The forewings are deep olive buff with black reticulations forming oblique lines from the costa and apex towards the lower termen. The hindwings are citrine drab with faded blackish reticulations (a net-like pattern) forming oblique lines from the inner margin towards the tornus.
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The palmettes have a foliage design and their edges are raised and decorated with small incised oblique lines.
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The ground colour is reduced to yellowish cream oblique lines. The hindwings are rust brown, but dark and more brown on the periphery.
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Therefore, according to this theory, the inhibitory mechanisms in patients with constructional apraxia have failed, causing them to draw like young children who have difficulty drawing oblique lines.
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Quadrisect each side of the second square, and connect the points of quadriseotion nearest the upper left hand corner with the centre of the square by oblique lines.
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Modern attempts to understand constructional apraxia have moved away from anatomical functions towards a cognitive neuropsychological approach. Both adults and children alike experience difficulty reproducing oblique lines. Some feel that these deficiencies may be attributed to planning since it is easier to plan horizontal and vertical lines than oblique lines. Research indicates that both adults and children are more able to draw squares than diamonds, although as children grow into adults they are more accurately able to depict diamonds.
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This suffusion contain some 5-6 very narrow silvery-white, strongly outwards-oblique lines. Cilia pale fuscous-greyish. Hindwings pale fuscous grey with darker scaly tips. Cilia pale fuscous grey, with whitish base.
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Adults can be distinguished from related species by the dark forewings with two oblique lines., 1987: Studies on the taxonomy and zoogeography of the Chinese Oretinae (Lepidoptera: Drepanidae). Acta Entomologica Sinica 30 (3): 291–303.
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Forewings with fulvous costa. Antemedial and postmedial indistinct pale straight oblique lines. Hindwings with indistinct postmedial line, produced to a point and angled at vein 3. Both wings with ochreous cilia at tips or wholly ochreous.
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The height of the shell attains 5 mm. The small shell has a subconic shape. It contains 6–7 more or less convex whorls. These are latticed by transverse cinguli (6 on penultimate whorl), and longitudinal elevated, oblique lines.
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The thorax is brownish grey to black with pale ochre dusting. The abdomen is blackish. The brownish-grey to black forewings are oblong, moderately broad, and dilated. The costal area of the forewing is curved and covered with pale oblique lines.
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Mississippi State University. The forewings are medium grayish brown with mottling and diffuse white patches along the costa. There are two oblique lines edged with brownish red which cross the wing in the median and subterminal areas. The hindwings are uniformly grayish brown.
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Dichomeris vetustella is a moth in the family Gelechiidae. It was described by Francis Walker in 1864. It is found in Amazonas, Brazil. Adults are greenish gold-brown, the forewings cinereous towards the tips and with cinereous veins, as well as three yellowish subcostal slightly oblique lines.
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Garrha absumptella is a moth in the family Oecophoridae; described by Francis Walker in 1864. It can be found in Australia, where it has been recorded from New South Wales and Tasmania. The wingspan is 22–25 mm. The forewings do not have any oblique lines.
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Of these, there are from three to seven feebler than the rest. Those on the base are continued within the aperture. The interstices are much broader than the threads. The whole surface is also fretted by microscopic spirals and stronger longitudinals, which follow the oblique lines of growth.
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In courtyards, this art is drawn using a piece cloth. The art includes drawing tree motifs, flowers, ferns, creepers, plants, peacocks, palanquins, geometric patterns along with vertical, horizontal and oblique lines. These arts add to the festive atmosphere.Drawing Designs on Walls, Trisha Bhattacharya (13 October 2013), Deccan Herald.
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Adults are variable in color, ranging from ocherous to fuscous or blackish. There are indistinct oblique lines on the forewings, flecked with white. The median lines are dark, the subterminal area is fuscous or ocherous and the subterminal shade is white. The hindwings are smoky fuscous, but paler at the base.
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There are very many close unequal oblique lines of growth. Of these, the strongest rise in close-set infra-sutural puckerings, which on the third whorl resemble small beads. There is a glossy, thin ivory-white calcareous coat over a brilliant pearly white layer. The spire is high and fine-pointed.
