He shared the award with Alex Lacamoire, the show's orchestrator.
|
|
Investigators there said the younger shooter had also been the orchestrator.
|
|
His greatest calling, however, was as the orchestrator of his own myth.
|
|
He's more valuable as a curator and orchestrator than a presence on the microphone.
|
|
They've already created the piece of music, and all I am is an orchestrator.
|
|
Earl Thomas has been terrific, but he's not yet the orchestrator Eric Weddle was.
|
|
Kubernetes helps orchestrate these workloads and with this update, the orchestrator is now GPU-aware.
|
|
I do feel that Barry directs as if he is a composer or an orchestrator.
|
|
Tom Kitt, the composer of "Next to Normal," will be the music supervisor and orchestrator.
|
|
Miller is widely believed to be the orchestrator of much of the president's immigration policies.
|
|
Walder Frey, the orchestrator of the Red Wedding, is back — and talking about the Red Wedding.
|
|
Trump is the orchestrator of the latest truly successful attempt at Massive Resistance, aided by the FBI.
|
|
Treadstone, a former rapper and orchestrator of pro-Trump flash-mobs, had also been scheduled to perform.
|
|
And then I had a fabulous orchestrator named Brad Dechter come in, and he did a beautiful job.
|
|
With Xavi gone and playing at a lower level in Qatar, Iniesta now is the orchestrator for Spain.
|
|
Norman has always been a deft orchestrator, but in "Sustain" he reveals himself as a magician of the art.
|
|
And inside his room, the woman was assaulted by multiple people, as prosecutors described Vandenburg as a cheerleader and orchestrator.
|
|
Osvaldo Ardiles, the midfield orchestrator of Argentina's team that won the 1978 World Cup, played for Spurs after that tournament.
|
|
These women were forever defined by their relationship to Charles Manson, a notorious cult leader and orchestrator of a mass murder.
|
|
We share an orchestrator, and we've shared a lot of laughs over the years, so I've been thrilled watching their success.
|
|
But as we do that, we have to remember that we are not the originator and orchestrator of our kid's lives.
|
|
I had this orchestrator come and stay with me for a month, and he's done Spielberg, Slumdog Millionaire and stuff like that.
|
|
Art Review Paul Outerbridge (1896-1958) was a master of photographic desire, a shape-shifting orchestrator of Apollonian light and Dionysian shadow.
|
|
The Mexican-born Mr. Catán, who died in 2011 at 62, brought sure skills as an orchestrator and colorist to his music.
|
|
The composer, a highly skilled orchestrator, told the audience why he had at first resisted a commission to write a percussion concerto.
|
|
According to documents filed by prosecutors, the orchestrator of the master account was Mr. Jones, the U.A.W. president who resigned in November.
|
|
A complex application that runs on top of a container orchestrator like Kubernetes, for example, may be composed of hundreds of individual services.
|
|
This ethos—to bring large groups together with food— has long been the mission statement of Todd Graham, the orchestrator of tonight's boil.
|
|
Tom Kitt, 44, "Head Over Heels" orchestrator/arranger: I'm a big fan of pop songs that begin with an energetic, iconic drum groove.
|
|
He is the music supervisor and orchestrator for Broadway's "Be More Chill," a show for which he also plays guitar in the pit.
|
|
He had been an aesthetic marvel on the football pitch, a midfield orchestrator who could write a symphony with the ball at his feet.
|
|
Our role is to seek and surrender to "The Great Originator and Orchestrator" and trust him to be – and to do – everything we can't.
|
|
But on a recent Friday, Lady Elizabeth — the orchestrator of some of Britain's most aristocratic parties — was in her white-azalea-filled sitting room.
|
|
Kanye West may be the orchestrator of his much-talked-about Sunday Service but cousins North West and Penelope Disick are the absolute scene stealers.
|
|
It basically allows developers to choose between using the existing Diego orchestrator and Kubernetes when it comes to deploying applications written for the Application Runtime.
|
|
Indeed, while he considers himself primarily a bass player, his facility with so many instruments is part of what makes him such a valuable orchestrator.
|
|
And am I wrong in thinking that the orchestrator Alex Lacamoire has slowed down the tempo on occasion to make the lyrics easier to follow?
|
|
Music supervisor, orchestrator and arranger What springs to mind are "Make You Feel My Love" by Adele and "All Along the Watchtower" by Jimi Hendrix.
|
|
Friends fondly recalled him as an expert orchestrator of parties who sometimes entertained guests with his renditions of Scott Joplin rags and Cole Porter standards.
|
|
By this time, Remy had transitioned into the orchestrator, and soon some of the most legendary women in rap history started to file onto stage.
|
|
Ocean's role as orchestrator and inspiration—"He said 'do your thing' and he picked out what he liked," as Giannascoli puts it—opened up new possibilities.
|
|
A musician, orchestrator and record producer, Mr. Jones is arguably the connecting tissue among all significant modes of popular music in the 20th century and beyond.
|
|
The playwright Terrence McNally, the actress Rosemary Harris, and the orchestrator Harold Wheeler will be honored with special Tony Awards for lifetime achievement in the theater.
|
|
There are two very recognizable faces in this dumb movie: Alec Baldwin, whose character is orchestrating the game, and Danny Glover, "the chancellor," who oversees the orchestrator.
|
|
NYC rap orchestrator DJ Kay Slay has gathered Kendrick and Mac on a new track of his entitled "Cold Summer" which also features Kevin Gates and Rell.
|
|
As a metaphysician, Mr. Lowery is not hung up on rules, but as a storyteller and an orchestrator of emotional effects he appreciates the need for coherence.
|
|
The Real Madrid orchestrator-in-chief has known no bounds in Russia, covering a colossal 63 kilometers so far in the tournament - more than any other player.
|
|
But Mr. Starobin had long ago gotten a practical education in musical theater from his brother, Michael Starobin, a composer and busy orchestrator for theater, film and television.
|
|
It's called an orchestrator because much like a conductor of an orchestra, it decides when a container is launched and when it shuts down once it's completed its job.
|
|
Sanders as a candidate may not have the opportunity to be president, but Sanders the movement orchestrator still has power, he still has a voice, he still has influence.
|
|
Once a man is described as the orchestrator of it all, we skip to a scene around a corner alleyway when audiences meet their stranger with a black face.
|
|
Though he doesn't quite achieve Coogler's balance of poetic intensity and laid-back naturalism, Caple proves to be both a capable fight choreographer and a deft orchestrator of emotions.
|
|
John Oddo, the show's musical director, arranger and orchestrator, led an ensemble that embraced every genre, tilting toward swing and understating the role of traditional country in the grand swirl.
|
|
Jóhannsson was nominated last year for his poignant piano melodies in The Theory of Everything, but Sicario's ominous strings and silences sound like the work of an entirely different orchestrator.
|
|
The "Kitezh" suite is an odd succession of movements (assembled by Rimsky's pupil Maximilian Steinberg), full of the color and imagination you would expect from a brilliant orchestrator exploring exotic terrain.
|
|
He could be a deadly three-point shooter or he could be a Jason Kidd–level orchestrator or he could be shutdown perimeter defender, or he could be all of those.
|
|
"When it goes there for the hip-hop feel, it really goes there," Alex Lacamoire, the original music director and orchestrator of "Hamilton," said in a phone interview about the show.
|
|
The track also features Christopher Jackson, an original "Hamilton" cast member; it was produced by the gospel musician BeBe Winans and Alex Lacamoire, the orchestrator of "Hamilton" and a longtime Miranda collaborator.
|
|
She was the orchestrator of a maliciously brilliant scheme to kill off an outstanding rival and pay off her family's debts in the process, with Jaime's assault on Highgarden, the Tyrell headquarters.
|
|
According to the book, Colonel Qaddafi offered to arrange a meeting in August between Mr. Sadr and Ayatollah Khomeini's top aide, Ayatollah Mohammad Beheshti, the main orchestrator of the insurgency against the shah.
|
|
President Coin, the leader of District 13 and the rebellion against the Capital, stands victorious, and Katniss Everdeen is called upon to publicly execute the ousted President Snow, orchestrator of all her miseries.
|
|
The 14-track score was written, arranged and produced by Salisbury and Barrow with accompaniment from The Bristol Ensemble on Strings, Koenraad Ecker on experimental cello and Elizabeth Purnell as orchestrator and conductor.
|
|
By collaborating with cities, civic organizations and urban planners, Ford wants to position itself as the orchestrator of multi-modal transportation systems, from scooter rental to mass transit and even future robo-taxis.
|
|
A convicted swindler with a Runyonesque persona, Mr. Weinberg, facing prison for fraud, traded his criminal savvy for probation and became a principal orchestrator and actor in the two-year operation code-named Abscam.
|
|
"We believe he (Yuen) has been the key orchestrator in destroying Hong Kong's justice," said Avery Ng, one of the organizers of the rally that drew a coalition of some 50 civil and political groups.
|
|
As an orchestrator, she contributed to projects supervised by Richard Rodney Bennett in the 1960s for NBC television and for Lincoln Center Theater (the celebrated 1966 revivals of "Annie Get Your Gun" and "Show Boat").
|
|
Mr Kanté, a hitherto obscure French midfielder whom Leicester signed from SM Caen for £22015m ($22016m) in August 217, quickly emerged as the chief orchestrator of the lightning-quick counterattacks that propelled them to the title.
|
|
"Even when the dark comes crashing through/When you need a friend to carry you/When you're broken on the ground/You will be found," they sing together in the mashup arranged by Hamilton orchestrator Alex Lacamoire.
|
|
A master orchestrator who could coax a vast range of tonal colors from the bits of wood and brass for which he composed, Mr. Bassett wrote works for symphony orchestra, chamber and choral ensembles, solo instruments and voice.
|
|
Also present for the big night were Timberlake's fellow honorary graduates Missy Elliott and Alex Lacamoire, a composer and orchestrator, who has won three Tony Awards for his work on Hamilton, Dear Evan Hansen and In the Heights.
|
|
Inside, the woman was assaulted by multiple people – with prosecutors painting Vandenburg as a cheerleader and orchestrator (a fact his defense team tried to use in his favor, arguing he should not be held responsible for others' actions).
|
|
While there appears to be communication between many Germanic jihadi nodes, the report only notes one potential connection to Islamic State–linked networks in France: Hüseyn D, a man with ties to alleged Paris attacks orchestrator Abdelhamid Abaaoud.
|
|
Three other alleged members of the ring, including an Australian and a South Korean citizen, as well as Robert Wayne Boling Jr., an American who was the alleged "principal orchestrator" of the scheme, were arrested in the Philippines.
|
|
On Sunday, the original cast — as well as Pasek, Paul, music producer Pete Ganbarg, musical supervisor and orchestrator, Alex Lacamoire, and producer Stacey Mindich — picked up a Grammy for best musical theater album for the show's original cast recording.
|
|
Not Mr Trump, who fired the first FBI director that he inherited, James Comey, and has since accused him of being a "political hack" and the orchestrator of a "witch-hunt" that has left the FBI's reputation in tatters.
|
|
The orchestrator of the exhilarating triumph did not even get on the scoresheet, but not for the first time this season Kevin de Bruyne was hailed the man of the match for his part in four of the goals.
|
|
Cloud Foundry, the open-source platform-as-a-service that, with the help of lots of commercial backers, is currently in use by the majority of Fortune 500 companies, launched well before containers, and especially the Kubernetes orchestrator, were a thing.
|
|
It also wants to be an orchestrator of urban transit, helping cities move people efficiently from A to B. The big picture: Legacy automakers are scrambling to reinvent themselves in the face of disruptive technologies like automated vehicles and car-sharing.
|
|
OBITUARIES Because of an editing error, a picture caption with an obituary on Saturday about the orchestrator, arranger and composer Sid Ramin identified two of the people in the photograph of a rehearsal for the Broadway show "Gypsy" in reverse order.
|
|
Hoover turned that usually obscure position, which he held through most of the nineteen-twenties, into a platform for further increasing his fame, culminating in one more turn as the orchestrator of a vast relief effort, after the Mississippi River flood of 19323.
|
|
Google today announced that it is providing the Cloud Native Computing Foundation (CNCF) with $9 million in Google Cloud credits to help further its work on the Kubernetes container orchestrator and that it is handing over operational control of the project to the community.
|
|
Mr. Mello's ruling reflects how Brazil's political tumult is intensifying once again, in a year in which President Dilma Rousseff was ousted and an orchestrator of her impeachment, Eduardo Cunha, the former speaker of the lower house, is now in jail on graft charges.
|
|
"Harmonically and melodically, those songs are all very much of their period: late 1930s, early 1940s," explained the orchestrator Martin Lowe, who had worked with Mr. Tiffany on "Once" and was tasked with turning the animated film's small repertoire of classics into a full score.
|
|
The CFO came up often throughout Cohen's hours-long testimony as a person familiar with Trump's tax returns, the partial orchestrator of hush-money payments to the adult film actress Stormy Daniels, and the confidant most familiar with how the president manipulated the worth of his assets.
|
|
He worked as a painter, poet, graphic designer, filmmaker, set designer, publisher, editor and orchestrator of exhibitions, events and performances — some of which he helped pay for — and was also known as a lover of gambling, yachts, fast cars and speed in general, as well as women.
|
|
Be that as it may, the G20 family, presumably stewards of civility, could have demonstrated its disgust over the murder -- especially after the Crown Prince was named by a United Nations report this month as the probable orchestrator of this heinous crime -- by withholding the honor of prime placement.
|
|
James, a deft stylist with a taste for violence and grand revelation (just look to his Man Booker Prize–winning historical saga, 2014's A Brief History of Seven Killings), is something like an orchestrator when it comes to inverting any expectations a reader might bring to his work.
|
|
Ms. Anderson, who made her living chiefly as a flutist in her 21957s and as a freelance orchestrator in her 21958s, is best known for having founded, in 21960, an electronic music studio at Hunter College in New York, where she taught composition and theory from 19793 until 21979.
|
|
In addition to announcing Oracle as a new member, the CNCF also today announced its first set of Kubernetes certified service providers that have shown deep knowledge of the container orchestrator to help enterprises adopt it (the providers are Accenture, Booz Allen Hamilton, Canonical, CoreOS, Giant Swarm and Samsung SDS).
|
|
Biden is expected to meet with Turkish President Rayep Erdogan to discuss US and Turkish objectives in Syria, and to also address Turkish demands that the US extradite a Turkish cleric who is in exile in the United States and who Erdogan says is the orchestrator of the attempted coup.
|
|
The posturing of Mr. Calheiros, who is currently second in the presidential line of succession, stunned a political establishment already reeling from upheaval this year, including the impeachment of President Dilma Rousseff and the arrest on graft charges of an orchestrator of her ouster, Eduardo Cunha, a former speaker of the lower house.
|
|
Four of the highest crimes prosecuted by Reno's Justice Department imprisoned some of the country's most notorious criminals: Ted Kaczynski, aka the Unabomber; Timothy McVeigh, orchestrator of the Oklahoma City bombing; Ramzi Yousef, mastermind of the 1993 World Trade Center bombing; and Mir Aimal Kasi, who killed two CIA employees outside the agency's Langley, Virginia, headquarters in 1993.
|
|
In his book The Broadway Musical, Joseph Swain observes: Collaboration in the musical theatre meant that a composer might work with not only a lyricist and a librettist bu also a director, an orchestrator, a choreographer ... It is no coincidence that nearly all the significant works of the Broadway tradition were preceded in their history by a vast amount of experience in every department.
|
|
While Uematsu had made a name for himself by injecting his sweeping Final Fantasy scores with and epic dose of prog rock, it was Sugiyama who truly set the precedent for Shimomura's classical style to flourish at Square with his work on the Dragon Quest series, which saw him applying his background as a professional orchestrator to bring a symphonic sensibility to the world of video game music (unfortunately in the years since, Sugiyama has become a contentious figure in gaming due to his outspoken nationalism and ugly comments toward the LGBTQ community).
|
|
So, Obama took office facing a far-from auspicious outlook for concluding a peace agreement: Israel's national consensus that had abandoned the promise of Oslo, and a politically stable leadership had made clear it will not allow a Palestinian state for the foreseeable future; and the legitimacy and influence of the Palestinian political forces that had championed the two-state formula was in deep decline Prime Minister Netanyahu, who built his political career on staunch opposition to the Oslo process, is both an orchestrator and an expression of the post-peace consensus.
|
|
They are generally referred to the lead orchestrator for consideration. At the scoring stage the orchestrator will often assist the composer in the recording booth giving suggestions on how to improve the performance, the music, or the recording. If the composer is conducting, sometimes the orchestrator will remain in the recording booth to assist as a producer. Sometimes the roles are reversed with the orchestrator conducting and the composer producing from the booth.
|
|
Brent Crayon is an American pianist, musical director, orchestrator and copyist.
|
|
Leo Birenberg is an American composer and orchestrator for film and television.
|
|
"Alex North's Comments on 2001", Visual- Memory.co.UK. Other composers whom he assisted as orchestrator included Virgil Thomson, Aaron Copland, George Antheil, Douglas Moore, and Gordon Parks."Henry Brant as composer and orchestrator for films", RenewableMusic.blogspot.com, Friday, July 03, 2009.
|
|
Robert Emery (born 22 March 1983) is an English pianist, conductor and orchestrator.
|
|
Lee Elwood Holdridge (born March 3, 1944) is an American composer and orchestrator.
|
|
The orchestrator for the musical was John Williams' regular collaborator Herbert W. Spencer.
|
|
Sidney Nathan RaminGates, Anita. "Sid Ramin, ‘West Side Story’ Orchestrator and a Composer, Dies at 100", The New York Times, July 5, 2019. Accessed April 15, 2020. (January 22, 1919 – July 1, 2019) was an American orchestrator, arranger, and composer.
|
|
Jonathan Sacks (born December 14, 1950) is an American composer and orchestrator. Sacks has composed music for both concert hall (chamber and orchestral) and theater. As an orchestrator he has worked on many movies, including Seabiscuit, Cars and both X-Files films. Sacks was also an orchestrator for the Metallica live orchestral album S & M. He created orchestral arrangements for orchestras to play behind Steve Martin and the Steep Canyon Rangers.
|
|
Rick Wentworth is a BAFTA-nominated film and TV composer, conductor, orchestrator and arranger.
|
|
Andy DiGelsomina is an American composer, lead guitarist, songwriter, orchestrator, arranger, blogger, and producer.
|
|
Blake Neely (born April 28, 1969) is an American composer, arranger, orchestrator, conductor, and author.
|
|
Roger Bellon is a French film, television, theatre and opera composer, conductor, orchestrator and producer.
|
|
Spencer was also principal orchestrator for the original version of Clash of the Titans (1981).
|
|
Ruth Anderson (March 21, 1928 – November 29, 2019) was an American composer, orchestrator, teacher, and flutist.
|
|
John Altman (born 5 December 1949) is an English film composer, music arranger, orchestrator and conductor.
|
|
Jérôme Leroy is a composer and orchestrator originally from Paris, France, and currently based in Los Angeles.
|
|
Harold Byrns (13 September 1903The Music Sack - 22 February 1977) was a German-American conductor and orchestrator.
|
|
Thomas Jefferson "T.J." Anderson, Jr. (born August 17, 1928) is an American composer, conductor, orchestrator and educator.
|
|
Steve Orich (born October 20, 1954 in Valley Stream, New York) is a composer, orchestrator and musical director.
|
|
Lee Musiker (born May 26, 1956) is an American Grammy Award-winner jazz pianist, arranger, orchestrator and conductor.
|
|
Lennie Moore is an American composer, conductor, orchestrator of music for video games, film, TV, and Multi-media.
|
|
Claudio Capponi (born 20 May 1959, Rome) is an Italian film composer, music arranger, orchestrator, music producer and violist.
|
|
The "marvelous-but-unheralded composer and orchestrator, Nicholas Carras" scored each film in 1958 for between $9000 and $10,000.
|
|
Tim Davies (born 1972) is an Australian orchestrator and composer for film, television, video games, and the concert stage.
|
|
Mingus collaborated with arranger/orchestrator Bob Hammer to score the music for a large ensemble of brass and saxophones.
|
|
For example, the orchestrator could have the clarinet (a woodwind that blends well with flute) play the third note. After the orchestrated cue is complete it is delivered to the copying house (generally by placing it on a computer server) so that each instrument of the orchestra can be electronically extracted, printed, and delivered to the scoring stage. The major film composers in Hollywood each have a lead orchestrator. Generally the lead orchestrator attempts to orchestrate as much of the music as possible if time allows.
|
|
Carol Jarvis (born 17 November 1977) is a trombonist, keyboard player, arranger, orchestrator, musical director, professor, journalist, clinician and presenter.
|
|
Harvey R. Cohen (September 13, 1951, Brookline, Massachusetts – January 14, 2007, Agoura Hills, California) was an American composer and orchestrator.
|
|
The Latest stable version is Microsoft System Center Orchestrator 2019, build number is 10.19.40.0, it was released 14 March 2019.
|
|
Raymond “Ray” Jessel (born 16 October 1929 – 17 July 2015) was a Welsh songwriter, screenwriter, orchestrator, and musical theatre composer.
|
|
Microsoft System Center Orchestrator is an automation software tool that allows to automate the monitoring and deployment of data center resources, for example it is capable of deploying automatically new Operating Systems or can forward alerts previously generated by System Center Operations Manager (SCOM) to an incident ticketing system like Microsoft System Center Service Manager. Microsoft System Center Orchestrator, also known as Microsoft SCORCH, was first introduced as part of the Microsoft System Center 2012 suite on 12 December 2012. Microsoft bought in 2009 the software solution Opalis vNext and rebranded it into Orchestrator. Orchestrator uses a drag and drop graphical interface to allow defining so-called run books which re translated into Windows System Commands (like for example "Read the Eventlog"), .
|
|
Irwin Kostal (October 1, 1911 – November 23, 1994) was an American musical arranger of films and an orchestrator of Broadway musicals.
|
|
William Merrigan Daly Jr. (1 September 1887 – 3 December 1936) was an American pianist, composer, songwriter, orchestrator, musical director and conductor.
|
|
Blue Jays Timeline Bavasi was considered the orchestrator of Blue Jay Mania.The Beaver Bites Back?: American Popular Culture in Canada, p.
|
|
Jeff has done background music for television production programs. He played the keyboard and is also an arranger and an orchestrator.
|
|
Bernhard Kaun (5 April 1899 – 3 January 1980) was an American composer and orchestrator. He is known for Frankenstein (1931) theme.
|
|
During this time, another new member, Francesco Ferrini, the pianist and orchestrator of Oracles and Mafia, was added to the band, as the full-time pianist and orchestrator. This addition honed Fleshgod Apocalypse's sound on their upcoming album. The band released their second album, Agony, on August 9, 2011 in North America and August 19, 2011 in Europe.
|
|
NET scripts, PowerShell or SSH commands to automate workflows. It is capable of managing several operating systems and can handle VMware- and Citrix-based workflows. Microsoft offers add-ons for extending its functionality, including the Microsoft System Center 2012 Orchestrator Integration Toolkit and the Microsoft System Center 2012 Orchestrator Integration Pack. Those add-ons are so-called Integration Kits.
|
|
Rob Moose (born 1982) is an American multi-instrumentalist, arranger, producer, conductor, and orchestrator. He primarily plays the violin, viola, and guitar.
|
|
Jeremy Sams (born 12 January 1957, in London, England) is a British theatre director, writer, translator, orchestrator, musical director, film composer, and lyricist.
|
|
Ira Newborn (born December 26, 1949) is an American musician, actor, orchestrator and composer, best known for his work composing motion picture soundtracks.
|
|
Joey Newman (born September 9, 1976) is an American film composer, orchestrator, arranger and conductor working in the fields of film and television.
|
|
The Bert Berns Story, 2016. Retrieved August 3, 2020 He arranged and composed soundtracks for movies, including Midnight Cowboy (as arranger, 1969), Alice's Restaurant (music supervisor, composer and arranger, 1969) and The Heartbreak Kid (composer, 1972). He also worked on stage musicals including Purlie (music supervisor, orchestrator and choral arranger, 1972) and Amen Corner (composer, orchestrator and arranger, 1983). Garry Sherman, Playbill.com.
|
|
After completing her education, Anderson spent time as a freelance composer, orchestrator, and choral arranger for NBC-TV, and later for Lincoln Center Theater.
|
|
Luther Henderson (March 14, 1919 – July 29, 2003) was an American arranger, composer, orchestrator, and pianist best known for his contributions to Broadway musicals.
|
|
William Goodchild William Goodchild (born 3 April 1964) is a composer, orchestrator and conductor who produces music for film, television and the concert hall.
|
|
Alan Williams (born March 1965) is an American composer and orchestrator for movie soundtracks and television series. He grew up in Fort Collins, Colorado, USA.
|
|
Foley artists are also known as foley walkers. Foley is named after its first known practitioner, an early Hollywood sound editor named Jack Foley. ; Conductor / Orchestrator : A conductor is supposed to be knowledgeable of special synchronization procedures to conduct the score to an orchestra. An orchestrator is someone who furthers the composer's notes and symbols and fills out the intended notation for the film score.
|
|
After moving to the United States in 1998, he began his career working as a music arranger and orchestrator for numerous features, including Plan B, The First $20 Million Is Always the Hardest, and Missing Brendan. From there, he would go on to work as the orchestrator on numerous larger budget films, including When a Stranger Calls, Death Race, Repo Men, and Kick Ass 2. In 2002, Davies also started working in the realms of television, as the music arranger for the TV Movie Fitzgerald. Since then, he has worked as conductor and orchestrator on series such as Invasion, Pushing Daisies, Revenge, and Empire.
|
|
As the investigation unfolds, the secrets of the Button bring about the wrath of the Reverse Flash as well as the unknown orchestrator of DC Rebirth.
|
|
Chris Egan is a British composer, orchestrator, conductor and musical director who has worked extensively on film, television and theatre music, as well as live concerts.
|
|
Eljas at the Ulriksdal Palace theater in Sweden in 2015. Anders Erik Gillis Eljas (born 15 January 1953 in Stockholm) is a Swedish musician, orchestrator and conductor.
|
|
Andrew Joslyn, is an American composer, orchestrator,"V. Contreras Shows Her Soft Side" . Seattle Weekly News, By Keegan Prosser, May 20, 2014 film scorer, and violinist in various genres.
|
|
Radamés Gnattali (1924) Radamés Gnattali (27 January 1906 – 3 February 1988) was a Brazilian composer of both classical and popular music, as well as a conductor, orchestrator, and arranger.
|
|
Erik Arvinder (born 1984) is a Swedish violinist, multi-instrumentalist, arranger, and orchestrator known for his work with artists such as Avicii, Childish Gambino, John Legend, Galantis and deadmau5.
|
|
In New York, Max Steiner quickly acquired employment and worked for fifteen years as a musical director, arranger, orchestrator, and conductor of Broadway productions. These productions include operettas and musicals written by Victor Herbert, Jerome Kern, Vincent Youmans, and George Gershwin, among others. Steiner's credits include: George White's Scandals (1922) (director), Peaches (1923) (composer), and Lady, Be Good (1924) (conductor and orchestrator). At twenty-seven years old, Steiner became Fox Film's musical director in 1915.
|
|
Jay Weigel is a composer, producer, conductor, arranger, orchestrator, and contractor for film, television, recordings, and concerts. From 1998 to 2001, he worked as an orchestrator, assistant conductor, and head music preparatory for composer Terence Blanchard. From 1985 to 1991 he was Lecturer of Composition and Orchestration at Xavier University in New Orleans. Weigel helped organize the Louisiana Composers Guild, and served as the co-chairman of the Louisiana Music Commission from 1998–2004.
|
|
Henry Dreyfuss Brant (September 15, 1913 – April 26, 2008) was a Canadian-born American composer. An expert orchestrator with a flair for experimentation, many of Brant's works featured spatialization techniques.
|
|
Leah Curtis is an Los Angeles-based Australian musician and composer. She is best known for her work as composer and orchestrator for film, as well as in contemporary classical composition.
|
|
A virtuoso trumpet player that Greeley had met in the Air Corps (Mannie Klein) helped arrange an audition with Columbia Pictures..(successful), and Greeley went to work there as staff pianist and orchestrator. As orchestrator, Greeley would fill out the sketches supplied by composers that included Max Steiner, Mario Castelnuovo-Tedesco, Leonard Bernstein, and Dimitri Tiomkin. As pianist, he performed on about two hundred motion pictures, including Picnic and The Eddy Duchin Story. He also worked as a composer.
|
|
A sketch score can be generated through the use of a MIDI file which is then imported into a music notation program such as Finale or Sibelius. Thus begins the job of the orchestrator. Every composer works differently and the orchestrator's job is to understand what is required from one composer to the next. If the music is created with sequencing software then the orchestrator is given a MIDI sketch score and a synthesized recording of the cue.
|
|
He is a regular guest conductor and orchestrator for Friday Night is Music Night on BBC Radio Two. Blank has conducted FRIDAY NIGHT IS MUSIC NIGHT on BBC RADIO TWO many times. Usually, as an expert on Broadway music, he has conducted tributes to Marvin Hamlisch, Jerry Herman, Kander and Ebb, Cahn and Van Heusen, Don Black and many more. Blank has been associated with THE OLIVIER AWARDS in London for 10 years as Music Supervisor/Orchestrator and conductor.
|
|
Benito Canónico (January 3, 1894 – October 13, 1971) was a Venezuelan composer, musician, orchestrator and teacher.Peñín, José; Guido, Walter (1998). Enciclopedia de la Música en Venezuela; Tomo 1, pag. 264. Fundación Bigott.
|
|
Ford pp. 299–302 Others have questioned whether so skilled an orchestrator as Roger-Ducasse would have "perpetrated such pointlessly inconspicuous doublings", or left uncorrected the many misprints in the 1901 edition.
|
|
In 2008, Jae served as the orchestrator and Pro Tools programmer on Janet Jackson's "Rock Witchu Tour". Deal is currently refining what he describes as a topological methodology for analyzing and composing music.
|
|
Bruce Coughlin ( ) is an American orchestrator and musical arranger. He has won a Tony Award (out of 3 total nominations), a Drama Desk Award (out of 11 total nominations), and an Obie Award.
|
|
Jonathan Alfred Clawson RedfordJ. A. C. Redford at IMDb (born July 14, 1953) is an American composer, arranger, orchestrator, and conductor. He is also the author of Welcome All Wonders: A Composer's Journey.
|
|
The BRM organizational role is a link between a service provider and the business. The role acts as a connector, orchestrator, and navigator between the service provider and one or more business units.
|
|
At the end of the war, his childhood friend Desi Arnaz asked Rizo to join him as the pianist and orchestrator for his band, the Desi Arnaz Orchestra. He toured the U.S. with the band until 1950. When Arnaz started production of I Love Lucy, he once again turned to Rizo, hiring him to be the pianist and orchestrator for the show between 1951 and 1957. Rizo also made several on-camera appearances on the show throughout its run on television.
|
|
Henderson's first foray into Broadway theatre was Ellington's Beggar's Holiday, serving as co-orchestrator alongside Billy Strayhorn. He went on to serve as orchestrator, arranger, and musical director on more than fifty Broadway musicals, including Lena Horne: The Lady and Her Music, Flower Drum Song, Funny Girl, No, No Nanette, Purlie, Ain't Misbehavin' and Jelly's Last Jam. Henderson additionally made his Broadway songwriting debut with Jelly's Last Jam, receiving a 1992 Tony Award nomination for Best Original Score, alongside lyricist Susan Birkenhead.
|
|
He is a jazz bassist (he was a college roommate of the Hollywood composer and orchestrator Geoff Stradling) and plays in local bands and together with his wife Enid Wood, a violinist and artist .
|
|
Orellana became lead violinist of London theatre orchestras, and from about 1900 was a conductor of operettas and an orchestrator of scores for the theatre by Paul Rubens and others.Ignatius de Orellana Edition Silvertrust.
|
|
Michael Starobin is an orchestrator, composer, arranger, and musical director, primarily for the stage, film and television. He won Tony Awards for the orchestrations of Assassins (2004) and Next to Normal (2009 with Tom Kitt).
|
|
London, Allen Lane.Opening orchestral introduction to J.S. Bach's Cantata, BWV65.Opening orchestral introduction to J.S. Bach's Cantata, BWV65. Igor Stravinsky (1959, p45) marvelled at Bach’s skill as an orchestrator: “What incomparable instrumental writing is Bach's.
|
|
Between 2011 and 2013 Univa added new capabilities to Univa Grid Engine including Univa Unisight, and Univa License Orchestrator. Univa Unisight provided new reporting and analytics capabilities related to Univa Grid Engine workloads and infrastructure. Univa License Orchestrator extended Univa Grid Engine scheduling policies to support allocation and optimization of commercial software licenses, an important capability in electronic design automation (EDA) and other industries. On June 24, 2018 Univa announced massive scalability operating a single cluster with over 1 million cores on Amazon Web Services (AWS).
|
|
The next year Gershwin died. Later Bennett would be turned to yet again as a definitive orchestrator of Gershwin's other works, both on Porgy and Bess: A Symphonic Picture and the orchestral medley, "Gershwin in Hollywood".
|
|
He served as an orchestrator on the original cast recording of the musical, Bubble Boy, by the writing team of Cinco Paul and Ken Daurio.REVIEW: Bubble Boy - Studio Cast Warren Hoffman. Cast Albums. July 5, 2017.
|
|
Hernandez, Ernio. "Everyday Rapture, Starring Sherie Rene Scott, Opens Off-Broadway," playbill.com, May 3, 2009 He was the music supervisor, orchestrator and music arranger for the musical American Idiot, which opened on Broadway in March 2010.
|
|
Once the music has been written, it must then be arranged or orchestrated in order for the ensemble to be able to perform it. The nature and level of orchestration varies from project to project and composer to composer, but in its basic form the orchestrator's job is to take the single-line music written by the composer and "flesh it out" into instrument-specific sheet music for each member of the orchestra to perform. Some composers, notably Ennio Morricone, orchestrate their own scores themselves, without using an additional orchestrator. Some composers provide intricate details in how they want this to be accomplished and will provide the orchestrator with copious notes outlining which instruments are being asked to perform which notes, giving the orchestrator no personal creative input whatsoever beyond re-notating the music on different sheets of paper as appropriate.
|
|
In London Blank arranged, orchestrated or co-orchestrated the revival of Mack and Mabel, Who Could Ask for Anything More, Barry J. Mishon's The Stine Way, Mr. Wonderful, the Cole Porter Centennial, Stairway to the Stars, a live concert of My One and Only, The Fleet's In, The Tribute to MGM, the Judy Garland Tribute and Night of 100 Stars. Blank was the conductor/arranger/orchestrator of Jerry Herman's title song for the film Barney's Great Adventure, and he orchestrated two songs forSouth Park and was Music Supervisor/Orchestrator Mrs. Santa Claus , What's the Worst That Could Happen, The Kid, Kiss the Girls, The American President, and many other films and television shows. Blank was the Orchestrator for Jerry Herman's concept recording "Miss Spectacular" conducted by Don Pippin featuring Steve Lawrence, Christine Baranski, Davis Gaines, Karen Morrow, Debbie Gravitte and Faith Prince.
|
|
Mark Warman (born 5 August 1961) is a British conductor, musical director, composer, orchestrator and educator. He has worked extensively in London's West End on musical productions and orchestrated and conducted many albums, TV and film scores.
|
|
In the lighter genres, Mr. Pacsay is known as the permanent orchestrator for Tibor Tátrai. Since 2001 he has served on the faculty of the Media Institute at Moholy-Nagy University of Art and Design in Budapest.
|
|
McCallum is a prominent and awarded orchestrator. He orchestrated the 2016 Summer Olympics in Rio de Janeiro, Brazil. For this, the production won a Sports Emmy Award. In 2019, McCallum orchestrated the new anthem for La Liga.
|
|
Joseph Church (born November 25, 1957) is an American music director, composer, pianist, arranger, orchestrator, and author. He is best known for his music direction of the musicals The Who's Tommy and The Lion King on Broadway.
|
|
The Music of the Stars radio program, heard worldwide over WLIP, has originated from Kenosha since 1992.Official Music Of The Stars Facebook The Kenosha Symphony Orchestra presents concerts in the acoustically-correct Reuther Central Auditorium (listed on the National Register of Historic Places) at Walter Reuther Central High School in downtown Kenosha. Film composer and orchestrator Lucien Cailliet, orchestrator for The Ten Commandments, was the KSO conductor until 1960. Since 2002, the outdoor Peanut Butter and Jam Concert Series has been held every Thursday in July and August at Veterans Memorial Park.
|
|
Wasserman is also credited as Ableton Programmer on the Broadway production of Natasha, Pierre & The Great Comet of 1812, and as Rehearsal Pianist for the La Jolla Playhouse production of the Jimmy Buffett musical Escape to Margaritaville. In addition to his work on stage productions, Wasserman has also contributed to productions on TV and radio. He was a musician and co-orchestrator on 21 Chump Street, a musical created by Lin- Manuel Miranda for This American Life. He was also a musician and orchestrator for The CW's Crazy Ex-Girlfriend.
|
|
As a studio keyboardist, Kerber has worked on over 800 motion pictures including Titanic, A Beautiful Mind, and the first three films of the Harry Potter franchise. The piano in the opening and closing scenes of Forrest Gump, which features a feather floating in the wind, was played by Kerber. Kerber has been an orchestrator on over 50 films, including work with Academy Award winner James Horner. He worked with Eric Clapton as keyboardist, orchestrator, and conductor on the 1991 film Rush, and playing on the Grammy Award-winning song "Tears in Heaven".
|
|
The orchestral version has often been recorded but not always with Douglas acknowledged as its co-orchestrator. Notable performers of this cycle include Sir Bryn Terfel, Sir Thomas Allen, Sir John Tomlinson, Roderick Williams, and John Shirley-Quirk.
|
|
Tony Cox is a British record producer and arranger. As such he was influential in late 1960s and 1970s folk rock developments and the fledgling progressive rock scene, and has since worked primarily as a composer and orchestrator.
|
|
Larry Hochman (; born November 21, 1953) is an American orchestrator and composer. He has won four Emmy Awards for his original music on the TV series Wonder Pets!"Awards of Larry Hochman". Amazon.com and the Internet Movie Database.
|
|
Sarah Travis is a British orchestrator and musical supervisor for theatre and film. She received the Tony Award for Best Orchestrations and the Drama Desk Award for Outstanding Orchestrations for the 2005 revival of Stephen Sondheim's Sweeney Todd.
|
|
Guillermo Rubalcaba (January 10, 1927 - September 7, 2015) was a Cuban pianist, bandleader, composer and orchestrator specialising in danzón and cha- cha-cha music genres.Orovio, Helio (2004). Cuban Music from A to Z-CL. Duke University Press Books. .
|
|
Authorities differ on the extent of Bridge's influence on his pupil's technique. Humphrey Carpenter and Michael Oliver judge that Britten's abilities as an orchestrator were essentially self-taught; and Donald Mitchell considers that Bridge had an important influence on the cycle.
|
|
Andreas Hedlund (born 1983) is an arranger, orchestrator and composer from Sweden, mainly known for his orchestral work for various Symphonic Game Music Concerts in Europe and Japan. He is not to be confused with vocalist Andreas Hedlund (aka Vintersorg).
|
|
He also wrote a number of piano instruction books. From the 1980s, he was for fifteen years the principal orchestrator and arranger for the New York Pops. He wrote for orchestras including the New York Philharmonic and the London Philharmonic.
|
|
Later, he was hired as an orchestrator for Warner Bros. and worked on more than 50 films for the studio. While at Warners he was largely assigned to work with Max Steiner and, because he could speak German, Erich Wolfgang Korngold.
|
|
Alexander Mair "Sandy" Courage Jr. (December 10, 1919May 15, 2008) was an American orchestrator, arranger, and composer of music, primarily for television and film. He is best known as the composer of the theme music for the original Star Trek series.
|
|
Cliff David Masterson (born 10 June 1972 ) is an orchestrator, conductor, songwriter, arranger and music producer. He graduated from the Royal Academy of Music in 1995. Cliff was awarded an Associate of the Royal Academy of Music (ARAM) in 2016.
