Wood River Refinery is undergoing planned maintenance, Phillips 66 spokeswoman Melissa Ory said.
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Erik Hersman, Juliana Rotich, Ory Okolloh, and David Kobia all met at TEDGlobal.
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Let's take a walk down memory lane — meme-ory lane, if you will.
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The campaign generated more than 30,000 messages, Phone2Action co-founder Jeb Ory said.
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"They have been really supportive of us, and we attend their performances," Ory said.
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Hairstylist Amber Buxton and makeup artist Meggan Ory gave Charleston a sort, classic look.
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Click on for a few laughs as you take this walk down meme-ory lane.
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Ory Zhang and his wife, Max, have lived in an abandoned hotel for five years.
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"I felt they were dancers who were really expressive and moved really well," Ory said.
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Ory handled the styling, and they were aided only by a hair and makeup artist.
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Dan Crenshaw (R-Texas), who was interviewed by White House chief digital officer Ory Rinat.
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"You have to accept that not everyone is Zuckerberg or Gates or Thiel," said Ory.
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Soon, Ory was taking photography classes and capturing on film the dance rehearsals she couldn't participate in.
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"I'm not sure I would've found my way to photography if I didn't have the injury," Ory said.
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Ory follows her across a vastly changed and dangerous world as rumors of war and a mysterious savior arise.
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At first, Browar and Ory were both taking photos with different cameras, which they found created a competitive environment.
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Its original founders—Erik Hersman, Juliana Rotich, Ory Okolloh, and David Kobia—emerged as recognized leaders in African tech.
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Browar and Ory created The Dance Project, a collection of ballet photography which has included shots of Copeland before.
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Here, they offer Rossini's comic opera "Le Comte Ory" at a space that is home to a circus school.
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Here, they offer Gioachino Rossini's comic opera "Le Comte Ory" at a space that is home to a circus school.
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Armstrong had received much of his early experience working in the band led by trombonist Edward Ory, known as Kid.
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While she was a dance major at the University of Michigan, Ory suffered a career-ending stress fracture in one leg.
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In the 2010-11 season, he made a banner for "Le Comte Ory," Rossini's comic take on love, seduction and deception.
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The Trump White House continued to employ an official photographer (Shealah Craighead) as well as a chief digital officer (Ory Rinat).
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"We're at the start of this new normal, and more people are more civically engaged than they ever have been," Ory said.
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Phone2Action's staff has doubled to 50 people since Trump was elected, and Ory said his inbox is flooded with interest from investors.
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Here the company turns to Rossini's daffy comedy "Le Comte Ory," about virtue besieged and tested in the time of the Crusades.
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In this case, the trade-off is the ORM/ORY crossing in the middle (which is ugly but at least well-contained).
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Cousin Greg's Corner I may have to change the name of this corner because Greg (Nicholas Braun) now goes by Greg-ory.
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Mr. Destro could not travel on short notice, so Ory Eshel, an American businessman living in Paris, represented the foundation at the meeting.
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The app's four original creators — Erik Hersman, Juliana Rotich, Ory Okolloh and David Kobia — founded the Ushahidi international IT company in May 2008.
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Phillips 66 spokeswoman Melissa Ory said no planned maintenance was underway at the Borger refinery, but declined to discuss operations at the plant.
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The Kenyan tech leader (along with cohorts Erik Hersman, Ory Okolloh, and Daudi Were) is an architect of many Silicon Savannah hallmarks: e.g.
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In the off-season she became friends with a number of the city's leading jazz musicians, including Armstrong, Kid Ory and King Oliver.
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Either way, join us for a walk down meme-ory lane (ugh, sorry) as we revisit some of the best viral stories of 2016.
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On July 11, Ushahidi's former Executive Director Ory Okolloh published a blog criticizing the company's "unacceptable response" and demanding greater transparency around the investigation.
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" But after making his decision to attend business school at the University of Chicago, Ory said he discovered something: "I was wrong, way wrong.
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Ory and his wife Max have escaped the Forgetting by hiding in an abandoned hotel for years, but eventually, Max's shadow vanishes, and she flees.
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After an exhaustive and ultimately fruitless search for the kind of images they were looking for, Ory and Browar decided to take the photographs themselves.
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Ory and Browar found themselves becoming friends with the dancers during the collaborative sessions, something that never happened when Browar photographed celebrities or fashion ads.
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Here she is almost five years ago at the Metropolitan Opera, singing Countess Adèle's Act I aria from Rossini's "Le Comte Ory," looking and sounding gorgeous.
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Wanting to humanise the victims and make sure they were remembered, Kenyan activist Ory Okolloh started the hashtag #147notjustanumber (referring to the original death toll) on Twitter.
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"We found magic in such names as Kid Ory, King Oliver, Johnny Dodds, Bessie Smith and Ma Rainey," he wrote on his blog, Stomp Off, in 2010.
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Ory and Linda Eshel, dual French-American citizens, contested an IRS decision that France's CSG and CRDS income levies were social charges rather than deductible income taxes.
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The Western investors who back them have even less grasp of just how dysfunctional basic infrastructure can be, notes Ory Okolloh, a Kenyan investor and a political activist.
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Oryzon said Roche had decided to ditch the epigenetic drug ORY-1001, which is in early-stage clinical trials, due "portfolio prioritization" rather than any issues with the data.
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Jeb Ory, chief executive of Phone2Action, which relies on technology to help those who want to reach their lawmakers, said digital participation has helped amplify the voices of citizens.
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It's the creation of Tokyo start-up Ory Laboratory and one of a new breed of machines known as "avatar robots" that could change the way people interact and work.
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She made her debut at the Met in 2013 in Rossini's "Comte Ory," filling in for the soprano who had become ill, and tripped when she was exiting the stage.
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The defendant Mr. Ory represented — Quentin Roy, a man from the Paris suburbs who left to fight with the Islamic State in Syria in 2014 — was a case in point.
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WEEKEND A classical music entry in the Listings pages on Friday about a production of the opera "Le Comte Ory" by LoftOpera, at the Muse in Brooklyn, misidentified the work's composer.
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If the city's audiences know "Comte Ory," it's likely from a Metropolitan Opera production that opened in 2011 with an all-star cast: Juan Diego Flórez, Diana Damrau and Joyce DiDonato.
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Chesapeake Shores, Md., is the hometown of Abby (Meghan Ory of "Once Upon a Time"), a 34-year-old businesswoman who has moved to New York to work on Wall Street.
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In the post-acceptance correspondence, Joel mentioned that he and Will had a back and forth between KID ORY and SRSLY, with each arguing for one while needing convincing on the other.
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For years, the pristine analog sound of Kid Ory on Dixie trombone could make me stop, listen and open a nostalgic bottle of India Pale Ale any time of day or night.
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"I used to think business school wasn't necessary, that it was just something average career professionals did who wanted to earn more money, that really talented business professionals didn't need it," said Ory.
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Nonfiction LOVE, ICEBOX Letters From John Cage to Merce CunninghamBy Laura Kuhn BALLERINA PROJECT By Dane Shitagi THE STYLE OF MOVEMENT Fashion & DanceBy Ken Browar and Deborah Ory Dancers are fonts of mystique.
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Before the bisexual threesome, the kick line of cross-dressed nuns, the near-naked game of Twister and the yogurt feast, LoftOpera's production of Rossini's riotous "Le Comte Ory" begins with a relative whisper.
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Reuters has not verified the newspaper reports, and cannot vouch for their accuracy: Oryzon Genomics says receives approval in France to start etheral: a phase IIa clinical trial in Alzheimer's disease with Ory-2001.
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Ory is professor of medicine, cell biology and physiology, Cardiovascular Division; co-director, BioMed21 Diabetic Cardiovascular Disease Center; and director of admissions, Division of Biology and Biomedical Sciences, Washington University School of Medicine, St. Louis, Missouri.
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Reuters has not verified the newspaper reports, and cannot vouch for their accuracy: Oryzon Genomics gets approval to start Etheral: a phase IIA clinical trial in alzheimer's disease with ORY-2001 and expects to start patient enrolment this quarter.
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Her debut at the Met in New York in 2013 came when, at the last minute, she was called on to sing the role of Countess Adèle in Rossini's "Le Comte Ory," opposite Juan Diego Flórez, the reigning Rossini tenor of our times.
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"I think she sort of feels like all that stuff sets her apart somehow," she tells CNBC Make It. Deborah Ory is a photographer who lives in Brooklyn, but her mother is in Ann Arbor, Michigan, where her daughter also attends college.
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"It's wonderful when there are more high-profile people who open up and say, 'I've struggled with addiction,'" said Sarah Ory, cofounder of the Heirloom Foundation, a nonprofit aimed at raising awareness about addiction and mental health issues in the food and beverage industries.
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"OriHime can be used not only by hospitalized people but students who refuse to go to school and even mothers who cannot go to work because they're taking care of kids," says Kentaro Yoshifuji, CEO of Ory, which has rented out about 23 units.
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When: Opens Thursday, June 2 ($30) Where: The Muse (350 Moffat Street, Bushwick) Le Comte Ory is a exuberantly farcical 53th-century opera involving advice-giving hermits, bad disguises, and wine stolen from a castle cellar, so what better setting than the Muse circus school in Bushwick?
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You might think that a process that lasts only milliseconds wouldn't be subject to conventional kinds of attacks, but the fact is serverless functions are designed to take human checks and balances out of the equation, says company co-founder Ory Segal, and if you don't set up the functions correctly you could be vulnerable.
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Another instance of creatives reaching across disciplines in homage to art history came in the March issue of Harper's Bazaar, as photographers Ken Browar and Deborah Ory (themselves a married, collaborative, slightly interdisciplinary outfit, working as the New York City Dance Project) worked with ballerina Misty Copeland to recreate some of Impressionist Edgar Degas' most beloved paintings on the occasion of a new Degas show coming to the MoMA.
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Teresa Hurtado de Ory Teresa Hurtado de Ory (born May 6, 1983 in Seville, Andalucía, Spain) is a Spanish actress.
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Gisèle Ory Gisèle Ory (born April 30, 1956 in Biel/Bienne) is a politician from the Canton of Neuchâtel in Switzerland. She is a member of the Socialist Party. Gisèle Ory graduated from the University of Lausanne (political sciences) in 1978. In 1996, she was elected to the Communal Council of Neuchâtel, the local Parliament.
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Ory Rinat Ory Rinat is the chief digital officer for Donald Trump's administration. The Trump administration reworked the Whitehouse.gov website and manages various social media tools to communicate its messaging including Twitter.
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In 2008, she married John Reardon, with whom she worked on Merlin's Apprentice. In May 2018, Ory announced that they had welcomed their first child, a son. In July 2019, Ory announced that she was expecting their second child, a daughter, as stated in an interview. In October 2019, Ory announced that they had welcomed their second child.
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The Kremlin Armoury,Officially called the "Armou/ory Chamber" but also known as the cannon yard, the "Armou/ory Palace", the "Moscow Armou/ory", the "Armou/ory Museum", and the "Moscow Armou/ory Museum" but different from the Kremlin Arsenal. () is one of the oldest museums of Moscow, located in the Moscow Kremlin, now a part of Moscow Kremlin Museums. Kremlin Armoury interior Persian Arms and Armours at the Kremlin Armoury Museum The Kremlin Armoury originated as the royal arsenal in 1508. Until the transfer of the court to St Petersburg, the Armoury was in charge of producing, purchasing and storing weapons, jewelry and various household articles of the tsars.
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Ginsberg also dedicated a poem to Ory in his book Cosmopolitan Greetings. For almost six decades Ory has been one of Spain’s most innovative and original writers, publishing numerous works of poetry and criticism.
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Okolloh in 2006 Ory Okolloh (or Ory Okolloh Mwangi) is a Kenyan activist, lawyer, and blogger. She is Director of Investments at Omidyar Network. She was formerly the Policy Manager for Africa with Google.
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Carlos Edmundo de Ory (April 27, 1923 – November 11, 2010), born in the Spanish city of Cadiz, was a Spanish avant-garde poet. He was a son of Eduardo de Ory, who was a modernist poet and founder of the Academia Hispanoamericana de Cádiz (Cadiz's Spanish American Society). In the circle of friends of Eduardo de Ory were poets as Salvador Rueda, Amado Nervo, Juan Ramón Jíménez, Manuel Reina and Rubén Darío. Ory was fundamental in modernizing post-Spanish Civil War poetry by creating work that engaged major twentieth-century European avant-gardes such as Futurism, Dadaism, and Surrealism.
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Op. 33, 6 fantaisies sur des motifs d'operas favoris: No. 1. La Muette De Portici - 6 fantasies on motives from favorite operas: Nr. 1. The Mute Girl of Portici Op. 34, No. 2. Le Comte Ory - The Count Ory Op. 35, No. 3.
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Matthieu Ory (1492 at La Caune – 1557 at Paris) was a French Dominican theologian and Inquisitor.
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Paris CDG and ORY to Pau with Air France. Biarritz and Lourdes are also nearby airports.
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He was said to have attempted to take trombone lessons from a "German guy" who played in the Chicago symphony, but Ory was turned away after a few lessons. Ory was notably a part of the original configuration of Louis Armstrong's Hot Five, first recorded on November 12, 1925. His famous composition "Muskrat Ramble" was included in the Hot Five session in February 1926. During the Great Depression Ory retired from music and did not play again until 1943.
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The comet orbits the sun in an elliptical orbit with a period of 5.96 years. Ory received the Edgar Wilson Award from the Smithsonian Astrophysical Observatory at Harvard University, and later in 2008 a square in Viques was named Place de la Comète P/2008 Q2 Ory in honour of his discovery.
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Ragonde explains that the ladies have sworn to live like widows in the countess's castle while their husbands and brothers are away on the crusade. She tells the disguised Ory that the countess Adèle wishes to speak with him to which he enthusiastically agrees. Ory retires to the hermitage with the women.
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Ory died of pneumonia and a heart attack in Honolulu. He was buried at Holy Cross Cemetery, Culver City, California.
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After everyone is in bed, Ory enters countess Adèle's room. He woos her, not realizing in the dark that it is Isolier's hand he is holding (Trio: "À la faveur de cette nuit obscure"). The men return from the crusade. Isolier reveals himself to count Ory and helps him and his men escape from the castle.
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It was on the nights of 26–27 and 27–28 August 2008 that Ory discovered what he thought was a near-Earth asteroid, which he reported to the Minor Planet Center, Harvard. At around 8:08 p.m. on August 28 he received notification from the Central Bureau for Astronomical Telegrams (CBAT) that the object was in fact a periodic comet: the announcement ran, "An apparently asteroidal object discovered by Michel Ory (Delemont, Switzerland, on CCD images obtained with a 0.61-m f/3.9 reflector at Vicques; discovery observation tabulated below), which was posted on the Minor Planet Center's 'NEOCP' webpage, has been found by other CCD observers to be cometary." The comet was named 304P/Ory (P/2008 Q2 Ory) after him, and the CBAT announcement brought congratulations from around the world.
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Kid Ory said that he originally composed the tune "Muskrat Ramble" in 1921, and that the title was made up by Lil Hardin at the 1926 session when it was first recorded by Louis Armstrong and his Hot Five. Armstrong, on the other hand, claimed in an interview to have written the tune himself, and that it was Ory who only named it. Thomas Brothers has suggested that Armstrong wrote the first strain and that Ory wrote the second strain. Sidney Bechet has said that it was originally an old Buddy Bolden tune called "The Old Cow Died and the Old Man Cried".
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Meghan Ory (born August 20, 1982) is a Canadian television and film actress. She is best known for her role as Red Riding Hood/Ruby on the ABC fantasy series Once Upon a Time and also starred in the short-lived CBS drama Intelligence as Riley Neal. Ory currently stars in the Hallmark family drama Chesapeake Shores as Abby O'Brien.
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He was indefatigable in preaching, and held several offices in his order. Some writers erroneously call Ory a Spaniard and write his name Ortiz.
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Ory said that his publisher, the Melrose Publishing Company, had sold the song to another company and he had never received "nickel one". Through friends in the music publishing business Bigard identified the current publisher of "Muskrat Ramble", and he took Ory to their offices. Bigard described the exchange in his autobiography: > We waited a few minutes and in we went. "Hello, Mr. Levy," I said.
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Pascal Ory (born 1948) is a French historian. A student of René Rémond, he specialises in cultural and political history and has written on Fascism ever since his master's dissertation on the Greenshirts of Henri Dorgères. He is one of those who in the 1970s contributed to the better definition of cultural history. Ory is a professor at the Université de Paris-I-Panthéon-Sorbonne.
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Edward "Kid" Ory (December 25, 1886 - January 23, 1973) was a Louisiana French-speaking jazz trombonist and bandleader. He was born on Woodland Plantation, near LaPlace, Louisiana.
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Vampire High bio In 2006, Ory appeared in UPN series South Beach, and the Hallmark mini-series Merlin's Apprentice, alongside Sam Neill and Miranda Richardson. She also appeared in the feature film John Tucker Must Die and the made-for-TV film Her Sister's Keeper. In 2007, Ory appeared in Blonde and Blonder with Pamela Anderson and Denise Richards,Pamela Anderson & Denise Richards Go BLONDE & BLONDER , Eclipse Magazine, October 31, 2006.
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IATA airport codes are trigram letter designations for airports, like "ORY" (Paris-Orly Airport), "CPT" (Cape Town International Airport), OTP (Otopeni International Airport) and "BCN" (Barcelona-El Prat).
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This suit was dismissed due to the lateness of the filing. Since decades had already passed from the time McDonald composed his song in 1965, Ory based her suit on a new version of it recorded by McDonald in 1999. Judge Nora Manella, then of the United States District Court for the Central District of California, upheld McDonald's laches defense, noting that Ory and her father were aware of the original version of the song, with the same questionable section, for some three decades without bringing a suit. This ruling was upheld by the United States Court of Appeals for the Ninth Circuit in 2005, and Ory was also ordered to pay McDonald's substantial attorneys' fees.
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Michel Ory (born 18 April 1966) is a Swiss amateur astronomer and a prolific discoverer of minor planets and comets, who was one of five winners of the 2009 Edgar Wilson Award for his discovery of 304P/Ory (P/2008 Q2 Ory), a periodic comet of the Jupiter family on 27 August 2008, using a 24-inch f/3.9 reflector at the Jura Observatory in Switzerland. In 2018, he was awarded a Gene Shoemaker NEO Grant which will improve the robotic survey he conducts in collaboration with Claudine Rinner at the Oukaïmeden Observatory in Morocco. He is a teacher of physics at the cantonal school in Porrentruy, Switzerland. The main-belt asteroid 67979 Michelory was named in his honor.
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Lawrence "Tricky" Lofton (born May 28, 1930, Houston) is an American jazz trombonist. He studied with Kid Ory, and J. J. Johnson, and made several recordings with Carmell Jones.
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Armed with a shotgun, Sita pursues Kalika and corners her in a small house. James arrives shortly after. Too late, Sita realizes that he is really Ory, an old enemy from her past and an agent of the Setians, a malevolent race of reptilian aliens who are after Paula's child. Ory severely wounds both Sita and Kalika, and reveals that the Suzama Society—with the exception of Dr. Seter—we all his disciples.
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Good Time Jazz Records L-10 and L-11, 1953, also issued with Good Time Jazz Records L-12022, 1957. During the late 1940s and early 1950s, Ory and his group appeared at the Beverly Cavern in Los Angeles. In 1958 he played at 'On the levee' on the waterfront at San Francisco. Ory retired from music in 1966 and spent his last years in Hawaii, with the assistance of Trummy Young.
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Ory's page Isolier and the tutor arrive on the scene, resting from their journey in the shade. They explain that the count Ory, who is under the tutor's care, has disappeared. The tutor explains that he is searching for Ory at the behest of Ory's father ("Veiller sans cesse"). When the tutor asks why the page brought him to this place, it is revealed that Isolier wishes to visit the countess's castle.
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Ory also returned to the show during its fifth season for three episodes. In March 2013, Ory was cast as the female lead opposite Josh Holloway in the CBS drama pilot Intelligence, which co-stars Marg Helgenberger. The show was cancelled after one season due to poor ratings. In the 2016 Hallmark original series Chesapeake Shores, she stars as a divorced career woman with two young daughters who returns to her hometown.
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Asteroid 212374 Vellerat, discovered by amateur astronomer Michel Ory in 2006, was named in honor of the village. The official was published by the Minor Planet Center on 9 January 2020 ().
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The All Star Jazz Group, left to right: Ed Garland (bass), Buster Wilson (piano), Marili Morden (proprietor, Jazz Man Records), Jimmie Noone (clarinet), Mutt Carey (trumpet), Zutty Singleton (drums), Kid Ory (trombone), Bud Scott (guitar) In 1944 Scott joined an all-star traditional New Orleans band that was a leader of the West Coast revival, put together for the CBS Radio series The Orson Welles Almanac. The All Star Jazz Group also included Mutt Carey, Ed Garland, Jimmie Noone (succeeded by Barney Bigard), Kid Ory, Zutty Singleton and Buster Wilson. Renamed Kid Ory's Creole Jazz Band, the group then made a significant series of recordings on the Crescent Records label. Ory and Scott co-wrote "Get Out of Here", one of the 16 sides the band recorded.
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In 2001, the heirs of New Orleans jazz trombonist Kid Ory launched a lawsuit against Country Joe McDonald, claiming that the music of "I-Feel-Like-I'm-Fixin'-to-Die Rag" constituted plagiarism of "Muskrat Ramble", a number by Ory, recorded by Louis Armstrong and His Hot Five in 1926. In 2005, a court dismissed the suit, holding that the Ory estate had waited too long to make the claim. If the action had been successful Country Joe McDonald would have been required to pay $150,000 for each live performance of the song in the three years since the lawsuit was filed. McDonald would have also been barred from ever performing the song again without the possibility of further damages.