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Argyrotaenia quercifoliana, oak leafroller, size: 8.8 mm Argyrotaenia quercifoliana, the yellow-winged oak leafroller moth, is a species of moth of the family Tortricidae. It is found in eastern North America.Bug Guide The wingspan is 16–24 mm. Adults have pale yellowish-cream forewings with golden- brown speckling and brown, oblique lines.
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Longitudinals—The whole surface is roughened by rather coarse oblique lines of growth, which on the upper whorls appear as oblique, reticulating ribs. The color of the shell is white, with a translucent calcareous layer over nacre. The spire is rather high and scalar. The apex is a little flattened down and rounded.
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Bruegel earlier depicted the blind leading the blind (inset) in Netherlandish Proverbs (1559). Charles Bouleau wrote of the tension in Bruegel's compositional rhythms. The picture is divided into nine equal parts divided by a set of parallel oblique lines. These are divided by another network of lines at constant angles to the first.
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The forewings are of the same colour with numerous thin darker, regular oblique and submarginal lines meeting at the apex. The two anterior oblique lines darker and more prominent than the others. The hindwings are blackish with a very light sandy brown submarginal line. The larvae feed on the leaves of Jussieua repens.
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The membranes between the dorsal fin spines are obviously notched. The caudal fin is a straight in juveniles and slightly concave in adults. The upper body is dark and there are 9 to 11 thin, pale oblique lines. It is capable of dramatic changes in colour, as well as lightening or darkening its colour.
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View of hind wings The adult moth has a body size that ranges from 15–20 mm and wingspan that ranges from 30–38 mm. The species' forewings are grey-brown colored and has an ocellus that are constructed by white oblique lines. The hind wings are usually much paler and have grey-colored margins.
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The height of the shell varies between 4 mm and 5.5 mm. The small, rose-madder shell has a subglobose shape. It is, perforate in the young state, but when adult imperforate, It contains 42 whorls, the apical one whitish, the rest convex, and finely spirally striated. The shell is also marked with faint oblique lines of growth.
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The postmedial line is crenulate. The hindwings are fuscous brown with antemedial oblique lines. The medial and submarginal lines are crenulate and the inner margin is crimson. The darkest form is vespertilio which has the male dark brown; the costal and outer areas of forewing suffused with grey and olive; the stigma most developed; female much paler and greyer.
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Argyrotaenia pinatubana, the pine tube moth, is a species of moth of the family Tortricidae. It is found in eastern North America, from Canada south to Florida and west to Wisconsin.Pest Fact Sheets from Penn State and PDA Infestation The wingspan is 12–17 mm.Bug Guide The forewings are reddish- orange with two off-white oblique lines.
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The length of the forewings is 8.5–12 mm for males and 11–13 mm for females. Adults have light buff to light fuscous forewings variably marked with darker brown specks and oblique lines in males. Females are much paler and have whitish hindwings. They are on wing from September to March, possibly in multiple generations per year.
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Hilarographa pahangana is a species of moth of the family Tortricidae. It is found in Malaysia. The wingspan is about 20 mm. The forewings have an orange ground colour, represented by two basal stripes, transverse lines and spots in dorso-postmedian half of the wing, three oblique lines beyond the costal divisions and two weak terminal lines.
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It belongs to the large subgenus Rabdophorus which might warrant recognition as a distinct genus. Within this group, it is almost certainly a rather close relative of the vagabond butterflyfish (C. vagabundus) and the Indian vagabond butterflyfish (C. decussatus). The C. auriga species group shares the characteristic pattern of two areas of ascending and descending oblique lines; species differ conspicuously in hindpart coloration.
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This art is known as chowk-poorana or chowkpurana in Punjab and is given shape by the peasant women of the state. In courtyards, this art is drawn using a piece of cloth. The art includes drawing tree motifs, flowers, ferns, creepers, plants, peacocks, palanquins, geometric patterns along with vertical, horizontal and oblique lines. These arts add to the festive atmosphere.
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The protoconch whorls are deep chestnut-brown, very minutely reticulated by oblique lines running in two directions. The whorls are regularly convex, the apical ones minute and a little prominent, so that the apex is acute. The color of the shell below the brown protoconch is translucent bluish white, with a somewhat glossy surface; when dead, yellowish white.Verrill A. E. (1885).