|
|
Peter Boyer Peter Boyer (born February 10, 1970 in Providence, Rhode Island) is an American composer, conductor, orchestrator, and professor of music. He is known primarily for his orchestral works, which have received over 500 performances, by nearly 200 orchestras.
|
|
Steve Bartek (born 30 January 1952, in Garfield Heights, Ohio) is an American guitarist, film composer, conductor and orchestrator. He is best known as the lead guitarist in the band Oingo Boingo and for his orchestration work with composer Danny Elfman.
|
|
His most known performance in that role might be his playing clarinet on Nuages. He later led a band, but after 1962 left jazz for film composing and classical music. He was orchestrator, conductor, or arranger for over 20 French films.
|
|
Hundreds of composers working in film scoring today have studied with him over the years. He also worked as an orchestrator on television series (including HBO series Game of Thrones), feature films, and has written a book on film scoring.
|
|
Gans, Andrew. "Tony-Winning Orchestrator Jonathan Tunick Plays Birdland March 19; Rebecca Faulkenberry Is Special Guest", playbill.com, March 19, 2012. Much of his work has arisen from his involvement in theatre, and he is associated especially with the musicals of Stephen Sondheim.
|
|
As an orchestrator, she worked on The Little Mermaid and Logic's album Everybody. Nami is a member of Women in Film (Los Angeles), a board member none of the Alliance for Women Film Composers, and a voting member of the Television Academy.
|
|
Michael Gibson (September 29, 1944 – July 15, 2005) was a musician, trombonist and orchestrator, nominated twice for the American Theatre Wing's Tony Award for Best Orchestrations. He won the Drama Desk Award for Outstanding Orchestrations for My One and Only in 1983.
|
|
Andreas Hedlund (born 17 September 1973), better known by his stage names Vintersorg and Mr. V, is a Swedish vocalist and multi-instrumentalist who has played in several heavy metal bands. He’s not to be confused with Swedish arranger & orchestrator Andreas Hedlund.
|
|
Conrad Pope is an American film composer and orchestrator. He has worked on numerous films and has collaborated with composers such as John Williams, James Newton Howard, Alan Silvestri, Danny Elfman, Mark Isham, James Horner, John Powell, Alexandre Desplat, and Howard Shore.
|
|
David Gilmour's 2006 solo album On an Island was dedicated to O'Rourke's memory (as well as memories of tour manager Tony Howard and arranger/orchestrator Michael Kamen). Nick Mason's book Inside Out: A Personal History of Pink Floyd was also dedicated to O'Rourke.
|
|
Jean-Michel Bernard (born 23 November 1961) is a French pianist, composer, educator, orchestrator, and music producer. He is well known for regularly writing, performing, and scoring for films, such as The Science of Sleep, Hugo, Paris-Manhattan, Ca$h, and Be Kind Rewind.
|
|
Bernie Anderson Jr. is a silent film music composer, organist and orchestrator. He has presented live accompaniments for silent films, with theatre organ and piano since 1995. He is also active in the preservation and restoration of Movie Palaces, Theatre organs and Classic Film.
|
|
Joy T. Nilo (born January 11, 1970) is a Filipino composer who specializes in a cappella choral music. Also an orchestrator, his works range from traditional to modern, ethnic to electronic, serious to popular. He is also a pianist, singer, music conductor and educator.
|
|
Arrangements for the Honolulu revival were commissioned from Derek Williams who was also musical director, arranger/orchestrator for the 1981 world premiere and 1985 revival production of Magoon's later work, Aloha, a Musical of the Islands.Day, Paul. (19 October 1981). 'Hamilton Says Aloha To Musical'.
|
|
Gerard Imutan Salonga (born 11 October 1973) is an orchestral conductor, musical arranger and orchestrator from the Philippines. He is also the musical director of the ABS-CBN Philharmonic Orchestra. He is the younger brother of the Tony Award-winning singer-actress Lea Salonga.
|
|
MEF Forum has defined an SD-WAN architecture consisting of an SD-WAN Edge, SD-WAN Controller and SD-WAN Orchestrator. The SD-WAN Edge is a physical or virtual network function that is placed at an organization's branch/regional/central office site, data center, and in public or private clouds cloud platforms. MEF Forum has published the first SD-WAN service standard, MEF 70 which defines the fundamental characteristics of an SD-WAN service plus service requirements and attributes. The SD-WAN Orchestrator, which typically also includes the SD-WAN Controller functionality, is used to set centralized policies which are used to make forwarding decisions for application Flows.
|
|
During his Broadway apprenticeship Salinger first came across Johnny Green, his future MGM musical director, when they were recording motion picture overtures in the early days of sound at New York to be shown before the main features began.Fred Karlin & Rayburn Wright, On the Track, Routledge, 2004, p. 655 Salinger first came out to Hollywood in the late 1930s to work for Alfred Newman (e.g. Born to Dance and Gunga Din) and also collaborated with the famed Broadway orchestrator Robert Russell Bennett on the arrangements for Fred Astaire and Ginger Rogers' 1938 dance picture Carefree. Salinger is recognized as MGM's best principal orchestrator of musicals made between 1942 and 1962.
|
|
Dave Pierce is a Canadian songwriter, composer, producer, arranger, orchestrator. Pierce was the music director for the opening, closing, and victory ceremonies of the 2010 Winter Olympics in Vancouver, for which he received an Emmy Award for Outstanding Music Direction in 2010; arranger/orchestrator for Twyla Tharp's Frank Sinatra musical, Come Fly Away (opened March 2010) in New York on Broadway and now opening as Sinatra Dance With Me at the Wynn Las Vegas; and music director of the Calgary Stampede Evening Grandstand Show. Pierce was the musical director of the 2009 Gemini Awards television show in Canada. He is father of two daughters.
|
|
In modern classical music, composers almost invariably orchestrate their own work. However, in musical theatre, film music and other commercial media, it is customary to use orchestrators and arrangers to one degree or another, since time constraints and/or the level of training of composers may preclude them orchestrating the music themselves. The precise role of the orchestrator in film music is highly variable, and depends greatly on the needs and skill set of the particular composer. In musical theatre, the composer typically writes a piano/vocal score and then hires an arranger or orchestrator to create the instrumental score for the pit orchestra to play.
|
|
He graduated from Hunter College Elementary School, the LaGuardia Performing Arts High School, and holds degrees from Bard College and the Juilliard School.Rothstein, Mervyn. "A Life in the Theatre: Orchestrator, Composer and Music Director Jonathan Tunick" playbill.com, September 16, 2005 Tunick's principal instrument is the clarinet.
|
|
Bartlett Sher directed; Christopher Gattelli served as choreographer. Comprising the rest of the creative team was musical director James Abbott and orchestrator Simon Hale. Women on the Verge of a Nervous Breakdown was nominated for three 2011 Tony Awards, including the award for Best Original Score.
|
|
The Blake Robinson Synthetic Orchestra, also known simply as The Synthetic Orchestra, is the pseudonym for a British video game music composer and orchestrator Blake Robinson, who has developed a substantial following on YouTube, primarily for his orchestrations, recreations and remixes of popular video game music.
|
|
Garry Sherman (born December 28, 1933) is an American musician, arranger, composer and orchestrator, who was involved from the 1960s in many hit records as well as Broadway shows, film soundtracks and advertising campaigns. He has also maintained a successful parallel career as a sports podiatrist.
|
|
Composer Hidenori Iwasaki worked on the music, drawing from his experiences as the composer for some of the music in previous Front Mission games. Orchestrator Jordan Seigel and audio engineer Shinnosuke Miyazawa also helped work on the soundtrack, which was recorded at Abbey Road Studios in London.
|
|
Douglas "Doug" Besterman (born February 3, 1965) is an American orchestrator, musical arranger and music producer. He is the recipient of three Tony Awards out of six total nominations and two Drama Desk Awards out of six total nominations, and was a 2009 Grammy Award nominee.
|
|
The theme song to the film is "Love Will Turn You Around", a song performed and co-written by Rogers that was a #1 country and adult contemporary hit. It peaked at #13 on the pop chart. Miles Goodman served as an orchestrator for the film's score.
|
|
Richard Hazard (March 2, 1921 – December 20, 2000) was an American television composer, orchestrator, conductor and songwriter. He was born in Trenton, New Jersey, and died in Los Angeles, California, of cancer. He was married to Jeanne Taylor from 1950 until his death, and had two children.
|
|
Anton Sanko is a music composer, orchestrator and producer born in New York City. He has been writing music for films since 1991. He scored Ouija for Blumhouse/Universal, Jessabelle for Blumhouse/Lionsgate, and Visions, also for Blumhouse/Universal. He is working on The Naturalist for PBS.
|
|
Her credits also include independent features (Primrose Lane, The Third Nail (starring Chloë Grace Moretz), Midnight Movie (starring Brea Grant) as well as in television (Forensic Files, Modern Marvels)). Since 2012, Kouneva has been scoring many independent games (PS4 Medieval game Rollers of the Realm, VR action project Hades, the military shooter H-Hour on Steam and iOS titles IronKill, Black Hole Explorer, Pierre Roux’s Infinite Warrior.) In addition to composing, Kouneva is a studio orchestrator and has made Hollywood history as the first woman Lead Orchestrator on studio blockbusters since Shirley Walker. (Walker was instrumental for Hans Zimmer, Danny Elfman and others.) Kouneva was Lead Orchestrator on Teenage Mutant Ninja Turtles: Out of the Shadows', Elysium, Ender's Game (films) and Sony's 2015 Game of the Year Bloodborne. Other orchestration credits include the franchises The Matrix, Transformers, Pirates of the Caribbean: At World's End; the games Gears of War 2 & Gears of War 3, World of Warcraft, StarCraft II, Diablo III, Overwatch, Sims, Lord of The Rings: War in the North, and many low-budget independent films and games.
|
|
Hershy Kay (November 17, 1919 – December 2, 1981) was an American composer, arranger, and orchestrator. He is most noteworthy for the orchestrations of several Broadway shows, and for the ballets he arranged for George Balanchine's New York City Ballet. Kay died on December 2, 1981 in Danbury, Connecticut.
|
|
Motherhood: The Musical. Musical Director, Orchestrator, Arranger for this successful touring off-broadway production that debuted in 2010.Written by Sue Fabisch Motherhood The Musical debut Sept 2010 He is also Produced the original cast album and is co-writer on 5 of the musical's songs. Liberace The Musical.
|
|
He also wrote new orchestrations for Camelot which has had productions around the world. Most recently, he was Music Supervisor, Arranger & Orchestrator for Romeo and Bernadette. His orchestrations have been performed by the Boston Pops, at Carnegie Hall, the Kennedy Center, the White House and around the world.
|
|
Sidwell is the orchestrator and arranger for the Broadway and West End musical Beautiful: The Carole King Musical. He was awarded the Grammy Award for Best Musical Theater Album for the soundtrack. He was also nominated for a Tony Award in 2014 and an Olivier Award in 2015.
|
|
Subburayulu Munuswami Subbaiah Naidu (a.k.a SMS) (15 March 1914 – 26 May 1979) was an Indian composer, conductor, and orchestrator. He was one of the oldest music directors. He worked as an in-house music composer for Central Studios and Pakshiraja Studios and well associated with S. M. Sriramulu Naidu.
|
|
In the early 1940s, Rachmaninoff was approached by the makers of the British film Dangerous Moonlight to write a short concerto-like piece for use in the film, but he declined. The job went to Richard Addinsell and the orchestrator Roy Douglas, who came up with the Warsaw Concerto.
|
|
Alastair King (born 1967) is a British composer and conductor, perhaps best known for his musical contributions to film and television. He frequently collaborates with composers Charlie Mole, Geoff Zanelli, Nicholas Hooper and Rupert Gregson-Williams by either conducting for them or acting as an orchestrator or both.
|
|
In 2002 he served as orchestrator for the Academy Award- winning film adaptation of Chicago. Besterman also arranged music for the 2003 film Piglet's Big Movie. In 2004, Besterman orchestrated music for the original productions of Dracula, the Musical at the La Jolla Playhouse and Broadway's Belasco Theatre.
|
|
He has been Associate Musical Supervisor for the world premieres of Dallebach Kari das Musical, Gotthelf das Musical, Der Besuch der Alten Dame das Musical; all in Switzerland. He was also the conductor, director and orchestrator of the Lovebugs/Basel Symphony concerts, and the director and orchestrator of the Seven/21st Century Orchestra concerts, both of which were co-produced by one of Emery's businesses, Arts Festivals Ltd. He is also known for conducting and playing bare-foot. He has conducted amongst others the London Philharmonic, Japan Philharmonic Orchestra, Royal Liverpool Philharmonic, British Philharmonic, Singapore Lyric Opera and Chorus, Basel Symphony Orchestra, Arts Symphonic, National Symphoniy Orchestra, Birmingham Philharmonic, Evergreen Philharmonic, Central Aichi and The London Chorus.
|
|
Phillips's career began in the early 1970s in Los Angeles, where he was a session guitarist, composer, and orchestrator working and recording for popular artists Barry Manilow, Minnie Riperton, Demis Roussos, The Carpenters, Smokey Robinson, Dory Previn, Burl Ives, The Lettermen. He did work on television series and feature films before moving to Sydney, Australia in 1987. He was musical director, conductor, and orchestrator on live concert tours for Demis Roussos, Dory Previn, and John Rowles, and toured as guitarist for Barry Manilow for over three years. He produced recordings for Demis Roussos, Barry Manilow, Sally Kellerman, and John Rowles, achieving a Gold Record Award for his production work on the album Another Chapter for John Rowles.
|
|
In the non- theater realm, he has written orchestrations for many singers (for both concert and recording) including Audra McDonald, Kristen Chenoweth, Julian Fleisher, Nadine Sierra, and Darius de Haas. In the classical world, Coughlin has often worked with conductor Michael Tilson Thomas, notably as orchestrator for Bernstein’s Arias and Barcarolles, The Thomashevsky Project (with co- orchestrator Peter Gordon) and on the 1992 recording of Bernstein's On the Town, where he orchestrated two songs cut from the original 1944 production. Those songs ("Gabey's Comin’" and "The Intermission's Great") had never been orchestrated but were added back for this new recording. "Gabey’s Comin’" is now a part of the currently available live-performance version of the show.
|
|
Zdeněk Pololáník (born October 25, 1935) belongs to the most respected Czech contemporary composers.Who Is Who Who is Who Verlag für Personenenzyklopädien AG, 2008Biography at musicbase.cz His son Petr Pololanik is a conductor and orchestrator at Capellen Music Production. Zdeněk Pololáník has written nearly 700 compositions of various styles and genres.
|
|
In December 2012 he conducted Sydney-based Metropolitan Orchestra in the Doctor Who Symphonic Spectacular at the Sydney Opera House. Ben Foster left his role as Doctor Who conductor and orchestrator in 2015 and was replaced by Alastair King, who has recently taken up the full role for Series 10.
|
|
A product called IBM Cloud Orchestrator would serve the orchestration needs of an enterprise. The aforementioned SmartCloud products have been discontinued. By 2016, the aforementioned product called IBM Cloud Manager with OpenStack was discontinued, although the services organization may be using other versions of OpenStack for large scale cloud deployments.
|
|
The sketch score only contains the musical notes (e.g. eighth notes, quarter notes, etc.) with no phrasing, articulations, or dynamics. The orchestrator studies this synthesized "mockup" recording listening to dynamics and phrasing (just as the composer has played them in). He then accurately tries to represent these elements in the orchestra.
|
|
Pataki and Finnegan were described as politically inseparable. Finnegan was Governor Pataki's first appointment in the new administration. He served as General Counsel to the Governor from 1995 to 1997, but was also the leading orchestrator of Pataki's measure that cut income tax rates by 25 percent over four years.Dao, James.
|
|
Emilio Kauderer is an Argentine composer, orchestrator and songwriter residing in Los Angeles. He is best known for his scores for films including "Metegol (Underdogs)", "Secret in Their Eyes", and "A Place In the World". Kauderer won a Latin Grammy for his work on Bajofondo's 2002 album "Bajofondo Tango Club".
|
|
Such multimedia collaborations characterize Humphrey's recent work and place the artist in what Cristina Albu referred to as "[...] the role of hidden orchestrator of a drama that transcends individual tragedy."Cristina Albu. Modeling the Psyche: Nene Humphrey's Multisensory Enactment of Empathic Entanglement. Afterimage the Journal of Media Arts and Cultural Criticism, Vol.
|
|
George Shaw is a film composer and musician. He has composed original music that can be heard on many videos on YouTube as well as a number of short films. He has also worked as an orchestrator on such films as Kiss Kiss Bang Bang, Ghost Rider and Robotech: The Shadow Chronicles.
|
|
John Carlini is an American jazz guitarist and arranger who performs bluegrass and jazz. He has performed with David Grisman, mandolin player Don Stiernberg, singer Bill Robinson, Bucky Pizzarelli, Rio Clemente, flatpicking guitarist Tony Rice, He is an orchestrator, conductor, and five-string banjo player. He formed the John Carlini Trio in 2000.
|
|
Martin Koch is a British music supervisor, orchestrator, conductor, and composer who won the 2009 Drama Desk Award for Outstanding Orchestrations and was a co-winner of the 2009 Tony Award for Best Orchestrations for Billy Elliot the Musical, sharing the honor with Michael Starobin and Tom Kitt of Next to Normal.
|
|
Daniel Wyman is an American musician, educator, and composer for film & television. He currently serves as an Emeritus Professor at San Jose State University, and perhaps is best known for his collaborations with director John Carpenter on films such as Halloween and The Fog, where he worked as an orchestrator and synth programmer.
|
|
Burbank, CA: Riverwood Press, 1991, 35. While working as a pianist with the Weintraub Syncopators, a dance band, Waxman met Frederick Hollander, who eventually introduced Waxman to the eminent conductor Bruno Walter.Thomas, 35. Waxman worked as an orchestrator for the German film industry, including on Hollander's score for The Blue Angel (1930).
|
|
The director and choreographer was Rob Ashford, the designer was Christopher Oram, and the musical supervisor was David Chase. The musical director was Alan Williams, the orchestrator was Bill Elliott, the lightning designer was Howard Harrison, and the sound designer was Paul Groothuis. Gabrielle Dawes and James Orange were the casting directors.
|
|
Dick Jacobs (29 March 1918 - 20 May 1988) was an American musician, conductor, arranger, orchestrator, music director and an artists-and-repertoire director for several record labels (Coral, Decca, Brunswick and Springboard). He helped Jackie Wilson, Buddy Holly, Bobby Darin and others early in their careers in the late 1950s and early 1960s.
|
|
Anderson worked as an orchestrator on over 50 movies with composer Charles Gross as well as Broadway stage work with Marvin Hamlisch, Charles Strouse, Bob Fosse and mentor, Ralph Burns. Recently re-located to Las Vegas, Nevada, Anderson continues his multi-faceted work and participates in summer jazz clinics around the country.
|
|
115 He appears to have played an important part in the compilation of the Domesday survey,Chibnall Anglo-Norman England p. 114 perhaps even the main orchestrator of the project.Mason William II pp. 85–86 Domesday Book gives his profession as clerk, and records him holding land in a number of counties.
|
|
In his review in the August 16, 1962 of Down Beat magazine Harvey Pekar says this of Russell: "His work abounds with such devices as polyphony, polytonality, and changing tempos and time signatures. He is also a brilliant orchestrator... producing constantly varying sonorities and textures."Down Beat: August 16, 1962 vol. 29, no.
|
|
Courage began as an orchestrator and arranger at MGM studios, which included work in such films as the 1951 Show Boat ("Life Upon the Wicked Stage" number) (Hot Rod Rumble (1957 film) The Band Wagon ("I Guess I'll Have to Change My Plan"), Gigi (the can-can for the entrance of patrons at Maxim's), and the barn raising dance from Seven Brides for Seven Brothers. He frequently served as an orchestrator on films scored by André Previn (My Fair Lady, "The Circus is a Wacky World", and "You're Gonna Hear from Me" production numbers for Inside Daisy Clover), Adolph Deutsch (Funny Face, Some Like It Hot), John Williams (The Poseidon Adventure, Superman, Jurassic Park, and the Academy Award- nominated musical films Fiddler on the Roof and Tom Sawyer), and Jerry Goldsmith (Rudy, Mulan, The Mummy, et al.). He also arranged the Leslie Bricusse score (along with Lionel Newman) for Doctor Dolittle (1967). Apart from his work as a respected orchestrator, Courage also contributed original dramatic scores to films, including two westerns: Arthur Penn's The Left Handed Gun (1958) and André de Toth's Day of the Outlaw (1959), and the Connie Francis comedy Follow the Boys (1963).
|
|
Ginzler's first lead orchestrator credit was for 1958's Oh, Captain! featuring Tony Randall in a famous extended dance sequence with the ballerina Alexandra Danilova. When Ramin moved to the record label RCA Victor he brought in Ginzler to help him reorchestrate the album version of Jule Styne's Say, Darling performed by David Wayne and Robert Morse. Apparently, Styne was so impressed by their work that he picked them for his orchestrator team on his next show Gypsy: A Musical Fable with lyricist Stephen Sondheim and a book by Arthur Laurents. The partnership continued with Ginzler finally gaining first billing on Wildcat where Lucille Ball in her only Broadway show introduced the marching-band staple “Hey Look Me Over” in the 1960 season.
|
|
Letellier, p. 249 Traubner observes that many critics rate Lecocq higher than Offenbach as an orchestrator and harmonist, although melodically he did not rival the "startling immediacy" of Offenbach's tunes.Traubner, p. 81 Lecocq disliked being compared to Offenbach, and went out of his way to avoid rhythmic devices familiar from the older composer's works.
|
|
His choral works, especially a cappella works, are full of rich and colorful harmony with sense of movement provided by individually moving vocal lines within closely voiced harmony. His works for symphony usually have bright and brilliant orchestration with clear sense of melody which is reflection of experience as a composer/orchestrator in Hollywood.
|
|
Now. Here. This. was performed at the Vineyard Theatre from March 7, 2012 to April 28, 2012. The production was directed by Michael Berresse and starred Hunter Bell, Heidi Blickenstaff, Susan Blackwell and Jeff Bowen. Larry Pressgrove served as the music director and orchestrator. An original cast recording was released by Ghostlight Records in 2012.
|
|
At his short spell in Paris, many reporters say he was "the orchestrator of the Parisian club's game". In September 2006, he criticised manager Guy Lacombe in an interview with L'Equipe, and a month later his contract with PSG was terminated, being the first player to be sacked from a French club since 1973.
|
|
"Behind the Proms' celestial opening number". BBC News, By Mark Savage, 19 July 2019"First night of the Proms review – the moon, and female stars". The Guardian, Erica Jeal, 21 Jul 2019 Reviewers praised the composition, and commented on Di Castri's skill as an orchestrator. "BBC Proms, review: First night is a finely nuanced success".
|
|
Born in Brooklyn, Sherman started playing piano at the age of four. He continued to develop his skills as an arranger and orchestrator while studying medicine and podiatry at Temple University, and then as an intern at Illinois College of Podiatry."NJ Podiatrist is Also Famed Musician and Composer", Podiatry Management Online, February 19, 2009.
|
|
In March 2012, another $12 million investment round included investor Greenspring Associates. The city of Richmond, California used Exinda products to filter out video traffic from sites such as YouTube. In November 2014, Exinda released updates to its Network Orchestrator product. The updates included integrated captive portal policies, adaptive response quotas, and HTTP caching.
|
|
The film had both its twentieth anniversary and premiere at a special live-orchestral screening performance at the Royal Albert Hall on September 22, 2016. The Royal Philharmonic Orchestra, conducted by the original orchestrator Nicholas Dodd, performed the score live during the film, and the film's composer, David Arnold, was a presenter at the event.
|
|
An Evening in Prague is a symphonic album by Keith Getty—a departure from his catalog of predominantly vocal albums—though it reflects Getty's origins as an arranger and orchestrator for other artists. It is also unique in that it draws material mostly from other songwriters, with only four songs co-authored by Getty.
|
|
The partitioning procedure identifies the process of spatial separation of the coupled problem into multiple partitioned subsystems. Information is exchanged through either ad-hoc interfaces or via intermediate buffer governed by a master algorithm. Master algorithm (where exists) is responsible for instantiating the simulators and for orchestrating the information exchange (simulator-simulator or simulator-orchestrator).
|
|
The young John Kander (future composer of Cabaret among many others) was frequently used as a dance music arranger on these shows (e.g. Irma La Douce). The orchestrator Jonathan Tunick also became another protégé at this time and has paid credit to Ginzler's influence on the dominant style of the subsequent Prince-Sondheim productions.
|
|
He later moved to Los Angeles and played bass in the house band at Puccini's, a Beverly Hills restaurant owned by Frank Sinatra. His work as an orchestrator includes the movies Not with My Wife, You Don't!, Penelope and the TV series Lost in Space. He also composed music heard at Walt Disney World and Tokyo Disneyland.
|
|
Both songs come from the musical Miss Saigon. The event was to honour the work of orchestrator William David Brohm and raised funds for CLIC Sargent Cancer care. In June 2009, it was announced that Gates was joining the cast of the International 25th Anniversary World Tour production of Les Misérables in the role of Marius.
|
|
He married in 1915 settling in New York City. Daly played piano with various Broadway orchestras, and in time established himself as a songwriter, arranger, orchestrator, and music director, conducting more than twenty shows between 1915 and 1934. He met George and Ira Gershwin in the late 1910s. Daly and George Gershwin collaborated on several Broadway scores.
|
|
" The recording sessions started on 14 August 2010. Conrad Pope, one of the orchestrators on the first three Potter films and the supervising orchestrator on Deathly Hallows, commented that Desplat's music is "exciting and vigorous". He added on his Facebook profile that "Harry flies, fights and conjures. All accompanied by the distinctive, definitely non-generic voice of Desplat.
|
|
At the time Almeida was a member of Getúlio Vargas's official security detail, as well as a friend of Vargas's chief bodyguard Gregório Fortunato. Upon questioning, Nascimento named Vargas's son Lutero Vargas as the orchestrator of the shooting. On 8 August 1954, Fortunato confessed to his involvement in the crime. Fortunato, Nascimento and Almeida were all sentenced afterwards.
|
|
He is credited with orchestrating nine productions on Broadway from 1931 to 1938, and over seventy-five motion pictures from 1931 to 1962. Film scholar Clive Hirschhorn considers him the finest orchestrator ever to work in the movies.Clive Hirschhorn, Gene Kelly: A Biography, 1974, p.186 Early in his career, film composer John Williams spent much time around Salinger.
|
|
Warren Hill features a version for saxophone on his 2015 release Under the Influence. Rock violinist Deni Bonet covered the song on her 2017 album Bright Shiny Objects. The track features Liberty DeVitto, longtime drummer for Billy Joel, and Lenny Kravitz' bass player Jack Daley among others. This version was also orchestrated by Danny Elfman's orchestrator Steve Bartek.
|
|
Vladimir Mikhailovich Blok (, 7 November 1932, Moscow - 28 August 1996, Moscow) was a Russian musicologist, composer and orchestrator of the works of Prokofiev, of Udmurt ethnicity. :V.M. Blok is to be distinguished from the Russian theatre critic Vladimir Borisovich Blok (b. 22 June 1918)the critic Владимир Блок is the author of Система Станиславского и проблемы драматургии etc.
|
|
On 21 October 2016, the original cast recording, Lazarus, was released. The album was produced by Henry Hey, who was the musical director and arranger/orchestrator of the original New York production and subsequent productions in London and Amsterdam."David Bowie’s Parting Gift: Inside New ‘Lazarus’ Soundtrack", "Rolling Stone", San Francisco, October 20, 2016. Retrieved September 30, 2019.
|
|
Scott Wasserman (born September 27, 1988) is an American musician, composer, orchestrator, musical director, and electronic music programmer who has worked on many shows both on and off Broadway. He originated the technical role of Ableton Programmer for Hamilton, and has reprised that role for Dear Evan Hansen and Natasha, Pierre & The Great Comet of 1812.
|
|
Bruce Fowler is participating in the Band from Utopia, the Mar Vista Philharmonic, and Jon Larsen's Strange News from Mars, featuring Zappa alumni Tommy Mars and Arthur Barrow. He also recorded albums with Air Pocket, a band including his siblings. Fowler is the recipient of the 2007 Film & TV Music Awards for Best Score Conductor and Best Orchestrator.
|
|
Travis attended City University and Guildhall School of Music and Drama.Biography sunsetlondon.com, accessed 25 July 2009 She has been the musical supervisor and/or orchestrator for many musicals, both in the West End and at regional British theatres. Some of the latter include Crazy for You and Me and My Girl (Aberystwyth); Annie (Belfast Lyric); Pal Joey (York).
|
|
He was appointed head of woodwinds there in 1988. While in Toronto, Berman also served as principal oboe for the Canadian Opera Company orchestra from 1975 to 2004. In addition to his orchestra activities, Berman performed extensively as a soloist, recitalist, and chamber music player. He was a composer and orchestrator whose works were performed regularly.
|
|
Alkinoos Ioannidis (; born 19 September 1969) is a Greek Cypriot composer, lyricist, singer, and orchestrator. He was born in Nicosia on 19 September 1969. His artistic family, with a painter father and poet brother was a source of inspiration for him. He first wanted to study drums, but couldn't due to the lack of a drum teacher in Nicosia.
|
|
Ted Sperling is a musical director, conductor, orchestrator, arranger, stage director and musician, primarily for the stage and concerts. He won the Tony Award for Best Orchestrations and the Drama Desk Award, Outstanding Orchestrations, for his work in The Light in the Piazza in 2005. He is the Artistic Director of MasterVoices, formerly the Collegiate Chorale.
|
|
Jessel moved to Canada in 1955, where he started a career as an orchestrator and composer for CBC Radio and CBC Television. Beginning in 1957, he and his songwriting partner, Marian Grudeff, wrote songs for the Toronto revue Spring Thaw;Mel Atkey. Broadway North: The Dream of a Canadian Musical Theatre. Dundurn; 30 October 2006. . p. 116.
|
|
He composed music for the Romanian movies Zile fierbinṭi and Accident (both in 1976). With Adrian Enescu he composed music for the Romanian movie Al patrulea stol (1978) and with Petru Mărgineanu he composed the music for the American-Romanian movie Point Zero- Cry of Redemption (1995). He has worked as an orchestrator for Margareta Pâslaru.
|
|
Tubin often used Estonian folk music in his works, for instance in the Sinfonietta on Estonian motifs. His ballet Kratt is entirely based on folk tunes. In 1938 Tubin had visited the Estonian island of Hiiumaa to collect folk songs. Tubin was also a very good orchestrator, and this can be heard particularly in the Third and Fourth symphonies.
|
|
William "Bill" Kidd is an American musician, conductor, composer, and orchestrator. He has worked on many television shows and feature films, including Lois & Clark: The New Adventures of Superman, Left Behind, Muhammad: The Last Prophet and Return to Lonesome Dove. Kidd's work is also featured on the official soundtrack album of the theme park Islands of Adventure.
|
|
Youssef Guezoum (born July 31, 1975) is a Moroccan music composer, orchestrator and conductor based in Los Angeles.Compositeur de musiques pour le cinéma, Youssef Guezoum (French) Retrieved on 28 June 2016. He has produced music for television series for NFL-CBS Sport, Immediate Music, Universal Music, Paramount Pictures and Lion's Gate.Music for MFL-CBS sport Retrieved on 28 June 2016.
|
|
Jonathan Tunick (born April 19, 1938, New York City) is an American orchestrator, musical director, and composer, one of sixteen people to have won all four major American show business awards: the Tony Awards, Academy Awards, Emmy Awards and Grammy Awards. He is best known for his work with Stephen Sondheim, starting in 1970 with Company and continuing to the present day.
|
|
He was credited as music programmer and orchestrator for the film One Fall in 2011. In 2012, Kaefer composed for another short, Pandora’s Box, and ended his time with Good Morning America and Good Morning America Weekend Edition. In 2013, Kaefer provided the theme music for Primetime: Would You Fall for That?. He also scored his first documentary, A Polite Bribe.
|
|
Jeff Atmajian (born 1960 in Fresno, California) is an arranger and orchestrator for films. His steady clientele are composers such as James Newton Howard, Marc Shaiman, Rachel Portman, Mark Watters, John Debney and Gabriel Yared. In the past two years Jeff has been pursuing a more high- profile composing career. Recently he scored the 90-minute documentary about the Armenian Genocide called Screamers.
|
|
William Harold Wheeler Jr. (born July 14, 1943),Biography. Interview Date: 10/3/2005 The HistoryMakers. 2017. Retrieved June 17, 2017 better known as Harold Wheeler, is an American orchestrator, composer, conductor, arranger, record producer, and music director. He has received numerous Tony Award and Drama Desk Award nominations for orchestration, and won the 2003 Drama Desk Award for Outstanding Orchestrations for Hairspray.
|
|
Orchestrator Tony Visconti was hired by McCartney, who liked his arrangements for T. Rex. Visconti was given three days to write arrangements for the whole album, including the 60-person orchestra for the title track. Visconti said that the arrangements were collaborations with McCartney, and was surprised he was not credited with his work until the 25th anniversary reissue.Visconti, Tony.
|
|
Paul Englishby is a film and theatre composer, orchestrator, conductor and pianist. He is best known for his Emmy Award winning jazz score for David Hare's Page Eight, his orchestral score for the Oscar nominated An Education, his BAFTA nominated score for the BBC's Luther and his many theatre scores for the Royal Shakespeare Company, with whom Paul is an associated artist.
|
|
Each cue can range in length from five seconds to more than ten minutes as needed per scene in the film. After the composer is finished composing the cue, this sketch score is delivered to the orchestrator either as hand written or computer generated. Most composers in Hollywood today compose their music using sequencing software (e.g. Digital Performer, Logic Pro, or Cubase).
|
|
Paul Leka (February 20, 1943 - October 12, 2011) was an American songwriter, record producer, pianist, arranger, and orchestrator, most notable for co- writing the 1960s hits "Green Tambourine" and "Na Na Hey Hey Kiss Him Goodbye", the latter of which has become a standard song at sporting events.See, for example, [ DJ's Choice: Official Football Sunday] (Turn Up The Music, 2002); www.allmusic.com.
|
|
He was the conductor for the movie Flowers in the Attic, whose score was composed by Christopher Young, and for the TV documentary Eagles: Hell Freezes Over. He arranged music for The 86th Academy Awards as well. He is also regular orchestrator for Randy Newman. Don Davis' political opera, Río de Sangre, premiered at the Florentine Opera Company on October 22, 2010.
|
|
Herschel Burke Gilbert (April 20, 1918 – June 8, 2003) was a prolific orchestrator, musical supervisor, and composer of film and television scores and theme songs, including The Rifleman (starring Chuck Connors), Dick Powell's Zane Grey Theater, and The Detectives Starring Robert Taylor. Gilbert once estimated that his compositions had been used in at least three thousand individual episodes of various television series.
|
|
Jimmy Stewart (born September 8, 1937) is an American guitarist who has performed a wide variety of music since the late-1950s. He is best known for his association with jazz guitarist, Gábor Szabó, but has been extensively involved in many genres of music as an arranger, conductor, producer, orchestrator, musical director, and educator. Stewart has appeared on over 1,200 recordings.
|
|
In 1932 the comic operetta Sissi premiered in Vienna. Composed by Fritz Kreisler, the libretto was written by Ernst and Hubert Marischka, with orchestrations by Robert Russell Bennett."Orchestrator on His Own", Time, 12 December 1932. Although the pet name of the empress was always spelled "Sisi," never "Sissi," this incorrect version of her name persisted in the works about her that followed.
|
|
The nucleus of Tuba Skinny began coalescing in the Crescent City circa 2003 to 2005, just prior to Hurricane Katrina. Several of its musicians played together in a handful of other bands on the streets of New Orleans. None of them are native to the city. The band's orchestrator and cornetist Shaye Cohn—the granddaughter of jazz saxophonist Al Cohn—is a Bostonian.
|
|
"Elf: new family musical for the winter holidays". New York Theatre Guide, June 10, 2011. Besterman was the orchestrator for Rob Ashford's 2011 Broadway revival of Frank Loesser's How to Succeed in Business Without Really Trying, starring Daniel Radcliffe, for which he has been nominated for his fifth Tony Award for Best Orchestrations."2011 Tony Nominations Announced", broadwayworld.com, May 3, 2011.
|
|
He started his career as an orchestrator and composer for CBC Radio and CBC Television. There he met his lifelong songwriting partner, Marian Grudeff, a Canadian pianist. Together they played active roles in orchestral and theatrical compositions. Their major breakthrough came when producer Alexander H. Cohen signed them to write the songs for the 1964 Broadway musical Baker Street, about Sherlock Holmes.
|
|
In early November 1984, René Angélil and pianist Alain Noreau, who was to act as orchestrator and conductor, began planning the tour of Quebec. Rehearsals started in late December 1984 and soon Angélil realized that Noreau was not up to the job. He called Paul Baillargeon, who'd written the music for "Une colombe," and asked him to replace Noreau. Baillargeon agreed.
|
|
David Tamkin (28 August 1906 – 21 June 1975) was an American composer of Jewish descent, born in Chernihiv, Ukraine. He devoted much of his professional career as an arranger, composer [uncredited] and orchestrator of film scores for Hollywood movies. He worked on more than 50 films between 1939 and 1970. His opera The Dybbuk premiered at New York City Opera in October, 1951.
|
|
Gus Levene, born Gershun Levene (July 11, 1911 – February 9, 1979), was an American arranger, composer, orchestrator and guitarist. In the mid-1940s, he was one of the top network radio arrangers. Levene is best remembered for his work as an arranger for Dean Martin and orchestration for numerous Hollywood film productions, including the 1956 hit film The King and I.
|
|
Szervánszky was born in Kistétény and studied the clarinet at the Budapest Academy of Music (1922–7). He played in various orchestras before returning to the academy to study composition with Albert Siklós (1931–6). He then worked as an orchestrator for the Hungarian Radio and taught musical theory. He was appointed professor of composition at the Budapest Academy in 1948.
|
|
The music for Big Bad Wolves was written by Israeli-born composer Frank Ilfman, who had previously worked together with the directors on Rabies. The music was recorded at Air Lyndhurst Studios on 23 December 2012 with the London Metropolitan Orchestra conducted by orchestrator Matthew Slater. The score has been released digitally and on CD by MovieScore Media and Kronos Records.
|
|
In 1987, Hochman worked on the short-lived Broadway stage musical Late Nite Comic as orchestrator and musical arranger.Gussow, Mel, 'A Musical: Late Nite Comic', The New York Times, October 17, 1987. Though his arrangements were not recorded on the cast recording in March 1988,Gari, Brian. Sleeve notes to Original Cast LP Late Nite Comic. OC8843 (1988) they are heard on the 25th Anniversary recording. Hochman has provided additional orchestrations for the Broadway musicals The Little Mermaid, Prince of Central Park,"The City Is Sweet and Muggers Are Merry;" from The New York Times, November 10, 1989. Retrieved on 2008-01-31. and The Music Man, among others. He served as orchestrator for Spamalot, which garnered him a Tony Award nomination for Best Orchestrations, as did A Class Act in 2001 and the 2004 revival of Fiddler on the Roof.
|
|
His classical work, as a composer or orchestrator, has been performed and recorded by James Levine, Plácido Domingo, José Carreras, Christian Lindberg, Vienna Symphony orchestra, Orchestre de Paris, Simón Bolívar Youth Orchestra, Orchestra & choir of the Arena di Verona, Orquesta de la Comunidad Valenciana, Orquesta de Castilla y León and Spanish Brass. He has worked regularly with Plácido Domingo as an orchestrator for the Christmas in Vienna series of concerts, as well as The three tenors concerts in Paris 1998 and Monterrey in 2005, the Arena de Verona and the Operalia anthem. Recently he arranged and orchestrated several of the tracks for the CD Pasión española (Spanish passion) with Plácido Domingo and the Orquesta de la Comunidad de Madrid conducted by Miguel Roa, for the Deutsche Grammophon label. This CD won a Grammy for Best Classical Album at the 2008 Latin Grammy Awards.
