For all of his outward show of bravado, the narrowness of the victory may have unsettled Erdoğan.
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They might not make a big, outward show of confronting these forces, but they absolutely are processing them from within.
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Despite an outward show of friendship between China and India, and Modi's comments about the strong relations between them, Beijing gave a distinctly cool response to his strategy.
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In the poem it is not the fact of the flower's rapid growth that makes the main contrast but the ability of the tree to withstand adverse conditions. However, in its comparison of outward show with inner virtue, the imagery is equally as emblematic as the European variant.
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Melody Maker declared Who Killed The JAMs to be "divine nihilism", "an outward show of self-deception, irrationality and bankruptcy that worries and rejoices itself to death". Sounds thought the album "a masterpiece of pathos", referring to "hopeless bravado in the face of massed corporate opposition", and awarded the maximum five stars.
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It thus symbolizes the ability to discriminate between good and evil, essence from the outward show, and the eternal from the evanescent. Due to her association with the swan, Saraswati is also referred to as Hamsavāhini, which means “she who has a hamsa as her vehicle”. The swan is also a symbolism for spiritual perfection, transcendence and moksha. Sometimes a citramekhala (also called mayura, peacock) is shown beside the goddess.
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Sonnet 54 is one of 154 sonnets published in 1609 by the English playwright and poet William Shakespeare. It is considered one of the Fair Youth sequence. This sonnet is a continuation of the theme of inner substance versus outward show by noting the distinction between roses and canker blooms; only roses can preserve their inner essence by being distilled into perfume. The young man's essence or substance can be preserved by verse.
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His critical articles on poetry and fiction have appeared in numerous anthologies. Many literary journals of International repute have also published his critiques on poetry and fiction. "Indeed, as a creative artist, PCK Prem has tremendous potential and vitality. In his writings he not only offers an exposé of our life in its shocking shallowness or outward show but also provides, down deep, a philosophical prop or basis to sustain our life", says Dr Atma Ram, former Director of Education and Advisor to the Government of Himachal.
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She holds that Beauties are outward show and Sweets are inward virtues, and that both fade with the passage of time. An example of one of the 'beauties' with a virtuous provision can be found on line 6 in the 'virtuous generosity of the canopy sheltering the herd'. In Vendler's interpretation, the act of the canopy providing the herd with shelter from the elements is given freely, without expectation or need of anything in return. Such an act is classified as generosity and so is virtuous by nature.
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The cynic or utilitarian might be doubtful as to whether it is truly possible for human beings to act out of an "obligation to duty." In his view, even if we could produce a simulacrum of a moral society, it would all be an enormous theater of hypocrisy, since everyone would inwardly, privately continue to pursue his or her own advantage. Moreover, this outward show of morality would not be stable, but dependent on its continuing to be to the advantage of each individual. Fortunately, Kant believes, such doubts are misguided.
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"Sent to Coventry" on the historiccoventry website Retrieved: 8 September 2009 In 1662, after the restoration of the monarchy, in revenge for the support Coventry gave to the Parliamentarians during the Civil War, the city walls were demolished on the orders of King Charles II and now only a few short sections and two city gatehouses remain. When his brother, King James II visited the city in 1687, he received a magnificent reception in an outward show of loyalty to the Crown, but within two years most of the same people were celebrating the coming of William of Orange.Fox (1957), p. 18.
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When Philaster (doubtless after Hippolytus) tells us in his first sentence about Basilides that "he violated the laws of Christian truth by making an outward show and discourse concerning the Law and the Prophets and the Apostles, but believing otherwise," the reference is probably revealing an antinomian sentiment among the Basilidians. The Basilidians considered themselves to be no longer Jews, and to have become more than Christians. Repudiation of martyrdom was naturally accompanied by indiscriminate use of things offered to idols. And from there the principle of indifference is said to have been carried so far as to sanction promiscuous immorality.
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In the first Critique, the Doctrine of Method plans out the scientific study of the principles of pure theoretical reason. Here, however, the Doctrine of Method will instead be a discussion of how the principles of practical reason can be brought to bear on real life. In other words, the Doctrine of Method in the second Critique is fundamentally concerned with moral education: the question of how we can make people live and act morally. Kant has shown that truly moral behavior requires more than just the outward show of good behavior; it also requires the right inner motivations.
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The play is set in ancient Rome in the time of the Decemvirate, from 451 to 449 BCE. In the opening scene, Appius Claudius is offered membership among the Decemviri; he feigns humility and claims unworthiness for the high office, and accepts only when faced with the penalty for refusal, which is banishment. Yet in private conversation with his closest follower, Marcus Claudius, Appius shows that he actually covets the office and its power, and cynically masks his ambition with an outward show of modesty. The play's second scene introduces Virginia, her uncle Numitorius, and her betrother, Icilius.
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In the account given by Irenaeus, but contradicted by Hippolytus, it was Simon of Cyrene who was crucified in Jesus' stead. Then the Unbegotten and Innominable Father, seeing what discord prevailed among men and among angels, and how the Jews were perishing, sent His Firstborn Nûs, Who is Christ, to deliver those Who believed on Him from the power of the makers of the world. "He," the Basilidians said, "is our salvation, even He Who came and revealed to us alone this truth." He accordingly appeared on earth and performed mighty works; but His appearance was only in outward show, and He did not really take flesh.
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Madison, NJ: Fairleigh Dickinson UP, 2007. Print, pg. 32. In the third quatrain, the key rhyming words given by the speaker are: "ornament" and "content", and "spring" and "niggarding"; additional images are presented in this quatrain, such as "fresh", "herald", "bud", "burial", and the oxymoron "tender churl". Other words and themes the speaker uses are explained by Helen Vendler: "The concepts – because Shakespeare's mind works by contrastive taxonomy – tend to be summoned in pairs: increase and decrease, ripening and dying; beauty and immortality versus memory and inheritance; expansion and contraction; inner spirit (eyes) and outward show (bud); self- consumption and dispersal, famine and abundance".
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The Officer and troops who arrived on the beach that day seemed very suspicious of this Frenchman, who also antagonised the officer with his explanation of why he had set a crucifix on the hill behind his house. Apart from this outward show of religious zeal, the officer was also suspicious of were Villain had been that day, and decided to confine him to his house. He was considered to be a Fascist and a spy and as such a threat to their plans to reoccupy the island. The details of what happened next are sketchy, but what is certain, Villain end with a bullet wound which eventually killed him.
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Yudhishthira announces his desire to renounce the kingdom, move into a forest as a mendicant and live in silence. He receives counsel from his family and then sages Narada and Vyasa, as well as Devala, Devasthana and Kanwa.John Murdoch (1898), The Mahabharata - An English Abridgment, Christian Literature Society for India, London, pages 108-115 The parva includes the story of king Janaka and the queen of the Videhas, presenting the theory of true mendicant as one who does not crave for material wealth, not one who abandons material wealth for an outward show. Arjuna argues it is more virtuous to create and maintain virtuous wealth and do good with it, than to neither create nor have any.
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The House of Raoul Villain in Bay of Cala de San Vicent as it stands in 2013 The officer and troops who arrived on the beach that day seemed very suspicious of this Frenchman, who also antagonised the officer with his explanation of why he had set a crucifix on the hill behind his house. Apart from this outward show of religious zeal, the officer was also suspicious of where Villain had been that day, and decided to confine him to his house. He was considered to be a fascist and a spy and, as such, a threat to their plans to reoccupy the island. The details of what happened next are sketchy, but what is certain is that Villain ended the day September 17, 1936 with a bullet wound which eventually killed him.
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