's mawashi or belt.Japan Sumo Association profile He was well known for his power in the hidari-yotsu position, which even yokozuna Takanohana at his peak had trouble countering. His most common winning technique was a straightforward yori-kiri or force out, which accounted for a third of his career victories, followed by oshi-dashi or push out.Kaio Bouts by Kimarite Sumo Reference He often used his right hand outer grip to win by uwatenage (the overarm throw), which was his most common throwing move.

The cutter will then often play the ball overarm so that it is 'up', usually into the corner, so that the ball hits the right then the front wall and goes straight back at the server. The best way to follow up this 'cut' is to follow the ball in and stand on the step, ready for a volley if the server returns it high. From here the cutter and the server will try to volley the ball, while the other two players will sweep up anything that they miss. This continues until the ball is either hit 'down' or out of the court.

Roho was a yotsu-sumo specialist, who preferred a migi- yotsu, or left hand outside, right hand inside grip on his opponent's mawashi. His favourite techniques were yorikiri (force out) and uwatenage (overarm throw), although he also relied heavily on henka (side stepping) and pull- downs. Hataki-komi, the slap-down, was his second most commonly used technique after yorikiri. Henka in particular is looked down upon by sumo purists, and Roho believed that his failure to receive a special prize from the Sumo Association in the March 2005 tournament, despite winning eleven bouts, was due to use of henka in his victory over Kotomitsuki.

Also known as an "overarm" or "chicken wing." It was a primary throw during the early days of Ultimate, when it was still played using Wham-O Masters discs, because it allowed for a release from the forehand side, and flight stability of forehands was problematic with that model. With modern equipment, the forehand release is generally preferred, for multiple reasons: it allows greater sideways arm extension (useful in moving the disc around defenders), has a shorter and quicker wind-up, and enables greater control and variation of flight paths. The Overhand is now most useful when the disc is caught above the head and must be thrown quickly without changing grip.

Henman was born in Oxford, Oxfordshire, as the youngest of a family of three boys. Henman's father Tony, a solicitor, was accomplished at various sports, including tennis, hockey and squash. His mother Jane, a dress designer, played Junior Wimbledon and introduced Tim and his elder brothers, Michael and Richard, to tennis as soon as they could walk on the family's grass tennis court. His great grandfather played at Wimbledon. His maternal grandfather, Henry Billington, played at Wimbledon between 1948 and 1951, and he represented Britain in the Davis Cup in 1948, 1950 and 1951. In 1901 his maternal great-grandmother, Ellen Stanwell-Brown, was reputedly the first woman to serve overarm at Wimbledon.

In the same tournament his younger brother joined the stable and began using the family name as a shikona instead (he later became Oginishiki). As he rose up the ranks Oginohana's strong and supple physique, and the power of his right arm overarm throw, were much admired. He bore a physical resemblance to former yokozuna Wakanohana II, and like him was popular with female sumo fans. He won the makushita division championship in May 1988 and reached sekitori level upon promotion to the jūryō division in July 1989. He took the jūryō division championship with a 13-2 record in November 1989 and was promoted to the top makuuchi division for the following tournament in January 1990.

In the July 2005 tournament Kotoōshū defeated Asashōryū for the first time with an overarm (uwatenage) throw, bringing to an end a run of 24 consecutive bout victories for the yokozuna. He also was the runner up in the tournament, winning an "outstanding performance" sanshō prize. Kotoōshū was promoted to sekiwake for the following September tournament and won his first twelve bouts, finishing with an exceptional 13–2 runner up record and only losing the tournament victory after a play-off bout with Asashōryū. An 11–4 record in the final (November) tournament of 2005 was his third runner-up performance in a row and included another victory over the otherwise dominant Asashōryū.

It has been said that the inventor was John Small of Hambledon but it is unlikely that he actually invented it; rather, he was the first great batsman to master its use. The 1760s are one of cricket's "Dark Ages"; a good deal more is known about the decades 1731–1750 than of 1751–1770. This has largely to do with the impact of the Seven Years' War of 1756–1763 which not only claimed the sport's manpower but also its patronage. Pitching may have begun during that period but little is known about it for it seems to have been introduced and widely accepted without the huge controversies that surrounded the later implementations of roundarm and overarm.

In cricket in the early 1760s, there was a transition from the sport's "pioneering phase" to its "pre-modern phase" when bowlers began to bowl pitched deliveries by pitching the ball towards the wicket instead of rolling or skimming it along the ground as they had previously done. The essential bowling action was still underarm but the introduction of a ball travelling through the air coupled with a bounce was a key point of evolution in the sport's history, especially as it was the catalyst for the invention of the straight bat, which replaced the old "hockey stick" design. It was the first of three keypoint evolutions in bowling: the others were the introduction of the roundarm style in the 1820s and overarm in the 1860s.