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The building has 5 entrances, marked with the letters A through E. The main entrance is located at the A station 45. The entrances D and E (sometimes called the back) are on Conrad Street. The building also lies on Weena Street. Exceptions to the constant grid of the wholesale building are the spaces created by the oblique lines of the building.
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The wingspan is 45–56 mm. The forewings are fuscous irrorated grey whitish and with the costal edge bright orange to near the apex. There are three very indistinct brownish oblique lines from just beneath the costa, but not reaching the dorsum, the third directed towards the termen below the middle. The hindwings are ochreous yellowish, towards the base and dorsum deeper yellow.
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The spiral sculpture shows between the sutures two prominent keels and an anterior smaller one on which the suture is laid. On the body whorl there are about eight minor threads in front of those mentioned, all with wider interspaces. The axial sculpture consists of prominent oblique lines protractively cutting the interspaces. The anal sulcus is shallow, distinct and close to the suture.
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The spot is followed by an oblique black band that runs to the middle of the costa. The posterior area of the costa has five wide pairs of pale oblique lines. A large irregular leaden- grey circular spot is present on the upper angle of the cell. A whitish wedge- shaped patch can be found on the posterior corner of the forewing.
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All oblique lines heavier than corresponding lines in Xylophanes crotonis. The fourth postmedian line is enlarged into a dark, diffuse, triangular patch on the inner margin. The oblique black lines on the forewing underside are straighter and more diffuse than in Xylophanes crotonis and the pale yellow spots forming the median band on the hindwing upperside are smaller and speckled with black scales, giving them a more blurred and sombre aspect.
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The opposite effect occurs when descending. With the advancement in aviation and increased altitude ceiling, the altimeter dial had to be altered for use both at higher and lower altitudes. Hence when the needles were indicating lower altitudes i.e. the first 360-degree operation of the pointers was delineated by the appearance of a small window with oblique lines warning the pilot that he or she is nearer to the ground.
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The C. auriga species group shares the characteristic pattern of two areas of ascending and descending oblique lines; species differ conspicuously in hindpart coloration. (2007): Molecular phylogenetics of the butterflyfishes (Chaetodontidae): Taxonomy and biogeography of a global coral reef fish family. Mol. Phylogenet. Evol. 45(1): 50–68. (HTML abstract) (2007): Molecular phylogeny of Chaetodon (Teleostei: Chaetodontidae) in the Indo-West Pacific: evolution in geminate species pairs and species groups.
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The straight angular forms of Kufic were replaced in the new script by curved and oblique lines. In Thuluth, one-third of each letter slopes, from which the name (meaning "a third" in Arabic) comes. An alternative theory to the meaning is that the smallest width of the letter is one third of the widest part. It is an elegant, cursive script, used in medieval times on mosque decorations.
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Subject lines contribute to both mood and linear perspective, giving the viewer the illusion of depth. Oblique lines convey a sense of movement, and angular lines generally convey dynamism and possibly tension. Lines can also direct attention towards the main subject of the picture or contribute to the organization by dividing it into compartments. The artist may exaggerate or create lines, perhaps as part of their message to the viewer.
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The wingspan is 18–21 mm. The forewings are white with three dark fuscous subquadrate dorsal blotches, the first basal, the second and third with short oblique lines from the upper anterior angle, from the upper posterior angle of the third a slightly sinuate row of dark fuscous dots to the costa. There is a terminal series of four or five black dots. The hindwings are pale whitish- yellow.
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Neuf lignes obliques (English: Nine Oblique Lines) is a steel monument on the Promenade des Anglais, by French artist Bernar Venet. It was commissioned to mark the 150th anniversary of the 1860 annexation of the County of Nice by France. The sculpture is made of nine steel beams, 30 metres long, which meet at their top. As the name implies the beams are inclined at an oblique angle.
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The even integers from 4 to 28 as sums of two primes: Even integers correspond to horizontal lines. For each prime, there are two oblique lines, one red and one blue. The sums of two primes are the intersections of one red and one blue line, marked by a circle. Thus the circles on a given horizontal line give all partitions of the corresponding even integer into the sum of two primes.