|
|
Ted Royal [Dewar] (6 September 1904, Skedee, Oklahoma - 27 March (?) 1981) was an American orchestrator, conductor and composer for Broadway theatre. He was most active in the 1940s and 1950s, being associated with the very successful original productions of Lerner and Loewe's Brigadoon and Paint Your Wagon. Together with George Bassman he orchestrated Frank Loesser's Guys and Dolls.Bio entry in The Oxford Companion to American Theater, 2004.
|
|
His opinion of Stravinsky's music in the presence of others was another matter. At the performance of (Fireworks), he reportedly made the comment, "Kein talent, nur Dissonanz" ("no talent, just dissonance"). (Also in the audience was Sergei Diaghilev, who on the strength of this music sought out the young composer for the Ballets Russes.)White, 143. Glazunov eventually considered Stravinsky merely an expert orchestrator.
|
|
In 2007, Moose made his debut as a conductor and orchestrator in a performance with Sufjan Stevens at the John F. Kennedy Center for the Performing Arts Opera House. He was the conductor on Antony and the Johnsons' live album Cut the World (2012). He has worked as a condutor at numerous venues, including the Walt Disney Concert Hall and the Royal Opera House.
|
|
In January 2010, Alexandre Desplat was confirmed to compose the score for Harry Potter and the Deathly Hallows – Part 1. The film's orchestration started in the summer with Conrad Pope, the orchestrator on the first three Harry Potter films, collaborating with Desplat. Pope commented that the music "reminds one of the old days." Desplat returned to score Harry Potter and the Deathly Hallows – Part 2 in 2011.
|
|
Ben Foster (born 1977) is a BAFTA award-winning British composer, best known for his work on the BBC series Torchwood and as orchestrator for Murray Gold on Doctor Who and for Marc Streitenfeld on Prometheus and The Grey. He is also known for his work as the conductor for Peter Gabriel's Scratch my Back world tour and albums, and for the BBC Proms Doctor Who events.
|
|
Although Woman Obsessed is not a musical film, in addition to Hugo Friedhofer, nine additional top- name musicians were involved in the creation of the score. They include Earle Hagen, orchestrator; Lionel Newman, conductor; David Buttolph, Leigh Harline and Alfred Newman, composers of additional music; and Alexander Courage, Gus Levene, Arthur Morton and Edward B. Powell, orchestrators. The film was shot in Big Bear Lake, California.
|
|
During this time, Sharifi also taught in the Music Synthesis and Ensemble Departments at Berklee. In 1992, he left his teaching positions in Boston and moved to New York City in search of new musical endeavors and opportunities. Sharifi began to focus his attention on film soundtracks. His foray into the world of film and television began as a keyboardist and orchestrator for Michael Gibbs.
|
|
ONAP, or the Open Network Automation Platform, is an open source networking project hosted by the Linux Foundation. On February 23, 2017, ONAP was announced as a result of a merger of the OpenECOMP and Open-Orchestrator (Open-O) projects. The goal of the project is to develop a widely used platform for orchestrating and automating physical and virtual network elements, with full lifecycle management.
|
|
Noble was born at 1 Montpelier Terrace in the Montpelier area of Brighton, England. A blue plaque on the house commemorates him. He was the nephew of the Anglican church music composer T. Tertius Noble (1867–1953). Noble studied at the Royal Academy of Music and in 1927 won a competition for the best British dance band orchestrator that was advertised in Melody Maker.
|
|
Steiner, in particular, relied on Friedhofer's skill in turning his sketches into a full orchestral score. Despite his own strong skills, he remained in their shadow for many years. In 1937, Friedhofer composed his first full-length film score, The Adventures of Marco Polo. Though he was still employed as an orchestrator through the '30s and into the '40s, he gradually received more assignments as a composer.
|
|
Plamenac's cabinet recognized the army as the legal Montenegrin Army in exile. These forces were covertly transferred to the eastern shore of the Adriatic Sea, where they instigated armed incidents in Montenegro, thus maintaining a form of open conflict. On 6 August 1919 the property of Andrija Radović, the orchestrator of Montenegrin–Serbian unification, was attacked and burnt to the ground, and his father was killed.
|
|
A "Popular" Alberto Pizzo, tgcom24.mediaset.it, July 20, 2015 In November 2015 he signed with Sony Classical label, which released the album Memories, recorded at Abbey Road Studios in London, with the participation of the London Symphony Orchestra and Luis Bacalov as orchestrator and musical director.From March 'Memories', the album of the pianist Alberto Pizzo with the direction of Bacalo teacher, adnkronos.com, February 22, 2016.
|
|
An orchestrator is a trained musical professional who assigns instruments to an orchestra or other musical ensemble from a piece of music written by a composer, or who adapts music composed for another medium for an orchestra. Orchestrators may work for musical theatre productions, film production companies or recording studios. Some orchestrators teach at colleges, conservatories or universities. The training done by orchestrators varies.
|
|
If the schedule is too demanding, a team of orchestrators (ranging from two to eight) will work on a film. The lead orchestrator decides on the assignment of cues to other orchestrators on the team. Most films can be orchestrated in one to two weeks with a team of five orchestrators. New orchestrators trying to obtain work will often approach a film composer asking to be hired.
|
|
Wilson is also an arranger and orchestrator and has produced a number of orchestrations for film, radio and television. In 2000 he orchestrated Sir Richard Rodney Bennett's incidental music for a BBC production of Gormenghast. This scoring won the Ivor Novello Award for Best Film Score. Wilson orchestrated and conducted Howard Goodall's score for the 2002 BBC film The Gathering Storm about the life of Winston Churchill.
|
|
A London production of the musical ran at the King's Cross Theatre from 8 November 2016 to 22 January 2017, with previews beginning the week of 25 October. Ivo van Hove again directed the London production and Henry Hey was the musical director and arranger/orchestrator."Henry Hey on the Return of Lazarus and Working with David Bowie", "Relix", April 25, 2018. Retrieved September 30, 2019.
|
|
The song was written by Miranda, along with the rest of the collaborators. The song was released on the one-year anniversary of Hurricane Maria which directly struck Puerto Rico in 2017. The tenth release, a rendition of "Theodosia Reprise" by Sara Bareilles, debuted on the eve of Halloween 2018. It featured show orchestrator Alex Lacamoire on piano and Questlove of The Roots on drums.
|
|
North managed to integrate his modernism into typical film music leitmotif structure, rich with themes. One of these became the famous song, "Unchained Melody". Nominated for fifteen Oscars but unsuccessful each time, North is one of only two film composers to receive the Lifetime Achievement Academy Award, the other being Ennio Morricone. North's frequent collaborator as orchestrator was the avant-garde composer Henry Brant.
|
|
In 2002, Eguchi arranged the track "Hand in Hand -Reprise-" for Yoko Shimomura's score to Kingdom Hearts. Eguchi reunited with Matsueda to compose Final Fantasy X-2 (2003). Despite being panned by critics and fans alike and having a low budget, the soundtrack was commercially successful. He was also the game's orchestrator and the composer of the love ballad "Real Emotion/1000 no Kotoba".
|
|
Retrieved August 3, 2020 Sherman has also composed orchestral works, including Viet Nam Cantata, performed at The Town Hall in New York in 1970."Sherman Cantata at Town Hall", Record World, November 14, 1970, p.33 For eighteen years, he worked as chief orchestrator on advertising campaigns for Coca-Cola, Miller Beer, and Löwenbräu, winning several Clio Awards. Garry Sherman, Piece of My Heart.
|
|
Other work From 1990 to 2001, Kane was the principal orchestrator for the US Army Soldiers Show. In 2003, he served as an arranger for National Symphony Orchestra's Kennedy Center Gala TV Special. In 2008, he was one of the primary subjects of Dr. Charles Limb's study on the science of music and creativity. From 2006 to 2015, Kane wrote music criticism for Cadence Magazine.
|
|
Ashley Irwin is an Australian born composer, conductor, orchestrator, arranger and music producer. Irwin has composed, conducted, arranged, and orchestrated music for numerous movie soundtracks. He has collaborated with Clint Eastwood, Bill Conti, and has scored for silent films including Alfred Hitchcock’s The Lodger: A Story of the London Fog. He has an Emmy award for Outstanding Individual Achievement in Music Direction, and two Emmy nominations.
|
|
Will Vodery (October 8, 1885 – November 18, 1951) was an American composer, conductor, orchestrator, and arranger, and one of the few black Americans of his time to make a name for himself as a composer on Broadway, working largely for Florenz Ziegfeld. He had offices at the Gaiety Theatre office building in Times Square.Bloom, Ken, Broadway: An Encyclopedia, Routledge; 2nd edition (November 11, 2003), .
|
|
Orchestrator Robert Russell Bennett's massive 8-part chorale near the end of the song extends it to include a spelling of the name, ending with an epic ritardando leading into one last iteration of "Oklahoma." The state of Oklahoma officially adopted the song as its state song in 1953. 25 O.S. § 94.1, Official State Song. It is the only official state song from a Broadway musical.
|
|
The assignment was put forward as temporary. Privately, everyone knew that he was being kept under observation away from his troops. Aristagoras was the main orchestrator of the Ionian Revolt on secret instruction by Histiaeus, when the latter learned of Persian plans to interfere directly in Miletus. Aristagoras took advantage of Greek dissatisfaction with Persian rule to incite an alliance of the Greek poleis of Ionia.
|
|
In 1965, Goldsmith was tapped to score the features, Von Ryan's Express and Morituri. He recruited Morton to serve as his orchestrator. Their bond for a unique and expressive sound was borne, and their friendship flourished. Goldsmith went on to compose the soundtracks for Our Man Flint, The Trouble with Angels (with Frank De Vol), The Blue Max, The Sand Pebbles, and Stagecoach, all in 1966.
|
|
Alex Lacamoire (born May 24, 1975) is an American musician, arranger, conductor, musical director, music copyist, and orchestrator who has worked on many shows both on and off Broadway. He is the recipient of multiple Tony and Grammy Awards for his work on shows such as In the Heights (2008), Hamilton (2016), and Dear Evan Hansen (2017). Lacamoire was awarded the Kennedy Center Honor in 2018.
|
|
The song also featured Ben Platt. In April 2018, Lacamoire arranged Miranda's April 2018 Hamildrop, "First Burn". The song featured the 5 Elizas who took on the role after Phillipa Soo left the show in July 2016. Lacamoire is also the orchestrator and co-arranger of Carmen La Cubana, a stage adaptation of Bizet's Carmen that features the classic opera score using all-new Cuban musical arrangements.
|
|
He believes that the combination of tonality and atonality is critical to the appreciation of both. By his own admission, he is obsessed with novel variation in both tone color and texture. He has been recognized as an adept and imaginative orchestrator. He works with both acoustic and electronic instruments in order to have access to as wide a palette of raw sound as possible.
|
|
Network Orchestrator Companies are defined as: The concept was born in the early 1990s among several organizational behavior researches that were conducted by many scholars of that time such as Malone & Crowston, Lipparini & Sobrero, Powell et al., Simonin, and many others. In 2001, the term "Network Orchestrator" was officially used by the authors Remo and Julian, after that several researches that followed used this nomination when referring to this structure of organizational relationship. In November 2014, the authors Barry Libert, CEO of AIMatters, The Leader in AI Powered Strategy, Yoram (Jerry) Wind and Megan Beck CEO of AIMatters, The Leader in AI Powered Strategy, stated the definition presented above when they were using this concept to propose a new kind of business model, moving from the past standard of industrial classifications to a standard considering the principal way an organization invests its capital to generate and capture value.
|
|
Harry Gregson-Williams (born 13 December 1961) is an English composer, orchestrator, conductor, and music producer. He has composed music for video games, television and films including the Metal Gear series, Spy Game, Phone Booth, Man on Fire, The Chronicles of Narnia: The Lion, the Witch and the Wardrobe, Déjà Vu, X-Men Origins: Wolverine, The Martian, and the Shrek franchise. He is the older brother of composer Rupert Gregson-Williams.
|
|
For the 1980 Broadway production, he was the first composer to be awarded the Drama Desk Award in the category of outstanding music in a play. He also served as orchestrator and musical director. Strider has subsequently been produced all over the world including regional theaters across the United States. He received an Ace Award nomination for his score for the film Traveler's Rest, seen on Showtime Cable Network.
|
|
Geoff Knorr (born 13 June 1985) is an American composer, orchestrator, and sound designer. He has worked on video game titles such as Civilization V, Civilization: Beyond Earth, Civilization VI, Galactic Civilizations III, and Ashes of the Singularity. Knorr was born in Framingham, Massachusetts and grew up in Marietta, Georgia. He took piano and cello lessons at a young age and he composed his first piece of music in eighth grade.
|
|
The waitress was called Mary. He started writing the song on a cigarette packet, took it to an orchestrator Arthur Parry and rushed to the Mile End Empire where he met Miller. He said to him that this song will do for you what ‘’Sally’’Gracie Fields’ signature tune did for Gracie Fields. Miller told him that he would meet him the next day outside the Express Dairies.
|
|
Grumpy Old Men: The Musical is a stage musical with book by Dan Remmes songs composed by Neil Berg and lyrics by Nick Meglin. The music was orchestrated by Emmy- and Tony-winning orchestrator/composer Larry Hochman with additional orchestrations by Phil Reno. It is based on the 1993 Warner Bros. film Grumpy Old Men by Mark Steven Johnson which starred Jack Lemmon, Walter Matthau and Ann-Margret.
|
|
George Ellis (born 12 February 1964) is an Australian conductor, composer and orchestrator. He presents concerts for international events with a broad range of styles from classical to pop/rock and jazz as well as presenting orchestral concerts for young audiences. He also lectures in Conducting at the Sydney Conservatorium of Music, and is a regular presenter of Sonic Journey for ABC Radio Sydney’s program with Simon Marnie.
|
|
To date, CMP has produced music for many film and record companies (e.g. Warner Music, EMI Classics, Disney/Pixar, Maxis/Electronic Arts, Magic Circle Music, Java Music Productions....), trailer libraries (Two Steps From Hell, Position Music, audiomachine, Videohelper, FringeElements, Switch, XRayDog, Eternal Eclipse...), as well as sample developers (Garritan, Sonokinetic, 8dio, Performance Samples, EWQL, ...). Founder and President of Capellen Music Production is Czech conductor, orchestrator and music producer, Petr Pololanik.
|
|
MTI was founded in 1952 by American composer and lyricist Frank Loesser and orchestrator Don Walker. Along with the licensing rights to Loesser's works, the firm licenses production rights of numerous Broadway, Off-Broadway, and West End musicals, including many hit shows. CBS acquired MTI in 1976. After SBK acquired CBS' music publishing in 1986, MTI was spun off as a separate company to a group led by Nicholas Firth.
|
|
The original composition was done by David Wise. Pikmin (Variations on a World Map Theme) was another lighthearted arrangement, portraying the colorful cast of Pikmin as well as bring nature element to the forefront. The piece was arranged by video game composer and orchestrator Hayato Matsuo and composed by Hajime Wakai. The first act was closed out by Wanamo’s arrangement of the Super Mario Galaxy soundtrack in Mario Galaxy (Galactic Suite).
|
|
A resolution to this scenario will render the loss of jobs, Sola's kids accident as coincidence. And that Femi's Asthma and eyesight mystery, and his father's cancer mystery can be somehow explained scientifically. However, many analysts hold the conclusion that Araromire is responsible for the occurrences in the film. It has been derived that even though Femi is the orchestrator of the events, there's a glaring dominance of the goddess’ powers.
|
|
Colin O'Malley (born December 9, 1973) is a composer who has worked with CNN, the Walt Disney Company, the United States Air Force, Universal Studios, DC Comics and Electronic Arts. In addition to his own composition projects he worked as an orchestrator for the recording artist Yanni. He was the main composer of the Tomb Raider: Underworld video game, and he collaborated with Troels Folmann in making the score.
|
|
Both contributed songs to Piccadilly to Broadway (1920), a show which closed in Atlantic City, and For Goodness' Sake (1922). The two jointly composed the score for Our Nell in 1923. This was the beginning of a long friendship; Daly was a frequent arranger, orchestrator and conductor of Gershwin's music, and Gershwin periodically turned to him for musical advice. Gershwin dedicated his 1926 Preludes for Piano to Daly.
|
|
William Grant Still was orchestrator and Fats Waller the pianist as Johnson was contractually obliged to conduct his and Waller's hit Broadway show Keep Shufflin. Harlem Symphony, composed during the 1930s, was performed at Carnegie Hall in 1945 with Johnson at the piano and Joseph Cherniavsky as conductor. He collaborated with Langston Hughes on the one-act opera, De Organizer. A fuller list of Johnson's film scores appears below.
|
|
He had a career with the Canadian Broadcasting Corporation from 1952-1954 as a musician and orchestrator, including a stint with his own French-language television show. He returned to his native country in 1964 and founded a musical school in the city of Bex. He worked as a conductor until 1999, when he retired to the municipality of Fleurier. He died in Val-de-Travers in March 2011.
|
|
Arvinder worked as an orchestrator for the 2015 film Creed, and continued to orchestrate for multiple films and television shows, including Community and Chef's Table. In 2017, together with Anthony Gonzalez (M83) and Chris Hartz (Passion Pit), Arvinder arranged and orchestrated the Cirque du Soleil show Volta. As a multi-instrumentalist, Arvinder is a member of the band in the Swedish reality television music show Så mycket bättre.
|
|
Damon Intrabartolo (1974 - August 13, 2013) was an American composer, orchestrator and conductor. He attended the University of Southern California and departed before graduation to work as an assistant to John Ottman on The Usual Suspects. His most famous work is the musical Bare. A resident of Los Angeles, California, he appeared in a 2001 documentary featuring six gay men attending the Burning Man festival, called On the Bus.
|
|
Paul Kevin Joyce (born July 1957) is a British composer, producer, orchestrator, arranger and conductor. He is known for his music for theatre and television, including the 2005 BBC TV film The Snow Queen and the 2008 British TV film Clay. He wrote "Can We Fix It?", the theme song to the children's television programme Bob the Builder that became the bestselling single of 2000 in the UK and Australia.
|
|
A big-budget film may be able to afford a Romantic music era- orchestra with over 100 musicians. In contrast, a low-budget independent film may only be able to afford a 20 performer chamber orchestra or a jazz quartet. Sometimes a composer will write a three-part chord for three flutes, although only two flutes have been hired. The orchestrator decides where to put the third note.
|
|
The musical was staged for a limited run at New York Theatre Workshop in Manhattan, directed by Ivo van Hove. Henry Hey, who previously played keyboards on Bowie's 2013 album The Next Day, served as musical director and arranger/orchestrator for the production and worked closely with Bowie during its development."Ground Control: Bowie, Off Broadway", "The New Yorker", New York, January 11, 2016. Retrieved September 30, 2019.
|
|
Larry Blank is a composer, arranger, orchestrator and conductor"One Singular Sensation: Marvin Hamlisch". Dial Urban Milwaukee who has worked in theatre, films, television and concerts. He has been nominated for a Tony Award three times, for his orchestrations of Catch Me If You Can (with Marc Shaiman), White Christmas, and The Drowsy Chaperone. In 2012 his orchestrations were performed in Singin' in the Rain at the Palace Theatre in London.
|
|
Scott was born in Los Angeles, California. He is the son of film and television composer Nathan Scott, who had more than 850 television credits and more than 100 film credits as a composer, orchestrator, and conductor, including the theme songs for Dragnet and Lassie. His professional career began as a teenager as leader of the jazz ensemble Neoteric Trio. After that, he worked as a session musician.
|
|
In addition to his work for the concert hall, Boyer is active in the film and television music industry. He has composed scores for The History Channel, and has served as an orchestrator for composers such as Michael Giacchino, Thomas Newman, James Newton Howard, James Horner, Alan Menken, Mark Isham, Aaron Zigman, Harry Gregson-Williams, Heitor Pereira, Michael Kamen, Graeme Revell, and others, on films from Warner Bros.
|
|
As the 1960s progressed, SMS engaged in a few projects towards the end of 1960s such as Naam Moovar, Raja Veetu Pillai, Uyir Mel Aasai, Sabash Thambi, Panakkara Pillai, Naalum Therindhavan, Chakkaram and Mannippu. In the 1970s, opportunities were few and far between Snegithi, Vairakiyam, Therottam and Thanga Gopuram. His contribution is invaluable. Not only he is a composer, but also very good conductor, orchestrator, and what not.
|
|
V.G. speaks the language since he was 7 and I.B. lived in the United States for several years and also speaks the language. Orchestrations are done by Vladimir and vocal-related work is performed by Igor. In a near future, the group is going to start to perform live. As a guitar player, a multi-instrumentalist, and an orchestrator, Vladimir has managed more than 2,000 studio recording sessions.
|
|
Takashi Niigaki was born in Tokyo. He is a Japanese composer and music teacher who served as the orchestrator and ghostwriter for Mamoru Samuragochi for 18 years, composing musical works that included the soundtracks for Resident Evil: Director's Cut Dual Shock Ver. and Onimusha: Warlords. He also composed "Hiroshima Symphony No 1", previously credited to Samuragochi until February 2014, when Niigaki publicly revealed that he was the real composer.
|
|
Miles White was the costume designer while Jo Mielziner (who had not worked on Oklahoma!) was the scenic and lighting designer. Even though Oklahoma! orchestrator Russell Bennett had informed Rodgers that he was unavailable to work on Carousel due to a radio contract, Rodgers insisted he do the work in his spare time. He orchestrated "The Carousel Waltz" and "(When I Marry) Mister Snow" before finally being replaced by Don Walker.
|
|
She relocated again to Scottsdale, Arizona in 1994, where she recorded two CDs with the John Wilson Orchestra. She also lectured at the University of Southern California on film scoring and founded the Chorale of the Alliance française of Greater Phoenix. Her last film credit was for the Disney film The Hunchback of Notre Dame II in 2002, where she worked as an additional orchestrator and composer of additional music.
|
|
Charlie Rosen (born July 20, 1990) is an American musician, composer, arranger, orchestrator, musical director, and music producer. He is best known for his work on Broadway, where he has worked on Be More Chill, Prince of Broadway, and American Psycho most recently. He also is the band leader of The 8-Bit Big Band, a video game music cover jazz orchestra, whose videos have over 3 million views on YouTube.
|
|
Daniel Clive McCallum (born 1989 in Sydney, Australia) is a film composer, conductor, and orchestrator. He is a graduate of the Royal Academy of Music in London. He is known for orchestrating and arranging the music for the 2016 Summer Olympics in Rio de Janeiro, Brazil, which won the Sports Emmy Award for best music direction. McCallum is the son of Ron McCallum, a noted Australian legal academic.
|
|
The score to The Science of Sleep was composed by Jean-Michel Bernard. Jean-Michel Bernard is a French pianist, composer, educator, orchestrator, and music producer. He is also well known for regularly writing, performing, and scoring for films, such as Hugo, Paris-Manhattan, Ca$h, and Be Kind Rewind. The song "Instinct Blues" by The White Stripes is used in the film but was not included on the soundtrack release.
|
|
In 1996, he co- composed the soundtrack to Front Mission: Gun Hazard, and created the entire score for DynamiTracer. He also created music for three of the games in the Hanjuku Hero series. Outside of video games, he has composed the main theme for the 2000 animated film Ah! My Goddess: The Movie and co-composed the anime Final Fantasy: Unlimited (2001) with Final Fantasy orchestrator Shirō Hamaguchi.
|
|
Jack Smalley is an American composer, orchestrator, and teacher of film and television scoring. After working for years as a jazz bassist, Smalley began to get jobs writing music for television, notably Charlie's Angels and Murder, She Wrote. In the 1980s, he built a reputation as a teacher at the Grove School of Music and later the University of Southern California. He was also an instructor for the Henry Mancini Institute.
|
|
The episode's music was composed by Fordham, Scrubs resident composer Jan Stevens, The Worthless Peons' Paul Perry, Tony Award- winning Broadway orchestrator Doug Besterman, and the Avenue Q writing team of Jeff Marx and Robert Lopez. The episode was directed by Will Mackenzie. In 2009, TV Guide ranked "My Musical" #86 on its list of the 100 Greatest Episodes. The episode received five Emmy Award nominations, winning one of them.
|
|
The concert also included the same creative team as the album with Tim Evans as Musical Director, Paul Foster as Director and Florian Cooper as Orchestrator. The concert was produced by Robin Rayner. The show has also played the Landor Theatre as part of the "From Page to Stage" 2013 season whilst the song "Excalibur93" was awarded third place at the "Stiles & Drewe Best New Song Award 2013".
|
|
"The future of opera in London", The New York Times, 24 July 1932, p. 4 Beecham's musical assistant, Henry Gibson, worked with him on many of his arrangements, and is credited in the published score of this suite as the compiler and orchestrator. That score contains thirteen movements, of which Beecham and his newly-founded orchestra, the London Philharmonic, recorded ten in December 1932. They made further recordings from the score in 1933 and 1934.
|
|
John Parry, On Flageolets, Harmonicon (Part II), 1830, pp. 499-500 The Pleasant Companion - The Flageolets Site Parry subsequently became this instrument's most famous player, teacher and proponent.Biography of John Parry The Pleasant Companion - The Flageolets Site By 1809, he began to compose and publish vocal compositions, especially ballads, and simple pieces for the harp and piano, as well as duets for flute and other wind instruments. He also became a facile orchestrator.
|
|
There are almost 80 minutes of music excluding alternates and album arrangements recorded just for the film. In paper the total number of full score excluding instrument parts excess well over 500 pages. The music was first written on a sketch to later be handed to orchestrator Herbert W. Spencer, who pencilled out the full score from December 1981 to January 1982. The orchestra consist of that of a usual standard orchestra with variations, e.g.
|
|
Bagué began his music career at the age of seven, perfecting his violin playing and making early attempts at composing. He was later mentored by maestro Carlos Varela, a graduate from the Juilliard School of Music who worked as an arranger/orchestrator in the jazz, Latin and classical fields with artists such as Louie Armstrong, Count Basie and Arturo Toscanini. Bagué graduated with a master's degree in Music from the University of Miami in 1993.
|
|
Return of the Jedi (The Original Motion Picture Soundtrack) is the film score to the 1983 film Return of the Jedi, composed and conducted by John Williams and performed by the London Symphony Orchestra. The score was recorded at the Abbey Road Studios in January and February 1983. Again, John Williams served as producer. Orchestrator Herbert W. Spencer, engineer Eric Tomlinson, music editor Kenneth Wannberg, and record supervisor Lionel Newman again reprised their respective duties.
|
|
Hughes concludes his chapter on Sullivan's orchestration: "[I]n this vitally important sector of the composer's art he deserves to rank as a master."Hughes, p. 118 Sullivan was a competent player of at least four orchestral instruments (flute, clarinet, trumpet and trombone) and technically a most skilful orchestrator. Though sometimes inclined to indulge in grandiosity when writing for a full symphony orchestra, he was adept in using smaller forces to the maximum effect.
|
|
Mark began working with the avant-garde musician Scott Walker on his album The Drift in 2003. Warman remained his musical director, conductor, keyboardist and orchestrator of albums, ballets and film scores until Walker's death in 2019. Brady Corbet's debut film The Childhood Of A Leader was chosen to close the 2017 International Film Festival Rotterdam with a live performance of Walker's score, performed by a 75-piece orchestra conducted by Warman.
|
|
Kravitz explained that he struggled with serious writer’s block while trying to focus on this album. Raise Vibration is a socially-conscious album, containing twelve compositions that address multiple issues plaguing the world. As on most of his other albums, Kravitz plays most of the instruments himself, with longtime guitarist Craig Ross and keyboardist/orchestrator David Baron being the only collaborators (other than string and horn players). The album has produced four singles.
|
|
Conrad Salinger (August 30, 1901, Brookline, Massachusetts – June 17, 1962, Pacific Palisades, CaliforniaVariety Obituaries, issue of 27 June 1962 (not ' 61), vol.5, 1957-1963, Garland Publishing, Inc., NY & London, 1988; confirmed Californian Death Records entry, Vital Statistics Section, sourced . Note, the Internet Movie Database and a number of other sources have mistakenly given his death as July 9, 1961.) was an American arranger, orchestrator and composer, who studied classical composition at the Paris Conservatoire.
|
|
As the 1990s drew to a close, Taylor, in collaboration with orchestrator Gareth Price, attempted "to portray some of the key developments in the advance of civilization over the past 1,000 years" via his Millennium Suite. Performed on CD by the Polish State Philharmonic Orchestra of Latowice, conducted by Jerzy Swoboda, the suite consisted of "The Birth Of Chivalry" "The Age Of Oppression" "The Enlightenment" "The Road To Democracy" and "The Triumph of Democracy".
|
|
Brilliant Orange: The Neurotic Genius of Dutch Football. (Bloomsbury Publishing, ) The team orchestrator, Cruyff was a creative playmaker with a gift for timing passes. Nominally, he played centre-forward in this system and was a prolific goalscorer, but dropped deep to confuse his markers or moved to the wing to great effect. In the 1974 World Cup final between West Germany and the Netherlands, from the kick-off, the Dutch monopolised ball possession.
|
|
Their repeat performance in the 3rd Manila Jazz Festival was subsequently issued as a DVD by the Jewelmer Corporation (that also featured the Jamie Oehlers Group from Australia and several Philippine artists). A new Candid Records release, entitled Eastern Skies, was launched in December 2007 featuring AFFINITY amidst big band and symphonic arrangements by orchestrator Ria Osorio featuring the music of Johnny Alegre with the Global Studio Orchestra, conducted by Gerard Salonga.
|
|
Bruce Lambourne Fowler (born July 10, 1947) is an American trombonist and composer. He played trombone on many Frank Zappa records, as well as with Captain Beefheart and in the Fowler Brothers Band. He composes and arranges music for movies, and has been the composer, orchestrator, or conductor for many popular films. He is the son of jazz educator William L. Fowler and the brother of multi-instrumentalist Walt Fowler and bassist Tom Fowler.
|
|
His comprehensive study of landmark film scores, Scoring the Screen: The Secret Language of Film Music, was published in August 2017 by the Hal Leonard Corporation. About the book, Conrad Pope, celebrated orchestrator for John Williams, Alexandre Desplat, and Howard Shore, among others said, "If you have any interest in what music means in film, you must read this book." The book has been selected as a core text by Leeds College and other institutions.
|
|
Robert Leslie "Bob" Cornford (15 May 1940 – 18 July 1983) was a British jazz pianist and composer. He was born in Brazil to British nationals. He received classical training in music, including studies at the Royal College of Music. He joined the ensemble of John Dankworth in the 1960s while working as an arranger and orchestrator on for the BBC, and he composed for the NDR Radiophilharmonie and the DR Big Band.
|
|
Marco Marinangeli is a Grammy-nominated Italian composer, songwriter, arranger, orchestrator and producer. He is the president of Magelic Productions, Inc., in Hollywood. He is a writer and producer of Josh Groban, Donna Summer, Plácido Domingo, The Tenors, The Cheetah Girls, China Anne McClain, Dove Cameron, Lucas Grabeel, Monique Coleman, Peter Frampton, Taylor Dayne, Kathie Lee Gifford, Myra, Olga Tañon, Miley Cyrus aka Hannah Montana, Hilary Duff, Solas, The Chieftains, Larry Carlton and George Perris.
|
|
Yo-Yo Ma Plays Ennio Morricone is a 2004 album of recordings from Morricone's various film scores by cellist Yo-Yo Ma and Ennio Morricone. The album was recorded with the Roma Sinfonietta Orchestra and Gilda Buttà on piano. Morricone functioned as orchestrator, conductor, and producer. It was released as a standard compact disc on September 28, 2004 (093456), and a DualDisc using Dolby Digital 5.1 Surround Sound on February 8, 2005 (093472).
|
|
After a dinner outing, Murphy's wife suggested the title and both Murphy and Marini liked it enough that it was adopted. The rest of the creative team for this production included Ron Melrose as music director, Kim Scharnberg as orchestrator, Rob Odorisio as scenic designer, Howell Binkley as lighting designer, Janine McCabe as costume designer, Nick Kourtides as sound designer, and Michael Clark credited with the projections design.Robb, J. Cooper."Review" theatermania.
|
|
When Steiner was later employed as an orchestrator for various later radio broadcasts, he was inexperienced but studied Van Cleave closely to develop his own skills. In 1945 Steiner was appointed the first music director of This is Your FBI, composing and arranging for 47 episodes of the radio crime drama. With the decline of the radio industry, Steiner decided to shift his attention to television. He moved west to Los Angeles in 1947.
|
|
The film marked Broadway director Hal Prince's second time as a motion picture director. Critical reaction to the film was mostly negative, with much being made of Taylor's wildly fluctuating weight from scene to scene. Some critics talked more positively of the film, with Variety calling it "an elegant looking, period romantic charade". There was praise for Diana Rigg's performance, and orchestrator Jonathan Tunick received an Oscar for his work on the score.
|
|
As a conductor and orchestrator, Joey has worked across the media spectrum including conducting alongside Michael Tilson Thomas and John Williams. From 2001–2006, Joey composed the orchestral score to NCsoft's Lineage, one of the biggest online role-playing games in history. In 2003, Joey began a fruitful collaboration with his cousin Randy, providing orchestrations for the features Seabiscuit and Cars. He also conducted the music to the Disney California Adventure Park ride Monsters, Inc.
|
|
Javier Bayon (Barcelona, July 20, 1980) is a Spanish film music composer. He has scored for prestigious directors as Icíar Bollaín, Juanjo Giménez Peña, Kike Maíllo and Darren Lynn Bousman. As an orchestrator has worked for composers as Ludovico Einaudi, Javier Navarrete and Pharrell Williams. He took top honors at the 5th International Film Music Competition 2016, which took place within the framework of the 12th Zurich Film Festival at the Tonhalle Zürich.
|
|
Sound designer Otts Munderloh was working nearby on Sugar but he would sneak into Pippin to hear the difference. Munderloh found that Pippin sound "was much better" than Sugars, "much crisper, cleaner and louder, because of the shotguns..." As well, orchestrator Ralph Burns spent time with Jacob and sound console operator Larry Spurgeon to point out important instrumental cues. Pippin ran from 1972 to 1977 to become one of the longest-running Broadway musicals.
|
|
Herbert Specer www.cinechile.cl Later in life, Spencer was known mostly for his collaborations with composer John Williams as orchestrator and arranger (from 1967 until his death) for many of his film scores, such as the original Star Wars trilogy, E.T. the Extra-Terrestrial and the Indiana Jones film series. He orchestrated the stage musicals The Good Companions (1974, for André Previn), and Thomas And The King (1975, for John Williams). Neither show was a success.
|
|
In addition to his work as a writer, arranger and orchestrator, Robert has also served as an adjunct professor of Music Publishing at Belmont University in Nashville, Tennessee. A 1977 cum laude graduate of Baylor University's School of Music, Robert currently resides in Brentwood, Tennessee with his wife, Cindy. They have two sons, Matthew and Aaron. Matthew lives in New York City, New York, working as a film editor and comedy writer.
|
|
Calmodulin (CaM) is recognized as a major calcium (Ca2+) sensor and orchestrator of regulatory events through its interaction with a diverse group of cellular proteins. Three classes of recognition motifs exist for many of the known CaM binding proteins; the IQ motif as a consensus for Ca2+-independent binding and two related motifs for Ca2+-dependent binding, termed 1-14 and 1-5-10 based on the position of conserved hydrophobic residues.
|
|
Christopher Austin (right) and Paul Morley in rehearsal at the Royal Academy of Music. Christopher Austin (born 14 November 1968) is a British conductor, and an arranger and orchestrator of film and television scores. Austin originally intended to become a composer. He studied at the University of Bristol with Adrian Beaumont and Raymond Warren (1987–90), and subsequently at the Guildhall School of Music and Drama with Robert Saxton and Simon Bainbridge.
|
|
Matsuo began his career arranging Sugiyama's pieces for Dragon Quest: The Adventure of Dai in 1991. His first work as a also came in 1991, with the video game Master of Monsters. His first notable work came in 1993 with Ogre Battle: March of the Black Queen, which he worked on with Hitoshi Sakimoto and Masaharu Iwata. Since then, he has worked on over 30 other video games, both as a composer and orchestrator.
|
|
Blanchard acted as the composer and orchestrator for Spike Lee's last two films: Jungle Fever and Malcolm X. Blanchard took the strongest themes from the latter movie and rearranged them for the present jazz quintet sessions. Bassist Tarus Mateen, tenor saxophonist Sam Newsome, pianist Bruce Barth, and drummer Troy Davis each also participated in the original Malcolm X project. In 1994, the album was nominated for Soul Train Music Award for Best Jazz Album.
|
|
The production ran for 620 performances, even continuing during the 1967 Six day war. In addition to Gaon, other performers included Ady Etzion, Esther Greenberg, Shlomo Bar-Shavit, and Arie Elias. Directed by Yoel Silberg, the choreographer was Crandal Diehl, arranger/orchestrator was Arthur Harris, and the conductor was Dov Seltzer(Zeltzer). The cast album lists lyrics by Amos Ettinger and Hayim Hefer, book by Yoram Kaniuk, Igal Mossinsohn, and Yoel Silberg.
|
|
Orchestrator Jonathan Tunick won the first Tony Award for Best Orchestrations for his work on the score. The show received five Tony nominations, winning in all five categories, though the director, Richard Jones, was not nominated, nor were any of the performers."1997 Tony Award Winners" broadwayworld.com, accessed May 7, 2011 Stewart Laing was responsible for both the costume design and the scenic design, for which he won a Tony Award for Best Scenic Design.
|
|
Ragland was born in Chicago. He attended Northwestern University and also earned degrees at the American Conservatory of Music in Chicago and the University of Music and Performing Arts Vienna. He served as a music arranger for the Dorsey Brothers Orchestra in his early years. Outside of scoring music for film and television, he often served as a music arranger and orchestrator for singers including Marvin Gaye and Pat Boone and rock bands including Nelson (band) and Dokken.
|
|
He was four years at the Paris Conservatoire, on a scholarship won through his talent as a pianist. He studied harmony and counterpoint under Massenet. His first composition, at the age of 20, was a light opera which ran at the Théâtre des Arts for thirty weeks in 1905, setting his future as a writer of light music. He was also in demand by theatre directors in Paris and London as a conductor, arranger and orchestrator.
|
|
Alfredo Sirica (born 25 April 1999) is an Italian composer, pianist and orchestrator. Best known for his activity as soundtrack composer, he has written and produced music for cinema, video games and TV series. With his work for the Italian animated series Lampadino e Caramella nel MagiRegno degli Zampa, produced by Rai Ragazzi, he became the first composer of a soundtrack suitable also for children with disabilities such as blindness or autism, merging narration with music therapy.
|
|
Not long afterwards, Rooney doubled the Reds' lead and secured the win with an unstoppable shot after being played in by a Ronaldo back-heel. The Red Devils then made the short trip up to Ewood Park the following weekend to take on Blackburn Rovers. Wayne Rooney declared himself fit after having picked up a knock against Aalborg BK in midweek, and was the orchestrator of most of United's attacks, including the one that led to the opening goal.
|
|
Basie Straight Ahead is an album recorded at TTG Studios, Hollywood, California in October 1968 featuring Count Basie and his orchestra. This album marked the first collaboration between Basie and his long-time orchestrator, Sammy Nestico, who composed, arranged and conducted all of the songs on the record. The engineers were Ami Hadani and Thorne Nogar, and the producers were Tom Mack and Teddy Reig. The disc was issued in 1968 on Dot label and on English EMI.
|
|
Koren grew up in Rishon Lezion, where he started taking classical- piano lessons with Mira Broslavsky when he was 3 years old. His first public appearance was in 1997 when he played Keyboard in Arutz HaYeladim (Israeli Kid's Cable Television Channel). In 2002 Daniel started working with music producer Yoni Bloch, taking a part in his productions as a pianist and an orchestrator. During that time Koren began touring and recording with singer songwriter Efrat Gosh.
|
|
The version of Music Construction Set for the Atari ST is not a port and shares no source code with the original versions. It was written by Richard J. Plom for Intersect Software Corporation under the name The Orchestrator. It was acquired from Intersect Software by Electronic Arts and rebranded Music Construction Set in 1987. The Atari ST version is the first version to have supported the new MIDI standard, with this computer's built-in MIDI hardware.