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Toward the middle of the 1940s Haywood moved to California, served in the Army during World War II, and following this joined Saunders King in 1948. In the 1950s Haywood worked with Illinois Jacquet, Cal Tjader, and Kid Ory, touring Europe with Ory in the middle of the decade. Early in the 1960s he played with Brew Moore, then moved back to Houston in 1963. There he played locally as a bandleader and recorded with Lightnin' Hopkins.
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It was Rossini's last opera with an Italian libretto. He permitted only four performances of the piece, intending to reuse the best of the music in a less ephemeral opera. About half the score of Le comte Ory (1828) is from the earlier work. Isolier, Ory, Adèle and Ragonde, in Le comte OryColbran's enforced retirement put a strain on the Rossinis' marriage, leaving her unoccupied while he continued to be the centre of musical attention and constantly in demand.
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In P. Doukhan, G. Oppenheim, and M. S. Taqqu, editors, The- ory And Applications Of Long-Range Dependence, pages 625–716. Birkh¨auser, 2003. both in the time domain and frequency domain.
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He directed Le Comte Ory at Glyndebourne in 1997 and War and Peace for San Francisco in 1991. His last production was L'étoile in Geneva in 2009.Jérôme Savary (Obituary). Opera, August 2013, p993.
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New York: Penguin Press. 16. On 23 December 2010, Ushahidi Co-founder and Executive Director Ory Okolloh announced that she was stepping down from her role to become Manager of Policy for Africa at Google.
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In the face of so much opposition, Postism was short-lived and faded into obscurity with Ory himself continuing to write and publish far from the public view. He ended up leaving Spain for France in the 1960s to escape the suffocating literary and political environment. It was only in the 1970s that poets and critics (particularly Catalan poet and critic Jaume Pont) essentially re-discovered Postism and Ory. Since that time, both Ory and the movement have been increasingly recognized and influential on the Spanish literary landscape. Ory’s role in Spain is analogous to that of Allen Ginsberg and the Beat poets in the United States: he opened Spanish poetry up to new possibilities of poetic language and content. In fact, Ginsberg, along with Edith Grossman, translated a volume of Ory’s poetry, though the book never made it into circulation.
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The New Grove Dictionary of Jazz. 2nd edition, ed. Barry Kernfeld. The group disbanded in 1941, and Mack moved back to Los Angeles once again, working there with Lee Young, Monette Moore, Barney Bigard, and Kid Ory.
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Asteroid 282669 Erguël, discovered by Swiss amateur astronomer Michel Ory at the Tenagra II Observatory in 2005, was named in memory of the seigniory. The official was published by the Minor Planet Center on 22 July 2013 ().
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There he played with Bud Freeman (1939–40), Jimmy McPartland, Wingy Manone, Benny Goodman (1941), Russ Morgan, and Wayne King. Jack Teagarden, Bob McCracken, Louis Armstrong Trummy Young, Louis Armstrong, Bob McCracken He substituted for Barney Bigard in the Louis Armstrong All-Stars international tour in 1952–53. He then toured internationally with Kid Ory and Red Allen throughout the 1950s. During his later years in Los Angeles, McCracken played in several Dixieland revival groups, working with Ben Pollack, Pete Daily, Wild Bill Davison, and again with Teagarden, Ory, and Allen.
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Ory Dessau Ory Dessau (Hebrew: אורי דסאו) is an art curator and critic, working and living in Tel Aviv, Israel. One of his renowned works, "Guess who died" , explored the image and physiognomy of Palestinian late president Yasser Arafat. From 2003 Dessau is working as an independent curator with different art institutes in Israel, such as Tel-Aviv Museum of Art, Ein Harod Museum of Art and Herzliya Museum for contemporary Art. On July 2007 Dessau was chosen to curate the annual "Omanut Haaretz" ("Art of the Country") exhibition at the Sukkot holiday in September .
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When Ory was living on Jackson Avenue, he was discovered by Buddy Bolden, playing his first new trombone, instead of an old Civil War trombone. Ory's sister said he was too young to play with Bolden. Ory had one of the best-known bands in New Orleans in the 1910s, hiring many of the great jazz musicians of the city, including the cornetists Joe "King" Oliver, Mutt Carey, and Louis Armstrong, who joined the band in 1919;"Jazz Greats of the 1920s" University of Minnesota Duluth. Retrieved 11 June 2013.
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They were the first jazz recordings made on the West Coast by an African-American jazz band from New Orleans, Louisiana. His band recorded with Nordskog Records; Ory paid Nordskog for the pressings and then sold them with his own label, "Kid Ory's Sunshine Orchestra", at Spikes Brothers Music Store in Los Angeles. In 1925, Ory moved to Chicago, where he was very active, working and recording with Louis Armstrong, Jelly Roll Morton, Oliver, Johnny Dodds, Bessie Smith, Ma Rainey, and many others. He mentored Benny Goodman and, later, Charles Mingus.
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Isolier is in love with the countess. He doesn't recognize Ory in disguise, and Isolier confides his love to the hermit, explaining his plan to sneak into the castle disguised as a female pilgrim (Duet: "Une dame de haut parage"). Isolier asks for the hermit's help: when the countess comes to him for advice, he should tell her that her torment is caused by her indifference and that the cure is to love Isolier. Ory likes this idea, but he is resolved to use it for his own ends.
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Randy Spears (born June 18, 1961), sometimes credited as Greg Ory, is a retired American pornographic actor and director who has appeared in numerous adult feature films. Spears is noted among porn actors for his comedic acting talent.
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From September to December 1927 the Hot Five Armstrong assembled consisted of Johnny Dodds, Kid Ory, Johnny St. Cyr, Lonnie Johnson, and Baby Dodds.Harker, Brian. Louis Armstrong's Hot Five and Hot Seven Recordings. Oxford University Press, 2011, p. 145.
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"Finch, Frank, "Blues for Jimmy". Los Angeles Times, September 23, 1952. In 1952 Ory reflected on writing the tune, which by then was regarded a classic. "I got up right away and began blowing some blues on my horn.
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The tutor recognizes Raimbaud and Ory and everyone is shocked when the count's identity is revealed. Adèle receives a letter from her brother announcing that the crusade is over and the men will return to their homeland within two days.
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When Ory moved to Chicago, Illinois, Carey took over leadership of the band which was based in Los Angeles, California through the 1930s. In March 1944 Carey rejoined Ory in an all-star band that was a leader of the West Coast revival of traditional New Orleans jazz, put together for the CBS Radio series The Orson Welles Almanac. The All Star Jazz Group also included Ed Garland, Jimmie Noone (succeeded by Barney Bigard), Bud Scott, Zutty Singleton and Buster Wilson. Renamed Kid Ory's Creole Jazz Band, the group then made a significant series of recordings on the Crescent Records label.
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The real Raoul de Coucy is believed to have died in the Siege of Acre The only comedy in the list, Rossini's Le comte Ory, recounts the attempts by Ory and his friends to seduce the Countess of Formoutiers and the women of her household while their men are away at the Crusades. Ory's ploy of dressing up as nuns to gain access to the women is foiled when the Crusaders return. Many of the libretti for the operas listed are based either directly or indirectly on Torquato Tasso's epic poem, La Gerusalemme liberata (Jerusalem Delivered), or on Voltaire's tragic play, Zaïre.
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Ory was born in Develier, in the district of Delémont in the canton of Jura in Switzerland. He attended school in Delémont, and at the cantonal school in Porrentruy, then studied at the University of Geneva, graduating in physics in 1990. He trained as a scientific journalist at Cedos SA in Carouge, qualifying in 1992, then undertook teacher training at the Institut pédagogique in Porrentruy, qualifying as a secondary school teacher in 1994, then becoming a physics teacher at the cantonal school in Porrentruy, a position which he continues to hold in 2012. Ory is married and has two children.
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Jenkins was born in the capital city of Baton Rouge to the late Louis E. "Ory" Jenkins, Sr., and the former Doris Laverne Rowlett (1922–2013), a native of Houston, Texas, who was reared in Shreveport and Alvin, Texas. Early in their married life, his parents operated a restaurant, Little Ory's Den in Ponchatoula in Tangipahoa Parish. Later Ory Jenkins was employed as an operator by Ethyl Corporation. Doris Jenkins worked in safety deposit at the American Bank on the Plank Road in Baton Rouge, a position from which she retired in 1982 after twenty-five years.
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Ory started playing music with homemade instruments in his childhood, and by his teens was leading a well-regarded band in southeast Louisiana. He kept LaPlace, Louisiana, as his base of operations because of family obligations until his twenty-first birthday, when he moved his band to New Orleans. He was one of the most influential trombonists of early jazz. Ory was a banjo player during his youth, and it is said that his ability to play the banjo helped him develop "tailgate", a particular style of playing the trombone with a rhythmic line underneath the trumpets and cornets.
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She also appeared as a guest star of Canadian TV Series Sanctuary as Laura. In 2010, Ory appeared in the Keystone Light beer commercial "Rescue of Beer".. Beginning fall 2011, Ory starred as Red Riding Hood/Ruby on the ABC fantasy series Once Upon a Time. She was in most of the episodes of the first season and was promoted to the main cast in the second season of the series. She left the cast at the end of the second season, to focus on her new show Intelligence, but made guest appearances in four episodes during the third season.
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Ces Oreña-Drilon is married to painter Rock Drilon, a nephew of Senate President Franklin Drilon. They have four children: Ory, Miko, Gian and Andre. She graduated from the University of the Philippines Diliman with a Bachelor of Arts degree in communication research.
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Zuber's opera credits include Le comte Ory, Il Barbiere di Siviglia, Doctor Atomic, The 125th Anniversary Gala, Les Contes d'Hoffmann (The Metropolitan Opera), Two Boys, Carmen (ENO), Roméo et Juliette (Salzburger Festspiele), and Der Ring des Nibelungen (Washington National Opera and San Francisco Opera).
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8 the Count in The Barber of Seville,Elvin, René. "Lettre de Londres", La Nouvelle Revue des Deux Mondes, February 1981, p. 486 Rinuccio in Gianni Schicchi"Gianni Schicchi", Royal Opera House Performance Archive. Retrieved 18 March 2019 and the title role in Count Ory.
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The original Hot Five were Armstrong's wife, pianist Lil Hardin Armstrong, as well as New Orleans musicians who Armstrong had worked with in that city in the 1910s: Kid Ory on trombone, Johnny Dodds on clarinet, and Johnny St. Cyr on guitar and banjo. For some or all of the Louis Armstrong and His Hot Seven sides, Ory was in New York City working with King Oliver's band, and was replaced, probably by John Thomas. The first Hot Five sides, "Yes! I'm in the Barrel" composed by Armstrong, "My Heart" composed by Hardin Armstrong, and "Gut Bucket Blues" attributed to Armstrong, were recorded on November 12, 1925 with little rehearsal.
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In 1926 he played with Jimmie Noone, and then moved to California for an extended run with Mutt Carey's Jeffersonians (1927–32). He played in the Winslow Allen Band in the 1930s, but took a hiatus from music for part of the decade, and served briefly in the Army again in 1942. In 1945 he rejoined Ory in his Creole Jazz Band and became one of his most longstanding members, remaining with Ory's ensemble until 1956, when he retired on account of poor health. Hall never led his own recording date, though he recorded extensively with Ory and also did some recording with Louis Armstrong in the 1940s.
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As a young man, Barrès carried his Romantic and individualist theory of the Ego into politics as an ardent partisan of General Boulanger, locating himself in the more populist side of the heterogenous Boulangist coalition.Pascal Ory, "La nouvelle droite fin de siècle" in Nouvelle histoire des idées politiques (dir. P. Ory), Hachette Pluriel, 1987, pp. 457–465. He directed a Boulangist paper at Nancy, and was elected deputy in 1889, at the age of 27, under a platform of "Nationalism, Protectionism, and Socialism", retaining his seat in the legislature until 1893, when he was defeated under the etiquette of "National Republican and Socialist" (Républicain nationaliste et socialiste).
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Scott continued to play with Kid Ory's band. With his academic background Scott also wrote most of the band's arrangements — a talent that earned him the nickname "The Master".McCusker, John, Creole Trombone: Kid Ory and the Early Years of Jazz. Jackson: University Press of Mississippi, 2012.
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The proceeds totalled $400, worth ten times that amount today. Scott died in Los Angeles July 2, 1949, aged 59. His obituary ran on the front page of the Los Angeles Sentinel. "Kid Ory wept during prayers at Bud Scotts's Masonic funeral," wrote jazz historian Floyd Levin.
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200px Dixieland Jubilee Records was an American record label during the 1950s that released Dixieland jazz. The label's roster included Teddy Buckner, Kid Ory, and Wild Bill Davison. Dixieland Jubilee was owned by Frank Bull and Gene Norman and run by Norman, who owned GNP Crescendo.
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Sidney Bechet became a tailor, later moving to Paris and Kid Ory returned to New Orleans and raised chickens.Bergreen (1997), p. 320. Armstrong moved to Los Angeles in 1930 to seek new opportunities. He played at the New Cotton Club in Los Angeles with Lionel Hampton on drums.
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I was real sad; Jimmie was my best friend," Ory said. "I found a man to fill in for Jimmie on clarinet. Then I got the band together that afternoon and we rehearsed the tune. On the show that night Mr. Welles explained the situation over the air.
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Ory Shihor (born September 13, 1967) is an Israeli-American pianist, pedagogue, and co-founder of the Los Angeles based Ory Shihor Institute, which encompasses piano performance training and exams for students of all levels, teacher training and certification, and a pre-college program for advanced young pianists with a focus on college audition preparation. Shihor is an award winning pianist and well-respected pedagogue who performs, lectures, holds masterclasses and serves on the juries of prestigious international piano competitions. He is renowned for his teaching methods that prepare young pianists for the world stage. Shihor was the founder of the Colburn Music Academy and served as its dean between 2010-2017.
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That same year, on the date of what would have been Shackleton's 137th birthday, Google honored him with a Google Doodle. Asteroid 289586 Shackleton, discovered by Swiss amateur astronomer Michel Ory in 2005, was named in his memory. The official was published by the Minor Planet Center on 10 December 2011 ().
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Jacob Ory, who excavated the site in 1926 on behalf of the British Mandate Department of Antiquities, wrote about a second synagogue ca. 200 m west of the first one, and he described it in detail. Later excavations, however, have not been able to find the remains noted by him.
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In 1962 he sang the title role in a concert performance of Rossini's Le comte Ory with the New York Philharmonic and conductor Thomas Schippers at Carnegie Hall. Another highlight of his concert work was singing Jaquino in Beethoven's Fidelio under the baton of Georg Solti with the Chicago Symphony Orchestra.
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The party primaries took place on June 2, 2020. Because of the ongoing COVID-19 pandemic voting by mail was encouraged. Democrat Paul Strauss, the incumbent shadow senator, and D.C. Statehood Green candidate Eleanor Ory were unopposed in their party primaries. Cornelia Weiss won a write-in campaign in the Republican primary.
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Blyth, Alan (November 1991). "Review: Così fan tutte, Teldec/Warner Classics", Gramophone, p. 158. Retrieved 11 July 2012 Still active in Opera, in 2018 and 2019 she will appear in Verdi's La Traviata at the Capitole of Toulouse, and Rossini's Le Comte Ory at the Opera de Rennes and the Opera de Rouen.
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Meanwhile, the Vancouver Italian Mafia decides to whack Lou Rimoli, a former mafia member and current informant, who is running the Beaver Patch Lounge. Rimoli is being protected by two agents. The Godfather of the mob sends two female assassins, Cat (Emmanuelle Vaugier) and Kit (Meghan Ory) to whack Rimoli. The assassins succeed.
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The countess Adèle consults the hermit about a cure for her melancholia ("En proie à la tristesse"). He proposes that she fall in love, which she promptly does, with Isolier. The "hermit" warns her not to trust "the faithful page of the terrible Count Ory" and she leads him to the castle.
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As a student at the École des Beaux-Arts, Coutan was awarded the Prix de Rome in 1872; after his return to Paris he executed the fountain group France Bearing the Torch of Civilization for the Exposition Universelle (1889), one of the two prominent sculptural commissions for the exposition grounds.On the theme of a linear progress of humanity displayed at the Exposition, Pascal Ory remarks, "" (P. Ory, L'Expo universelle, 1889, 1989:20f). Later he taught at the École des Beaux-Arts from 1900, where he expressed his disdain for the researches of Rodin (as Claire Maingon, "Les effets de la Grande Guerre sur la carrière d'un jeune sculpteur", Emulations, 2007; French ' signifies one who is not serious.) and the Impressionist sculptors who followed him.
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Shortly after the final dinner on Friday night, Scouts assemble at Bravo How campfire circle at the foot of Pioneer Rock. The ceremony begins with the Pioneer historian giving a short history of the camp and the organization. After that, the Pioneers, assembled on the rock, lead the Scouts seated on the logs below in singing the traditional song, "Patsy Ory Ory Ay." When this is completed, the Pioneers slip away and form a ladder on either side of the trail leading to the main campfire circle. In a matter of minutes, the Scouts, Scouters, and parents who have come to watch the event form a column behind a number of Pioneer torchbearers who lead the way to the main campfire circle.
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With the creativity of the band reaching a climax, the band began touring nationally and became positively regarded for their live light shows. The title song faced a legal challenge from the estate of New Orleans jazz trombone pioneer Edward "Kid" Ory, whose daughter Babette claimed that McDonald had appropriated the melody for his song from Ory's classic "Muskrat Ramble" as recorded by Louis Armstrong & his Hot Five in 1926. A 2005 judgment upheld McDonald's copyright on the song, claiming that Ory had waited too long to make the claim. The original album sleeve contained a poster for "The Fish Game", a huge 22 x 33-inch fold-out board game sheet for throwing a dice and moving five band-member cut-out paper pieces around on.
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Le comte Ory is a comic opera written by Gioachino Rossini in 1828. Some of the music originates from his opera Il viaggio a Reims written three years earlier for the coronation of Charles X. The French libretto was by Eugène Scribe and Charles-Gaspard Delestre-Poirson adapted from a comedy they had first written in 1817. The work is ostensibly a comic opera in that the story is humorous, even farcical. However, it was devised for the Opéra rather than for the Théâtre de l'Opéra-Comique and there are structural inconsistencies with the contemporary opéra comique genre: whereas the latter consists of relatively short lyrical numbers and spoken dialogue, Le comte Ory consists of "highly developed, even massive musical forms linked by accompanied recitative".
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Shortly after the final dinner on Friday night, Scouts assemble at Bravo How campfire circle at the foot of Pioneer Rock. The ceremony begins with the Pioneer historian giving a short history of the camp and the organization. After that, the Pioneers, assembled on the rock, lead the Scouts seated on the logs below in singing the traditional song, "Patsy Ory Ory Ay." When this is completed, the Pioneers slip away and form a ladder on either side of the trail leading to the main campfire circle. In a matter of minutes, the Scouts, Scouters, and parents who have come to watch the event form a column behind a number of Pioneer torchbearers who lead the way to the main campfire circle.
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102; Pascal Ory, Les Collaborateurs, 1980, p. 28 and was decorated with the Order of the Francisque.Henry Coston, L'Ordre de la Francisque et la révolution nationale, 1987, p68 After the Liberation he was tried for collaboration and acquitted. In 1966, he co-founded the Association of the Friends of French Socialism and the Commune.
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Midex Airlines was a cargo airline based in the United Arab Emirates. Licensed for both cargo and passenger services in 2007, the airline concentrates on scheduled cargo services. Passenger service never started. Scheduled cargo service has been operated from Al Ain to Paris ORY for few months and subsequently closed due to lack of freight.
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In 1956 he joined the Kid Ory Band. In the late fifties he joined Barbara Dane's trio alongside pianist/cornetist Kenny Whitson, turning down opportunities to return to Duke Ellington's band or tour with Louis Armstrong. He is a distant relative of the Marsalis brothers on their mother's side. He died in Los Angeles, California.
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Sometime in 1947, after working with Ory on the soundtrack for the RKO film Crossfire, clarinetist Barney Bigard asked him, "How much royalties do you get out of 'Muskrat Ramble'?" > I don't even know why I asked. I guess more out of conversation than > curiosity. "I don't get nothing," came his reply and I almost fell off the > chair.
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"I'd like > to introduce you to a man who composed a tune that you publish and gets > played all the time. This is Edward 'Kid' Ory, and he has never gotten a > dime in royalties." … They must have looked high and low for him all right. > All they had to do was look in the union book.
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She also made her debut at the Teatro Real de Madrid as Giunia in Lucio Silla. 2018 began with the role of Comtesse Adèle in Le Comte Ory, a new production at the Opéra-Comique in Paris. Her season ended at the Zurich Opera in a new production of Monteverdi's L’Incoronazione di Poppea, appearing in the title role.
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Shortly afterwards it was continued. Then Meghan Ory wanted to leave the series, which is why her character Sherry had to be written out of Vampire High. A new main character, Dillan Vanderson, played by Marianne Farley was introduced. After the first season, the series was canceled, even though the script of the second season was already written.
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The simple 32-bar chord sequence of its chorus also underpins many other tunes played mainly by jazz bands, such as "Over the Waves", "Washington and Lee Swing", "Bourbon Street Parade", "My Little Girl", and the final themes of "Tiger Rag" and "The Beer Barrel Polka". Excerpt of jazz band version by Kid Ory, 1946, chorus only.
