How to use outside of the stage in a sentence? Find typical usage patterns (collocations)/phrases/context for "outside of the stage" and check conjugation/comparative form for "outside of the stage". Mastering all the usages of "outside of the stage" from sentence examples published by news publications.
It's an almost conceptual way of existing, and one I don't think any medical or psychological professional would advise when applied outside of the stage.
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He'd riled us up to the point that few people seemed to notice that he'd slipped backstage somewhere, with a camera crew following him as he waved and shot smiles to the bartending staff outside of the stage.
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Performances of Tahitian music are very structured in their set-up and roles. The different cues during performances are based on gender and age, and have an important hierarchy that mirrors the social positions outside of the stage. Troupes often have a manager that is not part of the actual performance, but instead prepares and directs. This can include deciding on the music selection, song texts, costumes, choreography, and anything else the performance may entail.
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R.E.M. released the song "What's the Frequency, Kenneth?" in 1994 which uses the term in the opening line "'What's the frequency, Kenneth?' is your Benzedrine, uh-huh." The song was written in reflection of the 1986 incident in which CBS Evening News anchor Dan Rather was beaten on the streets of New York City by a then-unknown assailant, William Tager. The year the song was released by R.E.M. (1994), Tager shot and murdered NBC stagehand Campbell Montgomery outside of the stage of the Today Show. Dan Rather didn't identify Tager until 1997.
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She is first noted to have performed as a member of the Old American Company in the Southwark Theatre in Philadelphia in 1772. As a member of that troupe she toured through the colonies and to the West Indies before returning to New York in 1785. Elizabeth Walker Morris was described as a tall beauty with a preference for high heels and a dislike for attention outside of the stage. She was referred to as one of the greatest theatrical stars of the 18th- century American theatre and very popular in her time, also within contemporary press reviews and critics.
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Schafer would later jokingly refer to the RTS elements of Brütal Legend; during the fundraising for Broken Age, Schafer teasingly threatened to add RTS elements to the point-and-click if the funding had reached certain levels. Gameplay outside of the Stage Battles was also met with mixed impressions. Most considered the side missions highly repetitive, which included mission types that are generally disliked by gamers, such as escort missions. The lack of a mini-map, replaced by either following a glowing light from the sky illuminating the player's target or by navigating based on the Deuce's turn signals, was criticized for making it difficult to explore the game's world.
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The multiplayer gameplay itself was inspired by older strategy games, in particular, 1989's Herzog Zwei; in this game, the player controlled a transforming aircraft mecha that would normally fly about the field to issue orders for constructing new units, airlifting units to other areas, and directing combat, but the player could opt to transform the craft into a giant robot and engage directly in combat. For Brütal Legend, Schafer kept the same concept of a split-mode RTS, but wanted more focus on the ground combat; instead of spending 90% of the time controlling units as in Zwei, the player would only spend about 30% in this fashion within Brütal Legend. This subsequently led to much of the action and combat-driven gameplay outside of the stage battles. In a 2015 interview, Schafer said that much of the gameplay outside of stage battles were to provide tutorials for the Stage Battles, and to make the game more of an action-adventure than an RTS to avoid the stigma that impacts sales of RTS games.
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