The slender, olive-skinned man brushed the golden locks out of his hazel eyes.
|
|
Recently, a handsome, olive-skinned man of about forty showed up in multiple clips.
|
|
" She Stays Protected "She's olive skinned like her mom, but it's not like she lets herself get dark.
|
|
Soon, a thin, olive-skinned woman—her raven-black ponytail tucked under a baseball cap—enters the frame.
|
|
If you're neutral, you have both pink and yellow tones, and if you're olive-skinned, you'll notice green undertones.
|
|
"This was quite a man — a powerful six-footer, olive-skinned, full-faced, with a straggly beard," Mr. Matthews wrote.
|
|
Growing up, the olive-skinned boy had a graceful body, lean and long-limbed—with an inborn sturdiness that earned him the nickname.
|
|
I hurdle over paragraphs and pages, mowing down novels in one night because while others make love to the olive-skinned assassin, I'm just fucking his skeleton.
|
|
Stronger," Costanzo says to fourteen-year-old actress Gaia Girace, who plays Lila, the olive-skinned force of Neapolitan nature (and the brilliant friend of the title) described by Ferrante as "tense in every fiber.
|
|
Then, as dusk fell over the giant city, Francis entered the shrine's inner sanctuary and sat contemplating the Virgin's olive-skinned image, a symbol of the fusion of Latin America's disparate peoples under a nurturing maternal image of the divine.
|
|
I was in my own world on a crowded beach, sitting underneath an umbrella while the other women in my group were by the water, when I noticed an olive-skinned man in swim trunks with a beer in his hand flirting, unsuccessfully, with them.
|
|
His top-hatted figures can bring to the mind the Post-Impressionism of Toulouse-Lautrec; some of his carefully groomed men can evoke olive-skinned versions of the Arrow Collar Man, invented by the great illustrator J. C. Leyendecker, but his surfaces also have a restrained tactility.
|
|
In the past several weeks, a U.C. Berkeley student has been escorted off a Southwest Airlines flight because he was heard speaking Arabic, and an olive-skinned, curly haired Italian Ivy League economist was taken off an American Airlines flight because he was spotted scribbling mathematical calculations that his seatmate found suspicious.
|
|
In addition, the study found that the Latinx characters that are depicted tend to fall into stereotypical markers of Latinx identity: They are frequently light-to-olive skinned; sexy or sexualized (35.5 percent of Latinx women are depicted in sexualized ways); funny (often leaning on their sex appeal for laughs); tragic (13 percent of characters are shown living in poverty); or criminals (see: every movie where Latinx people are portrayed as drug lords or gang members).
|
|
Both of them tempt Nick — Jenny with a normal family life (albeit one chasing monsters) and Ahmanet with, uh, becoming a living god — and I might be slightly more troubled by the movie setting up this dichotomy between a pretty blonde white woman and a raven-haired, olive-skinned woman whose ethnicity the movie merrily checks off as "Egyptian or something," but, as we've established, nobody making The Mummy thought at all about what they were doing, so it's hard to get too mad.
|
|
She is very brave. She also makes the costumes, disguises, and uniforms for the group. When not in costume, Betty is described as a pretty, olive-skinned girl with a black bob haircut. Over the course of the series, she becomes good friends with Ananka Fishbien, and they go shopping together.
|
|
When first arriving in New Orleans, Laclède is described as handsome. He was said to be olive-skinned with dark eyes, tall and slender. He moved like a fencer with extreme grace and ease and retained an air of command at all time. Before leaving for New Orleans, it is said that Laclède won a swordsmanship duel.
|
|
The actor had to paint his body in black to look black. The choice of a White actor to play a black character caused major protests in Brazil. In 1975 the telenovela Gabriela was produced, based on a book by Jorge Amado, who described Gabriela, the main character, as a mulata. But to play Gabriela on television Rede Globo choose Sônia Braga, who is an olive-skinned woman.
|
|
Escape to Witch Mountain is based on the novel by Alexander Key. Significant differences from the book include its tone and plot elements. For example, in the book, the children are befriended by Father O'Day, an athletic, young Catholic priest, rather than crusty widower Jason O'Day. The children's ship is shot down, rather than crashed, and the children are olive- skinned, though with light-colored hair, rather than fair-skinned and blonde- haired.
|
|
He is repeatedly shot in the abdomen by the soldiers to discourage others from joining him. To the shock of his fellow Walkers, he manages to stand and walk again. Eventually, his intestines begin to spill out of his stomach, and he dies after lifting his hands to the sky and shouting "I DID IT WRONG!" ; Gary Barkovitch (#5) : Barkovitch is from Washington DC. He is described as being olive-skinned and dark-haired and wears a yellow rain hat multiple times during the book.