|
|
Unlike other process automation tools, PAM has a fully functional client (known as a Touchpoint). While Microsoft Opalis also has an agent, its Unix agent is not as functional as its Windows agents. The other main vendor tools only use their integrations with other tools to implement the defined processes. The custom operators (objects that make up processes) can be two types; calculations which are executed within the orchestrator engine, these can be written in JavaScript.
|
|
Conrad Salinger was the most prominent orchestrator of MGM musicals from the 1940s to 1962, orchestrating such famous films as Singin' in the Rain, An American in Paris, and Gigi. In the 1950s, film composer John Williams frequently spent time with Salinger informally learning the craft of orchestration. Robert Russell Bennett (George Gershwin, Rodgers and Hammerstein) was one of America's most prolific orchestrators (particularly of Broadway shows) of the 20th century, sometimes scoring over 80 pages a day.
|
|
The use of the Chorale in the style of a Wagnerian-chant, enhanced the dark nature of the film. Once Cristo arrived in Los Angeles, he worked as an orchestrator as well as providing technical computer support to augment his income. His next score was for the short film, Last Confession (2005). Cristo’s scoring accomplishments continued with a dramatic western River's End (2005), a mystery thriller The Deep Below (2007), and the action drama The Governor (2007).
|
|
By October 1946, Cole Porter had turned in eight songs and departed for New York. One of these, "[It's Chic In] Martinique" was dropped when Horne's role was eliminated, but seven other Porter numbers were slotted in the new script. The choreographer, conductor, orchestrator, and vocal arranger comprised a solid crew from the Freed Unit at MGM: Robert Alton, Lennie Hayton, Conrad Salinger, and Kay Thompson. Garland began prerecording the score at the studio on December 27, 1946.
|
|
Helmy Kresa, (born in Meissen, Germany on November 7, 1904,ASCAP Biographical Dictionary (1948) died 1991, Long Island, New York) was a songwriter and the principal arranger and orchestrator for Irving Berlin. In 1931 Kresa wrote "That's My Desire," which Frankie Laine, Louis Armstrong and a host of others recorded. He also composed the instrumental music for Martin Scorsese's film "Raging Bull". Kresa's was the first published arrangement of "All of Me," written by Gerald Marks and Seymour Simons.
|
|
Donald Romain Davis (born February 4, 1957) is an American composer, conductor, orchestrator and trombonist known for his film and television scores. He has also composed opera, concert and chamber music. Davis has collaborated with well-known directors including The Wachowskis, Ronny Yu, and Joe Johnston in genres ranging from horror, to action, to comedy. His best known works include music for The Matrix franchise, and the television series Beauty and the Beast and seaQuest 2032.
|
|
His more complex compositions build on his line work using a montage practice, which he called 'agitational usage'. Kitaj often depicts disorienting landscapes and impossible 3D constructions, with exaggerated and pliable human forms. He often assumes a detached outsider point of view, in conflict with dominant historical narratives. This is best portrayed by his masterpiece "The Autumn of Central Paris" (1972–73), wherein philosopher Walter Benjamin is portrayed, as both the orchestrator and victim of historical madness.
|
|
In 2006, Evans—with the help of arranger/orchestrator Justin Gray—wrote a musical based on the strip, titled Luann: Scenes in a Teen's Life, produced by Center ARTES and performed at the California Center for the Arts in Escondido, California. It was performed by local drama students from Rancho Buena Vista High School. An original cast recording, titled Scenes in a Teen's Life, was made. In March 2008, Palomar College, in San Marcos, California performed this musical.
|
|
This is a list of compositions by composer, orchestrator and conductor Ennio Morricone. He composed and arranged scores for more than 400 film and television productions.Movie Music UK, Review Morricone was considered one of the most influential and best-selling film composers since the late 1940s. He has sold well over 70 million records worldwide, including 6.5 million albums and singles in France, over three million in the United States and more than two million albums in Korea.
|
|
Max Dreyfus was "a softspoken, slightly built man who was reserved almost to a fault." He was seen as a "man of integrity" and a "gifted talent spotter". He helped found ASCAP (the American Society of Composers, Authors and Publishers) in 1914, and served as a board member for fifty years until shortly before his death. He pioneered a new style of orchestration for theatre performances, employing Russell Bennett as the company's chief orchestrator from 1919.
|
|
The four-mallet vibraphone style is multi- linear, like a piano. "Thinking like a pianist, arranger, and orchestrator, the vibist approaches the instrument like a piano and focuses on a multi- linear way of playing."Ed Saindon, Sound Development and Four-Mallet Usage for Vibes. . In jazz groups, four-mallet vibraphonists are often considered part of the rhythm section, typically substituting for piano or guitar and providing accompaniment for other soloists in addition to soloing themselves.
|
|
However, once Green Lantern was connected to the device, his willpower proved too great for the chamber and its orchestrator, leaving it in ruins and King mentally unstable. In 1943, Brain Wave again battled the Justice Society, when its individual members traced various criminal operations back to Dr. King. At this time, he vented his revenge on Edwin Ackerman. Starman tracked King to his office of psychiatry, but was unable to produce sufficient proof to arrest the villain.
|
|
The work is remarkable for its use of the alto saxophone as a solo instrument. He was apparently advised as to its use by the American orchestrator and composer Robert Russell Bennett. The composition includes several quotations from Rachmaninoff's other works, and can be regarded as a summing-up of his entire career as a composer. The first dance ends with a modified quotation from his unfortunate First Symphony (1897), here nostalgically rendered in a major key.
|
|
He was a guest artist for a gala concert in Leeds with Lesley Garrett and the Opera North Orchestra, and with orchestrator Martin Koch, he produced a concert to celebrate the work of Nelson Riddle, with The BBC Concert Orchestra and transmitted live on BBC Radio 2. Throughout 2005–06 Bickley undertook a national tour of Cole Porter’s High Society playing the role of C.K. Dexter Haven, culminating in a season at The Shaftesbury Theatre in the West End.
|
|
David Rosenthal (born January 1, 1961) is an American keyboardist, musical director, music producer, synthesizer programmer, orchestrator, and songwriter, mostly known for working with the world-renowned hard rock band Rainbow and rock legend Billy Joel. Rosenthal has been nominated for three Grammy Awards, and in addition to Rainbow and Joel, has worked with Bruce Springsteen, Enrique Iglesias, Robert Palmer, Steve Vai, Cyndi Lauper, Yngwie Malmsteen, Little Steven, Happy the Man, and many others. Additionally, Rosenthal has "perfect pitch".
|
|
Stefanos had the pleasure of working with some of the greatest singers, singing his own music. His worldwide collaborations include: Alfredo Kraus, Jose Carreras, Teresa Berganza, Dulce Pontes, Lucio Dalla, Luca Carboni, Vittorio Grigolo and others. During his collaboration with the famous Portuguese artist Dulce Pontes touring around the world since 2003 and being her permanent conductor, orchestrator and pianist, he also had the pleasure of working with Academy Award Winner Ennio Morricone and Horacio Ferrer, Astor Piazzolla's poet.
|
|
Her works have been performed internationally. Finsterer has composed for films and electro–acoustic events for the Music Biennale Zagreb, Nouvel Ensemble Moderne, Ensemble InterContemporain, and Ictus Ensemble for performance in Lille and Brussels. She worked as an orchestrator on the 2007 film Die Hard 4.0. Her film music for the 2010 feature film South Solitary received a Film Critics Circle of Australia nomination in 2010, and has since been released on the CD label ABC Classics.
|
|
In 1937, Fung's son Fung Hon-chu opened the company's first branch office outside of mainland China in British Hong Kong. It was incorporated later that year in Hong Kong. Li sold his 300 shares of the company in 1946A Hundred Years of Li & Fung:Supply Network Orchestrator for Asia and Beyond by Bang-yan Feng leaving the company in the hands of the Fung family. In 1951, due to a United Nations trade embargo on China, Hong Kong started manufacturing textiles and plastics.
|
|
He has acted as orchestrator for Riverdance on Broadway and Secret Garden most notably. He joined Riverdance where he was Music Director on Broadway, as well as for the American and European touring companies. Later he and Sharon Browne formed 'Celtic Woman', which has toured across the world with platinum recordings in the US, Australia, Japan, South Africa, and major following in Asia, Europe and South America. He acted as musical director for Irish President Mary McAleese's Inauguration in 2004.
|
|
Ketèlbey, a capable player of the cello, clarinet, oboe, and horn, was a skilled orchestrator. He generally followed the normal style for light music of his day: picturesque and romantic, with colourful orchestral effects. Reviewing a collection of Ketèlbey's music, the authors of The Penguin Guide to Recorded Classical Music commented in 2008, "when vulgarity is called for it is not shirked—only it's a stylish kind of vulgarity!" Many of Ketèlbey's pieces are programmatic, typically lasting between four and six minutes.
|
|
Petr Pololáník is a Czech conductor, orchestrator and music producer.Who Is Who Who is Who Verlag für Personenenzyklopädien AG, 2008 His father Zdeněk Pololáník belongs to foremost Czech composers. Petr studied both violin, piano and conducting; in 1996, he earned his Master of Arts in conducting at the Janacek Academy of Music and Performing Arts in Brno. Since 1996, Petr has been teaching at the Church Conservatory in Kroměříž, the Film School in Zlín and at the International Conductors Workshops in Kroměříž.
|
|
Ecuyer was relatively inexperienced, having only been a captain since April the year before and having taken over the command of the fort the same November. Trent was likely the main orchestrator of the idea, considering he had more experience with the disease and had even helped out setting the smallpox hospital. Half-Native Alexander McKee also played a part in parlaying messages, but he possibly didn't know about the items. This plan was carried out independently from General Amherst and Colonel Bouquet.
|
|
After graduating from Istanbul University in Economics and Commerce, Mardin studied at the London School of Economics. Influenced by his sister's music records and jazz, he was also an accomplished orchestrator and arranger, but he never intended to pursue a career in music. However, his fate changed in 1956 after meeting the American jazz musicians Dizzy Gillespie and Quincy Jones at a concert in Ankara. He sent three demo compositions to his friend Tahir Sur who worked at a radio station in America.
|
|
William David "Bill" Brohn (March 30, 1933 – May 11, 2017) was an American arranger and orchestrator, best known for his scores of musicals such as Miss Saigon, Ragtime and Wicked. He won the Tony Award for Best Orchestrations for Ragtime and won the Drama Desk Award for Outstanding Orchestrations three times. His work was eclectic, orchestrating many different styles of music. His modern scores are known for their keyboard writing for the orchestra pit, and their balance between acoustic and synthesised sounds.
|
|
Timothy Williams (born 14 February 1966) is an English composer, conductor, and orchestrator known for his film, television, and video game scores. A graduate of the National Film and Television School, Williams has won numerous awards and currently holds over 110 feature film credits, including Brightburn, Get Out, Guardians of the Galaxy, Guardians of the Galaxy Vol. 2, Deadpool 2 and Robert Duvall's Wild Horses. He is a frequent collaborator of musician and composer Tyler Bates, Robert Duncan and Benjamin Wallfisch.
|
|
At an early point in his career, Imre was inspired by the blues, which can be clearly heard in his piano playing. He has been a member of several top blues bands and has performed on the same stages with B. B. King, Sting, Zucchero, Pink and Robben Ford. Imre has appeared on over 110 albums and as a composer, arranger, orchestrator, music producer, and musician. He has been the recipient of 18 Gold, 14 Platinum and 4 Double Platinum albums.
|
|
Ebb died at 76 of a heart attack at his home in Manhattan. At the time of his death, Ebb was working on a new musical with Kander, Curtains: A Backstage Murder Mystery Musical Comedy. The project had already lost its book writer, Peter Stone, who died in 2003.Lyman, Rick. "Peter Stone, Award-Winning Writer of '1776,' Dies at 73" The New York Times, April 28, 2003 The show's orchestrator, Michael Gibson, also died (in 2005) while the project was underway.
|
|
David Metzger (born in 1960 in Corvallis, Oregon), is an American orchestrator and composer who has orchestrated many Disney feature animation films, including Frozen, Moana, Planes, Wreck-It Ralph, Tarzan, Haunted Mansion, and Brother Bear. In addition to his work for Disney, he has done orchestrations for over 50 major films. He has also composed the musical score for Tarzan 2, Brother Bear 2, and Tarzan and Jane. He also has numerous video game, theme park, TV, and commercial credits.
|
|
Hadestown was performed as a stage production in the cities of Barre and Vergennes in 2006, before going into a seven-day, ten-city tour between Anaïs Mitchell's home state of Vermont and Massachusetts in 2007. Mitchell described the first incarnation of the show as "a D.I.Y. theatre project." The creative team included primary orchestrator/arranger Michael Chorney and original director/designer Ben T. Matchstick, as well as a cast drawn from local artists in Vermont. In 2010, a concept album was released.
|
|
The job went instead to Baxter's friend Bronisław Kaper. Baxter said that he would give his compositions to orchestrators to orchestrate to deal with a hectic schedule. Baxter's frequent conductor and orchestrator Hall Daniels also said the criticisms were the result of "sour grapes" who held a grudge against Baxter for one reason or another. Skip Heller spent time working for and studying under Baxter where he witnessed various score sheets of original Baxter compositions, including Yma Sumac's "Xtabay" and "Tumpa".
|
|
Srdjan Kurpjel, born 1971 in Sarajevo, is a composer and re-recording mixer for film and television. Srdjan began playing piano when he was 4 years old at the class of Neda Stankovic. He arranged the score for Kuduz aged only 15, and composed the score for Praznik u Sarajevu (1991). Subsequently forming an association with the composer Goran Bregovic, he worked as orchestrator, programmer and arranger on Arizona Dream (1993), and the Palme d'Or winning Underground (1995) and many more.
|
|
A third version for the PlayStation, Dual Shock Ver, co-produced by Keiji Inafune, was released in August 1998. It features support for the DualShock controller's analog controls and vibration functions, as well as a new symphonic soundtrack, replacing the original soundtrack by Makoto Tomozawa, Koichi Hiroki, and Masami Ueda. The symphonic music was credited to composer Mamoru Samuragochi, although he admitted in 2014 that he directed his orchestrator Takashi Niigaki to ghostwrite the new soundtrack. The Japanese Dual Shock Ver.
|
|
As a composer and orchestrator, he has written numerous works for orchestra, choir, symphonic jazz orchestra and music for children, integrating traditional Turkish modal music, popular styles, and jazz, and creating his own musical language. As a chamber pianist, he is especially involved with jazz. While he was still a student at the Ankara Conservatory, he started to play solo piano in different formations. Many years later he introduced symphonic jazz music to Turkey, through the "Spring Concerts" with the Istanbul State Symphony.
|
|
Steven M. Alper is a music composer, primarily for the theatre, as well as an orchestrator and author. He wrote and orchestrated the score for the musical The Immigrant, for which he was nominated for a Drama Desk Award for Outstanding Orchestrations.Drama Desk Awards, 2005 nominations . 2005/55th Drama Desk Awards The production received a workshop production in New York at CAP-21 in 2000, and, after more work, it ran off-Broadway at Dodger Stages in the fall of 2004.
|
|
This jogs Pennyfather's memory; he remembers he saw himself sitting on a chair in his own hotel room, just before he was knocked unconscious. The criminal gang was counting on his absence, and reacted violently on his appearance. Davy and Miss Marple confront Bess Sedgwick as the orchestrator of these daring robberies, along with the maître d'hôtel Henry, and Ladislaus Malinowski when fast cars were needed. The hotel staff co-operated, and the owners handled the money side of the thefts.
|
|
Thomas Robert Kitt (born February 28, 1974) is an American composer, conductor, orchestrator, and musician. For his score for the musical Next to Normal, he shared the 2010 Pulitzer Prize for Drama with Brian Yorkey. He has also won two Tony Awards and an Outer Critics Circle Award for Next to Normal, as well as Tony and Outer Critics Circle nominations for If/Then and SpongeBob SquarePants. He has been nominated for eight Drama Desk Awards, finally winning for Jagged Little Pill.
|
|
Ronald Edward "Rahn" Coleman (born April 5, 1949) is an American record producer, musical director, arranger, orchestrator, composer, vocal coach, and pianist. Coleman was born in San Francisco, California, and grew up in nearby Oakland, where he attended public school and began studying piano at age 4. He has also played oboe, clarinet, violin, English horn and pipe organ. Coleman continued his musical training at Fisk University in Nashville, Tennessee and sang in the Fisk Jubilee Singers under director Matthew Kennedy.
|
|
Russell averaged 10.4 wins per season. He entered the 1989 season as America's winningest coach, orchestrator of two national championships, 68 wins and 14 All-America selections—all during a seven-year period. In the ensuing 105 days, extended Division I's longest home win streak from 26 to 37 games, en route to winning a third national title and becoming the only 15–0 college team of the 20th century. Russell retired after that season with a record of 83–22–1 (.788).
|
|
Brant's work as an orchestrator was not limited to film and stage: his long-term affinity for the music of Charles Ives — whose The Unanswered Question was an acknowledged inspiration for Brant's spatial music — was ultimately found in the premier of Brant's arrangement of Ives' Second Piano Sonata, "Concord, Mass 1840–60" as A Concord Symphony in 1996."The Greatest Symphony Ever (Re-)Written", ArtsJournal.com, September 12, 2007, by Kyle Gann. A Concord Symphony was recorded by the San Francisco Symphony on its SFS Media label.
|
|
The son of a Philadelphia printer, Kay became a student at Philadelphia's Curtis Institute (1936-1940) where he studied cello and composition under Randall Thompson, in whose classes he was a fellow student of Leonard Bernstein.Humphrey Burton Leonard Bernstein, p.62 (Faber, 1994) In New York he played in various pit orchestras and started arranging music to escape playing the cello. Self-taught as an orchestrator, for his first professional project Kay orchestrated several songs for Brazilian soprano Elsie Houston's show at the Rainbow Room in 1940.
|
|
Lerner explained the change in producer by saying: "The contract which [Billy Rose] wished us to sign negated Abraham Lincoln's Emancipation Proclamation that freed the slaves." Under Loewe's guidance, Ted Royal received a sole orchestrator credit for his work on the original production. His atmospheric arrangements have been frequently used for the revivals. Though the village of Brigadoon is fictional, it's named after the bridge Brig o' Doon, located in Ayrshire, Scotland, being the setting for the final verse of the Robert Burns's poem Tam o' Shanter.
|
|
Director David Yates stated that he wanted John Williams to return to the series for the final installment, but their schedules did not align due to the urgent demand for a rough cut of the film. The final recording sessions of Harry Potter took place on 27 May 2011 at Abbey Road Studios with the London Symphony Orchestra, orchestrator Conrad Pope, and composer Alexandre Desplat. Doyle, Hooper, and Desplat introduced their own personal themes to their respective soundtracks, while keeping a few of John Williams's themes.
|
|
Scott Routenberg (born 1978) is an American composer, jazz pianist, arranger and orchestrator. Currently teaching music at Ball State University in Muncie, Indiana, he has published both full-length compositions for jazz ensembles and several studio albums. Both his 2003 and 2006 independent releases "explore jazz-influenced electro-acoustic hybrids." He has won a number of songwriting contests, including the John Lennon Songwriting Contest Maxell Song of the Year in 2004 for his song "Bandwidth", which also won the JLSC's Grand Prize in the Jazz Category.
|
|
Tony Blondal is a film and television orchestrator and conductor, and record arranger. He started out his musical career playing live (guitar) and doing studio recording sessions (guitar, mandolin, banjo, balalaika, charango and various instruments). He also pursued his other interests, which were writing orchestral and band arrangements for singers, and big band writing and arranging. Through this early work he met a group of TV composers who were busy and needed someone to help orchestrate and copy their music for weekly recording sessions.
|
|
It premiered Off-Broadway in 2014 at the Irish Repertory Theatre. The show was directed by Charlotte Moore, music director Micah Young, associate music director John DiPinto, choreography Barry McNabb, orchestrator Steve Orich, Set design James Noone, costume design David Toser, lighting design Brian Nason, properties Deirdre Brennan, and wigs Robert Charles Vallance. The cast included Virginia A. Woodruff (Anna Stabler), Ashley Robinson (Adult Buddy), Nancy Hess (Jennie Faulk), Alice Ripley (Sook Faulk), Samuel Cohen (Seabon Faulk), Silvano Spagnuolo (Young Buddy Faulk), and Taylor Richardson (Nelle Harper).
|
|
Marco Rizo Ayala (November 30, 1920 – September 8, 1998) was a Cuban-born pianist, composer, and arranger. He mastered the 19th century works of composers Manuel Saumell and Ignacio Cervantes. He is best known for his role as pianist, arranger and orchestrator for the American television sitcom I Love Lucy which aired from October 15, 1951 to May 6, 1957 on CBS, Columbia Broadcasting System. Throughout his career which combined the techniques of his classical training with Afro-Cuban and jazz rhythms, Rizo recorded nearly 30 albums.
|
|
Prince of Broadway is a musical revue showcasing the producing career of Harold Prince. Prince himself directed the production, his final Broadway credit. The show features a book by two-time Tony Award nominee David Thompson and is co-directed and choreographed by five-time Tony winner Susan Stroman. Jason Robert Brown is the musical’s arranger, musical director, and orchestrator. The musical premiered in October 2015 in Japan and made its Broadway debut on August 3, 2017 at the Manhattan Theatre Club’s Samuel J. Friedman Theatre.
|
|
In Hollywood, Martin was one of the team of orchestrators contributing to Singin' in the Rain (1952) and Guys and Dolls (1955). He frequently shared arrangement credits with Conrad Salinger, such as on Summer Stock (1950), Kiss Me Kate (1953) and Funny Face (1957). He was the sole credited orchestrator for Judy Garland's comeback vehicle A Star Is Born (1954), which contains many arrangements by him of Harold Arlen and Ira Gershwin ballads, principally "The Man that Got Away" and "It's a New World".
|
|
In August 2009, Doyle came under pressure from the Chinese Government to intervene and stop the screening of The 10 Conditions of Love at the Melbourne International Film Festival. This Australian-made film is about a prominent Uighur woman Rebiya Kadeer, who China labels a 'terrorist' and claims that she was the orchestrator of the July 2009 Ürümqi riots. Kadeer did attend the screening at the Melbourne Town Hall. The Chinese Consul-General in Melbourne requested a meeting with the Lord Mayor to discuss the matter.
|
|
Tim Simonec was the conductor/orchestrator for the score's recording. The film's orchestral score was released on November 2, 2004, three days before the film opened in theaters. It won numerous awards for best score including Los Angeles Film Critics Association Award, BMI Film & TV Award, ASCAP Film and Television Music Award, Annie Award, Las Vegas Film Critics Society Award and Online Film Critics Society Award and was nominated for Grammy Award for Best Score Soundtrack for Visual Media, Satellite Award and Broadcast Film Critics Association Award.
|
|
As orchestrator, conductor and pianist, Englishby has worked with The London Orchestra, Britten Sinfonia, London Musici, Tallis Chamber Choir, Fibonacci Sequence and BBC Concert Orchestra to name a few. He has conducted on studio sessions and film scores both in the UK and abroad, as well as on recordings and broadcasts for radio and television. Credits include Richard Eyre's The Other Man and Michael Radford's Flawless in 2008. He worked on the Universal movie Your Highness, starring Natalie Portman and James Franco, released in 2011.
|
|
1890 edition of Joyeuse marche Duparc and Ravel both had reservations about Chabrier's skills as an orchestrator in his early works; Poulenc disagreed, feeling that Chabrier was a master of orchestration from an early stage.Poulenc, pp. 65–66; and Nichols, p. 117 Poulenc wrote, "The fact that Chabrier always composed at the piano – as did Debussy and Stravinsky – did not prevent him from finding a rare orchestral colour: a unique achievement at a time when Franck, d'Indy and Saint-Saëns hardly ever emerged from well-worn paths".
|
|
The unit can be set up and managed without a PC using an external display, keyboard, and mouse. The 400d is LenovoEMC's first product sold with its LifeLine 4.1 software, which adds functions such as a domain mode, enhanced Active Directory support and a more robust SDK. McAfee ePolicy Orchestrator is included for centralized security management. All THINK-branded systems from Lenovo pre-installed with Windows 8.1 include LenovoEMC Storage Connector in order make discovery and set-up of the 400d and other LenovoEMC NAS devices smoother.
|
|
In the 1930s, Plumb moved to California and began work as a composer and orchestrator in the film industry. In addition to his work for Disney, Plumb frequently worked on titles for other studios, including Republic, Paramount and 20th Century Fox. In 1953, he wrote the music for Tom and Jerry short called The Missing Mouse. Back at Disney, Plumb orchestrated the music for Dumbo, Make Mine Music, Song of the South, So Dear to My Heart, Peter Pan, and Lady and the Tramp.
|
|
In 1933 Lang graduated from Ithaca College, which later awarded him an honorary doctorate for his career. He pursued further musical studies at Columbia University and the Juilliard School. By 1934 Lang had signed with the busy theatrical orchestration department at Chappell Music run by Max Dreyfus. There he was expected to be the principal orchestral arranger (orchestrator) for about five musical shows a year being produced on Broadway and also be expected to collaborate with his colleagues on shows assigned to them as needed.
|
|
In 1909 Brooks met Gabriele D'Annunzio, an Italian writer and politician who had come to France to escape his debts. She saw him as a martyred artist, another lapidé; he wrote poems based on her works and called her "the most profound and wise orchestrator of grays in modern painting".Secrest, 193. In 1911 Brooks became romantically involved with Ida Rubinstein, the White Russian Jewish actress and dancer who was the rock star of her day; she created a sensation appearing with Serge Diaghilev's Ballets Russes.
|
|
He has worked as both orchestrator and conductor for artists including The Opera Babes, The Froncysyllte Male Voice Choir, The Spirit of the Glen, Leslie Garrett, G4, Vanessa Mae and celebrated tenor Mario Frangoulis. He has conducted the Royal Philharmonic Orchestra, The Nashville String Machine, London Session Orchestra as well as orchestras in Prague and Los Angeles. Cliff arranged and produced the "Titanic Requiem" for Robin Gibb. The album, released in 2012 was the last work by the legendary Bee Gee before his passing.
|
|
He said of working Vaughan that it was like "soaring with the eagles...She allowed complete musical freedom, given the context. You can hear her on record, but to really hear her, you had to sit next to her on the piano bench, feel the floor vibrate as she sang, hear her fill the room." After Vaughan's death he worked as Engelbert Humperdinck's musical director in Las Vegas, and as an orchestrator for Rita Moreno. Gaffney also accompanied Peggy Lee, Carmen McRae, Buddy Greco and Ernie Andrews.
|
|
He has also taken part in many projects as composer, guitar player, arranger, orchestrator, lyricist, graphic designer, web designer and fashion designer. In 2010 he released his new electronic music work called Hattifatteners roughly based on the Moomin series by Tove JanssonHattifatteners: Stories from the Clay Shore and started an industrial music project 'Luna Damien' with one of the ex- Mechanical Poet singers Jerry Lenin. Lex has also written a book about songwriting. In 2014 Lex started an electronic rock project called Last Fighter.
|
|
Reinhardt was born on 13 April 1865 in Pressburg (now Bratislava). The son of a jeweller, he went to Vienna to study at the conservatory of the Gesellschaft der Musikfreunde where he was one of Anton Bruckner's pupils. He became an accomplished pianist and organist, and his familiarity with several other instruments later served him well as orchestrator of his own works and those of others. Between 1890 and 1900 he published numerous songs, piano and salon pieces, as well as an opera, Die Minnekönigin (1895).
|
|
The Last Empress (Hangul: 뮤지컬 명성황후) is a musical about Empress Myeongseong of Korea. It debuted in 1995 as South Korea's first original musical with Peter Casey as Orchestrator,'Peter Casey'. Opera Australia and was continuing its run in Seoul as of February 2007. It is based on a historical novel written by the well-known South Korean author Yi Mun Yol, composed by Kim Hee Gap, with lyrics by Yang In Ja (translated by Georgina St George), and directed by Yun Ho-Jin.
|
|
Only Quicksilver Messenger Service, through its manager Ron Polte and its members, gave Hopkins an ownership stake. Towards the end of his life he worked as a composer and orchestrator of film scores, with considerable success in Japan. In the early 1980s, Hopkins credited the Church of Scientology-affiliated Narconon rehabilitation program with vanquishing his drug and alcohol addictions; he ultimately remained a Scientologist for the rest of his life. As a result of his religious affiliation, he contributed to several of L. Ron Hubbard's musical recordings.
|
|
Early in his career, he wrote out his scores using pencil, but has composed largely digitally since the mid-1990s. Before recording the score, he demos each cue by mocking orchestral and choral parts on synthesizer to get approval from the director. Once approved, he provides a detailed, multi-line sketch of his composition to his lead orchestrator Steve Bartek, who ensures the sketches are appropriately broken down for sections of the orchestra (i.e. string, brass woodwind, some percussion), choir (SATB) and individual players.
|
|
Goldenthal has said that he doesn't "hear" atonal and tonal, rather, "I either hear melody or I hear sonority". Goldenthal often works with a team he assembled after the soundtrack for Drugstore Cowboy: Teese Gohl as supervising producer, Robert Elhai as orchestrator, Joel Iwataki and Steve McLaughlin as sound engineers and Richard Martinez as electronic music producer. According to Martinez, "a lot of composers want to focus on writing their music, and that's what [his] team allows Elliot to do." At the website filmscoremonthly.
|
|
The Interahamwe were composed of local citizens, driven to extreme hate against the Tutsis, and were very difficult to control due to their close ties to the local communities and alliance with the RGF. UNAMIR's hands were tied. So the RPF, now out of options, launched major offenses against the RGF, with the RGF returning fire. The RGF leadership disavowed any connection with the 'rogue' gangs committing the killings, though the RGF leader, Colonel Théoneste Bagosora, was later convicted of being a key orchestrator of the genocide.
|
|
Gerard completed his Bachelor of Arts degree at the Ateneo de Manila University in 1994, and briefly studied music theory with the Filipino composer Ryan Cayabyab. He subsequently went to the United States to pursue arranging studies at the Berklee College of Music in Boston, Massachusetts where he graduated summa cum laude and received Berklee's Contemporary Writing and Production Achievement Award. Gerard worked briefly at Sony Pictures as an orchestrator and music copyist before returning to the Philippines in 1999.Matias-Pizarro, Shirley (8 December 2009).
|
|
Examples include Midnight, a jazz album by Diane Schuur that was written and produced by Barry Manilow; and the HBO film Introducing Dorothy Dandridge, starring Halle Berry, which featured Elliott's orchestra on the soundtrack. The orchestra accompanied John Lithgow and Bebe Neuwirth on a children's album called Farkle and Friends. Lithgow collaborated with Elliott on other projects, such as the children's album, Singin' in the Bathtub, on which Elliott was conductor, orchestrator and performer. He also performed with Lithgow in live concerts for children featuring this work.
|
|
As orchestrator, he has worked on nearly seventy television programs, including Mission: Impossible, Mannix, Charlie's Angels, and The Mod Squad. He has written commercial jingles for Anheuser-Busch, Zenith, Ford Motor Company, Mattel Toys, Pittsburgh Paints, the National Guard, Dodge, Remington Bank, and Americard. He has published nearly 600 numbers for school groups and many for professional big bands. He has conducted and recorded his arrangements with several leading European Radio Jazz Orchestras, including the BBC Big Band in London, Germany's SWR Big Band and NDR Big Band and the DR Big Band.
|
|
But the peace in the state did not last long, the elections of 1875 caused new hostilities. Ángel Trías led a new movement against the government in June 1875 and maintained control over the government until September 18, 1875 when Donato Guerra the orchestrator of the Revolution of the North was captured. Donato Guerra was assassinated in a suburb of Chihuahua City where he was incarcerated for conspiring with Ángel Trías. During October 1875 several locations were controlled by rebel forces, but the government finally regained control on November 25, 1875.
|
|
Leroy also worked as orchestrator and assistant to Ross on the 79th Academy Awards ceremony. In 2008, he orchestrated on Ross' score to The Tale of Despereaux and later on worked on an additional two Emmy- winning Academy Awards ceremonies. Through his associations with Ross, Leroy wrote additional music on A Very Harold & Kumar 3D Christmas, Touchback, and numerous Hallmark Hall of Fame's movies-of-the-week, such as Away & Back (starring Minka Kelly) and In My Dreams (starring Katharine McPhee). In 2012, he also was music programmer on Lionsgate's tentpole blockbuster The Hunger Games.
|
|
Robert Emery (born 22 March 1983) is an English pianist, conductor and orchestrator. He started playing the piano at the age of seven, studied at the Royal College of Music, and since making his London debut when he was thirteen, has performed Internationally as a recitalist and conductor. In 2009 he became an honorary life Fellow of the Royal Society of Arts (RSA). Robert Emery has made two solo piano albums, performed for members of the Royal Family and has given a private recital for Members of Parliament in the historic Westminster Hall.
|
|
In 2001, he became the Executive and Artistic Director of the Karlovy Vary Symphony Orchestra, one of the oldest symphony orchestras in Europe. As a conductor, he has cooperated with leading orchestras, choirs and opera houses in Czech and abroad, and made several dozens of concert appearances and recordings for film, TV, radio, world known soloists and groups, production companies as well as sample libraries.Interview with Petr Pololáník in Electronic Musician He is the founder and President of Capellen Music Production and conductor & orchestrator of the industry renowned Capellen Orchestra & Choir.
|
|
In 2016, it launched Veeam Backup for Microsoft Office 365, for backing up Office 365 Exchange servers, and Veeam Availability Orchestrator, a multi-hypervisor disaster recovery orchestration software with documenting, testing and reporting capabilities. In 2017, it introduced three new products: Veeam Agent for Microsoft Windows and Veeam Agent for Linux — for physical workload data protection with various backup/restore scenarios including cloud, and Veeam Availability Console — a free tool for managing Veeam-powered data protection and disaster recovery in distributed infrastructures and enabling BaaS and DRaaS services delivered through service providers.
|
|
In L'Orfeo, Monteverdi extends the rules, beyond the conventions which polyphonic composers, faithful to Palestrina, had previously considered as sacrosanct. Monteverdi was not in the generally understood sense an orchestrator; Ringer finds that it is the element of instrumental improvisation that makes each performance of a Monteverdi opera a "unique experience, and separates his work from the later operatic canon". The opera begins with a martial-sounding toccata for trumpets which is repeated twice. When played on period wind instruments the sound can be startling to modern audiences; Redlich calls it "shattering".
|
|
This is for example the case of Robert Franklyn, composer, arranger and orchestrator of film music between 1940 and 1966.My Fair Lady (1964), Les frères Karamazov (1958), Singin' in the Rain (1952), etc. Most probably these are scores interpreted by L. Halleux outside of his performances for the Pro Arte Quartet. To this same contingent belongs the Czech – naturalised American – composer Bohuslav Martinů, with whom the Pro Arte Quartet maintained a privileged relationship, as it brought two of his worksThe Concerto for orchestra and string quartet (1932) and the Quartet n°5 (1838).
|
|
He arranged the signature horn section on Chicago's worldwide hit "If You Leave Me Now" and also provided horn & string arrangements for Blondie's 1980 album Autoamerican. He entered the motion picture soundtrack industry in 1960 as an uncredited orchestrator for Dimitri Tiomkin's The Alamo and composed his first score the following year Love in a Goldfish Bowl. His composition The Silly Song became the theme song of American television's The Hollywood Squares. In addition to composing and arranging, Haskell would often act as conductor and selected the musicians used.
|
|
These included several Three Stooges feature films, including The Three Stooges Meet Hercules, The Three Stooges in Orbit, The Three Stooges Go Around the World in a Daze and The Outlaws Is Coming. Dunlap also scored the last Abbott and Costello film Dance With Me, Henry as well. Dunlap is also known for his scores for numerous genre-films including I Was a Teenage Werewolf, I Was a Teenage Frankenstein, Blood of Dracula, and The Angry Red Planet. His career spanned three decades and he contributed as musical director, musical supervisor, and orchestrator.
|
|
Christopher Francis Palmer (9 September 194622 January 1995) was an English composer, arranger and orchestrator; biographer of composers, champion of lesser-known composers and writer on film music and other musical subjects; record producer; and lecturer. He was involved in a very wide range of projects and his output was prodigious. He came to be regarded as one of the finest symphonic orchestrators of his generation. He was dedicated to the conservation, recording and promotion of classic film scores by composers such as Bernard Herrmann, Dimitri Tiomkin, Franz Waxman, Miklós Rózsa, Elmer Bernstein and others.
|
|
He was born in Holloway, London, England, and learned piano before joining the music publishers Francis, Day & Hunter as an office boy in Denmark Street, the British equivalent of Tin Pan Alley. He also worked as a club pianist in dance bands, and appeared on radio with harmonica player Ronald Chesney. By the late 1940s, he was regarded as one of Britain's top accompanists for singers such as Anne Shelton. He also worked as a BBC orchestrator before becoming the head of A&R; at Philips Records in 1954.
|
|
Nonetheless, orchestrator Bill Brohn was able to transcribe the song into full orchestration after hearing Flaherty record the song onto a tape recorder "note for note". Callaway recalled recording the song until 1:00 am, with no one leaving until it was finally completed. The length of final note was held unintentionally; Callaway had simply forgotten at what point she was supposed to release the note, for which she apologized profusely and asked to re-record. However, Flaherty was impressed by Callaway's ability to sustain the note and insisted that it remain in the song.
|
|
In 2012 he formed the electric jazz trio Third Rail with Tom Brechtlein on drums and Janek Gwizdala on bass. In 2013 the band released the live CD "Ignition: Live Across Europe", composed of tracks recorded on the band's first tour of Europe. In August 2012 he performed at the Hollywood Bowl with Herbie Hancock, Wayne Shorter, Carlos Santana, Marcus Miller, Dave Holland and Zakir Hussein in the Concert for Peace. In 2014 he appeared on several tracks as an orchestrator, synthesizer player and sound designer on Herbie's CD "The Imagine Project".
|
|
Jackson Whiteside Eskew Kenmore (July 29, 1940 – February 6, 2016), known professionally as Jack Eskew, was an American arranger and orchestrator based in Los Angeles, California. He studied music at the University of Southern California before beginning his career in the early 1960s by touring the United States as a trumpeter with various bands, most prominently with Harry James. Later in the 1960s, he led the band at Disneyland that appeared nightly in the famous subterranean rising stage, playing trumpet and piano. He subsequently became music director at Disneyland.
|
|
Up, Bustle and Out are musicians and recording artists - Rupert Mould (also known as Señor Rudi) from Bristol, Senor Cuffy (Spanish Guitarist), Dave Cridge (Beat Keeper and tour/soundsystem dj) Eugenia Knight (percussion and Vocals) UK. They have released a number of albums and singles on the Ninja Tune independent record label. Their music combines electronic music, jazz, hip-hop and funk, but with a distinctly international flavour, particularly South American and Cuban influences. The two Master Sessions albums were co- written by Cuban flautist and orchestrator, Richard Egües.
|
|
The show opened in 2010 at the TheatreWorks Silicon Valley in Palo Alto. The show was directed by Robert Kelley, sound design Cliff Caruthers, dialect coach Kimily Conkle, lighting design Steven B. Mannschardt, set design Joe Ragey, costume design Allison Connors, musical director William Liberatore, and orchestrator Steve Orich. The cast included Eileen Barnett (Jennie Faulk), Maggie Brown (Nelle Harper), Jennifer Chapman (Nelle Harper), Richard Farrell (Seabon/HaHa/Farley), Penny Fuller (Sook), Peter Heintz (Young Buddy), Gabriel Hoffman (Buddy), Joshua Park (Adult Buddy), and Cathleen Riddley (Anna Stabler).
|
|
Throughout its lifetime, HBSS has undergone several major baseline updates as well as minor maintenance releases. The first major release of HBSS was known as Baseline 1.0 and contained the McAfee ePolicy orchestrator engine, HIPS, software compliance profiler (SCP), rogue system detection (RSD), asset baseline manager (ABM), and assets software. As new releases were introduced, these software products have evolved, had new products added, and in some cases, been completely replaced for different products. As of January, 2011, HBSS is currently at Baseline 4.5, Maintenance Release 2.0 (MR2).