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Cano Smit began his collegiate studies with Ory Shihor at the Colburn Conservatory of Music in Los Angeles. He was then accepted to the Juilliard School in New York City where he pursued his graduate studies with Robert McDonald and received the Arthur Rubinstein Prize in Piano. Other notable mentors include Jean-Yves Thibaudet, Richard Goode and Stephen Hough.
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The title was relaunched a few months later as Howard Chaykin's Amerikan Flagg!. This run saw Chaykin return to write the first issue before handing over to John Francis Moore, with Mike Vosburg and Richard Ory penciling and inking the interior art, but the franchise failed to recapture its early success and was canceled after 12 issues.
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The aircraft left Paris (ORY) at 18:26 GMT for the first leg to Rabat with passengers and load within limits and fuel for four hours. The flight was uneventful until approaching Rabat/Salè airport. At 21:09 GMT the aircraft hit the ground before reaching the runway and aside from the airport. It was completely destroyed.
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"Stars of Jazz", TV.com. Retrieved 8 May 2020 "Stars of Jazz", McFarland Books. Retrieved 8 May 2020 Musicians who appeared on the show included Oscar Peterson, Billie Holiday, Art Blakey, Dave Brubeck, Stan Getz, Kid Ory, Chet Baker, and Troup's wife Julie London. All 130 shows were filmed as kinescopes, but all but 45 were later lost.
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The culinary term appears for the first time in a title in a poem by Joseph Berchoux in 1801 entitled "Gastronomie" Pascal Ory, a French historian, defines gastronomy as the establishment of rules of eating and drinking, an "art of the table", and distinguishes it from good cooking () or fine cooking (). Ory traces the origins of gastronomy back to the French reign of Louis XIV when people took interest in developing rules to discriminate between good and bad style and extended their thinking to define good culinary taste. The lavish and sophisticated cuisine and practices of the French court became the culinary model for the French. Alexandre Grimod de La Reynière wrote the gastronomic work (1803), elevating the status of food discourse to a disciplined level based on his views of French tradition and morals.
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Pascal Ory considers Alexandre Grimod to be "one of the founders of the modern French culture," grouping him with the Comte de Saint-Simon and Alexis de Tocqueville. He "reestablished order, hierarchy, and distinctions in the realm of good taste" through the publication of texts that helped to define the French food scene.Pascal Ory, "Gastronomy" While others at the time were focused more on art, literature and drama, Grimod opened the door to criticism of food and cookery, inventing the gastronomic guidebook (Almanach des Gourmands), the gastronomic treatise (Manuel des Amphitryons), and the gourmet periodical (Journal des Gourmands et des Belles). There was literature about food and eating before Grimod, but it was concerned only with technical aspects and recipes, while Grimod introduced the idea of food criticism.
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In 1999 Farley played Stella and Nancy Brooke in The Intruder. When Meghan Ory wanted to leave Vampire High in 2002 the producers needed to introduce another main character, Dillan Vanderson. Farley auditioned for the part and was cast after three auditions. Since the producers were searching for a girl who looked quirky Farley dyed her then blonde hair red.
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The All Star Jazz Group, left to right: Ed Garland (bass), Buster Wilson (piano), Marili Morden (proprietor, Jazz Man Records), Jimmie Noone (clarinet), Mutt Carey (trumpet), Zutty Singleton (drums), Kid Ory (trombone), Bud Scott (guitar) Carey was born in Hahnville, Louisiana, in 1891,Carr, Ian Fairweather Digby, and Priestley, Brian. The Rough Guide to Jazz, Third Edition. Rough Guides Ltd., 2004. p. 125.
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Crespo was raised in the La Mancha region of Spain. Early in his career, he was associated with Carlos Edmundo de Ory and the Postism literary movement. He was labeled a traitor under Spain’s Francoist State for signing a petition to protest the torture of miners in Asturias. Afterwards, he participated in clandestine antigovernment activities until he was eventually driven into exile.
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"We found magic in such names as Kid Ory, King Oliver, Johnny Dodds, Bessie Smith and Ma Rainey", he wrote on his Stomp Off blog in 2010. On his home tape machine, Albertson recorded visiting British New Orleans revivalists Ken Colyer, Chris Barber and Lonnie Donegan in 1953. These recordings were subsequently released on the Danish Storyville Records and British Tempo Records labels.
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Pierre Bergé (1930-2017), former director of the Théâtre de l'Athénée-Louis Jouvet and former President of the Paris Opera (1988-1994), succeeded La Grange as president of the Médiathèque in 2000. Its president has been Bruno Ory- Lavollée since 2017. The association changed its name from Centre de Documentation Musicale-Bibliothèque Gustav Mahler to Médiathèque Musicale Mahler in 2002.
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He died in the first few days of 1987, another primary election year for governor and other state constitutional offices. Survivors included his wife; three sons, Joseph Wesley "Jody" Aycock (born 1947), Dr. Kenneth J. Aycock (born 1949), and Larry Thomas Aycock (born 1955) and three daughters, Mrs. Dirk (Barbara) Ory (born 1946), Mrs. Michael (Mary Margaret) Valls (born 1951), and Mrs.
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Colin Larkin, The Encyclopedia of Popular Music. 4th edition, 2006. Echols led a band based in Los Angeles starting in 1931, whose membership included Babe Carter, Herman Pettis, , Lawrence Brown, Red Mack, and . The group was revamped in 1932 with Prince remaining and Bumps Myers and Kid Ory joining; soon after Jack McVea, Eddie Beal, Buddy Banks, and were added to the lineup.
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Manuel played at Tuxedo Hall with the Eagle band. He went to Chicago in 1913, then returned to New Orleans, played locally for five years. He went to Los Angeles in November 1919 to join Kid Ory. He returned home shortly afterwards and toured as pianist for with Martels' Family Band, then played piano in Ed Allen's Band on riverboats.
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The lords and men of Formoutiers have been away on a crusade. Count Ory, who hopes to seduce the countess Adèle, takes advantage of the situation. Hoping to win her hand, he disguises himself as a hermit, aided by Raimbaud, his friend. Raimbaud announces that a wise hermit will visit the village to offer advice on matters of the heart.
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Purnell joined George Lewis's band after Johnson's broke up in 1946, and remained there well into the 1950s, including for international tours. In 1957 Purnell relocated to Los Angeles. There he worked with Teddy Buckner, Young Men from New Orleans, Joe Darensbourg, Kid Ory, Barney Bigard, and Ben Pollack. He also recorded extensively as a leader, including for Warner Bros.
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Renato Petit de Ory, better known by its French name, René Petit (October 8, 1899 – October 14, 1989) was a Franco-Spanish engineer, known for being a footballer in his youth. He was one of the most popular players in Spanish football in the 1910s, 1920s and 1930s, playing for Real Madrid and Real Unión, and becoming a member of the French national team.
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150px The German Embassy in Abuja is Germany's diplomatic mission to Nigeria. The embassy is located at 9 Lake Maracaibo Close, off Amazon Street Maitama / Abuja F.C.T. The consulate-general is located in Lagos at 15, Walter Carrington Crescent, Victoria Island - Lagos, Nigeria. The embassy is also home to a consulate various departments and a military attaché. Current German Ambassador to Nigeria is Birgitt Ory.
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"Desperate Souls" is the eighth episode of the first season of the American Fairy Tale/Drama television series Once Upon a Time. It was written by consulting producer Jane Espenson, and was directed by Michael Waxman. Espenson wrote it to give viewers some "crucial facts" about Rumpelstiltskin's origins. Guest stars included Brad Dourif, Giancarlo Esposito, Beverley Elliott, Ty Olsson, Meghan Ory, and Dylan Schmid.
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In 1983 he took the title role in a revival of Christiné's Phi-Phi at the Théâtre des Bouffes Parisiens.Gänzl K, Lamb A. Gänzl's Book of the Musical Theatre. The Bodley Head, London, 1988. His many recordings include: Raimbaud (Le Comte Ory), Escamillo (Carmen), Golaud (Pelléas et Mélisande), Mizgir (The Snow Maiden), Gondremarck (La Vie parisienne), Calchas (La belle Hélène), and Mephistophélès (La damnation de Faust).
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He is also preparing a PhD thesis at the Paris-1 Panthéon-Sorbonne University on Les Mouvements collaborationnistes français from June 1944 to December 1950 under the direction of Pascal Ory 10 , 8 , 11 . Since childhood, Christophe Bourseiller has been collecting leaflets and propaganda documents. He entrusted thousands to the Institute of Social History in Amsterdam . He also collects, among others, rare and newspapers [ref.
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The ideology of the RNP was clearly of a fascist nature, advocating antisemitic and racist policies and sharing a strong admiration for Nazi Germany. Despite this, it differed from Jacques Doriot's French Popular Party (PPF) in that it maintained the principle of universal suffrage, public education, anti- clericalism or the conservation of sculptures of Marianne, a republican symbol, in the townhalls.Pascal Ory. Les collaborateurs.
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The origins of the word territory begin with the Proto-Indo-European root ters ('to dry'). From this emerged the Latin word terra ('earth, land') and later the Latin word territorium ('land around a town'). Territory made its debut as a word in Middle English during the 14th century. At this point the suffix -orium, which denotes place, was replaced with -ory which also expresses place.
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He sang widely in Italy, appearing in Le comte Ory at the Maggio Musicale Fiorentino in Florence in 1952. In 1954, he appeared in an Italian television production of Il barbiere di Siviglia, opposite Rolando Panerai and Antonietta Pastori. His career quickly took an international turn. He appeared as Elvino at the Wexford Festival in 1952, returning the following year as Nemorino in L'elisir d'amore.
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He was on the St. Louis, Missouri musical scene with the band of Dewey Jackson early in the 1920s. Following this Atkins moved to Chicago and led his own band which included Kid Ory. He also worked with Earl Hines and Carroll Dickerson. In 1927, Atkins joined Louis Armstrong's band at the Sunset Cafe in Chicago, where he played clarinet along with soprano and alto saxophone.
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This monument was made of an inscribed marble stone, which was imported from the site of Apollonia–Arsuf, some to the north. Tell Qudadi was discovered for the first time in 1934 by Jacob Ory when he surveyed the region after it was reportedly robbed. It was declared a site of antiquities when it was listed in booklet of addenda to Mandatory antiquities sites.
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He was born and raised in Los Angeles, California, and began playing the saxophone, clarinet and flute. He performed in jazz and Latin bands during his teens, occasionally playing with older musicians including Kid Ory and Johnny St. Cyr. Scott Yanow, Liner notes for Camshafts and Butterflies CD, VSOP Records. Retrieved 30 March 2020 He attended the Westlake College of Music, and then Los Angeles City College.
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Her repertoire was limited: Inès in Donizetti's La Favorite, Isolier in Rossini's Le Comte Ory and Alice in Meyerbeer's Robert le Diable. It seems that the singer had a stage fright that deprived her of her skills. Marie and Berlioz travelled to Brussels in September 1842 and she accompanied him on his various journeys to Prague in 1846 etc. The couple lived together from 1844 and for almost twenty years.
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Harry Easton Godwin (August 22, 1907 – May 27, 1986) was born in New Jersey and grew up in Chicago and Virginia. He saw many jazz musicians in his youth, including King Oliver, Baby Dodds, Kid Ory, and Louie Armstrong. in the 1950s, Godwin was asked to hire a collection of Jazz musicians for the Cotton Carnival. He hired Bukka White, Little Laura Dukes, Gus Cannon, Furry Lewis, and many more.
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Amongst those were Urbain, the Queen's page in Les Huguenots and the young student Bénoni which she sang in the world premiere of Gounod's La reine de Saba. During the course of her 15 years at the Opéra she appeared in a variety of other operas, including Robert le diable, La Juive, Le Prophète, Le comte Ory, and Les Vêpres siciliennes.Harry, Gérard (25 October 1912). "La fin d'une étoile".
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Howard McGhee was raised in Detroit, Michigan. During his career, he played in bands led by Lionel Hampton, Andy Kirk, Count Basie and Charlie Barnet. He was in a club listening to the radio when he first heard Charlie Parker and was one of the earliest adopters of the new style, a fact that was disapproved by older musicians like Kid Ory. Thelonious Monk and Howard McGhee, Minton's Playhouse, c.
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The only fully authenticated printed work of Ory is his "Alexipharmacum" (Paris, 1544; Venice, 1551–58). In the second part he uses against the heretics five words of St. Paul, viz. grace, justification, sin, liberty, law (no exclusive reference to 1 Corinthians 14:19). Other works attributed to him are: Opusculum de imaginibus, and Septem scholae contra haereticos, but Jacques Échard does not assign the places or dates of their publication.
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Fred Lonzo (born August 26, 1950), also known as Freddie Lonzo, is a jazz trombonist. Born in New Orleans, Louisiana, Lonzo is one of the most highly regarded practitioners of "tailgate" style traditional jazz trombone. His style is distinctly his own, but such influences as Kid Ory and Frog Joseph can be heard. Lonzo has played with such brass bands as Doc Paulin's, the Imperial, Olympia, and Young Tuxedo.
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Later he played with Chick Webb, Louis Armstrong (with Russell) and Jelly Roll Morton. The Dixieland jazz revival of the late 1940s reinvigorated his career; he played with Art Hodes, Bunk Johnson, and Kid Ory, and had a regular gig with Ralph Sutton in 1948. In 1953 he moved to France; except for recording sessions in the U.S. in 1959-60, he remained there for the rest of his life.
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In 1848 Marié returned to the Opera where he remained for the rest of his career. While there he sang the title role of Guillaume Tell, Nevers in Les Huguenots, Alphonse in La favorite, and Raimbaud in Le comte Ory. In 1851 he portrayed the role of Alcée in the premiere of Gounod's Sapho. In 1855 he performed the role of Robert in the premiere of Verdi's Les vêpres siciliennes.
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The Haunting of Sorority Row (also known as Deadly Pledge in Australia, the UK and France) is a 2007 Canadian supernatural horror made for television film starring Leighton Meester, Agam Darshi, Lisa Marie Caruk, Meghan Ory, Carlo Marks and Kailin See. The film aired on the Lifetime Television network and Global TV in October 2007. The film was released on October 6, and was directed by Bert Kish.
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Ciega a citas logo. Ciega a citas is a Spanish television series produced by Mediaset España Comunicación and Big Bang Media, and aired by Cuatro TV channel.‘Ciega a citas’ nominada a mejor telenovela en los International Emmy Awards The series is starring Teresa Hurtado de Ory and Álex Gadea. It was released on March 10, 2014, and is inspired by the 2009 Argentine telenovela of the same name.
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Isolier arrives at the castle to let the women know that their husbands and brothers will be arriving at midnight. Upon hearing that the ladies have welcomed a group of pilgrims into the castle, Isolier recognizes that it is Ory and his men. He shares this revelation with the women, who are afraid of what their husbands will think upon finding them in a castle with fourteen men.
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A 2008 pilot study of factors affecting health-related quality of life (HRQL) of Mexican- American adults living in colonias found that colonia residents fall below the U.S. average.Mier, N., Ory, M. G., Zhan, D., Conkling, M., Sharkey, J. R., & Burdine, J. N. (2008). Health-related quality of life among Mexican Americans living in colonias at the Texas–Mexico border. Social Science & Medicine, 66(8), 1760-1771. doi:10.1016/j.socscimed.2007.
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Energy Points CEO, founder and inventor, Dr. Ory Zik,“Profile: Ory Zik” CrunchBase, Retrieved April 30, 2012 holds his B.Sc. (cum laude) in Physics and Mathematics from Tel Aviv University and his M.Sc. (cum laude) and Ph.D. in Physics from the Weizmann Institute of Science“Weizmann Institute of Science” Weizmann, Retrieved March 27, 2012 in Rehovot, Israel, where he received the Feinberg physics award and the national Amos De-Shalit Physics Prize. As a student, he founded Greenpeace Israel. Zik is past founder and CEO of two other companies: QuantomiX“QuantomiX WETSEM® Technology” QuantomiX, Retrieved March 27, 2012 (based on his invention that enabled the use of electron microscopy for imaging live cells), and HelioFocus“HelioFocus” HelioFocus Website, Retrieved Feb. 17, 2012 (solar- assisted power plants using the world’s largest solar dish) where, in January 2010, Zik raised the first equity investment of a Chinese company in an Israeli startup.“Sanhua Buys 30% of Israeli Solar Developer HelioFocus” By:Gwen Ackerman, Bloomberg, Jan.
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Her first professional acting role came in 1999 in the Fox Family Channel television movie, The Darklings, opposite Suzanne Somers and Timothy Busfield. A guest appearance on the television series The Crow: Stairway to Heaven followed, before she landed her first regular TV role on the Fox Family series Higher Ground in 2000, along with Hayden Christensen and A.J. Cook. After appearing on the MTV series 2ge+her (2000), Ory joined the cast of the Canadian television series Vampire High in 2001. She continued working in television with guest appearances on The Outer Limits, Dark Angel, Glory Days, and Maybe It’s Me. She appeared in the TV movies Lucky 7 and National Lampoon's Thanksgiving Family Reunion in 2003, as well as the TV series Smallville, Life As We Know It, and The Collector, and Family Reunion in 2004. Also in 2004, Ory made her feature film debut in Decoys, directed by Matthew Hastings, whom she had previously worked with on Higher Ground and Vampire High.
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Bayer's architectural work in the town included co-designing the Aspen Institute and restoring the Wheeler Opera House, but his production of promotional posters identified skiing with wit, excitement, and glamour. In 1959, he designed his "fonetik alfabet", a phonetic alphabet, for English. It was sans-serif and without capital letters. He had special symbols for the endings -ed, -ory, -ing, and -ion, as well as the digraphs "ch", "sh", and "ng".
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Honoré Dutrey (c. 1894 in New Orleans, Louisiana - July 21, 1935 in Chicago, Illinois) was a dixieland jazz trombonist, probably best known for his work in King Oliver's Creole Jazz Band. In New Orleans, Dutrey played with the Excelsior Brass Band and with John Robichaux's orchestra. His playing has been contrasted with that of other New Orleans trombonists such as Kid Ory, in that he met the older harmonic and rhythmic functions.
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It is around this time that Jack learns the truth of Brian, who is actually Brianna (Meghan Ory). She disguises herself in order to avenge a wrong done to her family. In his search for the grail, Merlin suspects something is afoul in Camelot that caused the Grail to depart. Merlin confronts Yvonne (who is to be married to Lord Weston when the Grail returns) and her guardian Master Burton (Andrew Jackson).
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Watters wrote music and arrangements to add to the traditional repertoire. The band performed at the Dawn Club in San Francisco. It went on hiatus in 1942 when Watters entered the U.S. Navy but reunited at the Dawn after World War II. After the Dawn closed, the band started the club Hambone Kelly's in El Cerrito, California. In 1949 the band performed with visiting musicians Kid Ory, James P. Johnson, and Mutt Carey.
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He was known for his serious and reserved manner as well as his "funky blues playing," which earned him the nickname "toilet." He moved to New Orleans in his youth and studied the clarinet with Lorenzo Tio and Charlie McCurdy. He played with the bands of Frankie Duson, Kid Ory, and Joe "King" Oliver. Dodds went to Chicago and played with Oliver's Creole Jazz Band, with which he first recorded in 1923.
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In the Enchanted Forest, Snow White (Ginnifer Goodwin) and Red Riding Hood (Meghan Ory) fight off the Evil Queen's men and escape from them. But Red's hood has torn, and she worries it won't prevent her from turning into a wolf during that night's coming full moon. She insists that they separate for the night, for Snow's safety, and they plan to reunite in the morning. Snow reaffirms her commitment to their friendship.
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The mayor is chosen by and from among the council members and serves for two years. City council meetings are on the first and third Tuesday of each month. The City Council appoints members of the Airport Commission, Architecture Review Board, Arts Commission, Bidwell Park and Playground Commission, and Planning Commission. The council consists of Mayor Ann Schwab, Randall Stone, Vice Mayor Alex Brown, Sean Morgan, Karl Ory, Scott Huber and Kasey Reynolds.
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Emma mentions that Dr. Archie Hopper (Raphael Sbarge) reassured her about Regina's efforts to change. As Regina leaves, Cora and Hook observe her from a rooftop and Cora says that Regina is not yet broken. The next day, Regina confronts Dr. Hopper about discussing her sessions with Emma, but he insists he did not breach physician–patient privilege and encourages her to still see him as a confidante. Ruby (Meghan Ory) observes their argument.
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Le Bocage International School (LBIS) is an English-medium, private international school offering educational services to boys and girls from the ages of 11–19. LBIS was founded in 1990 and is located at Mount Ory, Moka (Mauritius). LBIS is an IBO school that offers the International Baccalaureate Program for the Middle Years, form 1–5, and the Diploma years, form 6–7. It also prepares students for the IGCSE and the International Baccalaureate examinations.
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Mayor has received the 2011 BBVA Foundation Frontiers of Knowledge Award of Basic Sciences (together with his former student Didier Queloz) for developing new astronomical instruments and experimental techniques that led to the first observation of planets around Sun-like stars. Asteroid 125076 Michelmayor, discovered by Swiss amateur astronomer Michel Ory at the Jura Observatory in 2001, was named in his honor. The official was published by the Minor Planet Center on 21 August 2013 ().
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Later that year he played with Kid Ory at the Hiawatha Dancing Academy in Los Angeles. In 1923 he formed his own band, the Eccentric Harmony Six; this ensemble recorded on Vocalion Records as the California Poppies in 1923 and the Stompin' Six in 1925. He also performed under the band names Plantation Orchestra and Hartford Ballroom Orchestra. His band scored a regular gig broadcasting on radio stations KNX in 1925 and KFI in 1926.