Horizontal milling machine. 1: base 2: column 3: knee 4 & 5: table (x-axis slide is integral) 6: overarm 7: arbor (attached to spindle) A horizontal mill has the same sort but the cutters are mounted on a horizontal spindle (see Arbor milling) across the table. Many horizontal mills also feature a built-in rotary table that allows milling at various angles; this feature is called a universal table. While endmills and the other types of tools available to a vertical mill may be used in a horizontal mill, their real advantage lies in arbor-mounted cutters, called side and face mills, which have a cross section rather like a circular saw, but are generally wider and smaller in diameter.

Initially a fast roundarm bowler, before overarm bowling was permitted, his pace slowed in later years so he bowled medium pace; he also bowled slow underarm. While bowling fast, he took on average nearly 10 wickets in each game. In 1850, when he was playing for the North against the South at Lord's, his off-cutter technique won him 10 wickets in the second innings, all clean bowled (still the only instance of all ten wickets being taken "bowled" in any first-class match). He was also a competent batsman, and scored two first-class centuries, the first, exactly 100, against Kent at Tunbridge Wells in 1849, and in 1855 he notched up 148 against Yorkshire, the only first-class century scored in 1855.

An engine machine shop provides the most inexpensive and accurate machine work commonly done anywhere and guarantees that the spindle and overarm will be perfectly aligned and at an exact right angle to the face (head surface) of the main engine block that serves as the base of the machine. Use a piece of pipe made to fit the inner diameter of the bearings as the spindle. A three-bearing spindle is used because the "main" spindle bearings just "float" in the cylinder bore so that the third bearing is needed to "locate" the spindle, act as a thrust bearing, and support the heavy pulley. The multimachine uses a unique way of clamping the engine blocks together that is easily built, easily adjusted, and very accurate.

With a low three-quarters delivery (nearly sidearm), but with an overarm starting stretch when nobody is on base, Scherzer throws five pitches: a four-seam fastball with good movement averaging 92–96 mph (topping out at 99 mph), a slider at 85–86 mph, a changeup at 84–85 mph, a cutter at 88–89 mph and a curveball at 78–79 mph. He primarily uses a fastball-slider combination against right-handed hitters and a fastball-changeup-cutter combination against left-handed hitters. Occasionally, he also throws a curveball for the first strike in an at-bat. Scherzer has been nicknamed "Mad Max" due in part to a perceived higher-than-normal intensity during game play, and unusual and extensive preparation techniques.

At a high-level, the multimachine is built using vehicle engine blocks combined in a LEGO-like fashion. It utilizes the cylinder bores and engine deck to provide accurate surfaces. Since cylinder bores are bored exactly parallel to each other and at exact right angles to the cylinder head surface, multimachine accuracy begins at the factory where the engine block was built. In the most common version of the multimachine, one that has a roller bearing spindle, this precision is maintained during construction with simple cylinder re-boring of the #3 cylinder to the size of the roller bearing outside diameter (OD) and re-boring the #1 cylinder to fit the overarm OD. These cylinder-boring operations can be done in almost any engine shop and at low cost.

Spofforth (back row, third from right) with the Australian Cricket Team (1882) He began his life as a bowler with underarm "lobs" but changed his style when he saw the great England quick bowlers on their tour of the colonies in 1863/64. He decided that he would pursue the overarm action and spent many years mastering it. Spofforth came to notice as a member of the New South Wales eighteen in January 1874 when he took two wickets for sixteen in a match against W.G. Grace's English eleven. He was a regular representative of the New South Wales team in intercolonial fixtures and, in the December 1877 game, went in second wicket down to make 25, the highest score in either innings in a low-scoring match. Although he batted reasonably well during the 1878 and 1880 Australian tours in England, from then he concentrated almost solely on his bowling and established a tremendous reputation.

At the time, scores were generally low due to the roughness of pitches, which were kept short by sheep and rolled if at all only with a light roller. Playing in an era when round-arm bowling had taken over from underarm but before overarm bowling was legalised, Hillyer bowled a little above medium pace from a "shuffling run" with a beautifully simple delivery,Pearson, Harry The Trundlers, p.20 and was tremendously difficult to score off of due to his gain of pace off the pitch,Martin-Jenkins, Christopher Cricket, a way of life: the Cricketer illustrated history of cricket, p. 17. ability to make the ball come with his arm (from leg to off) and constant shooters which bowled many batsmen. He recorded at least 149 five-wicket hauls and took 10 wickets in a match at least 54 times, and 13 in at least 14 matches. By the tail end of the 1830s he was already established as one of the leading bowlers in English cricket.