Retailers and restaurants open on to the street and the clear-roofed concourse.
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There are also indoor and outdoor dining areas, and elegant living rooms in stone and terra-cotta, all linked with arches that open on to the pool and the garden.
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Susan Hilferty's set is a series of doors that open on to nothing but ever more doors, like the map of a mind that's been, like Hamlet's, "confined to a nutshell" with bad dreams.
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Slate roof. Central portion three windows three-storeys, steep hipped roof rising to a dome. Large decorated lucarne over second floor windows, bears inscription "The Kings Head". First floor three pairs of French windows open on to verandah with iron balustrade and ogee roof.
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Windows on the first floor are screened by wrought iron grilles. On the second story there are five–light French doors that open on to wrought iron balconies. The hip roof is covered with clay tile. The air-conditioning system was replaced in 1960.
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In de Uranna's design, one passes from the oval nave through one of two doorways flanking the high altar. These open on to chambers, at the rear of which stairways lead to the rear of the camarín, so that one emerges into the space looking out on the nave beyond.
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There is an apse at the east end in which is the sanctuary. At the west end, large double doors open on to a porch formed by the tower. The East WindowThe nave including the chancel is 25.6 metres long, with a roof rising to 13.7 metres. Including the aisles, the width is 15.9 metres.
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The church is in a simple Gothic style. The nave and chancel are flanked by six pillars beyond which are north and south aisles. There are seven double doors in the walls of each aisle. The doors at the west end of the north aisle open on to a short covered passageway linking the church to the church hall.
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All external bracing and verandah posts are detailed with stop chamfers which are picked out in a lighter shade of brown. French doors open on to the verandah from each room. Internally, the building comprises a large room with two smaller rooms at the southern end. The ceiling is horizontal in the centre and follows the slope of the roof line at the sides.
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Histological examination of nodules shows that they consist of a shell of fibrous tissue surrounding a center of fibrinoid necrosis. Pea-sized nodules have one centre. Larger nodules tend to be multilocular, with many separate shells or with connections between the necrotic centers. Individual necrotic centers may contain a cleft or several centers of necrosis may all open on to a large bursal pocket containing synovial fluid.
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Through the glass doors leading from the Parkinson Building into the library, a small entrance hall with a short flight of steps leads up to swing doors which open on to a large cylindrical space surmounted by a concrete dome. The diameter of the room, 160 feet (48.8 metres), was deliberately made wider than the 140 feet of the British Museum Reading Room,Reading Room. British Museum. Retrieved 10 August 2011.
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The walls of the core are load-bearing red-brown brick laid in English bond. Above verandah roof height, the external walls are rendered, ornamented with a narrow ovolo moulding supporting the timber eaves brackets to the main roof. The main entrance has a low-waisted, four panel cedar door with fanlight and half- glazed side panels. Timber-framed French doors with arched lights and rectangular fanlights open on to the three verandahs.
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In the back high glass doors open on to a veranda that looks out over gardens and the Brabant countryside. Two ponds are surrounded by wide lawns, tall trees, walking paths and clusters of flowering rhododendrons. During the German occupation in World War II the estate was requisitioned by the Germans. About 1.5 hectares (roughly 4 acres) of the surrounding woods were harvested, and outdoor ovens were set up on the grounds around the coach house.
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The car park is underneath a tenement block, consequently no residential land area is for the use of cars. At the time, the standard urban design practice was to provide garages in the centre of an estate. This makes inefficient use of residential land area, as roads and pavements are needed throughout an estate. ;Front doors open onto pedestrian only area:In Cressingham Gardens the front doors of dwellings open on to pedestrian only avenues and pathways.
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Footwear is also stored around the entrance area, as it is not allowed within Hindu temples as a sign of respect. Detail of the temple exterior The main entrance with the gopuram is only one of the entrances into the temple compound, which is surrounded by a perimeter wall. Side openings also exist, which open on to the flanking Pagoda Street and Temple Street. However, these are mainly used as service entrances, with all devotees and visitors entering through the gopuram doors.