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Within minutes she assembled Mutt Carey (trumpet), Ed Garland (bass), Kid Ory (trombone), Bud Scott (guitar), Zutty Singleton (drums), Buster Wilson (piano), and Jimmie Noone (clarinet). Other than Singleton, Noone was the only band member who was working regularly, performing with his own quartet at the Streets of ParisLevin, Floyd, Classic Jazz: A Personal View of the Music and the Musicians. Berkeley and Los Angeles: University of California Press, 2000. in Hollywood.
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The Forest Festival or Festival of the Forests () is a music festival created by Bruno Ory-Lavollée in 1992 held every year in June and July in Compiegne, northern France. The Forest Festival offers classical music in the natural scenery of the and the Forest of Compiègne. Four world premieres have been presented at the Festival e.g. Winter's Night by Nicolas Bacri, who was composer in residence at the Forest Festival 2010-2012.
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In 2016, Metcalfe starred in the Christian drama film God's Not Dead 2, as Tom Endler, a lawyer who defends a Christian teacher who struggles between giving up her faith or giving up her job. On June 20, 2016, Metcalfe reprises his role as investigative reporter Chase Carter in the sequel Dead Rising: Endgame. Metcalfe currently stars as Trace Riley in Hallmark Channel's series Chesapeake Shores alongside Meghan Ory. The show premiered August 14, 2016.
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Before World War II, the west coast of the U.S. hosted a bustling music scene, though its activity remained largely localized. In 1917, Jelly Roll Morton moved to California and remained in Los Angeles until 1922, when he left for Chicago. Kid Ory formed a band in Los Angeles after moving to California in 1919. In 1944, Norman Granz began staging Jazz at the Philharmonic shows at Philharmonic Auditorium in Los Angeles.
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The patients are brought in, accompanied by Emma, Mary Margaret, David, Gold, Leroy (Lee Arenberg), and Ruby (Meghan Ory). Everyone is agitated, but Dr. Whale arrives and tries to calm them down, promising Gold that Belle is in good hands. Emma questions a handcuffed Hook, whose ribs are injured, as to Cora's (Barbara Hershey) whereabouts, but he claims he doesn't know where she is. She warns him he's likely to be dead soon, after having crossed Gold.
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Bottone has also sung with: Welsh National Opera, where his roles have included Turridu (Cavalleria rusticana) and Le comte Ory; Opera North, where his roles have included Vana (Katya Kabanova), Pedrillo (Die Entführung aus dem Serail) and Nemorino (L'elisir d'amore); and Scottish Opera, where his roles have included Jack (The Midsummer Marriage), Narraboth (Salome) and Loge (Das Rheingold). For Glyndebourne Festival Opera, he has sung Alfred (Die Fledermaus), the Italian Tenor (Capriccio) and Tzar Berendey (The Snow Maiden).
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He directed only one production for the Royal Opera, La clemenza di Tito in 1974. As with his student production of Idomeneo, the 1974 Covent Garden Clemenza is credited with helping to rehabilitate the work. Colin Davis and the company took the production to La Scala, Milan later in 1974. His productions for Sadler's Wells (later ENO) included Count Ory, Tannhäuser, The Thieving Magpie, The Queen of Spades, Ariadne on Naxos, Don Giovanni, and The Magic Flute.
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He also joined Ory in Los Angeles. He acquired the nickname "Pops" because he was far older than any of the other players in the band. In 1929 Foster moved to New York City, where he played with the bands of Luis Russell and Louis Armstrong through 1940. He gigged with various New York-based bands through the 1940s, including those of Sidney Bechet, Art Hodes, and regular broadcasts on the national This Is Jazz radio program.
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Jónas Kristjánsson (10 April 1924 – 7 June 2014) was an Icelandic scholar and novelist, and one-time director of the Árni Magnússon Institute for Icelandic Studies. In this position, he played a crucial role in the return of Icelandic manuscripts to Iceland from Denmark, representing Iceland in negotiations with the Danish authorities from 1972-86.R[ory] W. McT[urk], 'Jónas Kristjánsson 10 April 1924-7 June 2014', Saga-Book, 38 (2014), 113-15 (at 114).
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Wax masters were shipped across country by railroad; many melted on the trip across the desert. By some accounts among the recordings lost were sessions by Jelly Roll Morton and King Oliver. Among the records which survived were the only recordings of Eva Tanguay, early sides by Abe Lyman's Orchestra, Henry Halstead's Orchestra, and a number of recordings by Kid Ory's band. The Ory sides were the first recorded jazz by an African American band from New Orleans.
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They Dream, a Canadian feature-length film, set in and around Maillardville, including Place des Arts and Mackin House Museum, was shot over the Summer of 2012. Written and directed by Vancouver filmmaker Gord Stanfield, They Dream is the story of a 20-year-old art student, David Dubois, his love affair with a mysterious woman Lisa Reese, and his tragic past. Jean Ory reminds David he can't escape the truth. Lisa and Jean were lifetime residents of Maillardville.
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Benny Strickler & The Yerba Buena Jazz Band recorded it and released it as a single in 1950. It was also covered by the Kid Ory and His Creole Band and stride piano was introduced to it. Willie "The Lion" Smith continued with a stride version backed by a Dixieland band which appeared on his 1957 album Intimate Jazz in Hi Fi. In 2011, the Berlin Hot Jazz Band, a German dixieland group, recorded it for their album Berlin Blues.
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The young Benny Goodman is taught clarinet by a Chicago music professor. He is advised by bandleader Kid Ory to play whichever kind of music he likes best, but to make a living, Benny begins by joining the Ben Pollack traveling band. Later in New York, where his new band gets a lukewarm reception, Benny meets jazz lover John Hammond and his sister Alice. He is invited to the stately Hammond home to perform Mozart's Clarinet Concerto.
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The castle is filled with women awaiting their husbands' and brothers' return from the crusades. Ragonde discloses that the countess hopes to have the hermit ease her sadness and Raimbaud assures her that the hermit's skill is unparalleled and has helped many widows find love. The count Ory, disguised as a hermit, arrives at the castle. The people tell him their wishes and he invites the young ladies to visit him at his hermitage that evening.
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In 1980 Freeman portrayed Leo Hubbard in Marc Blitzstein's Regina at the HGO. Other roles with HGO included Tamino, Don Ramiro, Count Ory, Almaviva, Leandro, Schmidt, Valzacchi, and Silas Barnaby. In June 1982 he created the role of Katz in the world premiere of Stephen Paulus's The Postman Always Rings Twice at the Opera Theatre of Saint Louis (OTSL). He subsequently performed the role of Katz at the Edinburgh Festival, in its European debut, and the Boston Lyric Opera.
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The next day, Henry goes to Emma's home to spend time with her, despite being forbidden to do so by Regina, who has gone to a "council meeting" for the day. Mr. Gold asks Emma to track down Ashley. He claims that she has something that belongs to him and that Ashley is unstable and troubled. Emma reluctantly agrees, and learns from Ruby (Meghan Ory) that she should stop by the home of her ex- boyfriend Sean (Phillipps).
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Chesapeake Shores is a Canadian/American drama television series, based on the novel series of the same name by Sherryl Woods, produced by Chesapeake Shores Productions Inc in association with Borderline Distribution. The series had a two-hour premiere on the Hallmark Channel on August 14, 2016. Jesse Metcalfe, Meghan Ory, Barbara Niven, Laci J. Mailey, Emilie Ullerup, Brendan Penny, Andrew Francis, Diane Ladd and Treat Williams star in the series. John Tinker is showrunner and executive producer.
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The EnergyPoints platform uses proprietary algorithms, coupled with geospatial and temporal databases to convert all domains (water, electricity, transportation, etc.) into the amount of primary energy (crude oil) embodied in one gallon of gasoline“The Sustainability Babel Fish,” By Nalin Kulatilaka and Ory Zik: Social Science Research Network, May 24, 2011 in order to help companies calculate and communicate their resource consumption in a comprehensive way.“All Sustainability is Local,” By Elisa Wood, Real Energy Writers: Energy Efficiency Markets Blog, March 15, 2012“A Tale of Two Desks: Integrated Reporting and the Road to Environmentally, Financially Sustainable Success,” By Ory Zik: Triple Pundit, May 30, 2012“Apples to Apples: Comparing Sustainability Projects' Cost And Environment Benefits,” By Erica Gies, Forbes: Green Tech, May 29, 2012 Energy Points’ methodology is based on three principles: 1) resources such as electricity, water, fuels, and materials can be measured as energy; 2) the energy we use must be measured from its source; and 3) source-to-site energy analysis should incorporate environmental externalities.
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Benjamin Mazar's son Ory Mazar, grandchildren Eilat Mazar and Dan Mazar and nephew Amihai Mazar all played an important role in the study and dissemination of Israeli archaeology and historical knowledge. Eilat Mazar has been a frequent spokesperson for concerns regarding the archaeology of the Temple Mount in Jerusalem while Amihai Mazar was the recipient of the 2009 Israel Prize for Archaeology. Benjamin Mazar is the brother-in-law of Israel's second and only three-term President, Yitzhak Ben Zvi.
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Babette Ory, Kid Ory's daughter from his second marriage and heir to the "Muskrat Ramble" copyright, sued Country Joe McDonald for copyright infringement in 2001. The complaint alleged that the tune for McDonald's signature song "I Feel Like I'm Fixin' to Die Rag"—specifically the chorus that begins, "And it's one, two, three, what are we fighting for?"—was lifted in part from "Muskrat Ramble". The song was famously performed by Country Joe and the Fish at Woodstock in 1969.
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Burat de Gurgy (1837) p. 13 Amongst the roles she created there were in Inès in Auber's Vendôme en Espagne (1822), Isolier in Rossini's Le comte Ory (1828), Jeanette in Auber's Le philtre (1831) and Fleur de Lys in Bertin's La Esmeralda (1836). She remained at the Paris Opera until 1837 and then became a leading singer in Brussels where she sang the title role in Donizetti's Lucie de Lammermoor for its first performance at the Théâtre Royal de la Monnaie (1839).
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Joseph Nathan Oliver was born in Aben, Louisiana, near Donaldsonville in Ascension Parish, and moved to New Orleans in his youth. He first studied the trombone, then changed to cornet. From 1908 to 1917 he played cornet in New Orleans brass bands and dance bands and in the city's red-light district, which came to be known as Storyville. A band he co- led with trombonist Kid Ory was considered one of the best and hottest in New Orleans in the late 1910s.
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Forbes, Elizabeth. "Caplat, Moran Victor Hingston (1916–2003), actor and opera administrator" , Oxford Dictionary of National Biography, Oxford University Press, 2007. Retrieved 20 February 2018 Caplat arranged overseas performances of Glyndebourne productions: La Cenerentola in Berlin (1954), Falstaff and Le Comte Ory in Paris (1958); Don Giovanni and Il matrimonio segreto in Sweden, Norway and Denmark (1967) and L'Ormindo in Munich (1969). When Glyndebourne productions were brought to the Proms, Caplat took charge of the semi-staging at the Albert Hall.
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After moving to Chicago, Brown found work in Phil Lavant's orchestra in 1938 and then in Lawrence Welk's band. In 1941 he married his wife Louise. He returned to Shreveport to run a motorcycle shop, but the endeavor failed, and he relocated once again to Los Angeles. There, he found prolific work as a jazz musician for the next several decades, playing with Les Brown, Coleman Hawkins, Doc Cheatham, Danny Barker, Kid Ory, Percy Humphrey and Louis Armstrong among others.
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He later re-used about half of the music in Le comte Ory. Il viaggio a Reims does not have an overture. Roberto Maietta, Per un catalogo del “Fondo Giuseppe Piccioli”: inquadramento delle opere e catalogo delle edizioni, Thesis for the triennial degree in musicology, University of Cremona, Faculty of Musicology, academic year 2009–2010: Catalogo delle opere edite del “Fondo Giuseppe Piccioli”, p. 22, note 5 (published in the online Library of the Faculty of Musicology of the University of Pavia).
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Cambridge, Massachusetts [u.a.]: Harvard University Press, 1998, An additional connection to Welles is that several members of the film's Original New Orleans Ragtime Band — Kid Ory, Mutt Carey, Bud Scott, Barney Bigard and Zutty Singleton — had first been brought together in 1944, for his CBS Radio series, The Orson Welles Almanac. New Orleans is the only feature film made by singer Billie Holiday, and the last film in which writer-producer Herbert J. Biberman was involved before he was blacklisted.
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He also sang Don Ottavio in Don Giovanni, the title hero in Le comte Ory, Henri in Les vêpres siciliennes, and Masaniello in La muette de Portici. As Don Alvaro in Meyerbeer's L'Africaine Warot appeared on the concert platform in David’s Le désert and Christoph Colomb, in Berlioz’s L'enfance du Christ and in Pergoleisi’s Stabat Mater. During this period he appeared in two operas which would be significant throughout his career, as Léopold in La Juive and Alphonse in La muette de Portici.
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Leptopelis oryi, also known as the Garamba forest treefrog and Ory's tree frog, is a species of frog in the family Arthroleptidae. It is found in the northeastern Democratic Republic of the Congo, northwestern Uganda, and adjacent South Sudan. It is morphologically similar to Leptopelis nordequatorialis from Cameroon, and has also been considered its synonym, but is currently treated as a distinct species. The specific name oryi honours Albert Ory, warden in the Garamba National Park, the type locality of this species.
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Minor Hall was born in Sellers, Louisiana. He studied at New Orleans University until 1914, then began playing with Kid Ory in the middle of the decade. He played in various New Orleans ensembles, including the Superior Band, then moved to Chicago in 1918. He took his brother's spot in Lawrence Duhe's band briefly before serving in the U.S. Army during World War I. By the time he returned, King Oliver was leading Duhe's band, which Hall rejoined in 1921.
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Lee Adams testified that he had seen the fight, but later saying that he was a quarter- mile from the tracks. Ory Dobbins repeated that he'd seen the women try to jump off the train, but Leibowitz showed photos of the positions of the parties that proved Dobbins could not have seen everything he claimed. Dobbins insisted he had seen the girls wearing women's clothing, but other witnesses had testified they were in overalls.James Goodman, Stories of Scottsboro, p. 128.
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Schwa chef Jonathan Ory describes it as "modern American", but sous- chef Gaetano Nardulli disagrees: "I don't think it's contemporary American, not at all." Food critic Alan Richman describes it as "one of a kind... earnest, innocent, irresistible, and imaginative". The menu is famous for using sophisticated ingredients to create, as one critic put it, "poetic courses". Surprising ingredients such as jellyfish, roe, tongue, and offal are found in a large number of dishes, as are unusual combinations such as oysters and oatmeal.
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Italo Gardoni circa 1860 In 1855, when Michael Costa produced his oratorio Eli in the Birmingham Festival, with Viardot, Castellan, Reeves and Formes, Gardoni was in the audience with Mario and Enrico Tamberlik, and afterwards they went in a group to pay Reeves a large compliment.Pearce 1924, 182. Gardoni himself appeared in Rossini's opera Il conte Ory with Constance Nantier-Didiée and Angiolina Bosio, an 'exquisite' combination of voices.H.F. Chorley, Thirty Years' Musical Recollections (Hurst & Blackett, London 1862) Vol II, 252.
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Coming from a working-class family and a background of grinding poverty, Coluche fought for the equality of citizens. A law known as the Loi Coluche was passed in 1988, allowing large tax deductions (up to 75% in some cases) for individuals or businesses that donate to specified aid agencies. The main-belt asteroid 170906 Coluche, discovered by Swiss astronomer Michel Ory in 2004, was named after Coluche. A rose is named for Coluche – it is on display in the rose garden of Tabor Park, Rennes.
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In 2012, she sang the role of Musetta in Puccini's opera La bohème at La Scala in Milan. Yende made her Metropolitan Opera debut in New York City on 17 January 2013, in the role of Adèle in Rossini's opera Le comte Ory, as a substitute for Nino Machaidze. In 2015 she portrayed Susanna in Mozart's The Marriage of Figaro at the Los Angeles Opera. In 2016 she portrayed Rosina in The Barber of Seville and the title role in Lucia di Lammermoor at the Paris Opera.
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The queen palm is reportedly naturalized to some extent in Florida, Queensland, Honduras, and the island of Mauritius. On Mauritius seedlings have been recorded from gardens in the now highly residential area 'Montagne Ory' near the village of Moka from 1981-1984 to at least 1999. The government of the Australian state of Queensland considers it a potential 'invasive plant', and discourages home-owners from planting it, but it is not prohibited or restricted, or a declared weed.Cocos or Queen palm Fact Sheet, Queensland Government, February 2013.
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Alcorn learned music theory from his brother. In the early 1930s, he was a member of the Sunny South Syncopators led by Armand J. Piron. He worked in Texas as a member of Don Albert's swing band, but he spent most his career in New Orleans in the dixieland bands of Paul Barbarin, Sidney Desvigne, Oscar Celestin, and Octave Crosby. During the 1950s he went to Los Angeles to join the band of Kid Ory, then a couple years later returned to New Orleans.
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He was able to play two brass instruments at the same time, including very late in his life. He played early in the 20th century with the Eagle Brass Band and the Tuxedo Brass Band, and was a veteran of some of Buddy Bolden's bands. He played in New Orleans for much of his career, but toured with Kid Ory in 1919 and with the Martels Family Band as a pianist in the 1920s. He played on riverboats with Ed Allen in that decade as well.
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He played with Jelly Roll Morton in 1941 for rehearsals. In 1944 Wilson became a member of a traditional New Orleans band that was a leader of the West Coast revival, put together for the CBS Radio series The Orson Welles Almanac. The all-star band also included Mutt Carey, Ed Garland, Jimmie Noone (succeeded by Barney Bigard), Kid Ory, Bud Scott and Zutty Singleton. Renamed Kid Ory's Creole Jazz Band, the group then made a significant series of recordings on the Crescent Records label.
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The Castle Jazz band recorded the song in 1949 and released it on Castle Records as a 78. Sonny Brooks and His orchestra released the song as "Dixieland One- Step" on Cahill with the songwriting credit to Nick LaRocca. Kid Ory recorded the song as "Original Dixieland One-Step". "Original Dixieland One-Step" was released by the Sextette from Hunger led by Eddie Skrivanek with George Thow, Joe Yukl, Blake Reynolds, Charlie LaVere, Richard Cornell, and Country and Washburne on MacGregor 1026 in the early 1950s.
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In 2001 she was elected to the National Council. From 2001 to 2002 she was Chairwoman of the Neuchâtel section of the SP, but had to leave because of her nomination as spokeswoman of the Federal Department of the Interior. Gisèle Ory was elected to the Council of States in 2003 along with Socialist Jean Studer. After Studer's resignation in 2006, she was joined by Pierre Bonhôte (Social Democratic Party of Switzerland), who won a by-election against Philippe Bauer (Liberal Party of Switzerland).
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Good Time Jazz Records was an American jazz record company and label. It was founded in 1949 by Lester Koenig to record the Firehouse Five Plus Two and earned a reputation for Dixieland jazz. The label produced new releases and reissues, including recordings by Jelly Roll Morton, Burt Bales, Wally Rose, Luckey Roberts, Willie "The Lion" Smith, Lu Watters, Bob Scobey, Bunk Johnson, Kid Ory, George Lewis, Johnny Wiggs, Sharkey Bonano, Don Ewell, and blues musician Jesse Fuller. Good Time Jazz was subsumed by Koenig's Contemporary Records.
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Her other leading roles at the Opéra included Eurydice in Orphée et Eurydice, Iphigénie in Iphigénie en Tauride, Pamyra in Le siège de Corinthe, Adèle in Le comte Ory, Amazily in Fernand Cortez, and Églantine in the first French performance of Euryanthe. Dabadie's voice was beautiful and well-schooled, with a purity of style and diction, but Laure Cinti-Damoreau somewhat eclipsed her fame when she joined the company in 1826. Several of the leading roles in Paris Opéra premieres were given to Cinti-Damoreau, with Dabadie either in secondary roles (as in Moïse et Pharaon and William Tell) or singing Cinti-Damoreau's roles in revival performances (such as Le siège de Corinthe and Le comte Ory). During this time Dabadie's two younger sisters also began performing at the Paris Opéra: the soprano Clara Lavry (née Leroux) and the ballerina Pauline Leroux. From 1821 to 1830, Dabadie was also a principal singer in the Chapelle royale of Louis XVIII and later Charles X. She had been engaged by the Duc de La Châtre in 1821 after he heard her performance at Notre Dame Cathedral in a Te Deum marking the baptism of the Count of Chambord.
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That night, David wonders what kind of person he would be if King George had raised him, but Mary Margaret reassures him that he has a good heart. She admits that she had been craving excitement, and they agree that they enjoyed the day's adventure. But when David talks about returning to the Enchanted Forest, Mary Margaret declares she will not go back if it means being separated from Emma. Meanwhile, Ruby (Meghan Ory) visits the still-amnesiac Belle (Emilie de Ravin) at the hospital and brings her a book.
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A native of the Canton of Neuchâtel, Burkhalter served in the Parliament of the Canton of Neuchâtel from 1990 to 2001. From 1991 to 2005, he was a member of Neuchâtel's city government (Conseil communal), and was the mayor of the city several times (1994/1995, 1998/1998, 2001/2002). From 2003 to 2007, he was a member of the Swiss National Council. On 11 November 2007, Burkhalter was elected to the Council of States, along with Social Democratic Party (SP) candidate, Gisèle Ory, who was re-elected for a second term.
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As well as dropping some of the original music that was in an ornate style unfashionable in Paris, Rossini accommodated local preferences by adding dances, hymn-like numbers and a greater role for the chorus. Rossini's mother, Anna, died in 1827; he had been devoted to her, and he felt her loss deeply. She and Colbran had never got on well, and Servadio suggests that after Anna died Rossini came to resent the surviving woman in his life. In 1828 Rossini wrote Le comte Ory, his only French-language comic opera.