|
|
ONAP was formed as a merger of OpenECOMP, the open source version of AT&T;'s ECOMP project, and the Open-Orchestrator project, a project begun under the aegis of the Linux Foundation with China Mobile, Huawei and ZTE as lead contributors. The merger brought together both sets of source code and their developer communities, who then elaborated a common architecture for the new project. Other contributors included IBM, Amdocs, Bell Canada, Intel, Orange, and more. ONAP incorporates or is evaluating collaboration with other open source projects, including OpenDaylight, FD.io, OPNFV and others.
|
|
Basic conditions for a collective work are that there must be a promoter, presenter or orchestrator, and the work must not be joint authorship. The work's maître, a natural or legal person, directs creation of the collective work, harmonizes the contributions, edits, publishes and discloses the work. The maître decides on the theme, treatment and spirit of the work, assembles the contributions, harmonizes it and publishes the overall work. The contributors have not significantly cooperated in creating the overall work, but have each worked independently under the direction of the maître.
|
|
As an in- demand orchestrator, with her works recorded by the London Chamber Orchestra, Fuller met The Who's Pete Townshend in 1996, becoming the arranger for his The Lifehouse Chronicles album and subsequent concerts at London's Sadler's Wells Theatre. With Townshend she co-wrote a song titled "It's Not Enough" featured on The Who's studio album Endless Wire, released in 2006. This song also appeared in Pete Townshend's musical The Boy Who Heard Music, along with the song "I Can Fly," written solely by Fuller. Townshend later contributed material to Fuller's musical Ash.
|
|
Jarvis composed, orchestrated, arranged and performed music for Moonrise Kingdom, a film by Wes Anderson, which opened the Cannes Film Festival on May 16, 2012. Moonrise Kingdom received a Golden Globe nomination for "Best Score" and an Academy Award nomination in 2013. His involvement in the film as a composer included various individual projects ranging from adding music to a score by Benjamin Britten and composing original music for several scenes. As arranger and orchestrator he worked on music composed by Mark Mothersbaugh and as performer he led a percussion section and provided several improvisations.
|
|
In 1983, Howard was co-producer, musician (keyboards), and orchestrator of Riccardo Cocciante's album Sincerità. After briefly touring with Crosby, Stills and Nash, he took an opportunity brought to him by his manager to write a film score for a small-time movie. This career move would lead to his becoming a successful film music composer. During this early foray into film music, he did not entirely abandon his previous musical path and returned for a brief collaboration with Elton John on his Tour De Force of Australia in the fall of 1986.
|
|
Nelson Smock Riddle Jr. (June 1, 1921 – October 6, 1985) was an American arranger, composer, bandleader and orchestrator whose career stretched from the late 1940s to the mid-1980s. He worked with many world-famous vocalists at Capitol Records, including Frank Sinatra, Ella Fitzgerald, Nat King Cole, Judy Garland, Dean Martin, Peggy Lee, Johnny Mathis, Rosemary Clooney and Keely Smith. He found commercial and critical success with a new generation in the 1980s, in a trio of Platinum albums with Linda Ronstadt. His orchestrations earned an Academy Award and three Grammy Awards.
|
|
Concerts in Brazil — with Milton Nascimento and composer/pianist Wagner Tiso — followed. In 2001, Vollenweider performed in Bali (Indonesia) at the international conference "song of convergence" with Balinese musicians. He began writing the "symphonic novel" Tales of Kira Kutan, which premiered at the Warsaw Film Music Festival 2001, with the orchestra Sinfonia Varsowia (Yehudi Menuhin), conducted by co-orchestrator André Bellmont. Returning to his native Switzerland, Vollenweider premiered Carte blanche at the AVO Festival in Basel, where his guests, in addition to a mini orchestra, included Abdullah Ibrahim and David Lindley.
|
|
Matthew Charles Dunkley (born 2 August 1964) is a British orchestrator, arranger and conductor who developed a parallel career as a film, TV and theatre composer. Matt has worked on over 210 movies, from Black Swan to Inception to Moulin Rouge to Mission: Impossible - Fallout to Judy to James Bond: No time to Die. Matt has worked with recording artists such as Massive Attack, Patti Smith, Badly Drawn Boy, Elliot Smith, Nick Cave and Catatonia. He released two solo albums, Six Cycles and Cycles 7-16, of his own classical compositions.
|
|
Dianne Reeves, Hubert Laws,Pal McCandless and Terence Blanchard made guest appearances at the concert, which premiered at the Walt Disney Concert Hall. Del Barrio began his collaboration with Herb Alpert by composing four songs for his 1988 album Under a Spanish Moon. He worked as an orchestrator on Alpert's album Midnight Sun. Del Barrio then arranged, orchestrated, and played keyboards on Alpert's album Steppin' Out..Steppin' Out won the Grammy Award for Best Pop Instrumental Album in 2013.. Del Barrio worked as a composer, orchestor, and keyboard player on Stan Getz's album Apasionado.
|
|
"On Her Majesty's Secret Service" was covered in 1997 by the British big beat group the Propellerheads for the Shaken and Stirred album. Barry-orchestrator Nic Raine recorded an arrangement of the escape from Piz Gloria sequence and it was featured as a theme in the trailers for the 2004 Pixar animated film directed by Brad Bird, The Incredibles. Barry was the first choice to do the score for The Incredibles. However, he declined to do the score as he did not wish to duplicate the sound of his older work.
|
|
During this time, Ingman worked regularly with the London Symphony Orchestra, and the Royal Philharmonic Orchestra. In 1987, Ingman was invited by the Royal Academy of Music to create the Commercial Music Course, the first one in the country, which he ran for over ten years. Ingman was awarded Hon RAM in 2001 and Hon LCM from the London College of Music where he was a Visiting Professor. His film work as an orchestrator and conductor includes the films as Shakespeare in Love, Billy Elliot, Nowhere Boy and The Passion of the Christ.
|
|
Beginning December 19, 2005, Quintanilla co-anchored Squawk Box. In 2007, he traveled to China to cover McDonald's efforts in the country for CNBC's documentary Big Mac: Inside the McDonald's Empire. He, along with others at CNBC were berated by Jon Stewart in the aftermath of the financial crisis of 2007–2008 for failing to predict the downturn and ask tough questions of Wall Street executives. On his show, Quintanilla had once asked Allen Stanford, later known as the orchestrator of a "massive Ponzi scheme", how it felt to be a billionaire.
|
|
The way the statistical local outputs are pooled and the way the nodes communicate with each other can change from the centralized model explained in the previous section. This leads to a variety of federated learning approaches: for instance no central orchestrating server, or stochastic communication.Collaborative Deep Learning in Fixed Topology Networks, Zhanhong Jiang, Aditya Balu, Chinmay Hegde, Soumik Sarkar, 2017 In particular, orchestrator-less distributed networks are one important variation. In this case, there is no central server dispatching queries to local nodes and aggregating local models.
|
|
A native of Los Angeles, Wyman studied composition, music history, and film scoring at the University of Southern California. His principal instructors included Ingolf Dahl and David Raksin. After graduate studies and work with electronic music pioneer, Paul Beaver, Wyman began composing for movies by joining producer- director John Carpenter to create the music for Assault on Precinct 13, The Fog, and Halloween. As a co-founder of the recording studio, Sound Arts, Wyman contributed to numerous soundtracks as electronic orchestrator and sound designer, including Apocalypse Now, Fade to Black, and the stage musical Baby.
|
|
However, the overwhelmed officers are forced to retreat, and, in the confusion, Sergeant Viv James is captured by the rioters. Hunt later sends Ray and Chris in undercover as reporters, but they are exposed, and also captured. The orchestrator of the riot, Jason Sachs, consequently ties Ray, Chris and Viv to an electrified metal wall, which will be activated as a riot control unit led by Keats storms into the building to rescue the hostages. A prisoner who escaped during the chaos, Paul Thordy, reveals that Viv actually supplied Sachs with a firearm.
|
|
Philip J. Lang (17 April 1911, in New York – 22 February 1986, in Branford, Connecticut) was an American musical arranger, orchestrator and composer of band music, as well as a musical educator. He is credited for writing the orchestral arrangements (orchestrations) for over 50 Broadway theatre shows, including many landmark productions, such as Li'l Abner (1956), Hello, Dolly! (1964), Mame (1966), George M (1968), Annie (1977) and 42nd Street (1980). Together with Robert Russell Bennett, he orchestrated the record-breaking productions of Lerner and Loewe's My Fair Lady (1956) and Camelot (1960).
|
|
Kaufman, George S. Hollywood Pinafore or the Lad Who Loved a Salary, Dramatists Play Service (1998) This was revived several times, including in London in 1998.Bradley (2005), p. 170 Another 1945 Broadway musical adaptation, Memphis Bound, was written by Don Walker and starred Bill Robinson and an all-black cast.Shepard, Richard F. "Don Walker, 81, an Orchestrator of Broadway Musical Comedies," The New York Times, 13 September 1989, accessed 20 July 2009 In 1940, the American Negro Light Opera Association produced the first of several productions set in the Caribbean Sea, Tropical Pinafore.
|
|
Randy Kerber (born September 25, 1958 in Encino, California) is an American composer, orchestrator and keyboard player, who has had a prolific career in the world of cinema.See Randy Kerber at the IMDb He began his first national tour with Bette Midler in 1977 at the age of 19. Kerber was nominated for an Oscar in 1986, along with Quincy Jones and others, for Best Original Score for the motion picture The Color Purple. He was also nominated for a Grammy for his arrangement of "Over the Rainbow" for Barbra Streisand.
|
|
Since that time he has orchestrated over 100 works for Broadway and other theater, opera, recordings and concert hall. After a period of working in the commercial world as a composer and arranger (for jingles and industrials), Coughlin came back to orchestrating for the theater with William Finn’s Romance In Hard Times at the Public Theater in 1989. He continued to orchestrate various shows off-Broadway and in regional theaters (including William Bolcom’s Casino Paradise). His first big theater success was as orchestrator for Adam Guettel’s Floyd Collins in 1994, directed by Tina Landau.
|
|
His theme for Wild America was later orchestrated into a six-minute concert band overture, and was published in 2002 by Ludwig Music Publishers of Ohio. In 1983, the Denver Center for the Performing Arts contracted Argo to write and produce the Denver Center for Performing Arts signature theme. In 1985, he relocated to Los Angeles, California, where initially he worked as an orchestrator on Dynasty, The Colbys and later, MacGyver through Paramount television and later composed for the return television series Mission: Impossible. He wrote additional music for Beverly Hills 90210.
|
|
For his work on the Los Angeles production of The Lion King (2000-2003) he also won an NAACP award nomination for Outstanding Service to People of Color. He has arranged extensively for orchestra and choral ensembles, The New York Pops orchestra amongst others, and scores independent film and animation. He is the orchestrator, conductor and/or arranger of several award-winning solo vocal and orchestral albums. He was Music Director of the award-winning Chicago production of the Broadway musical Wicked (2005–2009) (Music by Stephen Schwartz, Dir.
|
|
Holman has been the arranger and orchestrator on numerous albums that have garnered Grammy nominations; he has personally had 16 nominations total and won 3 times. Holman's first nomination came in 1960 for Best Arrangement for Peggy Lee's hit single "I'm Gonna Go Fishin' ". He was the main contributor as an arranger (3 tracks) to the 1963 Best Jazz Performance - Large Group (Instrumental) category winning Stan Kenton album Adventures In Jazz. Holman was a contributing arranger for the 1970 Grammy Record of the Year, The Age of Aquarius by The 5th Dimension.
|
|
Carlos Schvartzman (November 4, 1947) is a Paraguayan pianist, guitarist, composer, arranger and orchestrator of jazz and contemporary music.Diccionario de la Música en el Paraguay - Luis Szarán He was born and raised in Asunción, the capital of Paraguay. He has also been involved in pop music, writing orchestral arrangements for soloists, vocal groups, music for TV, advertising jingles, and occasionally a classic style music with modern harmony of the 20th century. He participated as a conductor, arranger and composer for international song festivals (such as Viña del Mar, during the 70s).
|
|
Gene Lees states that the exotica albums were written by Albert Harris and the material recorded with Yma Sumac was written by Pete Rugolo. According to Rugolo, he was paid $50 per arrangement to ghost for Les Baxter and that he "did a whole album with Yma Sumac". In a 1981 interview with Soundtrack magazine, Baxter said that these sorts of statements were the results of a smear campaign by a disgruntled orchestrator. According to Baxter, this resulted in Baxter being denied the chance to score for a major motion picture.
|
|
Percy Faith (April 7, 1908 – February 9, 1976) was a Canadian bandleader, orchestrator, composer and conductor, known for his lush arrangements of pop and Christmas standards. He is often credited with popularizing the "easy listening" or "mood music" format. Faith became a staple of American popular music in the 1950s and continued well into the 1960s. Though his professional orchestra-leading career began at the height of the swing era, Faith refined and rethought orchestration techniques, including use of large string sections, to soften and fill out the brass-dominated popular music of the 1940s.
|
|
In 2004, Kouneva met Steve Jablonsky (composer for the Transformers films) and became his orchestrator. She scored video games in 2009 with Ubisoft’s Prince of Persia: The Forgotten Sands and Activision’s Transformers: Revenge Of The Fallen games. For the Transformers game, Kouneva wrote original high-action loops incorporating the musical style that Jablonsky established in the Transformers films – epic orchestra, rousing action melodies and heavy percussion. For the Prince of Persia game, Kouneva composed two hours of original in-game interactive score, fusing inspirations of Persian, Indian and Middle-Eastern music with epic orchestra.
|
|
It was confirmed on the Warner Bros. website that Part 1 composer Alexandre Desplat would return to score Part 2. In an interview with Film Music Magazine, Desplat stated that scoring Part 2 is "a great challenge" and that he has "a lot of expectations to fulfill and a great deal of work" ahead of him. Desplat started writing the music in early 2011 and finished recording with orchestrator Conrad Pope and the London Symphony Orchestra on 27 May 2011 at Abbey Road Studios, as stated on Pope's official Facebook page.
|
|
Her autobiography, The Naked Voice – Journey to the Spirit of Sound tells the story of these formative early years and was published by Rider Books in 1993. Chloe Goodchild's daughter, Rebecca Hannah Goodchild Nash, is a classical and jazz pianist, performer, recording artist and jazz tutor at Stowe School, the Bristol Cathedral School and the National Youth Jazz Collective (NYJC) in England. Chloe Goodchild is related to William Goodchild, Veronica Goodchild and Gabrielle Goodchild. William Goodchild is a composer, orchestrator and conductor producing music for film, television and the concert hall.
|
|
Arnell had left sketches for a Seventh Symphony, dedicated to Nelson Mandela, at the time of his death, and it has since been realised and completed by Martin Yates. It was recorded in the summer of 2010 by Yates and the RSNO and was issued by Dutton Epoch. The String Quartets have recently been released on the Dutton Epoch label played by the Tippett Quartet. Arnell is acknowledged as being one of the most masterly orchestrators of the twentieth century, Sir Thomas Beecham describing him as the best orchestrator since Berlioz.
|
|
Hagen was an orchestrator and arranger for motion picture studio 20th Century Fox in the 1940s and early 1950s, and worked on films like Call Me Madam, Gentlemen Prefer Blondes and Carousel. He began writing for television when he left Fox in 1952 with partner Herbert W. Spencer. The two did the musical score for Janis Paige's short-lived situation comedy, It's Always Jan, which aired in the 1955–1956 season on CBS. Hagen met television show producer Sheldon Leonard when he scored the Danny Thomas series Make Room for Daddy.
|
|
Monk is on the Run" (2008), is loosely inspired by both "The Final Problem and "The Empty House." Adrian Monk is supposedly shot over a pier after being accused of murder, only to be alive in the second part. The orchestrator is revealed to be Dale "the Whale" Biederbeck, described as "the Genghis Khan of world finance," much like Moriarty as "the Napoleon of Crime." A variation on the scene in which Moriarty confronts Holmes at Baker Street is used in "The Great Game" (2010), the third episode of the BBC television series Sherlock.
|
|
At the foundation of the Liceo Artístico y Literario in 1837, he was listed as one of the musicians involved. In 1819, at the death of Carlos IV, he was selected to design the musical program for the funeral. Besides composition, Quijano worked as an arranger and orchestrator as part of his theatrical duties; he also taught singers and instrumentalists. The Municipal Historical Library of Madrid contains a number of his works, while the Museu Nacional d'Art de Catalunya owns a portrait of him by Francisco de Goya.
|
|
After leaving his hometown of Albuquerque, New Mexico to pursue a career in film composition, Miller began studying at the Grove School of Music and the UCLA Extension film-scoring program.UCLA:Daily Bruin, Retrieved March 31, 2015 Early in his career Miller assisted composer Mark Waters on numerous Disney TV episodes, and worked as an orchestrator and conductor for Academy Award-winning composer Mychael Danna.bryanemiller.com Miller’s compositions can be heard on numerous film, TV, documentary, and commercial projects. He works regularly for clients such as NBCUniversal, Lionsgate, Disney, CBS, ABC, and A&E.
|
|
Bill Elliott (born William F. Elliott; October 2, 1951) is an American pianist, bandleader, Hollywood composer and Broadway orchestrator. In 2015, he won a Tony Award for best orchestration for the Broadway musical, An American in Paris. In 2012 he was nominated for both Tony and Grammy awards for Broadway's Nice Work if You Can Get It. Elliott won Drama Desk Award for Outstanding Orchestrations in 2017 for the Broadway Musical Bandstand. Elliott began as a Los Angeles studio musician, recording with artists such as Stevie Nicks, Smokey Robinson, Donna Summer, Bette Midler, and others.
|
|
On Ramin's recommendation to composer Charles Strouse, Ginzler finally went solo with the April 1960 premiere of the Elvis satire Bye Bye Birdie. His setting of Dick Van Dyke’s choral number "Baby Talk to Me" stirred up quite a lot of excitement at the time.American Record Guide, vol. 26, 1959, p. 944. In this period until his untimely death, Ginzler was the primary orchestrator on 10 musicals with standouts being Frank Loesser's How to Succeed, Cy Coleman’s Wildcat and Johnny Burke' musicalization of the film The Quiet Man, called Donnybrook!.
|
|
Hugh Jackman on the cover of the DVD of the London revival A dark-themed production of the musical was presented by the National Theatre in London at the Olivier Theatre, opening on July 15, 1998. The production team included Trevor Nunn (director), Susan Stroman (choreographer) and William David Brohn (orchestrator). The international cast included Hugh Jackman as Curly, Maureen Lipman as Aunt Eller, Josefina Gabrielle as Laurey, Shuler Hensley as Jud Fry, Vicki Simon as Ado Annie, Peter Polycarpou as Ali Hakim and Jimmy Johnston as Will Parker.Heppel, David.
|
|
At her lodgings, she finds Holmes, who informs her that their attacker is preparing to strike. The two make for Sussex to set a trap, only to find Donleavy already lying in wait for them. Donleavy reveals herself as the orchestrator of Jessica Simpson's kidnapping and the revenge-seeking daughter of Professor Moriarty, whom Holmes hurled to his death at the Reichenbach Falls. Holmes provokes her to attack him, and Russell intervenes, leading to a struggle in which Donleavy is killed and Russell is heavily injured by the same bullet.
|
|
In 2013, ASMAC had its 75th birthday as an organization and had a massive anniversary celebration up which almost 400 people attended. Leading the group at this celebration was notable film composer Michael Giacchino. Many members of the group gave their own testament at this festival including members such as Van Alexander (composer of the Ella Fitzgerald standard "A Tisket, A Tasket") Johnny Mandel (Mash and The SandPiper) Laurence Rosentha (The Miracle Worker, Becket) Doug Bsterman (Broadway Orchestrator), and many others. At the event there were many tributes to the members which included Videos and Live Bands performing works by the members.
|
|
Dreyfus signed Royal as a house orchestrator and in 1939 he moved into the same building with Robert Russell Bennett, Don Walker and Hans Spialek. His legitimate Broadway start was assisting Spialek and Walker with the orchestration duties for the George White Scandals of 1939, featuring Ella Logan, Ann Miller and The Three Stooges. Quickly followed high-profile collaborations with Russell Bennett on Buddy DeSylva's DuBarry Was a Lady and Mike Todd's Mexican Hayride. He was also a valued "hot jazz" and swing exponent for the team of orchestrators who worked on Annie Get Your Gun and Leonard Bernstein's breakthrough On the Town.
|
|
Roose joins Robb Stark's rebellion as one of his chief lieutenants. With the help of the Brave Companions, he takes and holds Harrenhal until rejoining Robb Stark to help retake the Neck occupied by the Greyjoys. In truth he is a chief orchestrator of the Red Wedding alongside Tywin Lannister and Lord Walder Frey, receiving the title of Warden of the North from the former after personally slaying Robb. His rule as Warden in the North is punctuated by unrest, and several forces conspire to unseat him and House Frey and restore the Starks to power.
|
|
Anthony J. "Tony" Camillo (August 11, 1928 – August 29, 2018)Anthony J Camillo 1928 - 2018 bongiovifuneralhome.com retrieved April 13, 2020 was an American record producer, orchestrator and arranger. Camillo, born in Somerville, New Jersey, worked on many soul, pop and disco recordings of the 1960s and 1970s, including recordings by Dionne Warwick, Eric Carmen, The Stylistics, Dazz Band, Millie Jackson, Chambers Brothers, Peaches & Herb, Sha Na Na, Grand Funk Railroad, Stevie Wonder, The 5th Dimension, Martha Reeves, The Supremes, Parliament, and Tommy James.Management Team at VMG Poised for Market Shift. Market Wire, July 2004. Accessed November 26, 2007.
|
|
Gnanathesikan (born 2 June 1943), known as Ilaiyaraaja, is an Indian film composer, singer, songwriter, instrumentalist, orchestrator, conductor- arranger and lyricist who works in the Indian film industry, predominantly in Tamil and Telugu. He has also worked in Kannada, Malayalam, Marathi and Hindi films. Widely regarded as one of the greatest Indian music composers of all time, he is credited with introducing Western musical sensibilities in the Indian film musical mainstream. Reputed to be the world's most prolific composer, he has composed more than 7,000 songs, provided film scores for more than 1,000 movies and performed in more than 20,000 concerts.
|
|
Christopher Palmer composed the original music for Miloš Forman's film Valmont (1989). He worked as an orchestrator or arranger on such films as Obsession (1976), Zulu Dawn (1979), A Passage to India (1984), Spies Like Us (1985), Legal Eagles (1986), Scenes from the Class Struggle in Beverly Hills (1989), Shirley Valentine (1989) and The Witches (1990). He was the Musical Assistant/Associate on films such as The French Lieutenant's Woman (1981) and Mad Max Beyond Thunderdome (1985), Music Co- Producer on Greystoke: The Legend of Tarzan, Lord of the Apes (1984), and Music Consultant on Cape Fear (1991).
|
|
Mine & Yours is the debut album from Irish singer-songwriter, Mary Byrne. The album was released on 25 March 2011 in Ireland, and 28 March 2011 in the UK. The album's lead single, "I Just Call You Mine" was released on 4 March 2011 in Ireland and 8 March in the United Kingdom. The album was recorded in Sphere Studios, London and produced by music producer, orchestrator and songwriter Nigel Wright. Sales for the album have been strong in Ireland and reasonable in the UK. The album was the 15th best selling album in Ireland in the year 2011.
|
|
Seven, which was produced and written in the United Kingdom by Stansfield and Ian Devaney, features the tracks "Can't Dance," "The Rain," "Stupid Heart," "Conversation," "The Crown," "So Be It," and "Picket Fence." Recorded in both Los Angeles and Manchester, Stansfield collaborated with John Robinson and Grammy Award-winning orchestrator Jerry Hey, both integral to the creation of Michael Jackson's Off the Wall, Thriller, and Bad albums. "Carry On" was chosen as the second single, and its music video premiered on 31 January 2014. The album peaked at number 13 in the UK. A deluxe edition featuring bonus material was also released.
|
|
Hans Spialek in 1983 Hans Spialek (April 17, 1894 – November 20, 1983) was an Austrian-born American composer and orchestrator. Raised in Vienna and given an early musical education, he continued his studies in Moscow, at first as a prisoner of war during World War I, before settling in the US in 1924. Spialek is best known for scoring the music for Broadway musicals by Cole Porter, Rodgers and Hart and others, as well as ballet music, and radio broadcasts. He orchestrated 147 musicals from 1926 to 1967, many in collaboration with other arrangers such as Robert Russell Bennett.
|
|
Sanders has scored hundreds of episodes of network television, including music for nine-time Emmy award-winner The Amazing Race, The Bachelor, Project Runway and many others. Lee has taught film scoring for UCLA Extension, and is a frequent lecturer for emerging composers and filmmakers at both USC and UCLA. He also serves as a member of the Music Peer Group Executive Committee of the Academy of Television Arts and Sciences. As a conductor, orchestrator and additional music composer, Sanders has also contributed to shows such as Family Guy, Charmed, Fairly Oddparents, Ripley’s Believe It or Not! and Disney’s House of Mouse.
|
|
Imre Czomba is a Los Angeles-based Composer, Film Composer, Orchestrator, Arranger, Music Producer, and Musician. A prominent figure in the International Music scene since 1993, he is most recognized for his numerous theatrical compositions and productions, including musicals, international events, and dance theatre shows. Imre earned international acclaim for his 18-year collaboration with ExperiDance, a famous dance troupe whose shows premiered in top theaters across Europe and Asia. His international repertoire includes compositions for the 2008 Summer and 2014 Winter Olympic Games, and the 2013 European Judo Championship and the 2006 European Aquatic Championship Official Song.
|
|
Dr Noël Tredinnick FRSCM (born 9 March 1949'Noël Tredinnick', Hymnary.org. [accessed 11 August 2013]) is a British composer, organist, orchestrator and conductor. He is notable for his many contributions to several hymnals, his regular appearances on the BBC's Songs of Praise,'Noël Tredinnick', Guildhall School of Music and Drama. [accessed 11 August 2013] his weekly radio programme All Souls in Praise which broadcasts on Premier Christian Radio, and as the founder and Emeritus Conductor of All Souls Orchestra which performs annually at the Royal Albert Hall and throughout the UK under the banner of "Prom Praise" and "Prom Praise for Schools" (PP4S).
|
|
However some voicings on a synthesizer (synthestration) will not work in the same way when orchestrated for the live orchestra. The sound samples are often doubled up very prominently and thickly with other sounds in order to get the music to "speak" louder. The orchestrator sometimes changes these synth voicings to traditional orchestral voicings in order to make the music flow better. He may move intervals up or down the octave (or omit them entirely), double certain passages with other instruments in the orchestra, add percussion instruments to provide colour, and add Italian performance marks (e.g.
|
|
He arranged "I've Got a Lovely Bunch of Coconuts", "Anatole of Paris", "The Peony Bush", "Madam, I Love Your Crepe Suzette", "I Belong To Glasgow", "Good Old 149", and "Tschaikowsky". At the height of his fame in the late 1940s and early 1950s, various producers approached Schoen about making him a "TV personality". This was unappealing to him, as it meant he would have less time to devote to writing his music. The producers suggested that he hire another arranger-orchestrator to help write his music, but Schoen, who orchestrated all of his own compositions and arrangements, always declined.
|
|
He orchestrated all of his own music for The Court Jester, which was unusual at the time because most film composers used an orchestrator to help speed up the process due to the enormous time constraints and amount of music to write. In the 1950s Schoen arranged music for an album that was released on Decca called "Music for a Rainy Night". Johnny Green was so upset about Schoen's arrangement of his 1933 song I Cover the Waterfront (which appeared on the album) that he never spoke with Schoen again. Green felt that the arrangement was a disgrace to his song.
|
|
The Recherla Nayakas are believed to have established their first base at Amanugallu. When their chief Singama Nayaka was assassinated by rivals, his son Anapota Nayaka blamed Musunuri Kapaya Nayaka as the orchestrator and marched on Warangal. In a battle fought at Bhimavaram in 1368, Kapaya Nayaka was killed and the Recherlas got control of Telangana. Anapota Nayaka later claimed, in an inscription issued in 1369, that his grandfather, Dachaya, had served as a chief under the Kakatiyas and that Prataparudra II conferred on him the title Pandya-raja-gaja-kesari (a lion against the Pandya elephants).
|
|
Various older rock bands made a comeback, including The Beach Boys with "Kokomo", The Kinks with Come Dancing and "Do It Again", the Steve Miller Band with "Abracadabra", and Steely Dan with "Hey Nineteen". Bruce Springsteen released his blockbuster album Born In The U.S.A., while Stevie Ray Vaughan and George Thorogood sparked a revival of blues. However, Led Zeppelin disbanded after John Bonham's 1980 death. Linda Ronstadt who had been a huge contributor to the country rock & pop rock movement of the 70s, did 3 albums of American Standards, coaxing the great orchestrator Nelson Riddle out of retirement, to collaborate with.
|
|
Columbia Center for Theatrical Arts announced its intention to stage a musical adaptation of Magic Under Glass and Magic Under Stone, engaging author Dolamore as playwright, Michael Kline as composer and lyricist, Toby Orenstein as artistic director, and Ross Scott Rawlings as orchestrator and music director. Dolamore began writing the script in the Summer of 2015 and concluded it, with the assistance of Kline and Orenstein that December. The musical opened at Howard County Community College Smith Theater in Columbia, Maryland in July 2017. The costume designer, Kristen Clark exhibited the musical at the 2017 World Stage Design in Taipei, Taiwan.
|
|
During their orchestration lessons, Harris introduced Davis to the TV composer Joe Harnell, who supported Davis during his search for work--his first job was working for composer Mark Snow's TV show Hart to Hart. He has worked as an orchestrator and conductor for Michael Kamen, Alan Silvestri, James Horner, and Randy Newman. Davis was nominated for the Emmys in 1990 for Beauty and the Beast and won in 1995 for SeaQuest DSV. He wrote scores mostly for television series up until 1995, in which he wrote a few of the cues for the animated Disney motion picture A Goofy Movie.
|
|
Murray Cutter (15 March 1902, Nice, France – 19 April 1983, Burbank, California) was a versatile Hollywood orchestrator, working mainly for film composer Max Steiner, with over 150 credits spanning the mid-thirties to early 1960s. Nevertheless, he remains relatively unknown except for the much-loved original arrangement of Judy Garland's Over the Rainbow, which continues to be sampled by modern filmmakers (e.g. recently Baz Luhrmann's Australia and Gus Van Sant's Milk). Similar to fellow arranger Alexander Courage, Cutter's name has tended to be overshadowed by the popularity of the composers with whom he was most associated.
|
|
He was also the first recipient of the Burton Lane Fellowship for Young Composers, awarded by the Theater Hall of Fame. His songs have been performed on Public Radio International, at Symphony Space, the Public Theater and the Lincoln Center Songbook series in New York, and on VH1’s Save the Music benefit. An accomplished orchestrator and arranger, Andrew’s symphonic orchestrations of Broadway standards have been performed by the Boston Pops and over a dozen other US symphony orchestras. He created an evening of new arrangements and orchestrations for the Baltimore Symphonyʼs Gershwin Centennial celebration, in which he also appeared as piano soloist.
|
|
James Roy Horner (August 14, 1953 – June 22, 2015) was an American composer, conductor and orchestrator of over 100 film scores. He was known for the integration of choral and electronic elements, and for his frequent use of motifs associated with Celtic music. Horner's first major score was in 1979 for The Lady in Red, but he did not establish himself as an eminent film composer until his work on the 1982 film Star Trek II: The Wrath of Khan. His score for James Cameron's Titanic is the best-selling orchestral film soundtrack of all time.
|
|
The Extended Update Support (EUS) allows an organization / company to choose when they change to a new minor version. For the first 6 months of the EUS channel / yum repo, features may be added, but then the channel is locked down so that only bug and security fixes are patched. The organization / company then has 24 months to move to a new EUS branch. EUS allows the organization / company to stay on a minor version if required by a third party application which is only tested with a particular minor version of RHEL, such as Oracle Database, IBM DB2, IBM Cloud Orchestrator, hortonworks.
|
|
William Ross (born July 12, 1948) is an American composer, orchestrator, arranger, conductor and music director. Ross is the recipient of three Primetime Emmy Awards (in 2007 and 2009), one Daytime Emmy Award (in 1991), and has been nominated for one Annie Award (in 2008). He has been nominated twice for the Grammy Award for Best Instrumental Arrangement Accompanying Vocalist(s). Ross is the arranger for Andrea Bocelli's version of Amazing Grace performed during his concert "Andrea Bocelli: Music For Hope - Live From Duomo di Milano", broadcast live on YouTube to over 25 millions viewers on April 12, 2020.
|
|
He has been repeatedly selected as one of the leading names in the DownBeat magazine poll for "Jazz Arranger/Orchestrator". In May 2000, the Bill Holman Collection of scores and memorabilia was established at the Smithsonian Institution in Washington, D.C. On January 12, 2010, the National Endowment for the Arts bestowed the 2010 NEA Jazz Masters Award on Bill Holman, the nation's highest honor for jazz and American Music. Holman is a recipient of the American Society of Music Arrangers and Composers Golden Score Award in 2008. He has received an honorary doctorate from Elmhurst College in Illinois.
|
|
Raphael D. Thoene obtained a degree in Composition (Robert Schumann Hochschule in Düsseldorf, Germany) and Music Theory (Folkwang Hochschule in Essen, Germany). A scholarship recipient, he studied Film Scoring and Composition at the Berklee College of Music, Boston (USA). He also received a PhD in Musicology at the University of Music and Performing Arts and the University of Vienna, Austria, writing his PhD thesis on Malcolm Arnold’s symphonic music. As a composer, orchestrator and pianist, Thoene received commissions for the Orchesterakademie NRW, the International Contemporary Music Festival Ensemblia in 2005 and the Niederrheinischer Musikherbst in 2006.
|
|
After transitioning to living publicly as a woman in 1972, Morley continued to work in music, now using the name Angela Morley professionally. Due to worries about how she would be received publicly as a transgender woman, she declined opportunities to appear on television, such as on The Last Goon Show of All in 1972, though she continued to work with many of her previous colleagues. She had to be persuaded by Franz to continue conducting because of the scrutiny she might face. One of her first projects upon her return to public life was as an orchestrator on Jesus Christ Superstar.
|
|
Retrieved on June 20, 2017 A production ran at the La Jolla Playhouse, San Diego, from September 26, 2006, through November 12, 2006, receiving good reviews and extending its run by three weeks. It was directed by Des McAnuff, who, with Harold Wheeler, orchestrator of the original Broadway version, revised the musical for contemporary audiences. It starred Nikki M. James (Dorothy), E. Faye Butler (Evelline) and David Alan Grier (The Wiz), and featured sets by Robert Brill. Dodger Productions holds U.S. rights to revive the musical, while Joop Van den Ende's Stage Entertainment holds the European rights.
|
|
The film's score was composed by John Mark Painter, who along with his wife Fleming McWilliams, constituted the rock duo Fleming and John in the 1990s. The Edwards brothers were fans of the group and first met Painter while Cory was performing in an animated film on which Painter served as the composer. The score was inspired by music from the 1960s and the soundtracks to Planet of the Apes, Dark Shadows, and The Untouchables have been cited as influences, as well as the works of Henry Mancini. It was recorded in Nashville, Tennessee, where Kristin Wilkinson served as the orchestrator and conductor.
|
|
Khaled utilizes full-speed-ahead intensity, big room trap, and syrupy R&B;, all without leaving room to breathe. But then again, Khaled's presence unifies Major Key." Nolan Feeney of Entertainment Weekly said, "His bottomless stock of anthemic crowd-pleasers may not be game- changing, but few albums this year have come preloaded with this many obvious singles." Scott Glaysher of HipHopDX said, "There are instances on this album that do prove Khaled's worth as a Hip Hop orchestrator in terms of matching high profile rappers with quality beats but unfortunately, they come too few and far between.
|
|
Williams is a musician, orchestrator, and arranger who has played with The Waitresses and The Psychedelic Furs. He was only to tour with The Furs in Australia for a month in 1983 as then sax-player Gary Windo was unable to make the trip. After a successful tour and the breakup of the Waitresses, he was asked to stay on as a permanent member, which he did until 1989 and later rejoined in 2005. He has also performed with Billy Idol, the Power Station, Billy Squier, Massacre, Ministry, and Die Warzau and the Ike Reilly Assassination.
|
|
Yury Dmitrievich (26 November 1374 in Pereslavl-Zalessky – 5 June 1434 in Galich), also known as George II of Moscow, Yury of Zvenigorod and Jurij Zwenihorodski, was the second son of Dmitri Donskoi. He was the Duke of Zvenigorod and Galich from 1389 until his death. During the reign of his brother Vasily I, he took part in the campaigns against Torzhok (1392), Zhukotin (1414), and Novgorod (1417). He was the chief orchestrator of the Muscovite Civil War against his nephew, Vasily II, in the course of which he twice took Moscow, in 1433 and 1434.
|
|
In 2010, Mr. Wendler received arranging credit on the comedy feature, Little Fockers, which was scored by composer Stephen Trask. Trask hired Wendler again for the Miley Cyrus-starring comedy, So Undercover. Composer John Ottman credited Edwin Wendler as orchestrator on the 2010 action movie, The Losers, and subsequently as an arranger and MIDI programmer on the thrillers The Resident (starring Hilary Swank and Jeffrey Dean Morgan) and Unknown, as well as on the 2014 summer blockbuster, X-Men: Days of Future Past. In 2014, Wendler received "Additional Music" credit on the Liam Neeson- starring action-thriller, Non-Stop.
|
|
Karl 2 – utdypning (Store norske leksikon) Charles XIII was childless, so in order to secure the succession to the throne, someone had to be adopted as his heir. Georg Adlersparre, the main orchestrator of the 1809 coup, preferred Frederick VI of Denmark as the new Swedish monarch, but when Frederick refused, Adlersparre looked to Norway. He tried to persuade Christian August, first through the Swedish Baron C. H. Anckarsvärd, and although Christian August did not show up to meet Anckarsvärd personally, he gradually accepted the offer of adoption. His loyalty to his ruler Frederick VI ultimately became a lesser obstacle.
|
|
Brett has written extensively for film and television, including scores for TriStar Picture's Planet 51 and the 13-part NBC primetime series, Crusoe. Brett's collaborative work as composer, conductor and orchestrator with Harald Kloser can be heard in the feature film 2012 and the thriller Anonymous (film) directed by Roland Emmerich. Brett became a part of the creative team behind the film 10,000 BC. Brett also scored the music for the horror feature Outpost, directed by Steve Barker. In addition, Brett has written, orchestrated and conducted for the 2007 releases of Transformers for DreamWorks and The Nanny Diaries for The Weinstein Company.
|
|
Robert "Red" Ginzler (20 July 1910, Leechburg, Pennsylvania – 29 December 1962, New York) was an American orchestrator, principally remembered for his contributions to the landmark Broadway shows Gypsy, Bye Bye Birdie and How to Succeed in Business Without Really Trying. A frequent collaborator with fellow arrangers Sid Ramin and Don Walker, he was also billed as Seymour Robert Ginzler until his heyday in the late 1950s. Despite his relatively short career, Ginzler became an important musical mentor for Robert Farnon, John Kander and Jonathan Tunick. Contemporary reviewers often singled out his racy arrangements as being clever and first-class.
|
|
Buddy Giovinazzo is an American independent filmmaker and author who is known for his gritty-low budget debut film, Combat Shock, and his collection of harrowing short stories of low urban life in his 1993 novel, Life is Hot in Cracktown. Born May 5, 1957 in New York City, Buddy grew up in Staten Island. He went to the College of Staten Island where he graduated with a Masters in Cinema, later teaching film there as well. He is the brother of Rick Giovinazzo who is a composer, orchestrator, and the star of his premier film, Combat Shock.
|
|
The critic for the newspaper The New Time reviewed that " ... the music of this ballet is outstanding in a symphonic sense, reveals an experienced composer, a man with taste, and an excellent orchestrator. There are beautiful melodies in it, the rhythms are not overdone, and everything is listened to with pleasure from beginning to end." Drigo's score was eventually published in 1909 in piano reduction and orchestral partition by the music publisher Zimmerman. La Forêt enchantée was chosen by the director of the St. Petersburg Imperial Theatres Ivan Vsevolozhsky for performances attended by the Imperial Russian court at Peterhof in 1889.