|
|
A baker with olive skin from Greece, an archetypal olive-skinned region Olive skin covers III, IV, and V on the Fitzpatrick scale Olive skin is a human skin colour spectrum. It is often associated with pigmentation in the Type III to Type IV and Type V ranges of the Fitzpatrick scale. It generally refers to light or moderate brown, brownish, or tan skin, and it is often described as having yellow, green, or golden undertones. People with olive skin can sometimes become more pale if their sun exposure is limited.
|
|
In the novel he is depicted as a large, muscular, olive-skinned, powerful man exuding animal charm, with the profile of a Roman emperor, hooked nose, long sideburns and hairy hands which are likened to crawling tarantulas. Indeed, Emilio Largo's surname means "play slowly and broadly". Adolfo Celi strongly resembles his literary counterpart in the film adaption. However, his white hair contrasts with the pomaded black hair that Fleming specified in the novel, and he wears a black eye patch over his left eye for reasons that remain unexplained.
|
|
Bates had originally considered Bob Hoskins as ideal for the role of Pop, but Lawrence was of the view his increasing fame as a film actor would create problems. Jason was cast first, followed by Ferris and Franks. Finding an actor to fit with the novel's description of Mariette as a black-haired and olive-skinned beauty proved difficult, with over 300 hopefuls being rejected until Zeta-Jones was cast. With filming due to start, she had been spotted appearing in 42nd Street at the Drury Lane Theatre.
|
|
SUNY Press, 2001. P. 52. Italian Fascism strongly rejected the Nordicist conception of the Aryan race that idealized "pure" Aryans as having certain physical traits that were defined as Nordic such as fair skin, blond hair and blue eyes, traits uncommon among Mediterranean and Italian people and the often olive-skinned members of the so-called "Mediterranean race." The antipathy by Mussolini and other Italian Fascists to Nordicism was over the existence of such theories by German and Anglo-Saxon Nordicists who viewed Mediterranean peoples as racially degenerate.
|
|
Some greasers were in motorcycle clubs or in street gangs—and conversely, some gang members and bikers dressed like greasers—though such membership was not necessarily an inherent principle of the subculture. Ethnically, original greasers were composed mostly of Italian Americans in the Northeast and Chicanos in the Southwest. Since both of these peoples were mostly olive skinned, the "greaser" label assumed a quasi-racial status that implied an urban, ethnic, lower-class masculinity and delinquency. This development led to an ambiguity in the racial distinction between poor Italian Americans and Puerto Ricans in New York City in the 1950s and 1960s.
|
|
Despite a degree of social uniformity, many different phenotypes may be found in the Khokkhar population including blond-haired, blue-eyed Khokkhars. Those with darker features and epicanthic folds are considered to be descendants of Kokkhars. Tall, olive-skinned, mustachioed tribesmen and those who combine these features are said to be descendants of the Rajput and Khokkhar dynasties. Although it may be tempting to associate certain physical features with a particular ethnic group, scholars recognize that (since all human populations are capable of intermingling, and do so) there are more physical differences found within ethnic groups than between them.
|
|
The Commandant of Confusion (played by Dean Guthrie) A gold skinned heavyweight villain who is very technical and has an evil sidekick named Chaos, who is dressed up in a black and red jumpsuit. Chaos (played by Joey Febres) A Henchman in a black and red suit and mask, who is said to have worked with many villains, but is only seen with The Commandant of Confusion. The Sultan of Selfishness (voiced by Peter-Mark Raphael) An olive skinned, man with black, curly hair, black eyebrows and eyes, a black goatee, and wearing a green Nehru suit with gold trimmings. He speaks with a heavy, stereotypical Middle Eastern accent.
|
|
The seven subraces of the Atlantean root race were #the Rmoahal #the Tlavati (Cro-Magnons) #the Toltec (a term which Theosophists use as a synonym for the Atlantean ancestors of the American Indians) #the Turanian #the original Semites (i.e. Phoenicians) #the Akkadians, and #the Mongolian, which migrated to and colonized Central Asia, East Asia, and Southeast Asia. The descendants of the Atlanteans according to traditional Theosophy include those of the Mongolian race, the Malayan race, and the American Indian race as well as some people of what in the late 19th and early 20th centuries was called the "olive-skinned" Mediterranean race.Powell, The Solar System, p. 25-26. (Ch. 36.
|
|
The women were described as "low in stature, fat, and shapeless," wearing loose clothing and going barefoot all the time. One article notes that Dominickers were "treated with the same courtesy that a Negro receives—never served at a public fountain nor introduced to a white person." A few Dominicker children were allowed to attend the white high school in Westville, but they were "never allowed to actually graduate." In contrast to these descriptions, photographs of known Dominickers from the late 19th and early 20th centuries show that their appearance ranged from fair-complected to swarthy, but not "Negroid," as claimed; the women, especially, seem to have had an olive-skinned, wavy-haired "Mediterranean" look.