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He died on July 10, 1941, after an eleven-day stay in Los Angeles County General Hospital. According to the jazz historian David Gelly in 2000, Morton's arrogance and "bumptious" persona alienated so many musicians that few of them attended his funeral. An article about the funeral appeared in the August 1, 1941 issue of DownBeat and reported that his pallbearers were Kid Ory, Mutt Carey, Fred Washington, and Ed Garland. Duke Ellington and Jimmie Lunceford were absent, though both were appearing in Los Angeles at the time.
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Mary Margaret is unaware of who he is. Meanwhile, at the Mayor's home, Regina takes the book from Henry's room and goes downstairs to look at her mirror, with an expression that seems to acknowledge she is aware of her fairy tale existence. As Emma arrives at Granny's Bed & Breakfast, she is given a key to her room by the elderly proprietor (Beverley Elliot), who is actually Little Red Riding Hood's grandmother from Little Red Riding Hood. She comes downstairs after yelling at Ruby (Meghan Ory), her granddaughter, who is actually Little Red Riding Hood.
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Bloomsbury Publishers, In the first half of 1927, Armstrong assembled his Hot Seven group, which added drummer Al "Baby" Dodds and tuba player, Pete Briggs, while preserving most of his original Hot Five lineup. John Thomas replaced Kid Ory on trombone. Later that year he organized a series of new Hot Five sessions which resulted in nine more records. In the last half of 1928, he started recording with a new group: Zutty Singleton (drums), Earl Hines (piano), Jimmy Strong (clarinet), Fred Robinson (trombone), and Mancy Carr (banjo).
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La cenerentola and Cosi fan tutti were sell outs and could have been played every year. But The Marriage of Figaro, Idomeneo, Le Comte Ory as well as Ebert's own production of Don Giovanni with John Piper's sets which was enhanced musically by the then-music director Vittorio Gui. For 20 years up to 1954, almost every production was undertaken by Carl Ebert, but in that year Peter's production of Arlecchino by Busoni and under John Pritchard introduced the young director. Glyndebourne Festival productions by season on Glyndebourne.com.
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In 1954 Peter Ebert became chief producer at the Staatsoper Hannover in Hanover under Intendant Kurt Ehrhardt, and the family moved there. Peter stayed six years and learned a large amount of the opera repertoire in a theatre with very high standards. However, the summers were nearly always spent working at Glyndebourne as assistant to his father and later doing his own productions and restaging his fathers’ work. When Glyndebourne took Le Comte Ory and Falstaff to Paris, Ebert did all the technical and preparatory work as well as the rehearsals.
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Earl Thomas Watkins, Jr. (January 29, 1920 in San Francisco – July 1, 2007 in San Francisco) was an American jazz drummer. Watkins was a percussionist in a United States Navy band during World War II, and returned to San Francisco after the war. He played with Wilbert Baranco in 1946 and did extensive work as a sideman and session musician in the 1950s, including with Kid Ory, Flip Phillips, Muggsy Spanier, and Bob Scobey. He joined Earl Hines's ensemble in San Francisco, touring and recording with him until 1961.
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His older brother, Willard Foster, began playing banjo and guitar; George started out on a cello then switched to string bass. Foster married twice: to Bertha Foster in 1912 and Alma Foster in 1936. Pops Foster was playing professionally by 1907 and worked with Jack Carey, Kid Ory, Armand Piron, King Oliver and other prominent hot bands of the era. In 1921 he moved to St. Louis to play with the Charlie Creath and Dewey Jackson bands, in which he would be active for much of the decade.
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50 Don Magnifico in Rossini's La Cenerentola,The Gramophone, July 1954, p. 51 and the Governor in Rossini's Le comte Ory, both conducted by Gui.The Gramophone, March 1967, p. 80 His other operatic recordings included Altomaro in Handel's Sosarme,The Gramophone, August 1955, p. 53 and Lockit in The Beggar's Opera, conducted by Sir Malcolm Sargent.The Gramophone, December 1963, p. 59 Wallace made several recordings of Gilbert and Sullivan roles. For Sargent's EMI series he recorded Pooh-Bah in The Mikado (1957)The Gramophone, December 1957, p. 24 and Mountararat in Iolanthe (1959).
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Dabadie studied at the Paris Conservatory, and made his debut at the Paris Opéra, in 1819, as Cinna in La vestale. He was to remain at the Opéra until 1836, creating roles specifically written for him by Rossini, notably; the Pharaon in Moïse et Pharaon, Raimbaud in Le comte Ory, and Guillaume Tell. He also created roles in opera by Auber, Pietro in La muette de Portici, Jolicoeur in Le philtre, and Jean in Le serment. He also sang in Italy, where he created Belcore in Donizetti's L'elisir d'amore, in Milan, on May 12, 1832.
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Armstrong's solos were a significant factor in making jazz a true 20th-century language. After leaving Henderson's group, Armstrong formed his virtuosic Hot Five band, which included instrumentalist's Kid Ory (trombone), Johnny Dodds (clarinet), Johnny St. Cyr (banjo), and wife Lil on piano, where he popularized scat singing. Jelly Roll Morton recorded with the New Orleans Rhythm Kings in an early mixed-race collaboration, then in 1926 formed his Red Hot Peppers. There was a larger market for jazzy dance music played by white orchestras, such as Jean Goldkette's orchestra and Paul Whiteman's orchestra.
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Baton Rouge and London: Louisiana State University Press, 1967, revised edition 1978, In 1944 Garland became best known as a member of a traditional New Orleans band that was a leader of the West Coast revival, put together for the CBS Radio series The Orson Welles Almanac. The all-star band also included Mutt Carey, Jimmie Noone (succeeded by Barney Bigard), Kid Ory, Bud Scott, Zutty Singleton and Buster Wilson. Renamed Kid Ory's Creole Jazz Band, the group then made a significant series of recordings on the Crescent Records label.Ertegun, Nesuhi.
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Pascal Ory criticizes this literature as conceptually vague; relying heavily on anecdotal evidence; and using confusing, poorly defined terminology. Nevertheless, gastronomy has grown from a marginalized subject in France to a serious and popular interest worldwide. The derivative gourmet has come into use since the publication of Physiology of Taste () an 1825 cooking treatise by Jean Anthelme Brillat-Savarin, a lawyer and politician who aimed to define classic French cuisine. While the work contains some flamboyant recipes, it goes into the theory of preparation of French dishes and hospitality.
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Dark House is a supernatural horror film directed by Darin Scott and stars Jeffrey Combs, Meghan Ory and Diane Salinger with Matt Cohen, Shelly Cole, Danso Gordon, Ryan Melander, Bevin Prince, Meghan Maureen McDonough and Scott Whyte. The film was scripted by Darin Scott with the story created by Kerry Douglas Dye and Darin Scott. The movie was produced by Mark Sonoda and Nick Allan. Dark House opened theatrically for one week engagements on Friday, July 30 in New York City, Dallas and San Francisco and was released on DVD September 28, 2010.
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Despite literally disintegrating in this film (after committing several major crimes), Dreyfus inexplicably returns in the next Pink Panther film, Revenge of the Pink Panther (1978). French comic book writer René Goscinny of Asterix fame was reportedly trying to sue Blake Edwards for plagiarism at the time of his death in 1977 after noticing strong similarities to a script titled "Le Maître du Monde" (The Master of the World) which he had sent Peter Sellers in 1975. Pascal Ory, Goscinny (1926–wall): la Liberté d'en rire, Paris: Perrin, 2007, , p. 221.
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In fall of 2009 season, Brian is designed the revival of Neil Simon's Brighton Beach Memoirs, Broadway Bound and David Mamet's new play Race. In the 2010 season he designed A Behanding in Spokane, Fences, Armida at The Metropolitan Opera, and Women on the Verge of a Nervous Breakdown. In 2011 he has designed The Book of Mormon, Le Compte Ory at The Metropolitan Opera and The House of Blue Leaves. He has had several students go on to also design Broadway productions, including Kenneth Posner, Jeff Croiter, Jason Lyons, and Jen Schriever.
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There, she perfected her French and became familiar with a more open and more cosmopolitan society. That same year, she moved to Madrid in order to prepare her PhD thesis in XIII Galician-Portuguese chansonnier, which she would not complete. In Madrid, Ignacio Aldecoa introduced her to the literary circle of some of the writers that were part of the Generation of '50. Significant members of this generation were: Medardo Fraile, Alfonso Sastre, Mayrata O'Wisiedo, Jesús Fernández Santos, Rafael Sánchez Ferlosio, Josefina Aldecoa and Carlos Edmundo de Ory.
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The stage setting for Rossini's Le Comte Ory as performed at the Teatro alla Canobbiana in 1830 The Teatro Lirico (known until 1894 as the Teatro della Canobbiana) is a theatre in Milan, Italy. In the 19th and early 20th centuries it was particularly notable for opera performances, including the world premieres of Donizetti's L'elisir d'amore and Giordano's Fedora. The theatre, located on Via Rastrelli, closed in 1998. However, a restoration project was begun in April 2007, and it was due to re-open in 2009 as the Teatro Lirico Giorgio Gaber.
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For bass they found Frédéric Vidalenc, who had played in the well-known local group Dernier Métro, and eventually they settled on Luc Robène for guitar. (The following year Cantat also left the band temporarily, being replaced during his six-month absence by Emmanuel Ory- Weil, who later became the band's manager.) When Robène quit in 1985 Cantat succeeded in getting their original guitarist, Teyssot-Gay, back into the band. The new lineup of Cantat on vocals, Teyssot-Gay on guitar, Vidalenc on bass and Barthe on drums continued for 11 more years.
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Peschard began at the Paris Opera in September 1862 in Count Ory and stayed there until 1 July 1863. He then sang in Bordeaux (1864-1865); in Lyon (1868); in Bordeaux (1869); at the Monnaie de Bruxelles (1870-1872), where he performed on the Roussalkas (Ivan) of the Baroness de Maistre and the Florentin Emile Pichoz, until a serious disease left him bedridden; he was cast as Lohengrin but needed to be replaced. He did eventually return to the stage and performed again in Bordeaux (1873); then in Paris (1874 and following years).
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Chesapeake Shores is a Canadian/American drama television series, based on the novel series of the same name by Sherryl Woods. The series had a two-hour premiere on the Hallmark Channel on August 14, 2016. The ensemble cast includes Meghan Ory, Jesse Metcalfe, Treat Williams, Laci J. Mailey, Emilie Ullerup, Brendan Penny, Andrew Francis, Barbara Niven and Diane Ladd. At the Television Critics Association winter press tour in February 2019, it was announced that the series will return for a fourth summer season but for only six episodes.
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During the 1940s and 50's he worked in Hollywood as a singer and actor and was in over thirty movie and TV shows, including Gentlemen Prefer Blondes, Superman, and Titanic. He played saxophone and harmonica and brought Ingram to hear Louis Armstrong, Harry James, Duke Ellington, Count Basie, Al Hirt, Buddy Rich, Barney Bigard, Jack Teagarden, Kid Ory, Woody Herman, Rafael Méndez, and Teddy Buckner. He gave Ingram his first trumpet and mouthpiece in 1965. The horn is a bare, brass trumpet made in American-occupied post-war Japan.
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Hill staged a comeback in 1946 with Lovie Austin's Blues Serenaders, and recorded for Rudi Blesh's Circle label. She began appearing on radio and in clubs and concerts in New York, including in 1948 the Carnegie Hall concert with Kid Ory, and she sang at the Paris Jazz Festival, and worked with Art Hodes in Chicago. She was back again in 1950, when she was run over by a car and killed in New York at the age of 45. She is buried at the Lincoln Cemetery, Blue Island, Cook County, Illinois.
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In 1879, pharmacist, planter, and patent medicine purveyor Basile Laplace arrived from New Orleans, and established a large plantation in Bonnet Carré. In 1883 he allowed the New Orleans and Baton Rouge Railroad to cut through his land. The settlement's railroad depot was named after Laplace, then the post office, and eventually the town itself. In the 1920s, Woodland Plantation was bought by the Montegut family, but the most famous person born there may have been Kid Ory, who was born in an outbuilding and later led a successful New Orleans jazz band.
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Robertson played in circus bands and traveling revues, including Kit Carson's Wild West Show. He was part of the Olympia Band around 1914 and was a trombonist for Manuel Perez, Richard M. Jones, and John Robichaux. Robertson was an early influence on Kid Ory – Robertson gave him lessons, and the two practised together. After moving to Chicago in 1917 he played at the De Luxe Café, and "by the mid-1920s he was playing with leaders of the stature of Jelly Roll Morton, with whom he recorded 'Some Day Sweetheart/London Blues' (1923, OK 8105), and King Oliver (1924)".
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"Muskrat Ramble" is a jazz composition written by Kid Ory in 1926. It was first recorded on February 26, 1926, by Louis Armstrong and his Hot Five, and became the group's most frequently recorded piece. It was paired on the flip side with another one of Armstrong's hits, "Heebie Jeebies." It was a prominent part of the Dixieland revival repertoire in the 1930s and 1940s, and was recorded by Bob Crosby, Roy Eldridge, Lionel Hampton, Woody Herman, Muggsy Spanier, Chet Atkins, Lu Watters, the Andrews Sisters, Harry James, and Al Hirt,Al Hirt, Our Man in New Orleans Retrieved April 10, 2013.
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Before she can do anything, she is tricked by Emma and tied by magic around a tree. After a battle between Merlin and Emma, Zelena transports herself and Arthur back to Camelot. Arthur and Zelena plan to take a magical helm from the kingdom of DunBroch. After many failed attempts to reach the helm, including a battle between Arthur, Zelena and Red Riding Hood (Meghan Ory), Mulan (Jamie Chung) and Merida (Amy Manson, she transports herself back to Camelot, where Emma casts the Dark Curse, ripping everyone back to Storybrooke without their memories of ever stepping foot in Camelot.
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In the past Trochetia parviflora was known from the forest at Montagne-Ory. After botanist Philip Burnard Ayres collected the last known specimens in 1863 it was long regarded as lost until 76 individuals were rediscovered in April 2001 by the Mauritian botanists Vincent Florens and Jean-Claude Sevathian, from the Mauritius Herbarium, on a rocky slope of the Corps de Garde six kilometres apart from the type locality. It was assumed that this species has reduced its original range due to competition with invasive alien plants and seed predation by invasive monkeys and rats. Today the biggest threats are wildfire and landslides.
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"In the Name of the Brother" was written by consulting producer Jane Espenson, while being directed by 24 vet Milan Cheylov. According to David Anders, this episode was intended to seed a romance between Ruby and Whale, who were seen arm in arm at the end of the episode. According to Anders these plans were shelved due to Ory being cast in the short-lived series, Intelligence. After the aforementioned show's cancellation Anders himself was cast in the series iZombie, leading to Ruby's pairing with Dorothy Gale in the episode Ruby Slippers during the fifth season arc in which the character returned.
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Since 1980 the "Fondazione" has supported the annual Rossini Opera Festival in Pesaro. In the 21st century, the Rossini repertoire of opera houses around the world remains dominated by Il barbiere, La Cenerentola being the second most popular. Several other operas are regularly produced, including Le comte Ory, La donna del lago, La gazza ladra, Guillaume Tell, L'italiana in Algeri, La scala di seta, Il turco in Italia and Il viaggio a Reims. Other Rossini pieces in the current international repertory, given from time to time, include Adina, Armida, Elisabetta regina d'Inghilterra, Ermione, Mosé in Egitto and Tancredi.
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He released the first of his commercial recordings, first as piano rolls, then on record, both as a piano soloist and with jazz bands. In 1926, Morton signed a contract with the Victor Talking Machine Company, giving him the opportunity to bring a well-rehearsed band to play his arrangements in the Victor recording studios in Chicago. These recordings by Jelly Roll Morton and His Red Hot Peppers included Kid Ory, Omer Simeon, George Mitchell, Johnny St. Cyr, Barney Bigard, Johnny Dodds, Baby Dodds, and Andrew Hilaire. In November 1928, Morton married Mabel Bertrand, a showgirl, in Gary, Indiana.
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He then marched to the East and annexed most of the land of the Kushans, and appointing his son Narseh as Sakanshah - king of the Sakas - in Sistan. Shapur could now proudly proclaim that his empire stretched all the way to Peshawar, and his relief in Rag-i-Bibi in present-day Afghanistan confirms this claim.W. Soward, "The Inscription Of Shapur I At Naqsh-E Rustam In Fars", sasanika.org, 3. Cf. F. Grenet, J. Lee, P. Martinez, F. Ory, “The Sasanian Relief at Rag-i Bibi (Northern Afghanistan)” in G. Hermann, J. Cribb (ed.), After Alexander.
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Martínez-Castignani performs several roles, among them Schaunard (La Bohème), Dandini/Don Magnifico (La Cenerentola), Il Barone di Trombock (Il viaggio a Reims), Martino (L’occasione fa il ladro), Malatesta (Don Pasquale), Enrico (Il campanello), Bartolo (The Barber of Seville), Taddeo (L'italiana in Algeri), Raimbaud (Le Comte Ory), Dulcamara (L'elisir d'amore), Figaro (The Marriage of Figaro), Papageno (The Magic Flute), Scharpless (Madame Butterfly) and Zurga (Les pêcheurs de perles). On the concert arena he sings Bach's St Matthew Passion, St John Passion and Christmas Oratorio, Brahms' German Requiem, Mozart's Requiem, Haydn's Nelson Mass, Schubert's Die schöne Müllerin and Winterreise, and Schumann's Schwanengesang and Dichterliebe.
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Elsdon was born in London on 15 October 1934. He studied trumpet under Tommy McQuater. His early professional work included time with Cy Laurie (1954–56), Graham Stewart and his 'Graham Stewart Seven' (1957–58), a Royal Air Force band, and Terry Lightfoot (1959–61); with Lightfoot he played alongside Kid Ory and Red Allen. Elsdon led his own band from 1961 (he made an appearance on 1 June 1962 in a TV series called All That Jazz) into the 1990s, and during the 1960s also played with Edmond Hall, Albert Nicholas, Wingy Manone, and Howlin' Wolf.
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Albert Burbank (March 25, 1902 - August 15, 1976) was a New Orleans clarinetist. Born in New Orleans, Burbank was taught clarinet by Lorenzo Tio, one of that city's most famous clarinet players. He stayed in the New Orleans area throughout the 1920s, playing wherever his services were needed. During the thirties, he worked with Kid Milton's band but was drafted into the US Navy during World War II. Upon demobilization, he worked internationally with the bands of Paul Barbarin and Kid Ory, later returning to New Orleans where he played with several of the well-known jazz and brass bands in the city.
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And this is easier said than done, considering Merida is a character who, up until this point, hasn't even been particularly likable. I like Amy Manson in the role of Merida, but she hasn't always been given the best material, often coming across as unnecessarily combative and standoffish. And so this episode was necessary to soften the character and illustrate why she's as hard-nosed as she is. This episode also gave Manson the opportunity to really shine, while also bringing back some OUAT alums I didn't realize I’d missed, such as Mulan (Jamie Chung) and Ruby (Meghan Ory).
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While living at the Turkish Embassy in Washington, D.C., he promoted jazz concerts during 1941-1944. When his father died in 1944, and the rest of his family returned to Turkey, Nesuhi moved to California, where he married Jazz Man Record Shop owner Marili Morden and helped run the shop as well as establishing the Crescent Records label. After purchasing Jazz Man Records, he discontinued Crescent and issued traditional jazz recordings on Jazz Man until 1952. At Jazz Man, Nesuhi produced classic Kid Ory revival recordings in 1944 and 1945, plus other recordings by Pete Daily and Turk Murphy.
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Louis Armstrong and his Hot Seven was a jazz studio group organized to make a series of recordings for Okeh Records in Chicago, Illinois, in May 1927. Some of the personnel also recorded with Louis Armstrong and His Hot Five, including Johnny Dodds (clarinet), Lil Armstrong (piano), and Johnny St. Cyr (banjo and guitar). These musicians were augmented by Dodds's brother, Baby Dodds (drums), Pete Briggs (tuba), and John Thomas (trombone, replacing Armstrong's usual trombonist, Kid Ory, who was then touring with King Oliver). Briggs and Thomas were at the time working with Armstrong's performing group, the Sunset Stompers.
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From 1949 to 1952 she studied with Gwynn Parry Jones at the Guildhall School of Music and Drama, London. She began her career with Opera for All (1952–55). In 1959 she joined Sadler’s Wells, making her début in Rusalka; for ten seasons she was a member of the company, her most notable achievement being her interpretations of La Cenerentola, Rosina (The Barber of Seville), Isolier (Le comte Ory) and Isabella (L'italiana in Algeri). Her other roles included Iolanthe, Hänsel, Cherubino, Pippo, and Josephine in the premiere of Malcolm Williamson's The Violins of Saint-Jacques (1966).
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At the start of her career Zeani had specialised in coloratura roles including Lucia in Lucia di Lammermoor, Elvira in I puritani, Gilda in Rigoletto, and Adèle in Le comte Ory. However, in a 1960 production at the Teatro dell'Opera di Roma she sang all three heroines in The Tales of Hoffmann — Olympia (coloratura soprano), Antonia (lyric soprano), and Giulietta (dramatic soprano). Rossi-Lemeni appeared in the same production playing all four villains — Lindorf, Coppelius, Dr. Miracole, and Dappertutto. From 1970 she increasingly assayed the heavier dramatic soprano roles with great success, notably the title roles in Aida, Tosca, Manon Lescaut, and Fedora.