|
|
Once again, he received critical acclaim for both his playing and music direction.Variety Review by Frank Rizzo, 2007-08-27 Berman was music director, arranger, and orchestrator of Marcy in the Galaxy, a world premier musical presented by The Transport Group at the Connelly Theater in New York City. Berman returned to the Westport Country Playhouse in 2008 to be the music director, lead pianist and the arranger of additional music for Hot n' Cole: A Cole Porter Celebration, directed by Tony Award-winning actor James Naughton. His piano playing was cited as "dazzling" by Variety.
|
|
By request of Harry Tierney, RKO hired Max Steiner as an orchestrator and his first film job consisted of composing music for the main and end titles and occasional "on screen" music. According to Steiner, the general opinion of filmmakers during the time was that film music was a "necessary evil," and would often slow down production and release of the film after it was filmed. Steiner's first job was for the film Dixiana; however, after a while, RKO decided to let him go, feeling they were not using him. His agent found him a job as a musical director on an operetta in Atlantic City.
|
|
Eric Berry, Dilys Lay, Millicent Martin (1955) The Boy Friend opened on Broadway at the Royale Theatre on 30 September 1954 and closed on 26 November 1955 after 485 performances. Starring was newcomer Julie Andrews in her Broadway debut as Polly, with a cast including Eric Berry, John Hewer, Geoffrey Hibbert, Dilys Laye, Bob Scheerer, Stella Claire, Ann Wakefield, Millicent Martin and Moyna Macgill. Some of them had connections with The Players' Theatre in London, but only Wakefield had appeared in the show's London production (in the very first run at the Players'). For the Broadway opening, veteran orchestrator Ted Royal and jazzman Charles L. Cooke contributed 1920s-style arrangements.
|
|
After moving to Los Angeles, Jae Deal began working with young pop artists such as Christina Milian, Marques Houston, and Omarion. Jae Deal also performed with his childhood friend, Mario (entertainer) on Good Morning America. Deal continued to work as a live musician, orchestrator, director and programmer and live musician for several tours, and recording sessions. Projects included Elton John, Snoop Dogg & the Snoopadelics, Mary Mary, Karen Clark Sheard and Jill Scott. Other projects have included Christmas specials, the Baltimore Symphony Orchestra, performing alongside Wynton Marsalis in Darin Atwater’s Soulful Symphony debut and a year and a half stint as arranger with legendary songwriter Diane Warren.
|
|
His film credits, as composer and orchestrator, include Cinerama Holiday, The Colossus of New York, Easter Parade, Funny Face, Robinson Crusoe on Mars, and White Christmas. He composed the VistaVision Fanfare to accompany the opening of theatre curtains to the wide screen format. In addition, he worked on many TV episodes of Gunsmoke and The Twilight Zone, where he pioneered the use of the theremin in television scores. In the Gunsmoke episode "The Quest for Asa Janin," the last episode of season 8, from June 1963, with music by Van Cleave, the five-note main theme used throughout 1964's Robinson Crusoe on Mars can be heard several times.
|
|
He was the orchestrator and driving force behind the national campaign to attract the Software Engineering Institute to CMU and to Pittsburgh. This federally funded research and development center (FFRDC), is to enhance the productivity of software development and set the standards of software engineering for the Department of Defense and industrial corporations. This institute, together with the School of Computer Science and the Engineering College at CMU, are acting as catalysts for spin-offs to attract a large number of software companies to Pittsburgh and Western Pennsylvania. During two periods of transition in the Software Engineering Institute, he served as its acting director.
|
|
Giacchino noted that recording in the 1960s was largely different than modern day recording and Dan Wallin, the recording engineer, said that Bird wanted an old feel and as such the score was recorded on analogue tapes. Wallin noted that brass instruments which are at the forefront of the score of The Incredibles, sound better on analog equipment rather than digital. Wallin came from an era in which music was recorded, according to Giacchino "the right way" which consists of everyone in the same room "playing against each other and feeding off each other's energy". Tim Simonec was the conductor and orchestrator for the recording of the score.
|
|
As a composer, Foster's early professional work includes theme tunes to Love on a Saturday Night, The 1970's Office and The Great British Test Series all for LWT as well as a host of commercials, working for the Mcasso Music agency. Other commercials he has worked on include award winning commercials for Soundtree Music such as Sony Paint and the 2007 Sony Walkman. Foster's resume as an orchestrator and conductor for film includes 27 Dresses, The Mummy 3, The Hitchhiker's Guide to the Galaxy, Robin Hood, Hoodwinked Too, The Grey. In 2005 Foster re-arranged the theme tune to BBC Question Time which is currently running on BBC2.
|
|
To keep costs down, string synthesizers typically used a frequency divider architecture similar to that of electronic organs, with the addition of specialized in-built vibrato and chorus effects to mimic the ensemble effect of multiple string instruments playing at once. Classic string synthesizers included the Freeman String Symphonizer, Eminent 310, Logan String Melody, Roland RS-101, Roland RS-202,A Tale of Two String Synths, Sound on Sound, July 2002 Korg Polyphonic Ensemble S, Crumar Orchestrator (Multiman-S), Elka Rhapsody, ARP String Ensemble,, Moog Opus 3 and the Vox String Thing (a rebranded version of the budget Jen SM2007 String Machine) and the Roland VP-330.
|
|
Choreography for the show was by Sammy Lee. The original cast included Norma Terris as Magnolia Hawks and her daughter Kim (as an adult), Howard Marsh as Gaylord Ravenal, Helen Morgan as Julie LaVerne, Jules Bledsoe as Joe, Charles Winninger as Cap'n Andy Hawks, Edna May Oliver as Parthy Ann Hawks, Sammy White as Frank Schultz, Eva Puck as Ellie May Chipley, and Tess Gardella as Queenie. The orchestrator was Robert Russell Bennett, and the conductor was Victor Baravalle. The scenic design for the original production was by Joseph Urban, who had worked with Ziegfeld for many years in his Follies and had designed the elaborate new Ziegfeld Theatre itself.
|
|
Her writing credits include orchestral arrangements for Seal, orchestral arrangements for the San Francisco Symphony Orchestra and she was assistant orchestrator for Corinne Bailey Rae's second and third critically acclaimed albums. Jarvis is a Past-President of the British Trombone Society and is the Vice- President elect of the International Trombone Association and currently President of the International Trombone Festival. She has been a professor of trombone at the Royal Northern College of Music in Manchester and Trinity Laban Conservatoire of Music in London since 2006, and has given many masterclasses and recitals across the world, from Mexico to Peru and Austria to Norway.
|
|
After completing her education, Ms. Wildman worked briefly as an orchestrator for the film composer, Laurence Rosenthal. She has worked with the choreographer Henning Rübsam, whose dance company SENSEDANCE is based in New York. She presently divides her time between New York City and the San Francisco Bay Area. Major works include Overture to a Wink for large orchestra premiered in 1987 in Berkeley, California; Let Me Not Mar for soprano, oboe and piano, premiered in 1988 at the Aspen Music Festival; and Solo Flight, a theater work for soprano and electronics based on Amelia Earhart's flight across the Atlantic, premiered in 1995 in Vienna, Austria.
|
|
Cellier, s Alfred Cellier (1 December 184428 December 1891) was an English composer, orchestrator and conductor. In addition to conducting and music directing the original productions of several of the most famous Gilbert and Sullivan works and writing the overtures to some of them, Cellier conducted at many theatres in London, New York and on tour in Britain, America and Australia. He composed over a dozen operas and other works for the theatre, as well as for orchestra, but his 1886 comic opera, Dorothy, was by far his most successful work. It became the longest-running piece of musical theatre in the nineteenth century.
|
|
Tickets were $1,000 each and included numerous celebrities, including, the orchestrator of the event, Elton John.Article: July 4th HIV/AIDS Awareness Concert and Fundraiser Philadelphia Freedom Concert & Ball, Raised Net Total of $1.1 Million for Elton John AIDS Foundation and Dr. Magnus Hirschfeld Fund, PR Newswire, October 28, 2005 Chefs from the city provided food and entertainment was provided by local groups. The concert itself was held outside the museum, using the stage from the Live 8 concert only a few days before. VIP tickets costing $500 allowed people to sit in 25 rows set up in front of the stage; otherwise, it was a standing only event.
|
|
The music was orchestrated by Robert Russell Bennett."Orchestrator on His Own" – Time Magazine (Monday, Dec. 12, 1932), Retrieved May 1, 2008"Robert Russell Bennett" – Internet Broadway Database, Retrieved May 1, 2008 The musical opened in the West End at His Majesty's Theatre on May 19, 1933 and ran for 199 performances.Chronology for London, 1933 guidetomusicaltheatre.com, Retrieved January 2, 2009 The musical was staged at The Muny outdoor musical theatre, St. Louis, Missouri, in 1934, and again in 1937, 1944 and 1951."Show Archive (1930–1939)", Retrieved February 16, 2016 The 1934 film version starred Gloria Swanson, John Boles, Douglass Montgomery, June Lang, and Al Shean.
|
|
Many throughout Europe pondered who he was, why he pretended to be Peter III and what his intentions were. The Ottomans feared the development, but failed in an attempted invasion to suppress Montenegro in 1768. Catherine the Great of Russia, Peter III's wife and successor (and probable orchestrator of his murder) was far from enthusiastic and engaged in numerous failed attempts to end Šćepan's rule and pretensions. A Russian delegation finally arrived in Montenegro in 1769, exposed Šćepan as a fraud and briefly imprisoned him, but released him and returned him to power upon realizing that he was the most competent option available to rule Montenegro.
|
|
Gibson began his career as a studio musician in New York City, often working with James Brown. In 1972 he changed direction, to become an orchestrator. Best known for his work on the original motion picture version of Grease (1978) and the Broadway musicals Steel Pier (1997) and Cabaret (revival, 1998), Gibson frequently worked with the famous composer-lyricist partnership of John Kander and Fred Ebb; his long-standing relationship with Kander began with Woman of the Year (1981). He received four additional Drama Desk Award for Outstanding Orchestrations nominations: for Anything Goes (1988), Steel Pier (1997), Cabaret (1998), and the 'dexterously orchestrated' The Wild Party (2000).
|
|
Sibelius said that he should simply swim in the > gravy." Berglund sometimes courted controversy with his re-touching of orchestral parts; as he said in a Gramophone interview in October 1978, "Sibelius was a superb orchestrator, but right up to the very end he made strange dynamics which I find I have to change. In the Second Symphony you don't have to alter so much, but funnily enough there is a lot that needs altering in the Seventh Symphony ... My attitude was "" which in German means roughly 'be true to the work'. But you see, the composers didn't always know; they could have given it more thought.
|
|
Langford was often used by Hollywood as a score orchestrator, with Return of the Jedi, Superman II, The First Great Train Robbery, Clash of the Titans and Return to Oz to his name. In 1974 he released a demo album entitled The Amazing Music of the Electronic ARP Synthesizer. This contained several compositions of his own, plus cover versions, played entirely on the then new innovation, the ARP synth, of pieces as diverse as "Yellow Submarine", "Raindrops Keep Fallin' on My Head", "Cocktails for Two", "Light Cavalry Overture" and Mozart's Symphony No. 40. Later compositions include his Berceuse and Burlesque for bassoon and orchestra, performed on 1 February 2008 at Axminster.
|
|
He had an inactive period in live performances following memory loss after severe brain surgery treatment for meningitis in June 2015. Occasionally played as guest soloist at Moscow Philharmonic Orchestra, Oslo Philharmonic Orchestra, Orchestre philharmonique de Radio France and London national orchestra. Minasian is an experienced professional orchestrator; very known composers and film production companies hire him to arrange melodies for orchestras or movie music pieces. He flesh out basic melodies to deep orchestral melodies for best known orchestras around the world such as Moscow Symphony Orchestra, Russian National Orchestra, Orchestre philharmonique de Radio France, Oslo Philharmonic orchestra and Royal Philharmonic Orchestra of London.
|
|
Rodriguez, p. 48. These included co-producer Phil Spector, whose wife, Ronnie Spector, Harrison supplied with songs for a proposed solo album on Apple Records;Leng, p. 105. Ringo Starr, whose "It Don't Come Easy" single he produced and prepared for release, following the original session for the song in March 1970;Leng, p. 69. Bobby Whitlock, singer and keyboard player with the short-lived Derek and the Dominos, whose eponymous debut solo album featured Harrison and Eric Clapton on guitar; and former Spooky Tooth pianist Gary Wright, whose Footprint album (1971) Harrison also guested on, along with All Things Must Pass orchestrator John Barham.
|
|
Penka Kouneva () (/ˈpɛŋkɑː kuːˈnɛvɑː/; born February 25, 1967 in Sofia, Bulgaria) is a Bulgarian-American composer, orchestrator and soundtrack producer. In 1999, she began working in film & television and in 2009 began to score for videogames (Prince of Persia: The Forgotten Sands and Transformers: Revenge of the Fallen video games, with themes by Steve Jablonsky). Her music is a blend of Bulgarian influences, classical training, rock sensibility, and modern film and game soundtracks. Kouneva has released two award-winning concept albums: The Woman Astronaut (2015, on Varèse Sarabande / Universal Music Group) and A Warrior's Odyssey (2012, on Howlin’ Wolf Records / Sumthing Else) both receiving 5-star press.
|
|
In October 2019, Datera announced the HPE Datera Cloud Kit in partnership with HPE, a pre-packaged configuration for HPE customers that included a Datera software license, HPE Smart Fabric Orchestrator license, HPE M-Series switches, HPE DL360 servers, cabling, and support for containers, virtual machines, and bare metal applications. The company was named by CRN as an Emerging Storage Vendor in 2019. In 2020, Datera achieved a “Veeam-Ready” designation in the repository category. The program (from backup solutions and cloud data management provider, Veeam) signifies the company partners that have met standards via a “qualification and testing program” and are certified to work in conjunction with one another.
|
|
Under the Edward Gierek's rule in the party, Olszowski was a reformist. However, later he became a hard-liner politician and a supporter of the Soviet Union while he was in office. In March 1968, he was the leading orchestrator of the anti- Semitic campaign began in Poland. In November 1973, he paid an official visit to Rome that was the first official visit to the Vatican by a Polish government minister since World War II. However, during the visit of Pope to Poland from 16 to 23 June 1983 he and Prime Minister Mieczyslaw Rakowski directly attacked on some of the Pope's pronouncements.
|
|
The quartet's members are violinists Eric Gorfain and Daphne Chen, cellist Richard Dodd, and violist Leah Katz. They are classical musicians who also work on soundtracks and pop music albums, such as Stripped (RCA, 2002) by Christina Aguilera. The quartet's performance on the song "Beautiful" from Aguilera's album caught the attention of the songwriter, Linda Perry, and she produced their album Fuzzbox (2007) for Decca Records. Gorfain has written string arrangements for Sam Phillips, Ryan Adams, A Perfect Circle, Band of Horses, Neil Diamond, Sean Lennon, and Cassandra Wilson, and has worked as an arranger and orchestrator with producers Jon Brion, Glyn Johns, and Jacknife Lee.
|
|
Emir Işılay (born 23 August 1978 in Istanbul) is a Turkish jazz and film composer and pianist/keyboardist. He is a graduate of Berklee College of Music and has worked as a music arranger/orchestrator/engineer on projects including TV series Boomtown (NBC) and Eyes (ABC), as well as the feature film Soul Plane (MGM). He also wrote additional music for the WB TV series Aaron Spelling production Summerland for the 1st and 2nd seasons (26 episodes) and Lifetime Television feature production "Murder on Pleasant Drive". He has played performed or worked with artists such as David Foster, Russell Ferrante, Heitor Pereira, Marco Mendoza, Michael Landau, Simon Phillips, and Jon Finn.
|
|
Anthony Ward repeated his acclaimed scenic and costume designs while William David Brohn joined the team as orchestrator, revising some of the musical arrangements. The new production opened to rave reviews at the Theatre Royal, Drury Lane, receiving positive feedback from critics throughout London. Designer Anthony Ward created a new cobblestone effect for the entire stage while the orchestrations were expanded with new dance arrangements given to "Consider Yourself" and "Who Will Buy?" as well as new curtain call/exit music. The prologue from the Palladium production was removed, and the show now opens as it originally did in 1960, with the workhouse children entering, singing "Food, Glorious Food".
|
|
Mathes' work with The Kennedy Center Honors landed him what was the most star-studded show of his career, We Are One: The Obama Inaugural Celebration at the Lincoln Memorial in 2008, with performances by Beyoncé, Mary J. Blige, Bono, Garth Brooks, Sheryl Crow, Renee Fleming, Josh Groban, Jon Bon Jovi, Herbie Hancock, Heather Headley, John Legend, Jennifer Nettles, John Mellencamp, Usher, Shakira, Bruce Springsteen, James Taylor, will.i.am and Stevie Wonder. Mathes arranged Renée Fleming's 2014 Super Bowl performance of "The Star-Spangled Banner", recorded by the New Jersey Symphony Orchestra. He served as Musical Director and orchestrator for the Broadway production of The Last Ship.
|
|
However, here, the Toccata, scored for a very large orchestra, goes far beyond the limits of Ravel's own, small orchestra, and the Fugue is set for winds only. Another instrumentation of Fugue and Toccata by pianist Michael Round was recorded by Vladimir Ashkenazy (Exton, 2003): the score is published (as two separate titles, 'Fugue' and 'Toccata') by Edwin F. Kalmus. Round's version of the Toccata adds percussion, requiring up to five players. Kalmus omitted the percussion parts from the published score so as to exactly match the orchestration of the rest of the suite, but these parts are available separately, directly from the orchestrator.
|
|
Soghomon Tehlirian (; April 2, 1896 – May 23, 1960) was an Armenian revolutionary who assassinated Talaat Pasha, the former Grand Vizier of the Ottoman Empire, in Berlin on March 15, 1921. The assassination was a part of Operation Nemesis, revenge plan for the Armenian Genocide orchestrated by the Ottoman Imperial Government during World War I. Talaat Pasha had been convicted and sentenced to death in absentia in the Turkish courts-martial of 1919–20, and was viewed as the main orchestrator of the genocide. After a two- day trial Tehlirian was found not guilty by the German court, and freed. Tehlirian is considered a national hero by Armenians.
|
|
Christopher Young (born April 28, 1958) is an American composer and orchestrator of film and television scores.New York Times Many of his compositions are for horror and thriller films, including Hellraiser, Species, Urban Legend, The Grudge, The Exorcism of Emily Rose, Drag Me to Hell, Sinister, Deliver Us from Evil and Pet Sematary. Other works include Rapid Fire, Copycat, Set It Off, Entrapment, The Hurricane, Swordfish, Ghost Rider, Spider-Man 3 and The Shipping News, for which he was nominated for a Golden Globe Award for Best Original Score. Young was honored with the prestigious Richard Kirk award at the 2008 BMI Film and TV Awards.
|
|
According to a U.S. government biography, his "chief mentor" was his cousin and 1993 World Trade Center bombing orchestrator Ramzi Yousef, "who taught him in the early 1990s in Iran about the important of war against the West." He is fluent in English and worked at Mohammed's honey-processing company in Karachi for a while before being hired in 1998 as a computer technician for Modern Electronics Corporation in Dubai. According to some evidence given at the Combatant Status Review Tribunal, he was "very open-minded and western-oriented", while his ex-wife told investigators he was "a very strict Muslim" who opposed his wife's leaving the home.
|
|
Conversely, it is the subject who is the ultimate arbiter of artistic experience though they also limited to merely reflect a bundle of individual perceptions and privately held associations. Using this understanding, the distinction between Polyphemus and his cave is no longer deemed relevant as an overarching sympathy exists between the two. All of these forms serve an aesthetic purpose of preeminent importance as both capture the melancholic sense of longing and neglect that Góngora attempts to develop and incorporate into the overall narration. Ultimately, it is the poet who goes beyond the mere resemblance and commonality of things as orchestrator of inter-subjectivity to both imagine and project a kindred will.
|
|
Lanny Meyers is an American composer, orchestrator, principal arranger and musical director. He has composed the ballet The Legend of Sleepy Hollow (Central Pennsylvania Youth Ballet and Oklahoma City Ballet), The Hunt of the Unique-Horn (Long Beach Ballet Co.), film scores for the 1992 Sundance Award winning documentary Beirut: The Last Home Movie, New Line Cinema's The First Time (1983), and many award-winning animated films for Buzzco Assoc. He arranged and orchestrated The Berenstain Bears Show TV series, and, (with Rupert Holmes), the cable TV series Remember WENN (1996). He also composed and orchestrated The Mendocino Music Festival Overture (2004), and created the score for the Psychosomatic Wellness CD by Dr. Candace Pert.
|
|
Both historians consider Ammianus' allegations, casting Eusebia as the orchestrator of such a plot, should be taken into consideration and "not be lightly dismissed"."The Propaganda of Power: The Role of Panegyric in Late Antiquity", page 122 Whatever the case, "The Cambridge Ancient History" notes that the occasion of her presence in Rome were the Vicennalia of Constantius II, a celebration in honor of completing twenty years on the throne. Constantius and his Milan court moved to Rome for the occasion, marking the first and only known visit of this particular Augustus in the ancient capital of the Roman Empire. Constantius was following the examples of Diocletian and Constantine I who also visited Rome during their own Vicennalia.
|
|
Joseph Simon Dubin (June 2, 1900 – January 16, 1961) was an American composer and orchestrator, scoring and orchestrating more than 200 motion pictures during his career.Joseph Dubin 'Film Credit's, Artist Direct His brother, Al Dubin (1891 Zürich-February 11, 1945 New York City) was an American songwriter, lyricist, soldier and actor. Joseph Dubin is best known for composing the soundtrack for the 1930 MGM film The Big House, as well as the Walt Disney films Cinderella, Alice in Wonderland (which was the last animated Disney film that he orchestrated the music for), 20,000 Leagues Under the Sea, The Adventures of Ichabod and Mr. Toad. Dubin also orchestrated and scored many television series including Zorro and The Mickey Mouse Club.
|
|
Ennio Morricone receives the Per Artem ad Deum Medal (English: Through Arts to God) from archbishop Gianfranco Ravasi in 2012 Ennio Morricone, OMRI (; 10 November 1928 – 6 July 2020) was an Italian composer, orchestrator, conductor, and trumpet player who wrote music in a wide range of styles. He composed over 400 scores for cinema and television, as well as over 100 classical works. His best-known compositions include "The Ecstasy of Gold", "Se Telefonando", "Man with a Harmonica", "Here's to You", the UK No. 2 single "Chi Mai", "Gabriel's Oboe" and "E Più Ti Penso". In 1971, he received a "Targa d'Oro" for worldwide sales of 22 million, and by 2016 Morricone had sold over 70 million records worldwide.
|
|
In January 1942, when Sinatra convinced Dorsey to let him record four songs without Dorsey, Stordahl arranged Sinatra's very first commercial solo recordings for the RCA Victor subsidiary label Bluebird, and when Sinatra left Dorsey later that year to go solo, Stordahl went with him and became his music director. In the subsequent decade, Sinatra cut around three hundred sides for Columbia Records, of which three quarters were arranged by Stordahl. In addition, Stordahl provided the orchestral backings, both as arranger and conductor, for several hundreds of songs in various Sinatra radio programs. He was the credited orchestrator for the 1945 Academy Award-winning picture Anchors Aweigh which starred Frank Sinatra and Gene Kelly.
|
|
His marches are typically marked by a "subdued" trio—as in "The Stars and Stripes Forever", where most of the performing band becomes subordinated to arguably the most famous piccolo obligato in all of music. Sousa's magnum opus, "The Stars and Stripes Forever" was adopted in 1987 as the national march of the United States. Sousa was prolific as both composer and orchestrator, writing 137 marches and more than 80 significant pieces, including operettas, overtures, suites, dances, and fantasies, and publishing some 322 arrangements of nineteenth-century western European symphonic works. He directed the design and production of his namesake instrument, the sousaphone, for its specialized adaption for use in a marching band.
|
|
Goossens augmented the original orchestration with parts for four horns, three trombones, tuba, piccolo, contrabassoon, two harps, triangle, cymbals, and bass drum. Memorably, he added cymbal clashes on the second repeat of "Wonderful, Counsellor" in the chorus "For Unto Us A Child is Born", and introduced an accelerando at the climax of the Hallelujah Chorus. Beecham recorded the piece soon afterward with the Royal Philharmonic Orchestra, and Goossens' version became synonymous with the conductor (but much less so with its orchestrator). Because of disputes around whose work the orchestration was, and the fact that the manuscript was held by the Beecham estate, despite it being claimed by Goossens' estate, it went unperformed for over 40 years.
|
|
Martin was active principally as an arranger for some of the most popular swing jazz bands of the 1930s and 1940s. He worked with Count Basie, Charlie Barnet (1939–40), Benny Goodman (1941), and Glenn Miller (1941–42); doubling as a reedist with the last three. In the Goodman orchestra he played alto sax alongside Gus Bivona and recorded with the legendary trumpeter Cootie Williams in the early 1940s as well. Later in the 1940s he worked with Les Brown (memorably the big-band chart for I've Got My Love to Keep Me Warm), then moved to Los Angeles in the 1950s, where he did extensive work as a staff and freelance orchestrator, studio conductor (e.g.
|
|
George Greeley (born Georgio Guariglia; July 23, 1917 – May 26, 2007) was an Italian-American pianist, conductor, composer, arranger, recording artist and record producer who is known for his extensive work across the spectrum of the entertainment industry. Starting as an arranger and pianist with several notable big bands in the 1940s, he segued into the Hollywood radio scene, working on several nationally broadcast variety programs. After conducting an Army Air Force Band during World War II, he was hired by Columbia Pictures as a staff pianist and orchestrator. He worked as pianist on several hundred motion pictures, worked with many famous composers orchestrating their soundtrack compositions, and created original compositions of his own in several dozen movies.
|
|
This, he wrote, did not stop him from accepting these judgments at face value and repeating them "as if I were thoroughly convinced of their truth". Rimsky-Korsakov became especially appreciated within The Five, and among those who visited the circle, for his talents as an orchestrator. He was asked by Balakirev to orchestrate a Schubert march for a concert in May 1868, by Cui to orchestrate the opening chorus of his opera William Ratcliff and by Alexander Dargomyzhsky, whose works were greatly appreciated by The Five and who was close to death, to orchestrate his opera The Stone Guest. In late 1871, Rimsky-Korsakov moved into Voin's former apartment, and invited Mussorgsky to be his roommate.
|
|
In summer 2013, the Viennese sample library and music software developer Vienna Symphonic Library acquired and began refurbishing the facility. Synchron Stage Vienna with its acoustic design was nominated for 32nd TEC Award at NAMM Show in Anaheim. The first project was recorded in October 2015 with Grammy Award winning recording and mixing engineer Dennis Sands and composer/orchestrator/conductor, Conrad Pope. Shortly after the official opening, Hans Zimmer's Remote Control Productions chose Synchron Stage Vienna to record a whole slate of productions, including music for Inferno, starring Tom Hanks (directed by Ron Howard, music by Hans Zimmer), and the Netflix series The Crown by Peter Morgan (music by Hans Zimmer and Rupert Gregson- Williams).
|
|
Yardena Alotin began studying piano at the age of five with Rivka Sharett-Hoz, the sister of Moshe Sharett, and the wife of Dov Hoz. Yardena Alotin studied from 1948 to 1950 at the Music Teachers' College in Tel Aviv and then from 1950 to 1952 at the Israel Music Academy. Among her teachers were Alexander Uriah Boskovich (theory), Mordecai Seter (harmony, counterpoint), Paul Ben-Haim (orchestrator), Ilona Vincze-Kraus (piano) and Ödön Pártos (composition). Her first work was Yefei Nof for mixed choir, which won the Nissimov Prize and was premiered by the Rinat Choir, of which she was a member, in Tel Aviv and at the Paris International Festival in 1956.
|
|
In 1967 Terry left Motown and played on various soul recordings in Philadelphia and Chicago. In December 1967 he became a staff arranger and producer for Epic Records, and the Okeh Records imprint, where he worked on records by artists including Johnny Robinson, Sandra Phillips, The Little Foxes, and Maxine Brown. From the late 1960s to the late 1970s he arranged or produced or worked as a musical director in New York, Los Angeles, Chicago, Atlanta, and Las Vegas. He was the arranger and orchestrator for the 1969 Broadway musical Buck White, featuring Muhammad Ali, and for Bill Cosby in Las Vegas. He also worked closely with Jo Armstead at both Giant Records, and Bill Cosby’s label Tetragrammaton Records.
|
|
The score was written within a couple of weeks by Goodwin who was approached by Pollock after Pollock had heard about him from Stanley Black. Black had worked with Pollock on "Stranger in Town" in 1957 and had previously used Goodwin as his orchestrator. Rutherford, who was 68 years old when the first film was shot in February 1961, insisted that she wear her own clothes during the filming of the movie, as well as having her real-life husband, Stringer Davis, appear alongside her as the character 'Mr Stringer'. The Rutherford films are frequently repeated on television in Germany, and in that country Miss Marple is generally identified with Rutherford's quirky portrayal.
|
|
His first Grammy Award win came in 1988 for Best Instrumental Arrangement (with Doc Severinsen and the Tonight Show Orchestra). He was an important contributing orchestrator/arranger of Natalie Cole's 1992 multiple Grammy winning album Unforgettable... with Love, and her follow up Grammy winning CD's Take a Look and Still Unforgettable. In 1996, Holman received his 2nd Grammy Award for Best Instrumental Composition, "A View from the Side", recorded by his Bill Holman Band on the JVC label. His 3rd Grammy came in 1997 for the recording Brilliant Corners/The Music of Thelonious Monk, it won the Grammy Award in 1998 for Best Instrumental Arrangement for Holman's arrangement of "Straight, No Chaser".
|
|
Using the pseudonym of Del Roma, Mauriat was to have his first international hit with Chariot, which he wrote in collaboration with friends Franck Pourcel (co-composer), Jacques Plante (French lyrics) and Raymond Lefèvre (orchestrator). In the United States, the song was recorded as "I Will Follow Him" by Little Peggy March and spent three weeks at No. 1 on the Billboard Hot 100 in 1963. In 1992, the song was featured prominently in the film Sister Act starring Whoopi Goldberg. More recently, Eminem sampled it in his song "Guilty Conscience". Between 1967 and 1972, he wrote numerous songs with André Pascal for Mireille Mathieu; Mon Crédo (1,335,000 copies sold), Viens dans ma rue, La première étoile, Géant, etc.
|
|
The 1997 debut concert performance provoked a lukewarm review by The New York Times. Ben Brantley wrote: "...the show is sober, respectful, packed with enough information for a month of Bible-study classes and, on its own terms, most carefully thought out, with pop equivalents of operatic motifs and exotic folkloric touches a la Borodin. Yet while the well-sung cast, under Mike Ockrent's direction, and the orchestra (Michael Kosarin is the music director and Douglas Besterman the orchestrator) have been painstakingly polished, the show, at two hours and 45 minutes, just can't help being a Goliath of a yawn." Variety called it "Unrelentingly serious-minded and devoid of the wit that Menken brought to previous projects".
|
|
Williams at the Boston Symphony Hall after conducting the Boston Pops, May 2006 Although skilled in a variety of 20th-century compositional idioms, Williams's most familiar style may be described as a form of neoromanticism, inspired by the late 19th century's large-scale orchestral music—in the style of Tchaikovsky or Richard Wagner and their concept of leitmotif—that inspired his film music predecessors. After his studies at Juilliard and the Eastman School of Music, Williams returned to Los Angeles, where he began working as an orchestrator at film studios. Among other composers, Williams worked with Franz Waxman, Bernard Herrmann, and Alfred Newman, and also with his fellow orchestrators Conrad Salinger and Bob Franklyn.Films & Filming, vol. 24, 1977, p.
|
|
Basil Konstantine Poledouris (; August 21, 1945 – November 8, 2006) was an American composer, conductor, and orchestrator of film and television scores, best known for his long-running collaborations with directors John Milius and Paul Verhoeven. Among his works are scores for the films Conan the Barbarian (1982), Red Dawn (1984), Iron Eagle (1986), RoboCop (1987), The Hunt for Red October (1990), Free Willy (1993), Starship Troopers (1997) and Les Miserables (1998). Poledouris won the Primetime Emmy Award for Outstanding Music Composition for a Limited Series, Movie, or Special for his work on the four- part miniseries Lonesome Dove in 1989, and was a four-time recipient of the BMI Film Music Award.
|
|
Born in Brontë Country, Bradford, and educated at Bradford Grammar School in the United Kingdom, Taylor later studied composition at the University of California, Los Angeles. After leaving UCLA in 2009, he mentored with American composer, Mark Mancina, and studied privately with orchestrator, Hummie Mann. He began writing music at a young age, whilst working as a radio producer, and before that at the British supermarket chain, Morrisons. He later launched a studio in England and has since written scores for television shows broadcasting worldwide, including Brooklyn Rules, Two and a Half Men, 30 Rock, 90210, and The Big Bang Theory, as well as producing music for the Super Bowl between 2010 and 2014.
|
|
Joseph Lipman - Emmys, credits, Music Department, The Hollywood Place His career includes orchestrations and ghost writing for Broadway shows, film scores, and television shows. He co-wrote the arrangements with Henri René for the 1964 release David Merrick Presents Hits from His Broadway Hits featuring John Gary and Ann-Margret. He worked on the orchestration staff for Lionel Newman and Jerry Herman to produce the 1969 Academy Award winning film score for the musical Hello Dolly! Also notably during this time, Lipman was the main orchestrator for Sammy Davis Jr.s Sammy Stops the World (1978) television special which was an adaptation of the hit musical Stop the World – I Want to Get Off.
|
|
Dunne had been brought in to replace Norma Terris, the original Magnolia, in the touring version of the show, and had toured the U.S. in the role beginning in 1929. Francis X. Mahoney, who played the brief role of the comic stagehand "Rubber Face" Smith, had also starred in the original production and in the 1932 Broadway revival, and would repeat his role in the 1946 Broadway revival of Show Boat, two years before his death. This film also enlisted the services of the show's original orchestrator, Robert Russell Bennett, and its original conductor, Victor Baravalle, as the film's music director and conductor. The screenplay for the film was written by Hammerstein.
|
|
Miller has done extensive work for other film composers including: Cliff Martinez, BT, Marcelo Zarvos, David Newman and Robert Folk as an additional composer, arranger, conductor and orchestrator on films such as: Game Night, The Fast and the Furious, Contagion, What’s My Name: Muhammad Ali, Breakthrough, The Best of Enemies, Stealth, Rememory, Zoolander, Summer Wars, The Flintstones, The Sandlot, Tremors, Hoffa, Tommy Boy, Police Academy 6: City Under Siege, The Company You Keep, Coneheads, I Love Trouble, Driven, Bill & Ted's Bogus Journey, Miles From Home. His work for recording artists, Michael Franti and Spearhead, Kitaro, Nathan Pacheco, Sir Anthony Hopkins and BT includes string arrangements, orchestrations and conducting assignments. Miller has composed industrial music for Walt Disney Imagineering.
|
|
Nichols began his writing career as a solo artist on Seattle's PopLlama Records after playing keyboards in bands like The Squirrels and Prudence Dredge. Nichols has composed extensively for Seattle film director, Garrett Bennett, and scored all but one of his films, which include End of the Icon, Farewell to Harry, and A Relative Thing. He has written over twenty published works for theater, particularly rock operas, but also a number of operas for children and underscores for straight plays. He is one of the founders and composers for the Seattle/Mumbai rock band Manooghi Hi. As an orchestrator, he is known for his work on the classic Sub Pop album by Jeremy Enigk Return of the Frog Queen.
|
|
After graduating from Berklee College of Music in the Spring of 2005, Leroy moved to Los Angeles to pursue a career in the film and TV industry, where he first started working as a technician and assistant for various composers. This led him to meet John Frizzell, who eventually gave him his first orchestration opportunity on a TV film (A Little Thing Called Murder), and a few weeks later on a feature film (Stay Alive). In April 2006, Leroy started working for composer and orchestrator William Ross. Around the same period, he also re-orchestrated a suite from Basil Poledouris's score to Conan The Barbarian, to be performed under the composer's direction in July 2006, at the second International Film Music Conference in Úbeda, Spain.
|
|
Jae Deal is an American composer, arranger, music producer, and orchestrator in various genres including pop, gospel, and hip hop as well as a professor at the USC Thornton School of Music. He's a session keyboardist, programmer, and bassist in Los Angeles, California. Jae Deal has worked behind the scenes and on stage with several premiere artists including Janet Jackson, Lady Gaga, Snoop Dogg, Diddy, Mary Mary, Karen Clark Sheard, Ne-Yo, Faith Evans, Tye Tribbett, T-Pain, Jessica Simpson and Wynton Marsalis. He has also contributed to the works of Elton John, Jill Scott and songwriter, Diane Warren. Other projects have included performances with the Baltimore Symphony Orchestra and musical direction for Kirk Franklin’s Youth Ministry at Faithful Central Bible Church.
|
|
Bowen and Bell, determined to write an original musical rather than adapt an existing play or movie, discovered almost immediately that their conversations about what to write were more interesting than what they were actually writing. As the idea to document the creation of the show itself ("a musical about two guys writing a musical about two guys writing a musical") became clearer, Bell and Bowen expanded the script based on their writing experiences with friends Susan Blackwell and Heidi Blickenstaff. [title of show] has since become a post-modern work-in-progress, with updates and changes to each new production reflecting the circumstances the cast and the show have experienced. Larry Pressgrove is the musical director and orchestrator in all productions to date.
|
|
In October 2012 British singer-songwriter Adele confirmed that she had written and recorded the film's theme song with her regular songwriter, Paul Epworth. She later posted the cover for the "Skyfall" sheet music on Twitter, crediting the songwriting to herself and Epworth, with arrangements to both Epworth and orchestrator J. A. C. Redford. The song was released online at 0:07 am BST on 5 October 2012, a day dubbed "James Bond Day" by the producers as it marked 50 years to the day of the release of Dr. No. The song was nominated for and won the Academy Award for Best Original Song. It was the first time a Bond song had won, and the fourth time one had been nominated.
|
|
He continued conducting on radio and in theatres into the 1940s, also leading a dance band for the short-lived Royale Records label in 1939–1940, until he decided to move permanently to Hollywood and work in the film business. Green particularly made an impression at Metro-Goldwyn-Mayer, where in the 1940s, along with orchestrator Conrad Salinger, he was one of the musicians most responsible for changing the overall sound of the MGM Symphony Orchestra, partially through the re-seating of some of the players. This is why the overall orchestral sound of MGM's musicals from the mid-1940s onward is different from the orchestral sound of those made from 1929 until about 1944. Green was the Music Director at MGM from 1949 to 1959.
|
|
Robin Maconie finds that, "Compared to the work of his contemporaries, Stockhausen's music has a depth and rational integrity that is quite outstanding... His researches, initially guided by Meyer-Eppler, have a coherence unlike any other composer then or since". Maconie also compares Stockhausen to Beethoven: "If a genius is someone whose ideas survive all attempts at explanation, then by that definition Stockhausen is the nearest thing to Beethoven this century has produced. Reason? His music lasts", and "As Stravinsky said, one never thinks of Beethoven as a superb orchestrator because the quality of invention transcends mere craftsmanship. It is the same with Stockhausen: the intensity of imagination gives rise to musical impressions of an elemental and seemingly unfathomable beauty, arising from necessity rather than conscious design".
|
|
On September 24, 2015, with only 2-weeks notice, he stepped in for an ailing baritone to play the lead role of Bum Phillips in Bum Phillips All American Opera, telling the story of the head coach of the Houston Oilers. The performance marked the opera's Houston premiere at the Stafford Township Arts Center and a benefit for the Dan Pastorini charity. On March 7, 2017, executive producer Estabrooks, producer Michael J. Moritz Jr., Broadway orchestrator Charlie Rosen, and producer Van Dean of Broadway Records helped gather a galaxy of stars at Avatar Studios in New York and Los Angeles gathered a galaxy of voices and performers for an all-star single and video to benefit Americans For The Arts.