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The mezzanine opens up to the pedagogical area, the archive and the Human Tower Documentation Centre (CEDOCA in Catalan) which safeguards the documentation related to human towers and its own resources. The first floor holds the area for experiences made up of the permanent museum exhibition and there is also a room for temporary exhibitions. The basement is the headquarters of the Coordinator of Catalan Human Tower Groups, while the roof open on to a viewpoint terrace with views of the highest bell tower in Catalonia.
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Hence, in September 2012, the Abbey Theatre purchased 15-17 Eden Quay, and in 2016, 22-23 Eden Quay. With a budget of up to 80 million euro mentioned, including capital funding from central government, the plan is to remove the existing building, and build on the combined site, creating two new theatre spaces, of 700 and 250 seats, along with a restaurant, modern rehearsal spaces, and new offices. The new theatre would open on to the Liffey quays. As of January 2020, construction has not yet commenced.
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18 Lobbying resulted in permission being given for this church three years before a similar church in Chepstow. However, because of a local by-law aimed at making Nonconformist and Catholic buildings as inconspicuous as possible, it had to concede that the building should not look like a church. The entrance was not allowed to open on to the highway and Catholic worshippers were required to arrive at the chapel one at a time. The church was originally set back discreetly from the road, concealed by a row of cottages.
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The Salina Catacombs are a cluster of small catacombs located near the Church of the Annunciation in Salina, Naxxar, in Malta. Although small when compared to the catacombs of St. Paul and St. Agatha in Rabat, they are an important record of the sizeable community that must have lived in the area in around the last half of the first millennium AD. The catacombs open on to a low ridge facing a now lost Roman harbour, making the small site archaeologically important. The site is managed by Heritage Malta and is closed to the public for conservation.
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A plan of the New Fort Gilkicker showing the original layout of the gun casemates with the barrack block behind Each of the twenty two gun casemates on the main gun floor consists of a brick vaulted chamber behind a granite face fourteen feet thick. Each gun fired though an armoured embrasure with a shield hung on a massive shield frame. To the rear of each gun casemate is the barrack room for the gun crew with space for folding barrack room beds and a fireplace. The barrack rooms open on to a verandah, or walkway, that connects all of the barrack rooms.
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Some half-height walls and counters open on to the enclosed verandahs. Several meteorological devices are visible around the site including a Stevenson Screen to the north-east of the observatory building which consists of a small louvred timber enclosure set on a steel frame approximately high. To the north of the Stevenson Screen are the remains of other meteorological devices which consist of a concrete strip with various pipes cut off at ground level sunk into it. To the east of the observatory building are other meteorological devices including deep earth temperature pits formed from clay pipes covered with sheet metal caps which protrude approximately out of the ground.
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It used the previously redundant line that used to form the National Rail line terminating at Holborn Viaduct station. This station was not named Ludgate Circus, but rather St. Paul's Thameslink, later changed to to avoid confusion with the nearby St. Paul's tube station. It was, however, built in such a way as to allow for an underground east-west aligned station to be easily integrated; this can be seen in the wide spaces at the Holborn end of the station, where large doors open on to a corridor intended to lead to escalators to an underground concourse level. It is still known today as the "LUL corridor" by staff.
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The Bathurst Hospital complex is best described as a collection of buildings set within a simple landscape of grass and trees. The front entrance, at the high point of the site, is formal in layout, designed to reinforce and complement the street facade of the original 1880s hospital building. The location of the entrance on Howick Street, with its views over the park to the north-east and panorama of the surrounding countryside, together with the formality of the landscape lends a quality of grandeur and importance to the main entrance. The front boundary is defined by a low brick wall, with entrance and exit gate posts which open on to the semi- circular driveway and simple garden planting containing a stone-edged plot of lawn, rockery and pergola and two very large (1890) Southern live oaks (Quercus virginiana) from America.
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