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The Oklahoma Railway Company (ORy) operated interurban lines to El Reno, Guthrie, and Norman, and several streetcar lines in Oklahoma City, and the surrounding area from 1904 to 1947. Freight traffic was also handled on the interurban lines as well as a few of the streetcar lines. The railway had a connection with the Fort Smith and Western Railroad at Guthrie and the two companies interchanged freight cars there. As World War II approached, the company began to shift focus away from interurban/streetcar operation towards buses; as a result, the company began to gradually abandon its rail operations.
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He worked in Los Angeles in the 1930s with Les Hite and Lionel Hampton, then played in Monk McFay's band in Hawaii in 1935–39 and led his own band for a time thereafter. In 1941 he returned to the continental United States, playing with Ceele Burke (1942–46), Horace Henderson (1946), and Kid Ory (1947). He led his own Dixieland outfits in California through the 1950s, but didn't record with any of them. In the 1960s Blakeney played with the Young Men of New Orleans, in the 1970s with the Legends of Jazz, and in the 1980s with the Eagle Brass Band.
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The personnel on this initial recording of "Georgia Grind" were Louis Armstrong (cornet, vocals), Kid Ory (trombone), Johnny Dodds (clarinet, alto saxophone) and Lil Hardin (piano, vocals) with Johnny St. Cyr (banjo). The recording was in the key of E♭ Major, and was made on February 26, 1926, in Chicago, Illinois, United States. Armstrong ignored large parts of the melody in the recording, largely talking his way through, hinting towards his scat work on his later recording, "Heebie Jeebies". Like "Heebie Jeebies," a dance was choreographed to the song as a way to assist in sales and popularity.
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According to David Anders, the episode In the Name of the Brother was intended to seed a romance between Ruby and his character, Dr. Whale, who were seen arm in arm at the end of the episode. According to Anders these plans were shelved due to Ory being cast in the short-lived series, Intelligence. After the aforementioned show's cancellation Anders himself was cast in the series iZombie, leading to Ruby's pairing with Dorothy Gale in the episode this episode. Due to Ory's being cast in Chesapeake Shores, it was her final appearance in the series.
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A new St. Eugene Parish was established in June, 1962 with Immaculate Conception as its Mission Chapel. Fr. Joseph Decoteau, who was then pastor of Sacred Heart Church in Creole, officially became its first pastor, then moved from Creole to Grand Chenier and stayed in a home given by a parishioner. Pastors who served the Grand Chenier Catholic Community AFTER the establishment of an independent parish: # Rev. John DeLeeuw (1965- 1967) # Rev. Charles Soileau (1967-1969) # Rev. Henry Eugene Ory (1969-1972) # Rev. Tolson Jones (1972 -1974) # Rev. Edward Degeyter was pastor for six months (1974) # Rev.
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After a fire burned the Salle Favart in 1838, the troupe had several homes before it finally settled in the Salle Ventadour in 1841. Rossini continued to produce lavish operas with spectacular sets, rapid pace, the use of unusual instruments (the trombone, cymbals and triangle) and extravagant emotion. He staged Siege of Corinth (1827), followed by Moses and the comic opera Le comte Ory. He then undertook to write an opera that was entirely French; he wrote William Tell based on a play by Schiller, which premiered at the Salle Le Peletier on August 3, 1829.
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He went back to Chicago, where he played with Dave Peyton (1930), the Chicago Ramblers (1932), Johnny Dodds and Baby Dodds, Zutty Singleton, Mezz Mezzrow, Lovie Austin, and Jimmy Bertrand (1945). Collins played in Chicago through the 1930s and 1940s as an accompanist to many blues singers and in nightclubs. After 1945, he led his own band at the Victory Club, on Clark Street in Chicago, and gigged with Bertha Hill (1946), Kid Ory (1948), and Art Hodes (1950–1951). He played in Europe with Mezz Mezzrow in 1951 and 1954 and in California with Joe Sullivan in 1953.
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He sang in the Paris premieres of Mosè in Egitto, Ricciardo e Zoraide, La cenerentola, La donna del lago, and he participated in the creation of Il viaggio a Reims. Levasseur returned to the Paris Opéra in 1827 and remained there until 1853, where he created all the great basso cantante roles, notably in operas such as; Le comte Ory, Guillaume Tell, Robert le diable, La juive, Les Huguenots, La favorite, Dom Sebastien, Le prophète, etc. Levasseur was considered peerless in his time, possessing a voice of remarkable beauty and grandeur. He taught at the Paris Conservatory from 1841 until 1870.
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Le Rossignol was to remain in the repertoire of the Opera "largely as a showpiece for soprano Laure Cinti-Damoreau" (Benjamin Walton, Rossini in Restoration Paris: The Sound of Modern Life, Cambridge, Cambridge University Press, 2008, p. 238, note 60). and was engaged the following year as a member of the theatre's company. At the Opera she became the leading lady in Rossini’s French production; Moïse et Pharaon, Le siège de Corinthe, Le comte Ory, Guillaume Tell, and also took part in the creation of notably; Auber's La muette de Portici, and Meyerbeer's Robert le diable.
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Although not unknown at an earlier date (for example the title-role in Mozart's Mitridate), roles for this voice were particularly numerous at the beginning of the nineteenth century: for example Lindoro in Rossini's L'italiana in Algeri or Rodrigo in Otello. Rossini also wrote roles in French for this type of voice, which may thus be regarded as a direct continuation of the earlier haute-contre tradition. These include the protagonist of Le Comte Ory, Néocles in Le siège de Corinthe and Arnold in 'Guillaume Tell', all of which were written for the great French tenor Adolphe Nourrit.
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In May 1843, she made her first appearance at La Monnaie, in Brussels, in Lucia. On August 22 of the same year, she married the tenor Jean-Auguste Dur-Laborde. Engaged at the Paris Opera, she began on 8 April 1849 in the role of Marguerite de Valois in Meyerbeer's Les Huguenots, then performing in Louis-Sébastien Lebrun's Lucie and Le RossignolLe Rossignol on Gallica and creating the role of Nephthah in Auber's L'enfant prodigue. She sang in Robert le Diable, La muette de Portici, William Tell, Mosè in Egitto, le Comte Ory, while at the same time achieving success in concerts.
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Nick LaRocca's 1917 composition "Tiger Rag" is one of the most important and influential jazz standards of the twentieth century. There were 136 cover versions of LaRocca's copyrighted composition "Tiger Rag" by 1942 alone. Among the artists who have recorded "Tiger Rag" are Louis Armstrong, Charlie Parker, Benny Goodman, Frank Sinatra, Duke Ellington, Kid Ory and his Creole Jazz Orchestra, Bix Beiderbecke, Les Paul, Art Tatum, The Mills Brothers in a No. 1 pop version, and Bob Crosby. The Original Dixieland Jazz Band is now regarded as one of the seminal groups in the formation and development of jazz.
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He began studying clarinet and tenor saxophone, which would eventually become his primary instruments. Goudie's arrival in New Orleans circa 1907 meant he had a tantalizing front- row seat to the blossoming of early jazz. Musicians such as King Oliver, Kid Ory, Johnny Dodds, Freddie Keppard, Jimmie Noone and a host of others, were in their prime and working at many venues throughout the city, in everything from duos, to six-piece jazz bands, to brass bands. Goudie may even have worked with, or crossed paths with, a young man close to his age, blowing up a storm on cornet - Louis Armstrong.
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Falcon as Rachel in La Juive Falcon (right) as Valentine in Les Huguenots (1836), with Julie Dorus-Gras (left) as Marguerite, and Adolphe Nourrit as RaoulFalcon's other creations at the Opéra included the roles of Rachel in Halévy's La Juive (23 February 1835), Valentine in Meyerbeer's Les Huguenots (29 February 1836), the title role in Louise Bertin's La Esmeralda (14 November 1836), and Léonor in Louis Niedermeyer's Stradella (3 March 1837).Parsons 193, p. 467. She also appeared as the Countess in Rossini's Le comte Ory and Pamira in Rossini's Le siège de Corinthe (1836).Lajarte 1878, pp. 123–124.
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Bands would play music on the ships going across the lake and at pavilions and dance halls in Mandeville, and the town became one of the first places where the new "jazz" music was heard outside of New Orleans. Bunk Johnson, Buddy Petit, Papa Celestin, George Lewis, Kid Ory, Edmond Hall, Chester Zardis, and many other early jazz artists regularly played in Mandeville. In the late 19th century, Mandeville was home of the Harvey School (Mandeville), a college preparatory institution. Among those educated there was Andrew Querbes, then of New Orleans and later the mayor of Shreveport.
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Miles was born in the Faubourg Marigny neighborhood of New Orleans, Louisiana, in a afro- Creole Kouri-Vini (Louisiana Creole) speaking family. As a child, she sang in church and performed at parties and dances. She worked with Joe Oliver, Kid Ory, Bunk Johnson, and A.J. Piron from 1909 to 1911. She then toured the South, performing in theaters, circuses, and with minstrel shows owned/managed by J. Augustus Jones, Elmer H. Jones and their family. In 1917 she sang in Chicago with Manuel Manetta, and then, in 1921 with Freddie Keppard, Charlie Elgar, and again with Oliver. She moved to New York and made her first phonograph recordings in 1922.
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He went on to sing leading baritone roles with the company in a career spanning 25 years and created the roles of Maître Jean in Mermet's Jeanne d'Arc (1876) and Enguerrand in Joncières's La reine Berthe (1878).Casaglia 2005 His other roles with the company included: Ashton in Lucie de Lammermoor, Guy de Montfort in Les vêpres siciliennes, Raimbaud in Le comte Ory, Masetto in Don Giovanni, Nélusko in L'Africaine, Kilian in Der Freischütz, Alphonse in La favorite, Le Comte de Nevers in Les Huguenots, Hadjar in Le tribut de Zamora, and Valentin in Faust.X Y Z (1875) p. 230; Casaglia (2005); Pitou (1990) p.
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He, along with Eduardo Chicharro and the Italian poet Silvano Sernesi, was the co- founder of a poetry movement called Postismo (Postism). Postism consisted of a loose group of writers creating work that valued language play and was set against the neo-romanticism of Spain’s official literary culture. Among the writers associated with the movement are Ángel Crespo, Gloria Fuertes, Juan Eduardo Cirlot, and Gabriel Celaya. Ory twice tried to bring out a literary journal to advance the work and tenets of Postism, but on both occasions the journal was censored by the fascist government of Franco and was not allowed to be distributed.
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In 1959, The Dukes of Dixieland released an album entitled At the Jazz Band Ball featuring an instrumental version of the song as the opening track. Bing Crosby and Louis Armstrong recorded the song in 1960 for their album Bing & Satchmo. Pete Fountain, Bob Crosby, George Barnes and his Octet, Phil Napoleon's Emperor's of Jazz, Nappy Lamare, Kenny Ball and His Jazzmen, Gene Krupa and his Chicago Jazz, Eddie Condon, Art Hodes, Sidney Bechet, Joe Venutti, the Sons of Bix, Nick LaRocca and His Dixieland Jazz Band, Kid Ory, the Belgrade Dixieland Orchestra, and Ted Heath are other recordings.At the Jazz Band Ball: Second Hand Song.
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Garrett has had an extensive music career. A graduate of the Royal Academy of Music and an alumna of the prestigious National Opera Studio, she won the Decca Prize of the Kathleen Ferrier Award in 1979, thereby launching her career. Her professional debut, in 1979, was as Amor in Orontea at the music festival in Batignano. She subsequently sang, in 1980, Alice in Le comte Ory at the London Coliseum and Dorinda in Orlando at the Wexford Festival, in 1981, also at Wexford, the title role in Zaide, in 1982 Sophie in Werther with Opera North and in 1984 Damigella in L'incoronazione di Poppea at Glyndebourne.
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Stober has also had engagements as a guest artist with numerous American opera companies. In 2002 she gave her first performance with the Boston Lyric Opera as Yvette in Puccini's La rondine; returning there the following year to perform the role of Rosalinde in Johann Strauss II's Die Fledermaus. In 2006 she made her debut with Boston Baroque as Zerlina in Don Giovanni, her debut with Opera Colorado as Pamina in The Magic Flute, her debut with Utah Opera as The First Lady in The Magic Flute, and performed the roles of the Comtesse in Rossini's Le comte Ory and Mozart's Barbarina at the Wolf Trap Opera.
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The turning point in his career came in 1952, when he made his debut at the Glyndebourne Festival, where he was to appear until 1961, especially in Rossini roles such as Almaviva, Lindoro in L'italiana in Algeri, Ramiro in La Cenerentola, and most notably as Le comte Ory, possibly his greatest success. Apart from Rossini, he also excelled in opera by Cimarosa and Paisiello. Other notable roles included: Don Ottavio in Don Giovanni, Nemorino in L'elisir d'amore, Ernesto in Don Pasquale, Fenton in Falstaff. In the 1960s, he began, perhaps unwisely, to expand his repertory towards heavier roles in opera by Verdi and Puccini.
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New Orleans is a 1947 American musical romance film featuring Billie Holiday as a singing maid and Louis Armstrong as a bandleader; supporting players Holiday and Armstrong perform together and portray a couple becoming romantically involved. During one song, Armstrong's character introduces the members of his band, a virtual Who's Who of classic jazz greats, including trombonist Kid Ory, drummer Zutty Singleton, clarinetist Barney Bigard, guitar player Bud Scott, bassist George "Red" Callender, pianist Charlie Beal, and pianist Meade Lux Lewis. Also performing in the film is cornetist Mutt Carey and bandleader Woody Herman. The music, however, takes a back seat to a rather conventional plot.
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In 2006, Ory was ordered to pay McDonald $395,000 for attorney fees and had to sell her copyrights to do so. In 2004, McDonald regrouped with three of the original members of Country Joe and the Fish (Bruce Barthol, David Bennett Cohen, and Gary "Chicken" Hirsh) and they toured the United States and the United Kingdom as the "Country Joe Band". In 2005, McDonald joined a larger protest against California Governor Arnold Schwarzenegger's proposed budget cuts at the California State Capitol Building. Later in 2005, political commentator Bill O'Reilly compared McDonald to Cuban President Fidel Castro, remarking on McDonald's involvement in Cindy Sheehan's protests against the Iraq War.
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The All Star Jazz Group, left to right: Ed Garland (bass), Buster Wilson (piano), Marili Morden (proprietor, Jazz Man Records), Jimmie Noone (clarinet), Mutt Carey (trumpet), Zutty Singleton (drums), Kid Ory (trombone), Bud Scott (guitar) Ed Garland was born in New Orleans January 9, 1895. By about 1910, he was playing bass drum with brass bands including Frankie Duson's Eagle Band. He then took up tuba and string bass; like many New Orleans bassists of the era, he doubled on the two instruments which filled similar roles in different types of bands. He played with the Excelsior Brass Band and Manuel Perez's Imperial Orchestra.
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Masterson went on to become principal soprano with English National Opera, from 1971, singing a wide range of roles from Mozart to Wagner and Rossini to Puccini. Her successes there included Adèle in Rossini's Le comte Ory,Sadler's Wells programme booklet, 22 February 1972 Micaëla in Carmen,The Times, 4 August 1975, p. 6 Violetta in La traviata and the title role in Massenet's Manon ("exquisitely sung and acted"). Her many other roles there included Woglinde and the Woodbird in the RingSadler's Wells programme booklet, 24 February 1973; ENO programme booklet, 6 January 1976 and Sophie and the Marschallin in Der Rosenkavalier.The Times, 29 January 1975, p.
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Lionel Hampton, Martha Tilton, Kid Ory, George Givot, Gene Krupa, Teddy Wilson, Harry James and many other musicians made appearances in this film. However, while Ziggy Elman appeared on screen recreating his trumpet solo on "And the Angels Sing", he was unable to record his portion for the soundtrack; Mannie Klein actually performed it, off-camera. Similarly, Red Mack's performance in the film is actually played by Alvin Alcorn. Fletcher Henderson is portrayed by Sammy Davis, Sr., father of Sammy Davis, Jr. Famed talent scout John Hammond was dissatisfied with the way he and the rest of the Hammond family, including sister Alice, were portrayed in the movie.
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Michel Sénéchal was born in Paris and sang as a child in a church choir in Taverny. He made his vocal studies at the Paris Conservatory, and made his debut at La Monnaie in Brussels in 1950, where he would remain until 1952. Upon his return in France he made his debut in Paris, at the Paris Opéra and the Opéra-Comique, where he sang the lead tenor roles in opera such as La dame blanche, Les Indes galantes, Il matrimonio segreto, Il barbiere di Siviglia, Le comte Ory, etc. He sang at the Aix-en-Provence Festival in Rameau's Platée for his debut there in 1956.
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Ushahidi (Swahili for "testimony" or "witness") is a website created in the aftermath of Kenya's disputed 2007 presidential election (see 2007–2008 Kenyan crisis) that collected eyewitness reports of violence sent in by email and text- message and placed them on a Google map. It is also the name of the open source software developed for that site, which has since been improved, released freely, and used for a number of similar projects around the globe. The Kenyan site was developed and run by several bloggers and software developers, all current or former residents of Kenya. They include Erik Hersman, Juliana Rotich, Ory Okolloh, and David Kobia.
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One of early rural blues, ragtime, and marching band music were combined with collective improvisation to create this new style of music. At first, the music was known by various names such as "hot music", "hot ragtime" and "ratty music"; the term "jazz" (early on often spelled "jass") did not become common until the 1910s. The early style was exemplified by the bands of such musicians as Freddie Keppard, Jelly Roll Morton, "King" Joe Oliver, Kid Ory. The next generation took the young art form into more daring and sophisticated directions, with such creative musical virtuosos as Louis Armstrong, Sidney Bechet, and Red Allen.
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A highly respected Rossini specialist, he made his Metropolitan Opera debut in 1988 as Count Almaviva in Il barbiere di Siviglia. He has performed Rossini's comic operas La scala di seta, L'occasione fa il ladro, L'italiana in Algeri, La gazza ladra, La Cenerentola, La pietra del paragone, Il viaggio a Reims, Le comte Ory as well as his opere serie Otello, Zelmira, Armida, Ricciardo e Zoraide, Maometto II, Semiramide, etc. He now mainly dedicates himself to teaching singing and giving master classes in Italy, Germany and Japan, but he has latterly founded an ensemble for recording Monteverdi operas, which has released recordings of L'incoronazione di Poppea and L'Orfeo.
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In his 1999 book The Temples that Jerusalem Forgot, Martin argued that the Haram al-Sharif is not the location of the last Temple. This was significant given his relationship with Herbert W. Armstrong whose editorial in The Plain Truth magazine was cited by Denis Michael Rohan as a reason for setting fire to the Al Aqsa mosque during the 1960s. The basis of this work began with Martin's first visit to Jerusalem in 1961 when he first met Benjamin Mazar and later his son Ory Mazar, who informed him of his belief that the Temples of Solomon and Zerubbabel were located on the Ophel mound to the north of the original Mount Zion on the southeast ridge.
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2 For Glyndebourne Festival Opera, both at its base in Sussex and at the Edinburgh Festival, he conducted Così fan tutte, Le Comte Ory, Ariadne auf Naxos and The Soldier's Tale,"Hans Schmidt-Isserstedt", The Opera Archive, Glyndebourne Festival Opera. Retrieved 17 May 2020 and a celebrated series of performances of The Marriage of Figaro (1958), with a cast he considered near ideal, including Geraint Evans, Pilar Lorengar, Graziella Sciutti and Teresa Berganza. At the Royal Opera House, Covent Garden, he conducted Tristan und Isolde with Wolfgang Windgassen and Birgit Nilsson in the title roles (1962) and Der fliegende Holländer with Donald McIntyre as the Dutchman (1972)."Hans Schmidt-Isserstedt", Royal Opera House Performance Database.
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In the late 1910s the park was razed and freed up land for quick build-up of residential and industrial buildings in the 1920s. "By 1940, approximately 70 percent of the black population of Los Angeles was confined to the Central Avenue corridor"; the area of modest bungalows and low-rise commercial buildings along Central Avenue emerged as the heart of the black community in southern California. Originally, the city's black community was concentrated around what is now Little Tokyo, but began moving south after 1900.Southeast Los Angeles Community Plan, L.A. Preservation It had one of the first jazz scenes in the western U.S., with trombonist Kid Ory a prominent resident.
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For the first time in her life, Kalika explicitly tells her mother that she loves her, and then she dies. Later, Sita arrives at the spot where Paula's son was conceived and experiences a cosmic event while remembering her last meeting with Suzama, in which she is irradiated with stellar energy and transformed into an ethereal being. Moments later, the Setians, who also exist in the same state as Sita arrive in their spaceship to take the baby back to their homeworld, where they will consume his holy powers. Sita possesses the body of Croka, the Setian commander and is able to use him to attack and incapacitate Ory long enough to her to save the baby.
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Her early Covent Garden roles included Maddalena (Rigoletto), Mrs Sedley (Peter Grimes), Feodor (Boris Godunov), Rosette (Manon), Flosshilde (Das Rheingold), Siegrune (Die Walküre), Azucena (Il trovatore), Pauline (The Queen of Spades), Mercedes (Carmen) and the Voice of Antonia's Mother (The Tales of Hoffmann). She can be heard as the voice of Nicklaus in the 1951 Powell and Pressburger film The Tales of Hoffmann. She made her Glyndebourne debut in 1954 in the comic role of Ragonde in the first British performance of Rossini's Le comte Ory. There she also sang Berta (The Barber of Seville), Marcellina (The Marriage of Figaro), Dryade (Ariadne auf Naxos), and Queen Henrietta (I puritani, with Joan Sutherland).