|
|
Saxon's fighting skills were also complimented by critics, "... you have to love Saxon delivering a full-on Captain Kirk drop-kick to a Kreeg." Janet Margolin has also been compared favorably to some of the female characters in Star Trek, including Yeoman Colt, featured in the first Star Trek episode "The Cage". Along with Muldaur, Margolin's fighting skills were also noted by critics as the sight of two barefoot women, one a fair, blue-eyed blonde and the other an olive skinned, dark-eyed brunette, fighting each other while wearing halter tops and slit skirts barely covering their bikini briefs, was difficult to ignore. > Marc Daniels brings professional polish and brisk pacing to the telefilm and > the action sequences are very nicely-staged.
|
|
The lyrics are in Macedonian language with some archaisms and Turkish loanwords. It is a story about an Ottoman Turkish man playing and singing a serenade with tambura to a young olive-skinned (kalesh) Macedonian girl named Angja (Анѓа). He asks her to become his wife and he promises her a rich and easy life with lots of gold (жолтици, žoltici) and pearls (бисери, biseri) only if she would change her nationality and religion and become an anama (Анама да бидиш, Anama da bidiš), in Turkish: Hanim, to be his obedient Ottoman Turkish and muslim wife in his harem At the end of the song the girl proudly refuses his offers saying that she would never become an anama (анама не бивам, anama ne bivam). She would never sacrifice her freedom, nationality and faith for the gifts he offers.
|
|
Cross Roads follows Anthony "Tony" Spencer, an egotistical businessman that went from being a poor foster child to a successful businessman that must win at any cost. This ruthless and cruel outlook has affected his personal life as well, prompting him to remarry an ex-wife only so he could be the one to leave her the second time around, and to ignore his daughter in favor of mourning the son that died at a very young age. It's a hollow existence that is forever changed when Tony ends up in a coma due to a cerebral hemorrhage from a head trauma and a brain tumor. He re- awakens to discover himself in a strange Purgatory-like state where he is brought face-to-face with God (who appears to Tony as young, raven-haired, olive-skinned girl), Jesus, and the Holy Spirit (who has the appearance of a Lakota Indian), who sends him back to earth to go over the actions he made before going comatose.
|
|
Leo Africanus, page 203 The 16th century explorer Leo Africanus described the existence of various "white" or "olive" groups and individuals inhabiting territories and kingdoms south of the Sahara. Besides the "white, tawney Moores" of the former Africa Proconsulare,Leo Africanus, pages 20 & 184 he indicates that such light-complexioned peoples were concentrated in the Horn of Africa, comprising much of the Adal Sultanate's native populace and a significant portion of the denizens of the Mogadishu Sultanate.Leo Africanus, pages 52–53 Outside of these areas, Leo Africanus writes that most of the inhabitants were Cafri (pagan "Negros").Leo Africanus, pages 53 & 68 He further asserts that pockets of other "white" or "olive"-skinned residents could nonetheless also be found on two small islands north of Socotra ("the two sisters"),Leo Africanus, page 88 in parts of the Zanguebar coast (the Kingdom of Melinde and on the island of Quiloa),Leo Africanus, pages 55 & 57 and among descendants of Chinese settlers on the island of Saint Laurence (Madagascar).
|
|
Sam Wollaston writing about episode one in The Guardian announces that he "was expecting to hate this show," fearing it would be "narration interspersed with lame reconstruction," but he was pleased to discover it was, in fact, "a proper drama, with a very decent script and real actors." "And it's a great story, too," he states, although he did not enjoy the re-enactments of the life of Tutankhamun, which he described as "olive- skinned actors with non-speaking parts and an awful lot of eye-liner, wandering around in a semi-darkness lit by flickering candles," and claims were not necessary, "but maybe that will help to sell it to America." He concludes that he is "looking forward to part two." David Liddiment writing in The Guardian compliments the cleverly twinning of this docudrama with the more cerebral Egyptian Journeys with Dan Cruickshank on BBC Two but he points out that this was done during the final stages of the BBC's charter renewal review and insists that the corporation should keep up standards after this process is completed.
|
|
The modern concept of the master race is generally derived from a 19th-century racial theory, which posited a hierarchy of races that was based on darkness of skin color. This 19th-century concept was initially developed by Count Joseph Arthur De Gobineau. Gobineau's basic concept, as further refined and developed in Nazism, placed black Indigenous Australians and Equatorial Africans at the bottom of the hierarchy, while white Northern and Western Europeans (which consisted of Germans, Swedes, Icelanders, Norwegians, Danes, British, Irish, Dutch, Belgian and Northern French) were placed at its top; olive skinned white Southern Europeans (who consisted of Southern French, Portuguese, Spaniards, Italians, Romanians, and Greeks, i.e., those who were called the Mediterranean race, were regarded as another sub-race of the Caucasian race) and placed in its upper middle ranks; and the Semitic and Hamitic races (supposed sub-races of the Caucasian race) were placed in its lower-middle ranks (because the Jews, were Semites, the Nazis believed their cleverness made them extremely dangerous—they had their own plan for Jewish world domination, a conspiracy which needed to be opposed by all thoughtful Aryans).
|
|