|
|
The Host Based Security System (HBSS) is the official name given to the United States Department of Defense (DOD) commercial off-the-shelf (COTS) suite of software applications used within the DOD to monitor, detect, and defend the DOD computer networks and systems. The Enterprise-wide Information Assurance and computer Network Defense Solutions Steering Group (ESSG) sponsored the acquisition of the HBSS System for use within the DOD Enterprise Network. HBSS is deployed on both the Non-Classified Internet Protocol Routed Network (NIPRNet) and Secret Internet Protocol Routed Network (SIPRNet) networks, with priority given to installing it on the NIPRNet. HBSS is based on McAfee, Inc's ePolicy Orchestrator (ePO) and other McAfee point product security applications such as Host Intrusion Prevention System (HIPS).
|
|
In 2010, Rossi began recording and touring with Paul Simon, which included the tour with Sting in 2014, Simon's 25th anniversary tour for the album Graceland, and his tour for the album So Beautiful or So What. Keyboard magazines said, "it was like nothing you've ever heard at a rock concert: Mick was improvising a cadenza that was an explosion of what sounded like Philip Glass meets Shostakovich...and it grooved." Rossi was conductor and co-orchestrator for the albums My December (2007) by Kelly Clarkson and Dark Hope (2010) by Renée Fleming. He was music director for the MATA Festival in 2005 and for The Bacchae of Euripides in Shakespeare in the Park with JoAnne Akalaitis and Philip Glass.
|
|
He was part of the band that played Central Park, New York, on September 13, 1980. Howard also arranged strings for several of John's songs during this period including the hits "Don't Go Breaking My Heart" and "Sorry Seems to Be the Hardest Word", and played additional keyboards and synthesizers on studio albums including Rock of the Westies (1975), Blue Moves (1976), 21 at 33 (1980), and The Fox (1981). In 1982, Howard was featured on Toto IV as the strings conductor and orchestrator for "I Won't Hold You Back", "Afraid of Love", and "Lovers in the Night". A year later, he released the live album James Newton Howard and Friends, which featured Toto's David Paich (keyboards), Steve Porcaro (keyboards), Jeff Porcaro (drums), and Joe Porcaro (percussion).
|
|
Seven which has been produced and written in the United Kingdom by Stansfield and Ian Devaney features tracks such as: "Can't Dance", "The Rain", "Stupid Heart", "Conversation", "The Crown", "So Be It" and "Picket Fence". Recorded in both Los Angeles and Manchester, Stansfield has collaborated with John Robinson and orchestrator Jerry Hey, both integral to the creation of Michael Jackson's Off the Wall, Thriller and Bad and have worked with Stansfield for over two decades. Following her critically acclaimed return to live performance in 2013 – The Times wrote that Stansfield "still has the most distinctive and sensuous voice in soul pop." Seven marks her return to the international stage and confirms her status as one of the UK's premier recording artists.
|
|
A Broadway original cast album for the musical Kinky Boots was released on May 28, 2013, less than two months after the show opened on Broadway. It was produced by Cyndi Lauper, who wrote the songs, Stephen Oremus, the orchestrator and conductor, and William Wittman. On release it premiered at number one on the Billboard Cast Albums Chart and number fifty-one on the Billboard 200 chart, making it the highest charting Broadway cast recording since The Book of Mormons album was released two years earlier. Before the album's release and the show's Chicago tryout beginning in October 2012, the song "Sex Is in the Heel" became the first Broadway song to reach the top 10 of the Billboard club charts in 25 years.
|
|
As an orchestrator, Pierce has adapted scores for hit Broadway National Tours including Chicago; The Music of Andrew Lloyd Webber Concert Tour, Thoroughly Modern Millie, 42nd Street, Crazy for You, Dr. Dolittle, and Annie Get Your Gun. His compositions and musical direction are a mainstay of the Calgary Stampede's nightly Grandstand Show and Firework Symphony where each year he produces the performance, composes and conducts a new ninety-minute score performed by a cast of five hundred. The stars of Cirque du Soleil perform their acts to Pierce's compositions throughout the world. Clients include ABC, CBS, Madison Square Garden, 19 Entertainment, Macy's Parade, Arista Records, Tropicana Resorts, ClearChannel Europe, Disney, Bayer, Fashion Television, Norwegian Cruise Lines, Troika Entertainment, the Government of Canada, BMG and Universal Music.
|
|
Reginald Hazeltine Bassett (September 3, 1878 – April 24, 1951) was an American composer and orchestrator who led a prolific career in film. He contributed music to over one hundred major movies from the 1920s to the 1940s. He is virtually unknown because he worked under a film studio system that not only controlled the copyrights to his music but also allowed others to take screen credit for his work. Bassett worked collaboratively on film score compositions with other Hollywood composers from Ira Gershwin to Hugo Friedhofer: > In any event, Friedhofer talks at length about Bassett in his oral history, > mentioning the scores on which he worked with him (including Intermezzo and > Gone With the Wind) and Bassett's association with Forbstein's predecessor > at Warner Bros.
|
|
Whilst studying at the National Film and Television School Holt worked as an orchestrator and copyist on films including Matthew Vaughn's Stardust and Hannibal Rising. After graduating, she performed as a classical violist in a number of orchestras, while she began composing her own music for a number of short films, including the Royal Television Society award-winning "Friends Forever" (2008). Her first mainstream breakthrough came in 2012 when she worked as part of Mearl Music for the composer Martin Phipps writing additional music for the BBC film Great Expectations, which was nominated for a BAFTA award for Best Score. She collaborated with Phipps again for the BBC drama The Honourable Woman for which they jointly won the 2015 Ivor Novello Award for Best Television Soundtrack.
|
|
Bloom assisted Christophe Mirambeau in presenting a concert version of the previously lost Cole Porter revue, La Revue des Ambassadeurs; Mirambeau discovered Porter's lost songs, and the show reopened the historic Maison de la Mutualite on May 3, 2012, 85 years after its Parisian premiere. The thirty- member Orchestre des Concerts Pasdeloup played new orchestrations by Broadway orchestrator Larry Blank. A forty-member chorus and a cast of Parisians and Americans, including Amy Burton, Lisa Vroman, Jérôme Pradon, and Vincent Heden, performed the material. In 2014, Bloom and Vince Giordano found the original 1928 orchestrations and mounted the show at Town Hall in New York City for a sold-out performance; Amy Burton, Jason Graae, Anita Gillette, Tom Wopat, Catherine Russell, and Ted Louis Levy performed.
|
|
The first widely known web application written in Objective-J/Cappuccino was 280 Slides, an online presentation preparation system. 280 Slides features the ability to import existing documents, an autosave recovery, is able to save documents as Microsoft PowerPoint, PDF, and OpenDocument formats, and has a wide range of themes. Since then, numerous other applications have been built on the Cappuccino framework. Notable examples include Mockingbird, a collaborative online wireframing tool, PicsEngine, a personal photo library on the web, GitHub issues, a front-end to GitHub's issues tracker, Spot Specific Apps a la Carte, an online mobile app authoring tool, Archipel, a XMPP orchestrator to manage virtualization, Akshell, a cloud-based JavaScript development platform, and R.W. Elephant, a cloud based inventory management system for rental businesses.
|
|
Robert Waldman is an American composer, musical arranger, and orchestrator. Waldman has collaborated with Alfred Uhry twice, on Here's Where I Belong, the disastrous 1968 adaptation of John Steinbeck's East of Eden that closed on opening night, and the considerably more successful The Robber Bridegroom, which was produced on Broadway in both 1975 and 1976, enjoyed a year-long US national tour, and has become a staple of regional theatres. It garnered Waldman a Drama Desk Award nomination for Outstanding Music. Over the years he has composed, arranged, and orchestrated incidental music for the Broadway stagings of numerous dramatic plays, including The Rivals, Dinner at Eight, Ivanov, The Last Night of Ballyhoo, The School for Scandal, The Heiress, and Abe Lincoln in Illinois.
|
|
Coughlin has had long-running collaborations with three prominent composers: Michael John LaChiusa, the songwriting team of Scott Frankel (music) and Michael Korie (lyrics), and with opera and theater composer Ricky Ian Gordon. For LaChiusa he orchestrated 6 shows and one opera including Giant (Larry Hochman provided additional orchestrations), The Wild Party, See What I Wanna See, and First Daughter Suite (a co-orchestration with Michael Starobin). For Frankel and Korie, he orchestrated Grey Gardens (for which he received a Tony Award nomination), Far From Heaven, Happiness (directed by Susan Stroman), Finding Neverland (UK version) and War Paint. He co-orchestrated (with the composer) three major Gordon operas (The Grapes of Wrath, 27 and Morning Star) and (as sole orchestrator) three musicals.
|
|
Allegro Archives, 1, Volume CV No. 3, March, 2005, "Requiem" (obituaries) Harris was the composer and conductor for Quinn Martin Productions, specifically "Cannon", "Barnaby Jones", "Streets of San Francisco" and "FBI."Allegro Archives, 1, Volume CV No. 3, March, 2005, "Requiem" (obituaries) Over a period of 30 years, Mr. Harris was employed by all the major film studios as an orchestrator and composer.Allegro Archives, 1, Volume CV No. 3, March, 2005, "Requiem" (obituaries) A popular teacher and lecturer in Los Angeles, he was invited to speak at the Santa Barbara Academy of the West by Darius Milhaud. While he was president of the American Society of Music Arrangers (a post he held from 1989–91), he co-lectured at a composer's workshop with Henry Mancini.
|
|
Dreith has been the composer for such films as Purple People Eater (1988) and The Punisher (1989). He also known in the industry as an orchestrator and conductor of film music scores. His work can be heard in the soundtracks of Jurassic Park, Misery, Braveheart, Addams Family Values, Sleepless in Seattle, Heart and Souls, A League of Their Own and others. He has orchestrated and conducted for several well-known composers including John Williams, Lalo Schifrin, Dominic Frontiere, Marc Shaiman, Hans Zimmer, Elliot Goldenthal, Mark Isham and Cliff Eidelman. Dreith has also produced numerous jazz and R & B records working with such notables as The Tokens and The O'Jays (arranging and producing several cuts on their acclaimed “Home for Christmas” album (The O'Jays discography).
|
|
It was previewed at the Rubicon Theatre in Ventura, California, in December 2012 and had its first full production there in December 2013. In 2018 Caird directed the world première of his own new musical Knights' Tale,, based on Fletcher's & Shakespeare's Two Noble Kinsmen,, Chaucer’s Knight’s Tale and Boccaccio’s Teseida, translated into Japanese by Maoko Imai. Paul Gordon was the composer and lyricist, Brad Haak the orchestrator, David Parsons the choreographer, Jon Bausor and Jean Chan designed set and costumes and Ryuichi Nakagawa was the lighting designer. The show opened at the Imperial Theatre in Tokyo with Yoshio Inoue and Koichi Doumoto as Palamon and Arcite, Kei Otozuki as Emilia and Mone Kamishiraishi as Flavina, before transferring to the Umeda Arts Theatre in Osaka.
|
|
In addition to his conducting career, Eaton has been a prolific composer, arranger, and producer with 67 original compositions and more than 700 original songs and arrangements to his credit. In 1986 he was the lead orchestrator for the Universal Ballet Company's production of Shim Chung, The Blindman's Daughter (music by Kevin Pickard), which won the award for best entry in the Seoul Olympic Arts Festival. Two of his compositions, Fantasie for Violin, Cello, Piano and Strings (1990) and Three Miniatures for Chamber Orchestra (1991), were performed at Carnegie Hall by the New York City Symphony under his direction. His symphonic band work, Melavations (2000), was premiered by the Goldman Memorial Band at Lincoln Center as part of that ensemble's 2000 summer concert season.
|
|
The resulting album For Girls Who Grow Plump in the Night (1973) was a major critical achievement and showed that the group could survive the loss of co-vocalist Richard Sinclair. Jimmy Hastings reprised his role as orchestrator along with Martyn Ford and John Bell, while the Soft Machine's Mike Ratledge contributed an instrumental piece, "Backwards" as part of a medley. The group followed this with a live album, Caravan and the New Symphonia (1974), including orchestral arrangements by Ford and conducting by Simon Jeffes. Perry left after the New Symphonia and was replaced by Mike Wedgwood for the album Cunning Stunts (1975), which reached the top 50 in the UK and was a minor hit in the US, reaching number 124.
|
|
Gaili Schoen (born Susan Gaili Schoen, in Venice, California) is an American film composer, orchestrator, and pianist. She is best known for her scores for the films Festival in Cannes starring Maximilian Schell, Anouk Aimée, Ron Silver, and Greta Scacchi, and Déjà Vu, starring Stephen Dillane and Vanessa Redgrave, both directed by Henry Jaglom. Her television work includes the score for the 2007 PBS documentary Annie Leibovitz: A Life Through A Lens which she composed with score producer James Newton Howard. Schoen composed a 52-piece orchestral score for the 2008 feature film Noble Things starring Michael Parks, Ryan Hurst, and country singer Lee Ann Womack, and scored the 2011 documentary The Ghost of War, about the RMS Queen Mary.
|
|
Osser became an arranger/conductor, first for Mercury Records, where he backed such vocalists as Patti Page, Vic Damone, and Georgia Gibbs, and later for Columbia Records, where he backed Doris Day, Jerry Vale, Johnny Mathis and Jill Corey, among others. On television he was musical director for the 1949 series Blind Date (also titled Your Big Moment), conductor for the 1953 series The Vaudeville Show, and orchestrator and conductor for the 1957 production of Pinocchio. In 1959 he was the Orchestra leader for the series Music for a Summer Night, which was repeated the following year as Music for a Spring Night. Osser was the conductor and provided the arrangements for the 1963 Sergio Franchi RCA Victor Red Seal album, Broadway, I Love You!.
|
|
Massenet was a fluent and skilful orchestrator, and willingly provided ballet episodes for his operas, incidental music for plays, and a one-act stand-alone ballet for Vienna (Le carillon, 1892). Macdonald remarks that Massenet's orchestral style resembled that of Delibes, "with its graceful movement and bewitching colour", which was highly suited to classical French ballet. The Méditation for solo violin and orchestra, from Thaïs, is possibly the best known non-vocal piece by Massenet, and appears on many recordings."Massenet: Méditation, Thaïs", WorldCat, retrieved 10 August 2014 Another popular stand-alone orchestral piece from the operas is Le dernier sommeil de la Vierge from La Vierge, which has featured on numerous discs since the middle of the 20th century.
|
|
Born in Kansas City, Missouri, Henderson relocated to the Sugar Hill section of Harlem at the age of four. Following a short stint studying mathematics at the City College of New York, he enrolled at the Juilliard School of Music, where he received a bachelor of science degree in 1942. Drafted into the Navy during World War II, Henderson became an arranger for the Navy band stationed at the Naval Station Great Lakes, prior to becoming the staff orchestrator for The U. S. Navy School of Music in Washington, D.C. from 1944 to 1946. Following the war, Henderson began a long professional association with a number of musical notables of the era, including Duke Ellington, Lena Horne, Jule Styne, and Richard Rodgers.
|
|
He also made his living as a music arranger and orchestrator for composers including Robert Planquette and wrote songs for the stars of the era: Le Chemin des noisettes or La Pigeonne. He wrote about thirty works, most one-act operettas and humorous or sentimental skits, for example Ali Pot-d’rhum (1869), Les Cadets de Gascogne, Le Cornette or Une aventure de la Clairon. He eventually attracted the attention of the Director of the Fantaisies-Parisiennes in Brussels, who produced his first work in three acts, Les Beignets du Roi (1882), with a libretto by Albert Carré and Paul Ferrier. The piece was a success, but Bernicat did not attend because his fragile health did not allow him to leave Paris.
|
|
BURN-E was produced at the same time as WALL-E and was directed by the feature film's lead animator, Angus MacLane. The short movie is included as bonus material to the DVD and Blu-ray releases of WALL-E and has since also been aired on TV. BURN-E features music composed and conducted by J. A. C. Redford, who was also orchestrator on the film WALL-E. BURN-E is first seen briefly as a welder robot in WALL-E when WALL-E and EVE fly around the Axiom starliner, and enter through a door, locking him outside the ship. BURN-E is seen banging his fists against the door, and ultimately realizing that he has been locked out.
|
|
Lacamoire's early theatrical credits as Music Director, Arranger, and/or Orchestrator include: Bat Boy: The Musical (for which he also served as Musical Director of the 2001 Original Cast Recording); the 2001 National Tour of Godspell; Stephen Schwartz's Captain Louie (for which he also orchestrated the 2005 original cast recording); and Legally Blonde. He also conducted the cast recording of the 2000 touring cast of Godspell. Lacamoire was also the Music Director of Wicked in 2005, and Music Supervisor for the musical High Fidelity in 2006, as well as assisting with the orchestrations for that show. In 2007, Lacamoire received a Drama Desk Award nomination for Outstanding Orchestrations as Music Director for the Off-Broadway production of Lin-Manuel Miranda's In the Heights.
|
|
Steiner became a mainstay at Warner Bros., scoring 140 of their films over the next 30 years alongside Hollywood stars such as Bette Davis, Errol Flynn, Humphrey Bogart, and James Cagney. Steiner frequently worked with composer Hugo Friedhofer who was hired as an orchestrator for Warner Bros; Friedholfer would orchestrate more than 50 of Steiner's pieces during his career. In 1938, Steiner wrote and arranged the first "composed for film" piece, Symphony Moderne which a character plays on the piano and later plays as a theme in Four Daughters (1938) and is performed by a full orchestra in Four Wives (1939). In 1939, Steiner was borrowed from Warner Bros. by Selznick to compose the score for Gone with the Wind (1939), which became one of Steiner's most notable successes.
|
|
On 21 August 1989, using their old producer and welcoming the return of drummer Ralph Cooper, the duo decided to enter the studio again to record The Earth Is, which was released in 1991 by Giant Records under Warner Bros. Records. The recording contains their hit single "Without You," along with singles for "Stronger Than the Night" (with a music video announcing that Air Supply was back) and "Stop the Tears" and the album sold more than one million copies. Inside the album is a note about Hitchcock and Russell's original Musical Director of their meeting place during Jesus Christ Superstar (and long time Band Member/Orchestrator): "This Album Is Dedicated to the Memory of Frank Esler-Smith." Esler-Smith had died earlier that year (1991) from pneumonia.
|
|
Parrish Muhoberac is an American/Australian musician who has worked with a number of international and local performers, including Paul Young, Jimmy Barnes, Keith Urban, Jeff Duff, Cantonese singer Faye Wong and Italian opera singer Giovanni Cantoni. Parrish Muhoberac's parents, pianist and orchestrator Larry Muhoberac, who played for Elvis Presley and many others, and singer Andra Willis who, from 1967 to 1969, was a member of bandleader Lawrence Welk's long-running television "musical family", moved to Australia in late 1980s, and young Parrish, along with his brother, Jamie, grew up on the island continent. As he reached his late teens, Muhoberac was offered a deal with Warner Music along with his band "Feed". Some of the members from that band went on to form "The Solution", which quickly formed a massive fan base.
|
|
As it becomes clear that the sect is trying to kill Gracia, a child intended to become the next Innovator (A Shining Series figure equatable to a god), Julian takes on the task of protecting him and helping him realize his destiny. Scenario 3 starts about 60% through scenario 2's story, and focuses primarily on battles against the Bulzome Sect and their allies in both Aspinia and Destonia. While scenarios 1 & 2 happen at roughly the same time, much of scenario 3 takes place after both, but there is some "overlap". Eventually Julian leads a three-party coalition consisting of the armies of both Synbios and Medion, to engage in the final conflict against Bulzome, a powerful Vandal long sealed in another dimension, and the true orchestrator of the conflict.
|
|
Cesar Benito Fernandez is a composer, orchestrator, conductor and music producer originally from Marbella, Spain. He is best known for composing the music scores of some of Spain's most critically acclaimed and commercially successful TV series in recent years, including La Chica de Ayer (Spanish remake of BBC's Life on Mars), Los Protegidos and the international hit The Time in Between (El Tiempo Entre Costuras), a period drama that in 2013 broke a twelve years old record with the highest ratings for an opening of a prime time TV series in Spain. That record was broken again in 2015 by the comedy series Allí abajo, also scored by Benito. El Tiempo Entre Costuras soundtrack album reached #2 on Spain’s iTunes Store Albums, and #1 on the Soundtracks category.
|
|
StackStorm was founded by Evan Powell, who had previous entrepreneurial successes at Clarus Systems and Nexenta and Dmitri Zimine, who worked on the first wave of operation automation as chief architect at Opalis (acquired by Microsoft, became System Center Orchestrator). With initial funding by XSeed Capital, StackStorm came out of stealth on May, 6, 2014 to introduce a private beta program for the company’s first product. StackStorm offered IT departments the capability to automatically trigger actions and drive behaviors across the infrastructure and separate systems with scriptable processes. While StackStorm platform was initially focused on the general DevOps automation, it extended to networking after the company was acquired by Brocade in 2016. In 2017 StackStorm transitioned to Extreme Networks as part of Brocade’s data center networking business acquisition.
|
|
Harle was born in Newcastle upon Tyne. Following his education at the Royal College of Music in London and in Paris with Daniel Deffayet as a French Government Music Scholar, he won the Amcon Award of The American Concert Artists Guild. In his early years, he was a member of the band of composer Michael Nyman and orchestrator for film composer Stanley Myers, expanding from there into scoring for film and television. In the 1990s, he began a career as saxophonist and composer, both artistically and commercially. He composed the theme tune and music of six series for the BBC TV series Silent Witness and in May 1998 was the castaway on BBC Radio 4's long-running Desert Island Discs programme, with the BBC describing him as "the most-recorded saxophonist in the world".
|
|
Courage is best known for writing the theme music for Star Trek, and some other music for the series. Courage was hired by Gene Roddenberry to score the original Star Trek television show at Jerry Goldsmith's suggestion, after the latter turned down the job. Courage reportedly became alienated from Star Trek creator Gene Roddenberry over the latter's claim for half of the music royalties: Roddenberry wrote words for Courage's Star Trek theme music, not because he expected the lyrics to be sung on television, but so that by claiming credit as the composition's co-writer, Roddenberry could receive half of the royalties from the song. Notably, after later serving as Goldsmith's orchestrator, when Goldsmith composed the music for Star Trek: The Motion Picture, Courage orchestrated Goldsmith's adaptation of Courage's own original Star Trek theme.
|
|
When Broadway performer and > producer Richard Kollmar began planning Early to Bed, his original idea was > for Waller to perform in it as a comic character, not to write the music. > Waller was, after all, as much a comedian as a musician. Comedy rarely dates > well, but almost 80 years later, his comments and timing during "Your Feet's > Too Big" are as funny as anything on Comedy Central, and he nearly walks > away with the movie Stormy Weather with just one musical scene and a bit of > mugging later on, despite the competition of Bill "Bojangles" Robinson, Lena > Horne, and the Nicholas Brothers. Kollmar's original choice for composer [of > Early to Bed] was Ferde Grofé, best known as the orchestrator of George > Gershwin's "Rhapsody in Blue," whose signature compositions were portentous > concert suites.
|
|
Frederick Steiner (February 24, 1923 – June 23, 2011) was an American composer, conductor, orchestrator, film historian and arranger for television, radio and film. Steiner wrote the theme music for The Rocky and Bullwinkle Show and Perry Mason. While Alexander Courage composed the theme music for the original Star Trek TV series (TOS), Steiner's significant contributions to the franchise included composing more of the incidental music for TOS than any other composer, as well as scoring or conducting the music for 29 of the show's 79 episodes. Steiner also composed and orchestrated additional music for Star Trek: The Motion Picture (1979), was part of the team of composers for the 1985 film, The Color Purple, which received an Oscar nomination, and was an uncredited composer for Return of the Jedi.
|
|
The composer reused the parts of his unused score for The Bible: In the Beginning in such films as The Return of Ringo (1965) by Duccio Tessari and Alberto Negrin's The Secret of the Sahara (1987). Morricone never left Rome to compose his music and never learned to speak English. But given that the composer always worked in a wide field of composition genres, from "absolute music", which he always produced, to "applied music", working as orchestrator as well as conductor in the recording field, and then as a composer for theatre, radio, and cinema, the impression arises that he never really cared that much about his standing in the eyes of Hollywood.Ennio Morricone Interviewed: John Doran, "Compared To Bach, I'm Practically Unemployed", Quietus interview, 8 April 2010.
|
|
Because Schurmann chose not to have a credit on "Exodus", wanting to be known as a composer rather than an orchestrator, Gold nevertheless generously expressed his "heartfelt thanks to Gerard Schurmann for his superb orchestrations" in an advertisement in the Hollywood Reporter. Gerard Schurmann, who ultimately lived in the USA, after spending 41 years residing in England, continued to have close musical ties with the United Kingdom and Europe. He died on 24 March 2020 at his home in the Hollywood Hills. In an announcement by his music publisher, Novello & Co. Ltd., in London, James Rushton, head of Novello’s Wise Music Group, said: “Gerard will be much missed – a man and musician of the highest caliber, who expressed himself, whether through his music or in conversation, with the firmest conviction.
|
|
Composers and songwriters who present their own music are interpreting, just as much as those who perform the music of others. The standard body of choices and techniques present at a given time and a given place is referred to as performance practice, whereas interpretation is generally used to mean the individual choices of a performer. Although a musical composition often has a single author, this is not always the case. A work of music can have multiple composers, which often occurs in popular music when a band collaborates to write a song, or in musical theatre, where the songs may be written by one person, the orchestration of the accompaniment parts and writing of the overture is done by an orchestrator, and the words may be written by a third person.
|
|
Brittelle was raised in rural North Carolina, and often cites his upbringing in a small southern town with a conservative Christian environment as in opposition to his Brooklyn-based, agnostic Buddhist adulthood, a dissonance reflected in his musical output. Though a trained composer and orchestrator, he has often expressed frustration and dissolution with the world of academia and the classical industry in general. In undergrad, while enrolled at Vanderbilt University as a composition major, Brittelle experienced what he has referred to as a psychotic break, in part as a result of academic artistic constrictions, resulting in him briefly dropping out of school. He has claimed this breakdown, and his subsequent recovery, to be a formative experience in the development of his collage-based, non-developmental, genre-fluid style of composition.
|
|
ASCAP Film Scoring Workshop 2004 Also in 2004, film composer Paul Haslinger asked Wendler to join his team as an arranger, orchestrator, and music programmer, resulting in work on the movies Into the Blue, Turistas, The Fifth Commandment, and Gardener of Eden, as well as the second season of the Showtime series, Sleeper Cell. During this time, Wendler also wrote additional music for the NBC reality series, Fear Factor. In 2007, Wendler was hired to score the internet series, The Interior (soundtrack released by Perseverance Records as an online exclusive album), and in late 2008 / early 2009, he wrote the music for the U.S. version of the film, Broken Angel. In November 2009, artistic director and conductor Christopher McCafferty commissioned a piece for a cappella choir from Edwin Wendler.
|
|
During 1940–42, the Glenn Miller Orchestra also had repeated long-term bookings in the room during the three years of Miller's highest profile as a bandleader. Miller's orchestra broadcast from the Café; some were recorded by RCA Victor.[ allmusic: Glenn Miller > Biography] Shaw's principal orchestrator from 1937–39, Jerry Gray, was immediately hired by Miller as a staff arranger when Shaw deserted his band; it was during Miller's 1940 engagement at the hotel that Gray wrote the tune "Pennsylvania 6-5000" (with lyrics later added by Carl Sigman) that made use of the Hotel's telephone number, 212-736-5000, which is the New York phone number in longest continuous use. Les Brown's band, with its vocalist Doris Day, introduced their song "Sentimental Journey" at the Café in November 1944.
|
|
Between 2007 and 2013, Hancock worked extensively as an orchestrator, co-composer and conductor of the orchestral scores for several TV movies in the long-running Rosamunde Pilcher and Inga Lindstrohm series, popular in Germany on ZDF. These include the English- language Gate Film productions of A Risk Worth Taking, The Four Seasons, Shades of Love (This September), The Other Wife and Unknown Heart, working with director Giles Foster, and starring many renowned British actors (including Charles Dance, Rupert Everett, John Hannah, James Wilby, Olivia Hallinan, Tim Dutton, Tom Conti, Michael York, Frank Finlay, Juliet Mills, James Fox, Freddie Fox, Harriet Walter, Greg Wise and Jane Seymour). In 2015, Hancock orchestrated the Hugo de Chaire's score to the British science fiction movie Capsule, directed by Andrew Martin and starring Edmund Kingsley.
|
|
He has recorded at many of the major London recording studios including Abbey Road Studios, Associated Independent Recording, Angel Recording Studios, and CTS Lansdowne Studios. As a conductor and orchestrator he has undertaken projects for the BBC including natural history series such as Nature's Great Events, Wild China, Ganges, Europe – a Natural History, Journey of Life and Wild New World, and has recorded for Sony Classical Records, Universal Records, and CBS Masterworks. He has collaborated with international solo artists as diverse as guitarist John Williams with whom he has recorded a number of albums, Andy Sheppard, members of the Maggini Quartet, Natalia Lomeiko, Alasdair Malloy, O-Duo and Tom Jones and most recently Roni Size and Reprazent. In 2016, William Goodchild was appointed Conductor and Musical Director of Bristol Symphony Orchestra.
|
|
The Paul Whiteman Orchestra was the most popular and highest paid dance band of the day. In spite of Whiteman's appellation "The King of Jazz", his band was not a jazz ensemble as such, but a popular music outfit that drew from both jazz and classical music repertoires, according to the demands of its record-buying and concert-going audience. Whiteman was perhaps best known for having premiered George Gershwin's Rhapsody in Blue in New York in 1924, and the orchestrator of that piece, Ferde Grofé, continued to be an important part of the band throughout the 1920s. Whiteman was large physically and important culturally —"a man flabby, virile, quick, coarse, untidy and sleek, with a hard core of shrewdness in an envelope of sentimentalism", according to a 1926 New Yorker profile.
|
|
Jack Cooper (born John Thomas Cooper Jr., May 14, 1963) is an American composer, arranger, orchestrator, multireedist, and music educator. He has written music for and performed or recorded by internationally known pop, jazz, and classical artists including Aaron Neville, Marc Secara, Jiggs Whigham, the Berlin Jazz Orchestra, Lenny Pickett, Joyce Cobb, Bernie Dresel's BBB, Donald Brown, Young Voices Brandenburg, Jimi Tunnell, Christian McBride, the Westchester Jazz Orchestra, the U.S. Army Jazz Ambassadors, the Dallas Winds, and the Memphis Symphony Orchestra.Cannon Center for the Performing Arts, September 30, 2011, The Shadow of Your Smile arranged for orchestra by Jack Cooper for Aaron NevilleSparke, Jon W. BPACC Showcase flows in with tribute to Ellington, The Commercial Appeal, August 28, 2009. Jack Cooper, musical director/arranger for Joyce Cobb and Donald BrownShew, Jazz Orchestra Bring Out Best in Each Other.
|
|
Whale gathered as many of those as he could who had been involved in one production or another of the musical, including Helen Morgan, Paul Robeson, Charles Winninger, Sammy White, conductor Victor Baravalle, orchestrator Robert Russell Bennett, and, as Magnolia, Irene Dunne, who believed that Whale was the wrong director for the piece. The 1936 version of Show Boat, faithfully adapted from the original stage production, is believed to be the definitive film version of the musical by many critics,Anger, p. 209. "Whale's is by far the best of the three screen versions of Jerome Kern's musical." but became unavailable following the 1951 remake. In 2014, a restoration of the film became available on DVD in the U.S. as part of Warner Home Video's Archive Collection line; and in 2020, a 4K restoration Blu-Ray was released by The Criterion Collection.
|
|
When chondroitin sulfate proteoglycans are bonded to their side chains called chondroitin sulfate glycosaminoglycans, these molecules are known to prevent neural restoration to the damaged region of the central nervous system because they form glial scar tissue which inhibits both neuroplasticity and repair of damaged axons. However, when the side chains of thechondroitin sulfate proteoglycans are cleaved by chondroitinase ABC, this promotes the damaged region of the CNS to recover from the spinal cord injury. It has recently been proposed that chondroitinase treatment promotes plasticity by activation of Tropomyosin receptor kinase B, receptor for Brain-derived neurotrophic factor and a major plasticity orchestrator in the brain. Cleavage of CSPGs by chondroitinase ABC leads to inactivation of PTPRS, the membrane receptor for CSPGs and a phosphatase that inactivates TRKB under normal physiological conditions, which subsequently promotes TRKB phosphorylation and activation of neuroplasticity.
|
|
Wasserman worked as Music Production Assistant on the Broadway musical Leap of Faith, as well as the 2012 Broadway revival of Annie, on which he worked with orchestrator and arranger Alex Lacamoire. Wasserman went on to work with Lacamoire on the original Broadway production of Hamilton, for which Lacamoire was Music Director; Wasserman was credited as "Ableton Programmer/Beatmaster", as well as Music Assistant, for Hamilton. Wasserman was involved early in the production, including the show's off-Broadway production at The Public Theater, and has since been involved in subsequent productions of Hamilton as well, training each orchestra and serving as rehearsal DJ. The show's Original Broadway Cast Recording was released digitally on September 25, 2015, and by Atlantic Records as a two- disc set on October 25, 2015. It won a Grammy Award for Best Musical Theater Album in 2016.
|
|
Colin Welford (born 1967 in Manchester, England) is an English composer for stage and screen, conductor, orchestrator and music director based in the United States. He holds a Master's degree in Music from Oxford University, England (Organ Scholar, Brasenose College), and pursued graduate study at The Royal College of Music, London (orchestral conducting, composition), University of Miami (orchestral conducting, composition) and at Columbia College Chicago (Master's program in film composition). In 1991 he was invited by John de Lancie, former principal oboist of the Philadelphia Orchestra, to join the faculty at the recently formed New World School of the Arts in Miami (Florida), and there he led the Orchestral Department and taught orchestration for the following three years. During this time Welford also taught at the University of Florida and Florida International University where he was a professor in orchestration and composition.
|
|
The recording also featured the soprano, Grace Davidson, who has performed with the Early Music groups The Sixteen, and Tenebrae, as well as on soundtracks such as Hans Zimmer's Pirates of the Caribbean: On Stranger Tides. The album, which consists of a mix of contemporary classical idioms which gradually present an unfolding story, like a cyclorama (the panoramic backdrop used in film and theatre), was recorded at the Church of Saint Jude-on-the-Hill, Hampstead Garden Suburb, London, noted for its haunting acoustics. The church has been the chosen venue for many important recordings of film and concert music including the Chandos Records re- recordings of William Walton’s scores for Laurence Olivier's Shakespeare films, performed by The Orchestra and Chorus of The Academy of St Martin in the Fields and conducted by Neville Marriner, on which Goldstein worked as an assistant orchestrator.
|
|
She then orchestrated, arranged, and aided in the composition of the music for the final musical film collaboration of Lerner and Loewe, The Little Prince, released in 1974. Her contribution to the film was nominated for the Academy Award for Best Original Music, Scoring Original Song Score and/or Adaptation and she travelled to California for the award ceremony. Morley was also the composer, conductor, arranger and orchestrator for the Sherman Brothers' musical film adaptation of the Cinderella story, The Slipper and the Rose: The Story of Cinderella in 1976, however she was only credited as conductor and arranger. She was again nominated for the Academy Award for Best Original Music, Original Song Score and Its Adaptation or Best Adaptation Score for this film along with the Sherman Brothers and again was present at the award ceremony.
|
|
He has received several commissions from Carnegie Hall, the Guggenheim Museum and the Boston Pops Orchestra, among others. His most recent concert commission was from the Boston Pops Orchestra for “A Soldier’s Carol” (2014, text by Ms. Ahrens), which was his final collaboration with orchestrator William David Brohn, who won the Tony Award for his orchestrations to Ragtime. With Lynn Ahrens, Flaherty received the Oscar Hammerstein Award for Lifetime Achievement in 2014, was inducted into the Theater Hall Of Fame in 2015 and was nominated to the Songwriters Hall of Fame in 2018. Flaherty and Ahrens are currently working on a musical adaptation of James Agee’s Pulitzer Prize-winning novel A Death In The Family and Pulitzer Prize winning play All the Way Home by Tad Mosel with Ragtime director Frank Galati, who is adapting the text and directing.
|
|
Elfman almost exclusively employs former Oingo Boingo guitarist Steve Bartek as his orchestrator. In early 2007, Danny Elfman said there would not be an Oingo Boingo reunion, due to fears that playing live would exacerbate his, and possibly other band members', hearing loss. Notwithstanding this announcement, on Halloween 2015, Danny Elfman, along with two of the other original voices from the movie The Nightmare Before Christmas, Catherine O'Hara and Ken Page, performed at the Hollywood Bowl, singing all of the songs from the movie with a complete orchestra, while the film played in its entirety. Paul Reubens made a special guest appearance in an encore performance of "Kidnap the Sandy Claws," reprising his original role of Lock from the film, and the event culminated in Elfman and Oingo Boingo guitarist Steve Bartek performing "Dead Man's Party" for the first time in twenty years.
|
|
Arnestad was also active as an orchestrator, and his treatment of timbre in the pivotal work INRI (1952–58) has been characterized as almost brutally expressionistic. One of Arnestad’s most widely recognized orchestral works is Aria Appassionata (1962), a work in which interference- tonality is combined with twelve-tone technique to form an emotionally-charged tonal language. Additional key works in Arnestad’s output includes his violin concerto from 1962, and "Suite i gamle danserytmer" (1966), which is based on "The Blacksmith and the Baker" for baritone and chamber orchestra, with libretto by Johan Herman Wessel. Arnestad has also composed works for chamber orchestra, voice and piano. Arnestad served as a member of the Norwegian Society of Composers’ advisory board from 1974 to 1979 and was a member of the same organisation’s scholarship committee from 1971 to 1981.
|
|
Orchestral works, which have gained wider recognition for Marinelli, include the score for the biopic Chapter 27 (2007), using a 60 piece orchestra with the score being similar instrumentally to Tchaikovsky's, Nutcracker Suite. In the Family Way was performed by the Los Angeles Philharmonic Orchestra, featuring the comedy of Julia Sweeney at the Hollywood Bowl on August 25 and 26, 2006. ::Marinelli composed a tone poem, In the Family Way, featuring narration by writer/actress Julia Sweeney, Commissioned by the L.A. Philharmonic, the 22-minute piece, performed for 2 nights with a 90 piece orchestra at the Hollywood Bowl, is based on Sweeny's adoption of a baby from China and her travels as a single parent. :::—"Award Winning Film Composer", Music Connection, by Dan Kimpel, January 1, 2007 At the onset, the combination of musician, arranger, orchestrator and synthesist was in high demand.(p.
|
|
During the mid-1950s Brant came to the conclusion that (as he himself put it) "single-style music … could no longer evoke the new stresses, layered insanities, and multi-directional assaults of contemporary life on the spirit." In pursuit of an optimal framework for the presentation of a music which embraced such a simultaneity of musical textures and styles, Brant made a series of experiments and compositions exploring the potential for the physical position of sounds in space to be used as an essential compositional element. As well as producing works for the concert hall, Brant worked as an orchestrator for many Hollywood productions, including the Elizabeth Taylor movie Cleopatra (1963), one of many collaborations with composer Alex North. Brant helped with the orchestration of North's score for 2001, and due to North's stress-induced muscle spasms, Brant had to conduct the recording session for the film score.
|
|
This address was directly across the street from Shirley Temple's house, and there he befriended fellow composer (and tennis partner) George Gershwin. The Schoenbergs were able to employ domestic help and began holding Sunday afternoon gatherings that were known for excellent coffee and Viennese pastries. Frequent guests included Otto Klemperer (who studied composition privately with Schoenberg beginning in April 1936), Edgard Varèse, Joseph Achron, Louis Gruenberg, Ernst Toch, and, on occasion, well-known actors such as Harpo Marx and Peter Lorre (; ; ; ; ; ; ). Composers Leonard Rosenman and George Tremblay and the Hollywood orchestrator Edward B. Powell studied with Schoenberg at this time. After his move to the United States, where he arrived on 31 October 1933 , the composer used the alternative spelling of his surname Schoenberg, rather than Schönberg, in what he called "deference to American practice" , though according to one writer he first made the change a year earlier .