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Born Lucia Valentini, she studied first at the Padua Music Conservatory, and later at the Conservatorio di Musica Benedetto Marcello in Venice. She made her stage debut in Brescia, as Angelina in La cenerentola, a role with which she would remain closely associated throughout her career. She made her debut at La Scala in 1973, again as Angelina, and quickly established herself in the Rossini repertoire, singing in L'italiana in Algeri, Il barbiere di Siviglia, Il viaggio a Reims. She also sang the many "trouser roles" such as Tancredi, Malcolm in La donna del lago, Pippo in La gazza ladra, Calbo in Maometto secondo, Arsace in Semiramide, Isolier in Le comte Ory, etc.
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From 1928 to 1930 he played with Erskine Tate and, following this, with the Earl Hines Orchestra from 1931-1937. In the 1940s he played with Jimmie Noone (1941), Coleman Hawkins (1943), Don Redman, Phil Moore, Walter "Foots" Thomas, John Kirby (1946), Sy Oliver, Sammy Price, and Billy Kyle. While touring Europe with Buck Clayton in 1949, Bishop elected to remain there, and found work both with noted European jazz musicians and with touring or expatriate Americans, including Bill Coleman, Don Byas, Ben Webster, Kid Ory, Milt Buckner, Buddy Tate, and T-Bone Walker. Bishop recorded only two pieces as a bandleader in 1950, with a trio, but he continued to record regularly into the 1970s.
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"Orlandi, Elisa", based on Großes Sängerlexikon, at Operissimo (in German) Orlandi made her debut at the Teatro Regio di Parma on 6 February 1830 as Fiorilla in Rossini's Il turco in Italia. While in Parma she also sang in several concerts at the court of Marie Louise, Duchess of Parma. She made several appearances at the Teatro della Canobbiana in Milan later that year, including the house's first stagings of Giacomo Meyerbeer's Il crociato in Egitto (Palmide), Rossini's Le comte Ory (Alice), Rossini's Aureliano in Palmira (Zenobia), and Donizetti's Olivo e Pasquale (Isabella). She sang the role of Giovanna Seymour in the world premiere of Donizetti's Anna Bolena at the Teatro Carcano in Milan on 26 December 1830.
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In the 1940s he played with Barney Bigard, Marshal Royal, Lucky Thompson, Kid Ory, Benny Carter, Benny Goodman, Lionel Hampton, and Roy Milton. He enlisted in the Navy in October 1942 with Marshal and Ernie Royal, and, after training at Camp Robert Smalls, he was stationed with the Royals with the St Mary's College Pre-Flight School band. In the 1950s he also performed with Johnny Otis, Billy Vaughan, Nelson Riddle, Bill Berry, Ray Anthony, the Capp-Pierce Juggernaut, Bob Crosby, C.L. Burke, and Duke Ellington. He joined Gene Vincent and His Blue Caps in 1958 and was featured on several fine recordings from that period, including Say Mama, She She Little Sheila and Ac-centu-ate the Positive.
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Later Micromoogs also gained an extra potentiometer on the back to adjust the keyboard output tracking. There were also internal changes to the keyboard. The Micromoog has an audio input allowing external audio to be run through the filter and VCA. The connections on the rear connection panel are as follows: Outputs: LO Audio -10 dbm, HI Audio +12dbm, S-trig, KBD, Access(ory) power ± 15 VDC, 50 MA Inputs: filter, oscillator (0.95Volts per octave), S-trig, Audio Modulation The Micromoog served as the basis for the Multimoog, a similarly styled, but more generously equipped synthesizer featuring two VCOs, a larger 44 note keyboard, greater modulation options and an early implementation of keyboard aftertouch functions.
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He ran a chicken farm in Los Angeles, California. From 1944 to about 1961 he led one of the top New Orleans–style bands of the period. His sidemen during this period included, In addition to Carey and Garland, the trumpeters Alvin Alcorn and Teddy Buckner; the clarinetists Darnell Howard, Jimmie Noone, Albert Nicholas, Barney Bigard, and George Probert; the pianists Buster Wilson, Cedric Haywood, and Don Ewell; and the drummer Minor Hall. All but Buckner, Probert, and Ewell were originally from New Orleans. The Ory band was an important force in reviving interest in New Orleans jazz, making popular 1940s radio broadcasts--among them a number of slots on The Orson Welles Almanac program (beginning March 15, 1944).
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New York Philharmonic performance archives Later that month he sang Ferrando in Mozart's Così fan tutte with the Washington Opera Society in Washington, D.C. The following June he made his European debut at the very first Festival dei Due Mondi as Reuel in the world premiere of Lee Hoiby's chamber opera The Scarf with Patricia Neway and Richard Cross.American Opera by Elise Kuhl Kirk at books.google.com In August he performed the title role in Gioacchino Rossini's Le comte Ory at Tanglewood and in October he performed in Thomas Arne's rarely heard opera Comus with The Little Orchestra Society. In 1959 McCollum performed Handel's Ode for St. Cecilia's Day with the New York Philharmonic under conductor Leonard Bernstein.
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A popular legend (apparently originating from a 1930s claim by Richard M. Jones) says that Louis Armstrong dropped his lyric sheet while recording the song and for lack of words to sing, began to improvise his vocals and thereby created the technique of scat singing. This story, though popular, may be apocryphal. Although Armstrong did not invent scat singing, because it was already practiced by many musicians in New Orleans during the early twentieth century, Armstrong, Kid Ory, and Johnny St. Cyr confirm in their accounts that he did drop the sheet music during the session, prompting the need to improvise. Nevertheless, the inventiveness of the technique impressed many when the record first came out.
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Joseph-Théodore-Désiré Barbot began his musical training at the Toulouse Cathedral and at first studied the violin. He moved to Paris and entered the Paris Conservatoire, intending to study composition and the violin, but on the advice of his professor, switched to studying voice with Manuel Garcia the younger. He won first prize in singing at the Conservatoire in 1847, and made his debut at the Paris Opera in the leading tenor role in Rossini's Le Comte Ory in that year. He went on to sing leading tenor roles at the Paris Opera in works including La dame blanche of Boieldieu, Le chalet by Adolphe Adam, and La Juive by Halévy.
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IMSLP; see also the handbill for the first performance. In August 1844 he took part in a "monster concert" staged by Berlioz, which involved 1,025 performers. Dupont was one of the 100 tenors in the chorus.The Hector Berlioz Website In 1846 Charles Hervey described Dupont's voice as a "sweet but delicate organ [that] was drowned by the orchestra of the Académie Royal [the name of the Paris Opera at the time]".Hervey 1846, p. 20. Among Dupont's most highly regarded roles at the Opera were Raimbaut in Meyerbeer's Robert le diable, the title role in Rossini's Le comte Ory, and above all, in 1841, Don Ottavio in Don Juan, Castil-Blaze's infamous 1834 adaptation of Mozart's Don Giovanni.
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The airline was created by the French company Group Bourbon in November 2002 and started scheduled services to mainland France on 7 June 2003 with one Airbus 340-211 (ex-Air Tahiti Nui leased from Airbus Assets). The first route was Reunion (RUN) to Paris-Orly (ORY) via Lyon (LYS). During 2003 the airline had up to 196 staff (mostly former Air Lib and Aero Lyon employees), including 21 pilots, 61 cabin crew and 115 ground staff. After operations had to be ceased again shortly thereafter due to financial constraints, a recapitalisation of the airline was announced in January 2004, but in December of the same year the airline was liquidated and shut down.
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The music is composed and arranged by Holger Simon Paulli, who liberally borrowed musical material from other composers and also from his own earlier works. To illustrate the young couple's love for one another Paulli lets Carelis, in the scene in which he is alone with Eleonore, play the romanesca, a 17th-century aire de danse, on the viola da gamba. Extensive sections of the marketplace scene in Act I are danced to various passages from Rossini's opera comique Le Comte Ory (1828), whilst the round dance in the same scene is taken from Paulli's music for Bournonville's ballet, The White Rose. In the scene set in Madame van Everdingen's home, music from Hérold's opera Zampa and Rossini's finale from his opera L'assedio di Corinto are used.
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After this debut he was engaged for several concerts in Switzerland and – after World War II – abroad. He soon won the attention of Ferenc Fricsay, who engaged him for the Salzburg Festival where Haefliger's world career started in 1949 with the role of Tiresias in Carl Orff's opera Antigonae. He also sang the role of First Armed Man in Die Zauberflöte conducted by Wilhelm Furtwängler the same year at the Salzburg Festival. In 1952, he responded to the call of Ferenc Fricsay and joined him at the Deutsche Oper Berlin where he sang the tenor parts in all Mozart operas, in Rossini's The Barber of Seville and Le comte Ory, in Pfitzner's Palestrina, the role of Hans in Smetana's The Bartered Bride, among others.
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Mr. Gold proposes a plan to destroy the portal to prevent Cora from traveling to Storybrooke, and Regina reluctantly agrees, convinced that it is the best way to protect Henry (Jared S. Gilmore), even though the portal's destruction will kill anyone who attempts to use the portal, including Emma and Mary Margaret. She lies to Henry about her plans, claiming she is preparing for his mother and grandmother's return, and he praises her for having changed. Regina and Gold go into the mines and Gold uses his stolen fairy wand to draw all the power from the diamonds. The Seven Dwarves soon discover the theft of the magic, and they, along with Ruby (Meghan Ory), inform Henry, who realizes that his mother lied.
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Born and raised in the Philadelphia area, Toscano studied singing with Marinka Gurewich, Claire Gelda, and Floria Mari. In 1960 she won third prize in the Marian Anderson Singing Competition and first prize at the American Opera Auditions in Cincinnati which led to her opera debut in 1961 as Rosina in Rossini's The Barber of Seville at the Teatro Nuovo in Milan, Italy. In 1962 she won the Metropolitan Opera National Council Auditions. That same year she made her debut at Carnegie Hall as Alice in Rossini's Le comte Ory under conductor Thomas Schippers with the American Opera Society (AOS); also singing under Schippers that year as Elvira in L'italiana in Algeri at Avery Fisher Hall and at the Academy of Music in Philadelphia for the AOS.
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She further debuted as Adèle in Le comte Ory at La Scala and returned into a revival of Hansel and Gretel at the Metropolitan Opera. In 2015, she debuted at the Deutsche Oper Berlin as Violetta in La traviata and returned to Il turco in Italia at the Royal Opera House, for which she won the Best Female Singer in the Bachtrack Opera Awards. She then performed the title role in Maria Stuarda at the Théâtre des Champs-Élysées. In 2016, besides reprising Lucia at the Royal Opera, she made several role debuts including Rachel in La Juive at the Bavarian State Opera, Nedda in Pagliacci at the Zürich Opera House, Mimì in La bohème at the Berlin State Opera.
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Differences in stress, weak forms and standard pronunciation of isolated words occur between Australian English and other forms of English, which while noticeable do not impair intelligibility. The affixes -ary, -ery, -ory, -bury, -berry and -mony (seen in words such as necessary, mulberry and matrimony) can be pronounced either with a full vowel or a schwa. Although some words like necessary are almost universally pronounced with the full vowel, older generations of Australians are relatively likely to pronounce these affixes with a schwa while younger generations are relatively likely to use a full vowel. Words ending in unstressed -ile derived from Latin adjectives ending in -ilis are pronounced with a full vowel (), so that fertile sounds like fur tile rather than rhyming with turtle.
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In the following year, she undertook the role of Rosina in Rossini's The Barber of Seville at the Cologne Opera, the Schwetzingen Festival and the Zurich Opera earning rave reviews. Working with conductors Daniel Barenboim and Nikolaus Harnoncourt, Bartoli focused on Mozart roles, such as Zerlina in Don Giovanni and Dorabella in Così fan tutte, and from then on her career developed internationally. In 1990, she made her debut at the Opéra Bastille as Cherubino in Mozart's The Marriage of Figaro and her debut at the Hamburg State Opera as Idamantes in Mozart's Idomeneo, followed by her La Scala debut as Isolier in Le comte Ory in 1991, a performance that solidified her reputation as one of the world's leading Rossini singers.
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In 1917, Noone played with Kid Ory and Oscar Celestin until the Storyville district was permanently closed. He rejoined Keppard and the Original Creole Orchestra on the vaudeville circuit until the group broke up the following year. In 1918, Noone moved to Chicago, Illinois, where he studied with symphony clarinetist Franz Schoepp.Feather, Leonard, The Encyclopedia of Jazz. New York: Horizon Press, 1960. He played for two years (1918–1920) at Chicago's Royal Garden Cafe with Paul Barbarin (drums), King Oliver, Bill Johnson (bass), Lottie Taylor (piano) and Eddie Vinson (trombone). In 1920 Noone joined Keppard in Doc Cook's dance orchestra, in which he played saxophone and clarinet for six years. Noone was a brother-in-law of both Barbarin and Keppard.
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His partners were Kirsten Flagstad, Max Lorenz and Hans Hotter. In 1947, his concert career started in Switzerland in Beethoven's Missa Solemnis under the direction of Charles Münch. After completing his studies with Nadia Boulanger in Paris and Vera Schwarz in Salzburg, Van Kesteren was invited in 1954 to Berlin's Komische Oper to sing Nurreddin in Cornelius's The Barber of Baghdad under the direction of Walter Felsenstein and to sing the title role in the first performance in Germany of Rossini's Le comte Ory under the direction of Carl Ebert at the Stadtische Oper in 1956. In 1959 he moved to Munich at the invitation of both the German National Theatre and the Theater am Gartnerplaz, where he remained for seventeen years singing 33 opera's and operettas.
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They decide to visit Belle's father, Moe French (Eric Keenleyside), at his home, but they come away empty-handed, not forgetting what happened during Maurice's previous encounter with Rumplestiltskin. Unaware to both David and Gold, Belle was actually hiding out at Granny's where she made fast friends with Ruby (Meghan Ory). Belle expressed her need for a job, so Ruby suggests that, given Belle's love for books, she should reopen the boarded-up Storybrooke Public Library and become the town's newest librarian. Unfortunately, after leaving the diner en route to the library, she is kidnapped by William Smee (Chris Gauthier), who had been hired by Moe to take Belle to the mines and to have her memory erased once they arrived at the city limits in order to make her forget about Gold.
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Yunus also performed in concert with Plácido Domingo and Julia Migenes at the Cairo Opera House. In the 2008–2009 season, Yunus returned to the Metropolitan Opera for several performances including singing at the company's 125th Anniversary Gala and appearing as Poussette in Manon, Zerlina in Don Giovanni, and Yvette in La Rondine. In addition, she appeared in concert at the Tilles Center in New York and at the Francisco Marroquín University in Guatemala City. She has since returned to the Met as the Novice in Suor Angelica (2009), Papagena in The Magic Flute (2010), Alice in Le comte Ory (2011), Yvette in La rondine (2013), the unborn in Die Frau ohne Schatten, and a member of the Quartet in the world premiere of The Enchanted Island (2011-2014).
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Flórez married German-born Australian Julia Trappe in a private civil ceremony on April 23, 2007 in Vienna.Divorced 2020 in Vienna "King of the high Ds" by Richard Morrison, The Australian (15 August 2009) They held a religious ceremony at the Basilica Cathedral in Lima on April 5, 2008, which some of Peru's leading citizens, including President Alan García and author Mario Vargas Llosa, attended."Opera Star Star Juan Diego Florez Weds in his Native Peru" (6 April 2008) International Herald Tribune, Associated Press Flórez was present at the birth of his son, Leandro, who was born in April 2011, less than an hour before his father took to the stage in Le comte Ory, broadcast live around the world from the Met.Met Opera broadcast, April 9, 2011.
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Dave Peyton (19 August 1889 - 30 April 1955) was an American songwriter, pianist, arranger, orchestra leader, and music critic columnist for the Chicago Defender. Peyton first began as a pianist in the trio of Wilbur Sweatman, along with George Reeves, where he played from 1908 to 1912. Following this Peyton led his own ensembles in various theaters in Chicago. His sidemen included Charlie Allen, George Mitchell, Bob Shoffner, Reuben Reeves, Kid Ory, Bud Scott, Jasper Taylor, Jimmy Bertrand, Baby Dodds, Preston Jackson, Darnell Howard, Jerome Don Pasquall, and Lee Collins. While he only recorded under his own name once (with Richard M. Jones, on piano in Baby o’ Mine (1935, Decca 7115) or Joe Louis Chant), his orchestra also recorded in 1928 under Fess Williams's name (Dixie Stomp/Drifting and Dreaming, Voc. 15690).
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She revels in the townspeople's mundane and repetitive lives; every day, Regina wakes in bed with Graham, Mr. Gold (Robert Carlyle) limps along the sidewalk, Marco (Tony Amendola) repairs the sign over his shop, Granny (Beverley Elliott) and Ruby (Meghan Ory) argue, Dr. Hopper (Raphael Sbarge) walks Pongo, and Mary Margaret (Ginnifer Goodwin) volunteers at the hospital where she does not recognize the comatose David Nolan (Josh Dallas). Regina is displeased that the Flynns are present, and hastens the repair of the truck so they can return home to New Jersey. However, Regina quickly becomes bored as the days pass, and it made her realize that everyone's obedience is not real. She confronts Mr. Gold about her displeasure but leaves his shop unsatisfied as he seems to not know what she is talking about.
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The All Star Jazz Group, early 1944 (left to right): Ed Garland (bass), Buster Wilson (piano), Marili Morden (proprietor, Jazz Man Records), Jimmie Noone (clarinet), Mutt Carey (trumpet), Zutty Singleton (drums), Kid Ory (trombone), Bud Scott (guitar) Crescent Records Number 1 by Kid Ory's Creole Jazz Band, recorded on August 3, 1944 Blues for Jimmie (misspelled "Jimmy" on the label), recorded August 3, 1944 Crescent Records was founded by Nesuhi Ertegun in 1944, with the express purpose of recording the All Star Jazz Group featured on the CBS Radio program, The Orson Welles Almanac.Ertegun, Nesuhi. Liner notes for Kid Ory's Creole Jazz Band, Good Time Jazz Records L-10 and L-11, 1953; also used for Tailgate! Kid Ory's Creole Jazz Band, Good Time Jazz Records L-12022, 1957.
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The royal box In 1828, Ebers was succeeded as theatre manager by Pierre François Laporte, who held the position (with a brief gap in 1831–33) until his death in 1841. Two of Rossini's Paris operas (Le comte Ory and Le siège de Corinthe) had their British premieres at the theatre during this period, and Laporte was also the first to introduce the operas of Vincenzo Bellini (La sonnambula, Norma and I puritani) and Gaetano Donizetti (Anna Bolena, Lucia di Lammermoor and Lucrezia Borgia) to the British public. Under Laporte, singers such as Giulia Grisi, Pauline Viardot, Giovanni Battista Rubini, Luigi Lablache and Mario made their London stage debuts at the theatre. Among the musical directors of this period was Nicolas Bochsa, the celebrated and eccentric French harpist.
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Red Riding Hood (Meghan Ory) appears and tells the group that The Queen is there, but despite the fact that her presence there might indicate that it may be a trap, the group decides to move in after King George anyway. Moments later, the Queen goes to see Charming in his cell where he tries to convince her to take his life instead of Snow White's, but she doesn't want his life. When Charming asks what her plan is, she laughs and closes the jail cell and walks away while holding a red apple up for him to see. Hours later, Snow White, with help from the fairies from above, storms King George's castle, but when she arrives at Charming's cell, she is disappointed to find him showing only in a mirror there.
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All of these attracted admiration for their innovation in melody, harmonic and instrumental colour, and dramatic form. In 1824 he was contracted by the Opéra in Paris, for which he produced an opera to celebrate the coronation of Charles X, Il viaggio a Reims (later cannibalised for his first opera in French, Le comte Ory), revisions of two of his Italian operas, Le siège de Corinthe and Moïse, and in 1829 his last opera, Guillaume Tell. Rossini's withdrawal from opera for the last 40 years of his life has never been fully explained; contributary factors may have been ill-health, the wealth his success had brought him, and the rise of spectacular grand opera under composers such as Giacomo Meyerbeer. From the early 1830s to 1855, when he left Paris and was based in Bologna, Rossini wrote relatively little.
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The aggression by the Dzungar Khanate, often referred by the Kazakhs as the "Years of the Great Disaster", that brought suffering, hunger, destruction of moral values, and caused an irreversible damage to the development of effective civilian force where thousands of men, women, and children were captured and imprisoned. The Kazakh clans, who paid a heavy price for their incompetent sultans and khans, under the pressure from the Dzungar troops were forced to abandon centuries- old inhabited land which led to displacement part of Kazakhs from the Middle Juz to the obstruction of the Central Asian khans. Many tribes of the Senior Juz also retreated to the Syr Darya river where they crossed it and headed toward Khujand. Kazakhs of the Younger Juz migrated along the Yaik, Ory, and Yrgyz rivers to the borders of Russia.
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While the term Dixieland is still in wide use, the term's appropriateness is a hotly debated topic in some circles. For some it is the preferred label (especially bands on the USA's West coast and those influenced by the 1940s revival bands), while others would rather use terms like Classic jazz or Traditional jazz. Some of the latter consider Dixieland a derogatory term implying superficial hokum played without passion or deep understanding of the music and because "Dixie" is a reference to pre-Civil War Southern States. Many black musicians have traditionally rejected the term as a style distinctive from traditional jazz, characterized by the staccatic playing in all-white groups such as The Original Dixieland Jazz Band in contrast to the slower, syncopated back-beat style of playing characterized by musicians like King Oliver or Kid Ory.
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The Guardian, 26 November 1960, p. 5 In 1961 Sadler's Wells Opera Company engaged her, and she played Gilda in Verdi's Rigoletto,The Guardian, 27 October 1961, p. 9 Countess Adèle in Rossini's Le Comte Ory,The Guardian, 21 February 1963, p. 7 and Phyllis in Gilbert and Sullivan's Iolanthe, in which the critic of The Gilbert and Sullivan Journal thought that "despite Elizabeth Harwood's beautiful singing, attractive costume and appearance, her spoken word was charged with innuendo, presenting a most worldly young lady".The Gilbert and Sullivan Journal, September 1964, p. 244 Her other early roles at Sadler's Wells included Mozart's Countess Almaviva in The Marriage of Figaro and Constanze in Die Entführung aus dem Serail, the title role in Massenet's Manon and of Richard Strauss's coloratura parts, Zerbinetta in Ariadne auf Naxos and the Fiakermilli in Arabella.
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Damrau has furthered her exploration of the bel canto repertoire with highlights including new productions of Rossini's comic opera Le comte Ory at the Metropolitan Opera and the title role in Donizetti's Linda di Chamounix at the Liceu. She has since returned to the Metropolitan Opera as both Adina in L'elisir d'amore and Rosina in The Barber of Seville and brought her portrayal in Donizetti's Lucia di Lammermoor to Berlin and Vienna. Following the birth of her second child in autumn 2012, Damrau returned to the stage with a new production of Verdi's Rigoletto at the Metropolitan Opera in February 2013; this was followed by her role debut in the title role of Verdi's La traviata in the same house. In October 2013, she sang in the world premiere of Iain Bell's A Harlot's Progress at the Theater an der Wien.
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OSID RUNVira controls the Temple of Mother Ukraine-Oryana in Spring Glen which the organisation took over by legal means in the late 1990s, after a dispute with OSIDU RUNVira over the ownership. Also OSID RUNVira members hold weekly Holy Hours, but these incorporate non-Sylenkoite elements such as readings of the Book of Veles or of Taras Shevchenko's national poetry. OSID RUNVira puts more emphasis than other Sylenkoite groups on calendrical celebrations, and their liturgy includes objects like the didukh (braided wheat-sheaf) and objects representing fire, water and earth. Ancestor worship is central, and festivals include de-Christianised holidays, such as the "Christmas of Dazhbog's Light" and the "Easter of the Eternal Resurrection", and holidays in honour of minor Slavic gods, Ukrainian heroes, the Slavs' supreme ancestor Or (otherwise spelled Ory, Ary, Yari, Yuri, and Yarilo), and others.
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In the early '90s, he began a similarly long relationship with the San Francisco Opera, staging the American premieres of Aribert Reimann's Ghost Sonata and Hans Werner Henze's Das Verratene Meer as well as new productions of Les Contes d'Hoffmann, Coronation of Poppea, Virgil Thomson's The Mother of Us All and Wallace & Korie's Harvey Milk. He made his debut with New York City Opera as early as 1979 with a staging of Gioachino Rossini's Le comte Ory and went on to create productions for NYCO and Glimmerglass Opera that included Handel's Imeneo, The Rape of Lucretia, The Mother of Us All, Bluebeard, The Italian Girl in Algiers, John Philip Sousa's The Glass Blowers, Mozart's Don Giovanni. He is currently working on a new production of Leonard Bernstein's A Quiet Place scheduled to make its New York premiere in October 2010.
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Born and raised in Appleton, Wisconsin, Rae is a graduate of the University of Wisconsin–Madison (Bachelor of Music, 2005) and the Juilliard School (Master of Music, 2008). In the summer of 2008, Rae attended the conservatory program at the Music Academy of the West, before joining the Ensemble of the Oper Frankfurt. While a student at Juilliard she portrayed roles in several productions of the Juilliard Opera Center, including Mary Shrike in the world premiere of Lowell Liebermann's Miss Lonelyhearts (2006), Eurydice in Offenbach's Orpheus in the Underworld (2006), Arminda in Mozart's La finta giardiniera (2007), and the Countess Adele in Rossini's Le comte Ory (2007). In 2013 she made her debut at Carnegie Hall as Polissena in Handel's Radamisto with David Daniels in the title role and conductor Harry Bicket leading The English Concert orchestra.
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According to local legend, the Cabernet Franc grape was introduced to area in 1090 when it was planted in the nearby Bourgueil Abbey. Like neighboring Bourgueil, the Bretons of Brittany were a significant customer for the wines of Saint-Nicolas-de- Bourgueil and by at least the 16th century the wine from the area was being described as "Breton wine". When the Institut national de l'origine et de la qualité (INAO) was delineating AOC regions in 1937, the commune of Saint- Nicolas-de-Bourgueil was originally grouped with the communes of Bourgueil, Benais and Restigné under one Bourgueil AOC. But Adrien Ory, mayor of Saint- Nicolas-de-Bourgueil and one of the largest vineyard owners in the region, campaigned for a separate AOC designation for the wines from his town despite the two AOCs having essentially identical terroir and producing similar wines.
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This was his last opera to an Italian libretto, and was later cannibalised to create his first French opera, Le comte Ory (1828). A new contract in 1826 meant he could concentrate on productions at the Opéra and to this end he substantially revised Maometto II as Le siège de Corinthe (1826) and Mosé as Moïse et Pharaon (1827). Meeting French taste, the works are extended (each by one act), the vocal lines in the revisions are less florid and the dramatic structure is enhanced, with the proportion of arias reduced. One of the most striking additions was the chorus at the end of Act III of Moïse, with a crescendo repetition of a diatonic ascending bass line, rising first by a minor third, then by a major third, at each appearance, and a descending chromatic top line, which roused the excitement of audiences.
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Of the last of these, one critic wrote in 1975, "Anthony Besch has respected the spirit of Mozart and remained true to convention, tradition and, most important of all, to the score … The magic worked." Besch worked with D'Oyly Carte (The Mikado and The Gondoliers); Opera North (The Tales of Hoffmann and Jonny Strikes Up); the Aldeburgh Festival (Punch and Judy); the Wexford Festival (Rossini's Otello, La jolie fille de Perth, Oberon and La rondine), and Garsington Opera (Haydn's L'infedeltà delusa). Further afield, Besch directed Le Comte Ory and Death in Venice in Brussels; in the Americas he directed La favourita in Buenos Aires, Aïda in San Francisco, Rigoletto in St Louis, Carmen in San Diego and Il barbiere di Siviglia in Houston. In South Africa he directed Otello (Verdi's on this occasion) and in Australia, Così fan tutte, Die Fledermaus and The Rake's Progress.
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HQ, side of rue du Quatre-Septembre in 1913 The same, renamed Centorial, in March 2009 After the fire, huge reconstruction work began in January 2001 by AIG French Property Fund, for the new owner of the building (Deka Immobilien Investment GmbH), under the direction of the architect Jean-Jacques Ory. These works had to combine respect for historically listed part of the building (the large metal canopy built by Eiffel's workshops), the need for a modern office building, and the wish to preserve the original architecture. The trading room (where the fire broke out) and the hanging garden situated above it were replaced by a long gallery with a metal canopy that recalls the securities hall of the original building. In 2006, the employees of the French business newspaper Les Échos left their offices on rue de la Boétie and moved into the Centorial.
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However, she also declared that her family did not support her in the slightest and that her mother would reprimand her if she saw her with a book. Nevertheless she published her first poem at age fourteen: Childhood, Youth, Old Age (Niñez, Juventud, Vejez) and at seventeen shaped her first book of poems, Isla Ignorada, to be published in 1950. In 1934 she started working as an accountant and secretary, jobs that for a long time she combined with writing stories for children, theatre plays and, increasingly, poetry. Although she always defined herself as "self-taught and poetically deschooling" her name has been linked to two literary movements: The Generation of 50 and Postismo, a literary group of postwar who joined late 40s and were part Carlos Edmundo de Ory, Eduardo Chicharro and Silvano Sernesi, and which also collaborated Angel Crespo and Francisco Nieva.
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The POT's first performance was on May 22, 1976 with a production of Otto Nicolai's The Merry Wives of Windsor. New works staged by the company included Margaret Garwood's Rappaccini's Daughter (1983), Vincent Persichetti's The Sibyl (1985) and David Ives and Greg Pliska's The Secret Garden (1991). In 1982 the company presented the United States premiere of Haydn's Orlando paladino with tenor John Gilmore in the title role. Other rarely performed works staged by the company included Argento's Postcard from Morocco (1977), Benjamin Britten's version of John Gay's The Beggar's Opera (1978), Francesco Cavalli's Ormindo (1979), Offenbach's La belle Hélène (1980), Mark Bucci's Sweet Betsy From Pike (1980), David Amram's Twelfth Night (1981), Rossini's Le comte Ory (1981), Donizetti's Il furioso all'isola di San Domingo (1982), Weil's The Threepenny Opera (1984), Britten's The Turn of the Screw (1987), Henry Purcell's The Fairy- Queen (1988), and Robert Ward's The Crucible (1989).
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The list of his notable students includes such prominent early jazz greats as Chris Kelly, Sam Morgan, Sunny Henry, Harrison Barnes, Jimmy "Kid" Clayton, Tubby Hall, Kid Ory, Jim Robinson, and John Casimir. Humphrey's musical abilities also indirectly influenced many of the New Orleans jazz greats that he did not teach directly. One such musician was Louis Armstrong, of whom he was an acquaintance. John Casimir, one of Humphrey's longtime students, and eventual bandmate of Louis Armstrong's, recalled in an interview: > On Tulane Avenue, Louis Armstrong used to come around all the time. And > Professor Humphrey used to show me how to make C#. Louis sneaked around > there and asked, ‘How you make that C# and B natural?’ Professor Humphrey > come round there one day and caught me showin’ Louis. I be payin’ for it and > I was givin’ it to the other fellow.
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Red Hot Peppers was a recording jazz band led by Jelly Roll Morton from 1926-1930\. It was a seven- or eight-piece band formed in Chicago that recorded for Victor and featured the best New Orleans-style freelance musicians available, including cornetist George Mitchell, trombonist Kid Ory, clarinetists Omer Simeon and Johnny Dodds, banjoists Johnny St. Cyr and Bud Scott, double bass player John Lindsay, and drummers Andrew Hilaire and Baby Dodds. Recordings made by the group in Chicago in 1926–27, such as "Black Bottom Stomp", "Smoke-House Blues" and "Doctor Jazz" set a standard for small group jazz that is still unrivaled. Morton's skills as a composer and arranger are apparent in the structure of the pieces, which combines clarity with variety and manages to maintain a balance between ensemble and solo playing while allowing for a substantial solo from every band member.
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In the same year he made his debut at Maggio Musicale Fiorentino conducting Rossini's Le comte Ory. He also conducted in Florence Verdi's Attila and I Lombardi alla prima Crociata, Henze's Phaedra and Donizetti's Anna Bolena. In 1998 he made a successful Boston Symphony Orchestra debut, opening his symphonic career in the USA. He also conducted many concerts with The Philadelphia Orchestra, Chicago Symphony Orchestra, San Francisco Symphony Orchestra, Cleveland Orchestra, New York Philharmonic Orchestra, Atlanta Symphony Orchestra, National Symphony Washington D.C., Los Angeles Philharmonic Orchestra, Minnesota Orchestra, Houston Symphony Orchestra, St. Louis Symphony Orchestra, Seattle Symphony Orchestra, Cincinnati Symphony Orchestra, Baltimore Symphony Orchestra, Pittsburgh Symphony Orchestra, Detroit Symphony Orchestra, Montreal Symphony Orchestra, Toronto Symphony Orchestra. In 1999 he made his debut with The Saint Paul Chamber Orchestra. In 2005 he became Artistic Partner of the Orchestra, the longest position in an artistic team ranking Jeremy Denk, Patricia Kopatchinskaja, Edo de Waart, Christian Zacharias and Thomas Zehetmeir.
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O'Connor, Patrick. "Obituary: Anne Collins", The Guardian, 4 August 2009 Collins was a particularly versatile operatic singer, including in her repertoire roles in early opera (such as Arnalta in The Coronation of Poppea), German works (Adelaide in Arabella as well as her Wagner roles), Russian opera (Clarissa in The Love for Three Oranges and Filipyevna in Eugene Onegin), French works (Antonia's Mother in The Tales of Hoffman and Ragonde in Count Ory), Italian operas (Mamma Lucia in Cavalleria rusticana, Suzuki in Madame Butterfly, Ulrica in Un ballo in maschera and Mistress Quickly in Falstaff), and played English roles from Katisha in The Mikado to Mrs Sedley and Auntie in Peter Grimes. She notably played the cello onstage while singing Lady Jane in Patience for English National Opera, a role she also sang in New York and Vienna."Anne Collins", Opera Scotland, accessed 13 October 2014 In The Times, Alan Blyth called it "a connoisseur's performance".
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In 1928, Armstrong revamped the recording band, replacing everyone but himself with members of the Carroll Dickerson Orchestra, in which Armstrong was playing: Fred Robinson on trombone, Jimmy Strong on clarinet and tenor saxophone, Earl Hines on piano, Mancy Carr (not "Cara" as has often been misprinted) on banjo, and Zutty Singleton on drums. The 1928 Hot Five played music that was specifically arranged as opposed to the more freewheeling improvised passages of the earlier Hot Five. A tentative movement toward the kind of fully arranged horn sections that would dominate swing music a decade later was starting to become fashionable, and this second Armstrong group embraced a rudimentary version of it, with Don Redman as arranger providing some written-out section parts. Strong on clarinet and Robinson on trombone were not as strong soloists as Dodds and Ory had been with the earlier band, but Hines was more nearly Armstong's equal technically and creatively than any other in either band.
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Oxford University Press, 2008. In 1849 and 1850 she was the principal female singer in John Mitchell's French opera company at St James's Theatre in London, and became highly popular in various light parts, many of which were new to England. These included Angèle, Henriette in L'ambassadrice, Isabelle in Le pré aux clercs, Zanetta in Auber's opera of that name, Laurette in Richard Coeur-de-lion, Adèle in Auber's Le concert à la cour, Lucrezia in Actéon, the Queen of Léon in Boisselot's Ne touchez pas à la reine, The Countess in Le comte Ory, Anna in La dame blanche, Camille in Zampa, Rose de Mai in Le val d'Andorre, Virginie in Le caïd, and Catarina in Les diamants de la couronne. The critic Henry Chorley wrote: "She made an impression when singing in French comic opera by her pleasing voice and appearance and by a certain cosiness of manner which was very charming".
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In addition to it being a burdensome expense for the musician, LeBurthon later reported that the stress on Noone aggravated a cardiac ailment that had emerged during the Depression years. By February 1944, however, Noone was able to find a home in Los Angeles for his family and after some delays they were reunited. The All Star Jazz Group, left to right: Ed Garland (bass), Buster Wilson (piano), Marili Morden (proprietor, Jazz Man Records), Jimmie Noone (clarinet), Mutt Carey (trumpet), Zutty Singleton (drums), Kid Ory (trombone), Bud Scott (guitar) On March 15, 1944, Noone made his first appearance with an all-star band featured on CBS Radio's The Orson Welles Almanac—a band that was an important force in reviving interest in New Orleans jazz. A passionate and knowledgeable fan of traditional jazz, Orson Welles asked Marili Morden of Hollywood's Jazz Man Record Shop to put together an authentic jazz band for his radio show.
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After the war, she appeared at the Zurich Opera and the Vienna Volksoper, and then joined the Munich State Opera in 1949, where she remained until 1971, she was also a guest at the Vienna State Opera, in The Barber of Seville, The Magic Flute and Capriccio, where she established a reputation as a soprano of agility and glamorous personality. She made guest appearances as Gilda, at the Royal Opera House in London in 1951, and at the Glyndebourne Festival, where she sang Konstanze in Die Entführung aus dem Serail, Adele in Le comte Ory, and Zerbinetta in Ariadne auf Naxos to great acclaim. She made her American debut at the San Francisco Opera in 1950, as the Queen of the Night in The Magic Flute. She also sang operetta, and enjoyed considerable success in London in 1970, in a revival of the musical The Great Waltz at the Theatre Royal Drury Lane, which coincided with her appearance on Desert Island Discs.
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Finally she completed the year performing the role of the Queen of the Night in The Magic Flute for her debut at the Metropolitan Opera in New York on Christmas and New Year's Eve. 2017 was opened with Verdi's Rigoletto for Opera de OviedoRigoletto, Opera de Oviedo in Spain where she will also be performing during the year in Las Palmas (debuting La fille du régiment),La fille du régiment, Opera Las Palmas Valencia (Tancredi), Bilbao (Don Pasquale), Barcelona (debuting L'elisir d'amore) and a tour in Finland for the Savonlinna Opera Festival with Madrid's Teatro Real (I puritani). Scheduled staged performances include Verdi's La traviata conducted by Roberto Abbado in Shanghai performed in February, La sonnambula in Melbourne with Victorian Opera,La sonnambula, Victorian Opera I puritani in Budapest and Le comte Ory in Dortmund. Other performances worth mentioning include a special concert with extracts from The Magic Flute to be held at the Walt Disney Concert Hall in Los Angeles, conducted by Gustavo Dudamel.
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She has also conducted Pelléas et Mélisande (Covent Garden, London), Le Comte Ory (Glyndebourne Festival), Cosi fan tutte (Opera North), Chabrier's L'étoile (Edinburgh Festival), Zaïde and Der Schauspieldirektor (Bastille), L'Enfant et les Sortilèges (Châtelet), Boîeldieu's La Dame Blanche (Opéra- Comique, Paris), Mitridate, La Donna del lago, Die Zauberflöte, Le Nozze di Figaro and Bastien und Bastienne (Nice), La Clemenza di Tito (Orléans), La Traviata (Nancy), Idomeneo and Cosi fan tutte (Liège), Maria Stuarda (Torino), La Cenerentola (Rome) and Les Oiseaux de passage (Bologna). She was Claudio Abbado's assistant for Pelléas et Mélisande at the Royal Opera House, La Scala and the Vienna Opera House. In November 2002, she made her debut at the Washington Opera, conducting Mozart's Idomeneo with Plácido Domingo in the title role. In February 2003, she conducted a world creation of Fabio Vacchi at the Maggio Musicale Fiorentino and in March 2004 she conducted the Copenhagen Philharmonic for the first time.
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Tell Qudadi (), also known as Tell esh-Shuna () is an ancient site located near the mouth of the Yarkon River and the Reading Power Station in the city of Tel Aviv, Israel. It was discovered in 1934 by Jacob Ory and was excavated first by P. L. O. Guy in 1937 and then by Eleazar Sukenik, Shmuel Yeivin and Nahman Avigad in 1937-1938. They discovered a fortress dated to the Iron Age and believed that it was an Israelite fortress built in the 10th or 9th centuries BCE and destroyed by the Neo-Assyrian Empire in the 8th century BCE. However, the archaeologists Oren Tal and Alexander Fantalkin have reviewed the preliminary reports of the excavation and its finds and have concluded that the site was actually constructed in the 8th century during the time of the Assyrian rule and was abandoned ahead of the empire's withdrawal of the country during the late 7th century BCE.
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On 9 July 2017, allegations surfaced online of Ushahidi covering up a sexual harassment incident perpetrated by one of the members of their senior leadership. Ushahidi released a statement the next day confirming they were aware of the allegations which were the subject of an ongoing internal inquiry. Former Ushahidi board member and co-founder Ory Okolloh, strongly condemned the laxity with which the board dealt with the issue on 11 Jul saying: “More clarity on steps that have been taken so far and the relevant timelines should be shared and those found culpable either by their action or inaction should resign”. Ushahidi released a second statement on 17 July 2017 detailing the chronology of events showed that the incident occurred on 19 January 2017 and was reported to the board on 4 May 2017, and that on 5 May the accused was placed on temporary leave, given due process, and an investigation was undertaken.
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As a lyric tenor with a remarkable range in the upper register, he specialized in roles that are generally difficult to cast, in both the 18th and 19th-century repertoire, including Jean Ph. Rameau's Platée, Rossini's Le Comte Ory and Chapelou in Adam's Le Postillon de Longjumeau, and 20th-century works, ranging from roles in Richard Strauss's operas and Carl Orffs Carmina Burana to Sinopoli's Lou Salome. Carl Orff, who later became a close friend, would write to people anywhere in the world planning to perform Carmina Burana saying that John van Kesteren was his favourite "Roasted Swan". He also performed this role in the award-winning movie of the cantata together with Hermann Prey, Lucia Popp and director Jean-Pierre Ponnelle and conductor Kurt Eichhorn. In later years Van Kesteren specialized in character parts, as well as singing a wide concert repertoire that included hundreds of appearances as the Evangelist in Bach's St Matthew Passion.
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William Tell: Adolphe Nourrit in the middle, with Laure Cinti-Damoreau left and Nicolas Levasseur right. Not yet 20 years of age, Adolphe Nourrit made his professional operatic debut in 1821 as Pylades in Gluck's Iphigénie en Tauride. In 1826, he succeeded his father as the principal tenor at the Paris Opéra, a position he held until 1836. While at the Opéra, he became a pupil of Gioachino Rossini with whom he would work frequently. Nourrit created all principal tenor roles in Rossini's French operas, namely Néocles in Le siège de Corinthe (1826), Aménophis in the revised version of Moïse et Pharaon (1827), the title role in Le comte Ory (1828), and Arnold in William Tell (1829). He was also the first to perform the roles of Masaniello in Auber's La muette de Portici (1828), Robert in Meyerbeer's Robert le Diable, Eleazar in Halévy's La Juive (1835), and Raoul in Meyerbeer's Les Huguenots (1836), among other parts. When La muette de Portici was performed in Brussels on 25 August 1830, the duet "Amour sacré de la patrie", with Nourrit in the tenor role, was the key to the "opera riot" that sparked the Belgian Revolution. Nourrit was an intelligent and cultured singer.
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