|
|
According to Roy Douglas, at that time orchestrator for all of Addinsell's scores: "The film's director had originally wanted to use Sergei Rachmaninoff's Second Piano Concerto, but this idea was either forbidden by the copyright owners or was far too expensive".Roy Douglas, "The Warsaw Connection: Roy Douglas Remembers How It Actually Turned Out", ICRC 18 (1999): 62; reprinted with slight changes in Jan G. Swynnoe, The Best Years of British Film Music: 1936–1958 (Woodbridge: Boydell Press, 2002), 215. Thus Addinsell wanted the piece to sound as much like Rachmaninoff as possible, and Douglas remembers, "while I was orchestrating the Warsaw Concerto I had around me the miniature scores of the Second and Third Piano Concertos, as well as the Rhapsody on a Theme of Paganini." And although it is at the heart of Dangerous Moonlight, the Concerto is never performed complete but rather revealed piecemeal.
|
|
These actions allowed the pipework of the instrument to be located in any part of a building, while the console could be located hundreds of feet away, and allowing a single organist to have control over every aspect of the instrument. Skinner developed numerous automatic Player mechanisms, which allowed an unskilled individual to operate a large pipe organ in a manner similar to a player piano. This was a lifelong interest of Skinner, and he frequently worked in secret. The Toledo Museum of Art contains a fully restored Skinner instrument that uses a Skinner Player action.Toledo Museum of Art restored Skinner Organ In 1916, Skinner created and patented the "Orchestrator", "Player-Relay" mechanism. The first of Skinner's new stops, the "Erzähler", appeared in 1904, and was soon joined by other tonal colors which Skinner worked on between 1908 and 1924, including Flügel Horn, and Heckelphone.
|
|
Escapee's prison cell, with widened vent opening beneath the sink. As soon as the four inmates were assigned adjacent cells in December 1961, they began formulating the escape plan together, though always under the leadership of Morris, the chief mastermind and unilateral orchestrator of the plot. It helped to ensure their mutual trust that they already knew each other from their time in an Atlanta prison years before. Over the subsequent six months, the men widened the ventilation ducts beneath their sinks using discarded saw blades found on the prison grounds, metal spoons smuggled from the mess hall, and an electric drill improvised from the motor of a vacuum cleaner. The men concealed the progress of their holes with walls of painted cardboard, and the noise of their work with the louder noise of Morris’ accordion on top of the ambient din of music hour.
|
|
The game's theme songs, "Pain" and "Kokoro", were sung by Celtic singer Joanne Hogg of the band Iona, with whom Mitsuda had previously worked for the soundtrack to Xenogears. The vocal songs throughout the soundtrack range from choral to opera to a capella, while the tone of the soundtrack overall has been described as being "serious, sometimes dark, heavy and even haunting at times". At one point in the development process, Mitsuda planned to use a separate person to orchestrate his compositions after an early piece proved unworkable and had to be scrapped, causing him to lose confidence in his own ability. After working for several months, however, he regained his confidence and decided to work as his own orchestrator, a decision which he feels improved him as a composer. The first release of the soundtrack as an album was the Xenosaga Original Soundtrack, released by DigiCube on March 6, 2002.
|
|
However, Peter Quinn, the black ops operative hired by Estes to kill Brody, decides not to go through with the plan once Abu Nazir is killed. When Estes is killed at the bombing of the memorial service for William Walden at Langley on December 12, Saul becomes the acting director of the CIA. Once he is director, Saul and Carrie almost immediately put into action a plan to lure out the mastermind behind the 12/12 attacks in which Carrie is outed to the press as having bipolar disorder and having had an affair with Brody. Appearing vulnerable, Carrie is contacted by representatives of an international bank with ties to the middle east, as Saul predicted, who ask her to inform on CIA operations to their client, Majid Javadi, Iran intelligence Chief and the orchestrator of the 12/12 attack who Saul has a troubled history with.
|
|
' Clarín (Argentina); 06/26/2000: 'Ibero-American Chamber Orchestra. The other side of classical music.' Buenos Aires Herald (Argentina) chief conductor, assistant conductor and artistic director of several Argentine orchestras (including the Ibero-American Chamber Orchestra of the National Academy of Fine Arts and the House [Symphony] Orchestra of the Tucumán Province), participating in the dissemination of Argentine music and Ibero-American music as composer, conductor, pianist and concert series organizer, also working as arranger, orchestrator, music engraver, score preparator and music copyist. In Argentina, Juan Manuel Abras also worked as Professor at the National University of Lanús in the Buenos Aires Province (teaching Musical techniques and Chamber music of the 20th century), as Professor at the Astor Piazzolla Superior Conservatory of Music of the City of Buenos Aires (teaching Musical analysis, Musical stylistics and Instrumental practice) and as Invited Member (researcher)'Archivos e Investigaciones'.
|
|
The work was commissioned by Herbert Whiteley of the National Brass Band Championship committee and head of the brass band publishers R. Smith & Company. Although it is likely that Elgar originally expected only to supply a "short score"A score containing all the music but written on two staves only : used as a reference source by an orchestrator. to be orchestrated by a brass band expert, in fact Elgar ultimately performed all the orchestration himself. Henry Geehl, a brass band composer and employee of R.Smith, later claimed to have orchestrated the piece, giving a highly circumstantial account of his involvement to several newspapers. However, in 1995 the original manuscript, entirely in Elgar's hand,Kay (2013) p.15 : the MS contains a few minor suggestions by Geehl for improvements in texture and scoring resurfaced at auction — its emergence demonstrates that Geehl's longstanding claim to have orchestrated the work was in fact fraudulent.
|
|
Cameron Mackintosh produced another revival of the show which opened at the London Palladium in the West End on 8 December 1994. The production team included a young Sam Mendes as director, with Anthony Ward as designer, Matthew Bourne as choreographer, Martin Koch as music supervisor and William David Brohn as orchestrator. The cast included Jonathan Pryce (after much persuasion) as Fagin, Sally Dexter as Nancy, Miles Anderson as Bill Sikes, James Villiers as Mr. Brownlow, James Saxon as Mr. Bumble, Jenny Galloway as Widow Corney, David Delve as Mr. Sowerberry and Julia Deakin as Mrs. Sowerberry. The role of Oliver was played by numerous child actors during the run of four years, including Gregory Bradley, Ben Reynolds, Jon Lee, Steven Webb, James Bourne, James Rowntree and Tom Fletcher, while the Artful Dodger was played by Adam Searles and others including Matt Johnson, Paul Bailey and Bronson Webb.
|
|
Rosenthal is also a skilled orchestrator and has served for a variety of artists over the years. These credits include Rainbow's "Eyes of Fire", which was performed by members of the Montreal Symphony and appeared on the Straight Between The Eyes album (1982), and "Difficult to Cure" (a rock version of Beethoven's "9th" featuring excerpts from the "9th Symphony") which was recorded live with members of the Tokyo Symphony at the Budokan in Tokyo (1984) and later released in 2015 as a full- length concert DVD and live album titled Rainbow Live in Japan 1984. In 1997 Rosenthal orchestrated Yngwie Malmsteen's Millennium Concerto Suite for Electric Guitar and Orchestra – a 308-page score for 90 piece orchestra and 40 piece choir recorded by the Czech Philharmonic in Prague (released on CD in 1998) and performed live in Tokyo by the New Japan Philharmonic (released on DVD in 2002).
|
|
Soloski, Alexis. "New York Theatre Workshop Uncorks Three Pianos" Village Voice, November 24, 2010 His next work was Beardo, a Russian indie rock musical based on the life of Rasputin, which Malloy wrote with Beowulf collaborator Jason Craig. It played in 2011 in San Francisco and had its New York premiere in February 2017 in a production by Pipeline Theater Company. For Natasha, Pierre & The Great Comet of 1812, Malloy was the composer, lyricist, orchestrator, music director and performer in the role of Pierre Bezukhov. Comet was commissioned by Ars Nova and premiered there in October 2012, directed by Chavkin; in May 2012 the show transferred to Off-Broadway playing in Kazino, a tent custom-built for the piece, first erected in the Meatpacking District and then in Times Square. In December 2015 the show played a pre-Broadway run at the American Repertory Theater in Cambridge, Massachusetts.
|
|
One reviewer said of the New York Suite, "this musical voyage never left home waters". The same reviewer stated that: "Things picked up with the Requiem itself, which was performed with terrific focus under the baton of the music's orchestrator, Cliff Masterson. Robin Gibb's claim that the music could have been written 300 years ago turned out to be the literal truth, in parts. In the “Maiden Voyage” section there was a scrupulous correctness about the part-writing that would have merited a tick from a 19th-century Leipzig professor. Coupled with a distinctly English tone (born of distant memories of folk music mingled with a kind of Jacobean courtliness), it made for something sweetly earnest", and that: “the best things were the stern, minatory numbers, such as the “Confutatis”, which had a sudden turn to major-key radiance that Mendelssohn might have penned.” The première was criticised for organisational problems which led to some concert- goers being admitted late.
|
|
In September 2010, the Obama administration pushed to revive the stalled peace process by getting the parties involved to agree to direct talks for the first time in about two years. While U.S. President Barack Obama was the orchestrator of the movement, U.S. Secretary of State Hillary Clinton went through months of cajoling just to get the parties to the table, and helped convince the reluctant Palestinians by getting support for direct talks from Egypt and Jordan. The aim of the talks was to forge the framework of a final agreement within one year, although general expectations of a success were fairly low. The talks aimed to put the Israeli–Palestinian conflict to an official end by forming a two-state solution for the Jewish and Palestinian peoples, promoting the idea of everlasting peace and putting an official halt to any further land claims, as well as accepting the rejection of any forceful retribution if violence should reoccur.
|
|
José Nieto (born March 1, 1942) is an Spanish composer, orchestrator, songwriter, conductor and drum player. He is best known for writing films scores, such as Mad Love (2001), The Enchanted Forest (1987), The Fencing Master (1992), Carmen (2003), The Turkish Passion (1994) or I Know Who You Are (2000). For television he has composed music for the BBC in series like Crusades(1995) or From the Heart of the World (1990), and other international and Spanish series such as Captain James Cook (1988), Armada (1988), Teresa de Jesús (1984) or Los jinetes del alba. He has collaborated in theater with Miguel Narros in "El burlador de Sevilla" and "Salomé", with María Ruiz in the "Serrana de la Vera" and "The portrait of Dorian Gray", with José Luis Gómez in “Bodas que fueron famosas del Pingajo y la Fandanga” and in "Life is a Dream", with Adolfo Marsillach in "Los locos de Valencia" and with Josefina Molina in "No se ser ...", among others.
|
|
In 1972, Milva appeared in the Italian film D'amore si muore, directed by Carlo Carunchio, starring in the role of Leyla. She also covered the title song of the movie, titled as D'amore si muore, a song composed and conducted by Italian composer, conductor and orchestrator Ennio Morricone with lyrics written by Carlo Carunchio and Giuseppe Patroni Griffi, which was included in her album Dedicato a Milva da Ennio Morricone, released in the same year. Following Milva's appearance in D'amore si muore, Ennio Morricone dedicated a series of songs from his film scores to Milva for her to sing lyrics to. The collaboration in between the two musicians produced the studio album Dedicato a Milva da Ennio Morricone (Dedicated to Milva by Ennio Morricone), an album that featured music entirely written, composed, orchestrated and conducted by Morricone in which Milva covered twelve of his works, such as Chi Mai, La Califfa, and the bossa nova infused Metti, una sera a cena.
|
|
Plum befriended artist and Marilyn Manson co-founder Gidget Gein in the early 2000s, eventually composing original music for Gein's 2004 "Gollywood" art and fashion shows for his Use Once and Destroy Couture fashion line. Following Gein's death in 2008, Plum digitally released these compositions as a soundtrack album, also featuring snippets of an in-studio jam between Plum and Gein. Plum is a fervent admirer of the music and electronic innovation of composer Raymond Scott, and in 2012, he worked with Oingo Boingo guitarist Steve Bartek in arranging a live tribute show held at the Walt Disney Concert Halls REDCAT entitled "Machine Man: The Musical Mayhem of Raymond Scott," which was produced in cooperation with Jeff Winner of The Raymond Scott Archives. Bartek, himself a composer and orchestrator for film and television, had previously worked with Plum providing guitar and theremin for The Gogol Projects soundtrack release and currently produces Plum's score for Harvey Beaks.
|
|
Turbine Hall, Tate Modern, London 2016. Parreno has used his specific conception of exhibitions in his 2013 exhibition Anywhere, Anywhere Out Of The World where he radically transformed the monumental space of the Palais de Tokyo in Paris. Parreno turned the building itself into a living constantly evolving organism using sound, image and performance to guide the visitor on a journey through his works, both old and new. The exhibition was orchestrated along the lines of a dramatic composition where the spectral presence of objects, music, lights, and films guide and manipulated the visitor's experience transforming this monologue into a polyphony. In Dancing around the Bride in 2012 at the Philadelphia Museum of Art curated by Carlos Basualdo in collaboration with Erica F. Battle, Parreno acted as a metteur-en- scène (orchestrator), using the artworks of John Cage, Merce Cunningham, Jasper Johns, Robert Rauschenberg, and Marcel Duchamp to invoke time and motion.
|
|
Józef Piłsudski, an important interwar Polish politician, significantly responsible for Poland's regained independence in the aftermath of World War I, planner of the 1919 Polish coup d'état attempt in Lithuania and orchestrator of the Żeligowski's Mutiny that brought the disputed Vilnius Region into Poland, often drew attention to his Lithuanian ancestry, and briefly pursued the re-creation of the old Commonwealth. In light of the other great plan for post-World War I order, the Bolshevik intention to spread the communist revolution through the Red Army, his goal of re-constituting the Commonwealth "could only be achieved by war." Poland was not alone in its newfound opportunities and troubles. With the collapse of Russian and German occupying authorities, virtually all of the newly independent neighbours began fighting over borders: Romania fought with Hungary over Transylvania, Yugoslavia with Italy over Rijeka, Poland with Czechoslovakia over Cieszyn Silesia, with Germany over Poznań, with Ukraine over Eastern Galicia, with Lithuania over Vilnius Region.
|
|
At the same time she also worked as an orchestrator and technical assistant at William Ross' studio Momentum. Throughout most of 2015, Dern worked with Pinar Toprak on the Warner Bros. / Skydance production Geostorm, starring Gerard Butler. She also collaborated with composer Ryan Shore on his animated series Penn Zero: Part-time Hero and his Universal movie Monsterville: Cabinet of Souls. Later in 2015, Dern also worked as a temporary assistant at Steve Jablonsky's studio Arata Music, lending a hand on The Last Witch Hunter starring Vin Diesel. In fall 2015, Dern resumed her work for Christopher Lennertz and Alan Menken on the second season of Galavant. In early 2016, Dern went back into a learning environment by accepting an internship position at Hans Zimmer's Remote Control Productions. Shortly after the internship, composer Klaus Badelt took notice of her and invited her onto his team for the animated movie Ballerina starring Elle Fanning.
|
|
The police described him as the "orchestrator" and explained that he was working for the BJP in an attempt to entrap the government, but his defence counsel has claimed that he was just a "whistleblower" and that as such he should not have been the primary focus of police attention. The BJP took a similar line to defence counsel, claiming that the investigation was an "eyewash", querying how police lethargy had turned so quickly and suggesting that they were being put under pressure by the government. Amar Singh Amar Singh was interviewed on 22 July and on the same day the police announced that they wished to speak with SP MP Rewati Raman Singh, whom the BJP MPs alleged had approached them on behalf of Amar Singh. On the same day, the Court ordered that Hindustani and Saxena should be detained in custody for 14 days, despite defence arguments of police misconduct.
|
|
Stele with a depiction of an Assyrian crown prince in the Metropolitan Museum of Art. Dated to 704–681 BC, it could depict Arda-Mulissu, Sennacherib's earlier crown prince Ashur-nadin-shumi or the later crown prince and eventual successor, Esarhaddon. 'Arda-Mulissu or Arda-Mulissi (Akkadian: Arda- Mulišši),''''' also known as Urad-Mullissu and Arad-Ninlil and known in Hebrew writings as Adrammelech, was an ancient Assyrian prince of the Sargonid dynasty, the son of the Assyrian king Sennacherib and the older brother of Sennacherib's successor Esarhaddon. Arda-Mulissu had served as Sennacherib's crown prince and heir for several years, since the death of Sennacherib's first crown prince Ashur-nadin-shumi in 694 BC, but was for unknown reasons replaced as heir by Esarhaddon in 684 BC. Disappointed by this, Arda-Mulissu was the chief orchestrator of a 681 BC conspiracy in which he and one of his younger brothers, Nabu-shar-usur, murdered Sennacherib in the hopes of seizing the throne.
|
|
After moving to London in 2015 he began collaborating with the orchestrator Geoff Lawson, who has worked on films such Star Wars: Solo, Thor: Ragnarok, Black Panther and recent albums from Voces 8, Katherine Jenkins and Gareth Malone, deepening his understanding of orchestration in the Neo-classical genre. He has performed as a guest for Sofar Sound in London. His collaboration with Classic FM led to a performance as part of Global’s Make Some Noise in October 2017, performing at Steinway and Sons Hall in December 2017, and live streaming performances on the public pianos dotted around London’s railway stations on Classic FM’s social media, earning an international audience. His track ‘Tutto E’ Bellissimo’ debuted on Classic FM in December 2017, reaching number 1 on the iTunes Classical Chart in the U.K. and Spain and in 2020 making him enter the Classic FM Hall of Fame as youngest composer ever in the chart.
|
|
The Many Moods of Christmas is 1963 LP of eighteen Christmas carols conducted by Robert Shaw, grouped into four suites. The carols were arranged for chorus and orchestra by famed Broadway orchestrator Robert Russell Bennett. The following is a listing of the suites and the music that each suite contains: Suite One Good Christian Men, Rejoice — Silent Night — Patapan — O Come, All Ye Faithful Suite Two O Sanctissima — Joy to the World — Away in a Manger — Fum Fum Fum — March of the Kings Suite Three What Child is This? — Hark! the Herald Angels Sing — Bring a Torch, Jeanette, Isabella - Angels We Have Heard on High Suite Four Break Forth, O Beauteous, Heav’nly Light - The First Nowell — O Little Town of Bethlehem - I Saw Three Ships - Deck the Halls with Boughs of Holly As with most stereo albums made before 1967, the original version, performed by the Robert Shaw Chorale and RCA Victor Symphony, was released by RCA Victor in both mono and stereo.
|
|
It is not unusual for Raphael to ad lib lyrics as to localize a song depending on the venue he's singing at, wear Latin American peasant costumes and dance folk dances within a song, kicking and demolishing a mirror, or doing the moves of a flamenco dancer or a bullfighter onstage. He also possesses a wide vocal range, which he often used in the beginning of his career as to evoke a choirboy approach to some songs. When he was nineteen, he won first, second and third awards at the famous Benidorm International Song Festival, Spain, 1962, with the songs: "Llevan", "Inmensidad" and "Tu Conciencia". After a brief relation with Barclay record label, who produced just an EP, he signed a contract with Hispavox recording company, and began a long artistic relationship with the musical director of this label, the late, talented argentinian orchestrator Waldo de los Ríos and intensify the partnership with outstanding Spanish songwriter Manuel Alejandro.
|
|
While President Obama was the orchestrator of the movement, Secretary Clinton had gone through months of cajoling just to get the parties to the table, and helped convince the reluctant Palestinians by getting support for direct talks from Egypt and Jordan. She then assumed a prominent role in the talks; Speaking at a September 2 meeting at the State Department between Prime Minister Benjamin Netanyahu of Israel and President Mahmoud Abbas of the Palestinian Authority, she acknowledged that, "We've been here before, and we know how difficult the road ahead will be." Her role in the ongoing talks would be to take over from U.S. Special Envoy for Middle East Peace George J. Mitchell when discussions threatened to break down. The talks were generally given little chance to succeed, and Clinton faced the history of many such past failures, including the near miss of her husband at the 2000 Camp David Summit.
|
|
The work has been described as "the finest symphony composed by an Australian to date. It demonstrates Hughes' mastery of the orchestra; it has strong themes, a fluent and convincing harmonic style, logical, concise form and a tremendous sense of continuity and power. To an uninitiated listener, the work sounds like a conflation of Elgar, Walton, Bax, with interesting melodies derived from unorthodox scalic forms". He also won the prize for Instrumental Composition in the National Council of Women Jubilee Competition (1952). In 1953 he was appointed Music Arranger, Editor and Orchestrator for the newly formed Victorian Symphony Orchestra. In his 30 years with what became the Melbourne Symphony Orchestra, Hughes witnessed the gradual building of a world-class ensemble under the sustained stewardship of two conductors, Willem van Otterloo and Hiroyuki Iwaki. During this time he composed at least eight major orchestral scores. By 1954, Hughes had been offered two overseas scholarships, but again the need for financial security to support his family prevented him from taking up these opportunities.
|
|
In 1959, Amram wrote the score for and appeared in the Robert Frank/Alfred Leslie short film Pull My Daisy, which featured Jack Kerouac, Allen Ginsberg, Peter Orlovsky and Gregory Corso. He composed scores for the Elia Kazan films Splendor in the Grass (1961)Library of Congress listing for Splendor in the Grass, including Amram composer credit and The Arrangement (1969), and for the John Frankenheimer films The Young Savages (1961)Library of Congress listing for The Young Savages, including Amram composer/conductor/orchestrator credits and The Manchurian Candidate (1962).The Manchurian Candidate composer credits at Soundtrack.net (He composed the score for Frankenheimer's 1964 film Seven Days in May, but it was rejected and replaced with a score by Jerry Goldsmith.)Seven Days in May, chronicle and credits at the American Film InstituteSeven Days in May, chronicle and credits at the British Film Institute Before his film work with Frankenheimer, Amram had composed the score for a 1960 episode of the NBC TV series Sunday Showcase, entitled "The American," which was produced and directed by Frankenheimer.
|
|
Labèque sisters and Simon Rattle, historical trio (in French) They performed for 33,000 people at the Waldbühne gala concert, the last concert of the 2005 season of the Berlin Philharmonic., and for more than 100,000 people in May 2016 at Schönbrunn Palace with the Vienna Philharmonic conducted by Semyon Bychkov. Many works have been written especially for them, such as "Linea" for two pianos and percussion by Luciano Berio, "Water Dances" for two pianos by Michael Nyman, "Battlefield" for two pianos and orchestra by Richard Dubugnon, "Nazareno" for two pianos, percussion and orchestra by Osvaldo Golijov and Gonzalo Grau, "The Hague Hacking" for two pianos and orchestra by Louis Andriessen, "Capriccio" by Philippe Boesmans, "Concerto for two pianos and orchestra" by Philip Glass performed in Los Angeles by the Los Angeles Philharmonic conducted by Gustavo Dudamel. Katia and Marielle have expanded the repertoire for two pianos and percussion with works such as the first instrumental version of West Side Story, transcribed by Irwin Kostal (orchestrator of the original musical), and the version for two pianos and basque percussions of Maurice Ravel's Boléro.
|
|
Albert Harris studied composition with Mary Carr Moore and Eugen Zador in Los Angeles, and conducting with Richard Lert. He is a recipient of several awards for choral pieces, songs, and an octet for French Horn from the Los Angeles Horn Club. Albert Harris served as professor of orchestration at UCLA. He was Assistant Musical Director for NBC from 1946–49. In 1959, conductor Frank deVol recorded an album of Harris's compositions, Bacchanal, which was 15 pieces, each named for a Greek god.Columbia 8054, reissued on CD on Collectables 6647 in 2000 "Music Service Incorporated" (MSI) was formed by Harris and two colleagues (one of whom was Nelson Riddle) and was responsible for the music for four TV Shows: "Mary Tyler Moore — Dick Van Dyke Show," "Ray Bolger Show," "Danny Thomas Show," and "Andy Griffith Show."Allegro Archives, 1, Volume CV No. 3, March, 2005, "Requiem" (obituaries) He was music director for Barbra Streisand on the TV special "Barbra and Other Instruments," music orchestrator and arranger for Cher’s album "Bittersweet Moonlight" and was music arranger for Roberta Flack for appearances in Hollywood.
|
|
Coleman has served as musical director, arranger, vocal coach and pianist for many notable singers, including: Aretha Franklin, Freda Payne, Nichelle Nichols, Michael Feinstein, Gladys Knight, Barry White, The Ojays, The Temptations, Tina Turner, Ray Charles, Ben Vereen, Marilyn McCoo, Billy Davis Jr., and Sarah Vaughan. He conducted the NBC Studio Orchestra, the Philadelphia Philharmonic, the 1993 Clinton Presidential Inaugural Orchestra and was featured on Dick Clark's American Bandstand 20th Anniversary Special. Coleman has toured nationally and internationally with Lou Rawls, Gladys Knight, Patti LaBelle, Joe Cocker, Marlena Shaw, Marvin Gaye, Tom Jones, Seals and Crofts, and Sammy Davis Jr. In the realm of musical theater he has served as musical supervisor, musical director, arranger, orchestrator, and pianist for productions of Sammy, Ain't Misbehavin, The Wiz, Lady Day at Emerson's Bar and Grill, the Broadway production of Baby It's You, and the West Coast premiere of Breath and Imagination. He began collaborating with Sheldon Epps in 1991 as Music Director for Blues in the Night at the Los Angeles Theatre Center.
|
|
Following its successful Off-Broadway run, In The Heights transferred to the Richard Rodgers Theatre on Broadway. Lacamoire, along with Bill Sherman, won the 2008 Tony Award for Best Orchestrations and the 2009 Grammy Award for Best Musical Theater Album for their combined work on In The Heights. In 2012, Lacamoire and Tom Kitt were the Co-Orchestrators of Bring It On the Musical — another collaboration with Lin-Manuel Miranda — for which Lacamoire also served as Music Supervisor and Arranger. Additionally, Lacamoire wrote the dance arrangements for the 2012 Broadway revival of Annie. Lacamoire accompanies Lin-Manuel Miranda in a performance of "The Hamilton Mixtape" at the White House Evening of Poetry, Music, and the Spoken Word in May 2009 Lacamoire was the Music Director, Orchestrator, and Conductor for the Broadway production of Hamilton at the Richard Rodgers Theatre, continuing in the roles he held during the show's Off-Broadway production at The Public Theater, as well as the Co-Arranger (along with Lin- Manuel Miranda) of the show's score.
|
|
Kevin R. McMahon (born October 12, 1962 in Grand Rapids, Michigan) is an American conductor, composer, orchestrator, clinician and violinist. McMahon attended the University of Michigan, where his primary teachers were Jacob Krachmalnick and Gustav Meier. McMahon was awarded the Collins Wisconsin Distinguished Fellowship, earning a Doctor of Musical Arts in Conducting from the University of Wisconsin-Madison. His primary teachers were David E. Becker, James Smith, Charles Dill, Stephen Dembski and William Farlow. Former conducting positions include music director/conductor of the Symphony School of America Chamber Orchestra (1985–1986), music director/conductor of the National Arts Chamber Orchestra(1985–1988), music director/conductor Classical Symphony Chamber Ensemble (1988–1989), music director/conductor Lincoln Opera of Chicago (1989–1994), cover conductor for the South Bend Symphony (1992–1995), music director/conductor of the Northwest Indiana Youth Orchestra (1989–2000), and music director and conductor of the Illinois Valley Symphony Orchestra (1995–2008). He served as music director/conductor for the Wheaton Symphony and Pops Orchestra from 2009 to 2017.. McMahon served as artistic director/conductor/violin recitalist for the Maud Powell Music Festival from 1999 to 2018.
|
|
At the age of 10 Dunkley started playing the trumpet and then piano. After studying at the London College of Music he became a professional trumpet player and teacher for a number of years, until his career morphed into arranging, conducting and finally composing. In 1989 Matt Dunkley started to work as assistant to the film orchestrator Christopher Palmer, where he worked on projects as diverse as reconstructions of recordings of William Walton’s film music, and re-recordings of Conrad Salinger’s epic MGM Musical orchestrations, conducted by Elmer Bernstein. He credits Chris as the major influence on his ensuing career, with Chris‘s musical technical brilliance and flair, coupled with a very strict attention to every detail of a score and his super-critical ear in the recording studio. After Chris Palmer’s untimely death, Matt spent a period working in the pop recording industry on string arrangements for artists such as Dido, Melanie C, Catatonia, Badly Drawn Boy, Elliot Smith, Tom Jones, The Pet Shop Boys and Massive Attack, and international artists including Monica Naranjo, Eros Ramazotti and Hooverphonic, as well as classical artists, Jose Carreras, Luciano Pavarotti, Russel Watson, Vanessa Mae, Il Divo, Amici, Bond and Maxsim.
|
|
Mis'ry's Comin' Aroun is a once-neglected song from the 1927 musical Show Boat by Jerome Kern and Oscar Hammerstein II. It was cut from the production during the Washington D.C. tryout on the orders of producer Florenz Ziegfeld, supposedly because it was one of the factors that made the show too long (it ran four-and-a-half hours when it premiered). However, musical theatre historian Miles Kreuger and conductor John McGlinn, also suggest that it was the dark, dramatic tone of the piece that most concerned Ziegfeld. Kern was reportedly so incensed by the deletion of "Mis'ry's Comin' Aroun" that he made it the principal motif of Show Boat's original overture and asked orchestrator Robert Russell Bennett to work sections of it into the background music as well, where it is now played by the orchestra during some of the dialogue scenes involving the mixed race actress Julie La Verne. The song, which runs about five minutes, is an African-American lament of foreboding and impending doom sung by Queenie, the cook, and the African-American chorus, and, in the show, drives Julie, who has been passing as white, to near hysteria.
|
|
Originally a trumpeter with the Scottish and Hallé orchestras, he had given up his playing career in order to concentrate on conducting and composing, in which his reputation was steadily growing. (His skill as an orchestrator was recognised by Barbirolli who more than once called upon him, in the Hallé’s cash-strapped 1950s, to cue the parts of unaffordable ‘extras’ into those of standard instruments.) Butterworth was to conduct the Phil for the next 30 years. He inherited a well-established, confident orchestra – already large, it was to grow under him still further (in the 1971-72 Centenary [sic] Season no fewer than 113 players are listed in the programme including an amazing 81 strings). The 1960s was amateur orchestras beginning to leave the safe havens of the classical core repertoire, and Butterworth relished the opportunity to steer the orchestra’s great potential into previously uncharted waters. Not that he had a free hand in the matter: nowadays conductors are usually titled ‘artistic directors’ and wield the powers implicit in that title, but in 1964, as was the way with organisations like the Phil ‘the committee’ reigned supreme – even in the choice of repertoire and soloists.
|
|
Albert Harris (13 February 1916 – 14 February 2005) was an English musician who worked most of his life in Hollywood as an orchestrator, arranger and composer for several of the big Film Studios and for such pop icons as Barbra Streisand, Roberta Flack and Cher. Harris was born in London and studied piano from age 6 and was also a self-taught guitarist; his knowledge of this instrument enabled him in later years to compose pieces specifically for guitar (his Variations and Fugue on a Theme by Handel was recorded by Andrés Segovia). During the mid-1930s he began to make a name for himself as a session musician in London where he featured on many recordings, most notably as session guitarist with the Lew Stone band, his delicate but swinging improvisations enhancing many of Stones records during the 1934-35 period. He came to New York in 1938 at which time he started playing piano in big bands across the U.S., after which he began studying at New York University's College of Music where he earned a doctorate in music in 1944. Before earning his doctorate he moved to Los Angeles in 1942.
|
|
The Times obituary said Sargent "was of all British conductors in his day the most widely esteemed by the lay public... a fluent, attractive pianist, a brilliant score-reader, a skilful and effective arranger and orchestrator... as a conductor his stick technique was regarded by many as the most accomplished and reliable in the world.... [H]is taste... was moulded by the Victorian cathedral tradition into which he was born." It commented that, in his later years, his interpretations of the standard classical and romantic repertoire were "prepared... down to the last detail" but sometimes "unexuberant", though his performances of "the music composed within his lifetime... remained lucid and continually compelling". The flute player Gerald Jackson wrote, "I feel that [Walton] conducts his own music as well as anyone else, with the possible exception of Sargent, who of course introduced and always makes a big thing of Belshazzar's Feast." The composers whose works Sargent regularly conducted included, from the eighteenth century, Bach, Handel, Gluck, Mozart and Haydn; and from the nineteenth century, Beethoven, Berlioz, Schubert, Schumann, Mendelssohn, Brahms, Wagner, Tchaikovsky, Smetana, Sullivan and Dvořák.
|
|
For example, in a country music song, the guitarist will be expected to be able to perform a chord progression using an intricate fingerpicking style; in a heavy metal song, the guitarist will be expected to play power chords and complex, precise rhythmic patterns; in a jazz song, a guitarist will be expected to be able to play "jazz voicings" of the chords, which emphasize the third, seventh and often the sixth or ninth chord tones (this contrasts with the barre chord voicings used in pop and rock, which emphasize the root, fifth, and to a lesser degree, the third of the chord). Drummers and percussionists are expected to be able to improvise or prepare rhythm parts that suit the style of a given song. In some cases, an arranger, orchestrator or composer will provide a written-out bass part or drum part written in music notation (the five-line staff in which the notes are round symbols with or without stems). It is rare in jazz or rock for chords to be written out in music notation; the arranger or songwriter typically writes the chord symbol and expects the guitarist to improvise the appropriate chord voicing.
|
|
Australian Music Centre - Australian Composer Biography: Sven Libaek Libaek's Australian film and TV credits include Nickel Queen, The Set, To Ride A White Horse, Vincent Serventy's oft-repeated nature series Nature Walkabout, the drama series Boney, the Ron and Valerie Taylor underwater documentary series Inner Space, ABC-TV's magazine series A Big Country, The World Around Us, Joe Wilson and The Settlement, as well as dozens of feature documentaries and industrial films. He worked with Maurice Jarre as musical co-ordinator and orchestrator for the Peter Weir film The Year of Living Dangerously and also hosted his own TV show on ABC-TV, All About Music, in 1974.Memorable TV Australian Shows Libaek lived and worked in Los Angeles from 1977 to 1994 where he orchestrated more than 300 popular songs for US radio stations and artists including Lionel Richie and Neil Diamond, and he also worked for the Hanna-Barbera company, composing the scores for all of the Hanna-Barbera Superstars 10 animated TV movies.Australian Music Centre - Australian Composer Biography: Sven Libaek During his career, Libaek has had more than thirty albums of his music released.
|
|
France Gall (1968) Although struggling in her home country, Gall regularly recorded in Germany from 1966 to 1972, in particular with the composer and orchestrator Werner Müller. She had a successful German career with songs by Horst Buchholz and Giorgio Moroder: "Love, l'amour und Liebe" (1967), "Hippie, hippie" (1968), "Ich liebe dich, so wie du bist" ("I love you the way you are") (1969) and "Mein Herz kann man nicht kaufen" ("My heart is not for sale") (1970). Her other German hits included "Haifischbaby (Bébé requin)", "Die schönste Musik, die es gibt" ("The most beautiful music there is"/"Music To Watch Girls By"), "Was will ein Boy" ("What does a boy want?") (1967), "Ja, ich sing" ("Yes, I sing"), "A Banda (Zwei Apfelsinen im Haar)" ("Two oranges in my hair"), "Der Computer Nr. 3" (1968), "Ein bisschen Goethe, ein bisschen Bonaparte" ("A bit of Goethe, a bit of Bonaparte"), "I like Mozart" (1969), "Dann schon eher der Piano player" ("I prefer the piano player") (1970), "Ali Baba Und Die 40 Räuber" ("Ali Baba and the 40 Thieves") (1971), "Komm mit mir nach Bahia, Miguel" ("Come with me to Bahia, Miguel") (1972).
|
|
Former Prime Minister José Luis Rodríguez Zapatero had become one of Susana Díaz's most devoted backers in recent times. Taking advantage of the internal disarray resulting from Sánchez's demise, Susana Díaz, main orchestrator of the party revolt that brought him down, became widely regarded as the new PSOE leader in pectore as the Fernández-led caretaker team came to be seen as a mere puppet body under her control. As Díaz extended her influence throughout the party's structure, she sought party adhesions to its figure and visibility as the PSOE's organic and institutional reference by meeting Socialists' Party of Catalonia leader Miquel Iceta—securing the PSC neutrality for the incoming leadership contest in exchange of the promise to avoid a split between both parties—and planning a tour to the European Parliament as part of the greater national and international scope of her political agenda. She also staged a party rally in Jaén on 16 December, in which she was granted the public and unconditional support of former Prime Minister José Luis Rodríguez Zapatero—long turned into an admirer of the Andalusian President and an opponent to Pedro Sánchez—.
|
|
Assad was the featured composer for the 2008–2009 season at the New Century Chamber Orchestra, where she worked as the orchestra's primary arranger and orchestrator for a decade. Upon graduating from the University of Michigan, Assad moved to New York City to experience the exploding music scene, freelancing as a composer and arranger while trying to build a career as pianist and singer. During her New York years (2005-2015), Assad worked as the featured composer for the New Century Chamber Orchestra, as well as serving as the orchestra's primary arranger from 2007 to 2017, contributing vastly to the addition of new works for strings, by orchestrating and transcribing over twenty five major works from the symphonic repertoire, including Mussorgsky's Pictures at an Exhibition, Richard Strauss' Dance of the Seven Veils from the opera Salome, and the suite An American in Paris, by George Gershwin. Assad's keen sense of orchestration carefully curates some of the most effective tricks of orchestrator's past greats: Maurice Ravel's elegance and subtleties and Njcolaj Rimski-korsakov's coloristic orchestral effects - All while retaining a personal, unique fingerprint that's compelling and dramatic in its very construction.
|
|
Some of his work include the composition of "Elements & Motion" for the 79th Academy Awards with the Hollywood SFX Chorale, which received an Emmy nomination. Other credits include London 2012 Summer Olympics closing ceremony, The Nightly Show 2017 with hosts Bradley Walsh and Jason Manford, the 2015 Rugby World Cup Opening Ceremony at Twickenham, 2015 and 2014 BBC Music Awards, BBC Live at Edinburgh Castle, 2014 Ryder Cup Gala, Robbie Williams Live at The Palladium, Bruce Forsyth's Hall of Fame, BBC The Voice series 1 and 2, Robbie Williams Live at the Albert, The Robbie Williams TV Special, Children in Need Rocks the Royal Albert Hall, Children in Need Rock the MEN, Children in Need Rocks for Terry, the BBC Olympic Handover Concert, Victoria Wood’s Christmas Special, Victoria's Empire, Chris Moyles' Big Quiz Night, Ant & Dec's Christmas Show and the opening of The Dubai World Cup. Sidwell's 2018 projects include: conductor and orchestrator for The Queen's Birthday Party; music co- producer for the film Bohemian Rhapsody. Advertising campaigns include the award-winning Honda Civic Choir (conducted by Sidwell himself), Stella 4%, M&S; Christmas featuring Shirley Bassey, Virgin Holidays featuring Charlotte Church, Nokia Navigator, Heineken, Orange, Bounty, Dulux, Lotto, Walkers, McDonald's, Supernoodles, Coca-Cola, Capital Radio London and Guinness.
|
|
Ennio Morricone, OMRI (; 10 November 19286 July 2020) was an Italian composer, orchestrator, conductor, and trumpet player who wrote music in a wide range of styles. With more than 400 scores for cinema and television, as well as more than 100 classical works, Morricone is widely considered as one of the most prolific and greatest film composers of all time.Ennio Morricone Was More Than Just a Great Film Composer, The New York TimesThe film scores of Ennio Morricone: Five tracks you need to hear by the late, great composer, CNN Style His filmography includes more than 70 award-winning films, all Sergio Leone's films since A Fistful of Dollars, all Giuseppe Tornatore's films since Cinema Paradiso, The Battle of Algiers, Dario Argento's Animal Trilogy, 1900, Exorcist II, Days of Heaven, several major films in French cinema, in particular the comedy trilogy La Cage aux Folles I, II, III and Le Professionnel, as well as The Thing, Once Upon a Time in America, The Mission, The Untouchables, Mission to Mars, Bugsy, Disclosure, In the Line of Fire, Bulworth, Ripley's Game, and The Hateful Eight. His score to The Good, the Bad and the Ugly (1966) is regarded as one of the most recognizable and influential soundtracks in history.
|
|