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It has a slightly reverted and narrowly thickened lip and a thin edged twisted columella, the point of which runs out into a bluntly mucronated angle. Sculpture: Longitudinals—the whole surface is covered with strong, puckered, oblique lines of growth, which are sharp-edged but flattened,. They are rather regular, with many minuter ones in the intervals. The longitudinals are crosshatched with spirals, which are stronger and more regular, but not perfectly uniform.
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The most common rim decoration consisted of oblique lines created with a cord-wrapped tool. The most common neck design was made from trailed lines known as guilloche. Nearly two-thirds of the sherds recovered from Clampitt were Fort Ancient-like Oliver Cord-marked ceramics, while nearly one-third of the ceramics were of the Late Woodland Bowen Cord- marked and Bowen Collared types. These ceramic types are consistent with an Oliver Phase occupation.
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The body and forewings are olive-ochreous. The forewings are slightly mottled with brown and marked with a few faint oblique lines, evenly curved from the inner margin to the apex and crenulate near the margin. There is a small blackish stigma and a series of blackish dots at the veins running from the middle of the inner margin to the apex. The hindwings are dark brown with a pale spot at the tornus.
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In music, a caesura denotes a brief, silent pause, during which metrical time is not counted. Similar to a silent fermata, caesurae are located between notes or measures (before or over bar lines), rather than on notes or rests (as with a fermata). A fermata may be placed over a caesura to indicate a longer pause. In musical notation, a caesura is marked by double oblique lines, similar to a pair of slashes .
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The rest are flat, with three to four strong spiral lirae, whereof the uppermost or the two uppermost, are more or less granulous. The interstices are smooth, with the exception of oblique lines of growth. The suture is marked by a thread-like keel. The body whorl is acutely angled below the middle, with a flattish base, which has two or three sulci near the angle, and two white or pale lilac lirae encircling the umbilical region.
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A Greek cross (all arms of equal length) above a saltire, a cross whose limbs are slanted A cross is a geometrical figure consisting of two intersecting lines or bars, usually perpendicular to each other. The lines usually run vertically and horizontally. A cross of oblique lines, in the shape of the Latin letter X, is also termed a saltire in heraldic terminology. Throughout centuries the cross in its various shapes and forms was a symbol of various beliefs.
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The obverse of the Davis Guards Medal consisted of a Mexican silver dollar, each side smoothed off and engraved with the letters " D G ", below which is a rude cross of the form known as cross pattée. The reverse of the medal bore the inscription in three lines " Sabine Pass " / " Sept. 8th " / " 1863 " in cursive script. Border, on each side, a line, about one-eighth of an inch from the edge, from which groups of oblique lines extend to the edge.
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As a result, no knots or thread ends are visible in a double sided embroidery. According to different stitches, Su Xiu can be divided into random needlework and plain needlework. Random needlework, as the name implies is the needlework which has a very stochastic embroidery method. Embroidered with this kind of needlework usually consist of straight and oblique lines, cross and mixed together, and then go through another layer of mixed colours and density until light, colour and shape are similar.
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The palpebral venation consists of largely oblique lines, with only few horizontal interconnections, or are partly networked. The fingers are lightly webbed (basal webbing on the outer fingers), whereas the toes are more webbed, but without the webbing reaching the base of the discs. Skin is slightly roughened to rugose dorsally and coarsely granulated ventrally. Colouration of living specimens is variable but usually they are light golden brown with green or brown blotches, or plain or greyish olive with bold dark spots, or entirely darker brown.
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The plical and second discal stigmata are minute and dark grey, sometimes nearly obsolete. There are very faint traces of rather oblique lines from the costa at one-third and beyond the middle, as well as a fine somewhat curved brownish-ochreous line from three- fourths of the costa to the dorsum before the tornus. The terminal edge is brownish ochreous, obscurely dotted with dark grey. The hindwings are rather light grey with a long grey hair-pencil from the base lying along a subdorsal fold.
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Bracelets from Băleni, Galaţi (Late Romanian Bronze Age, Noua Culture) are particularly interesting because of their geometric décor, bands of right or oblique lines. They all have a green patina ranging from dark green to dull green, bluish green, bluish gloss. The fragmentary iron bracelet from the cremation cemetery found at Bobda is among the few unequivocally dated iron objects equivalent to Hallstatt A 1–2 in this region. A bracelet with snake-shape endings had been found at the Hallstattian necropolis in Ferigile (Vâlcea County).
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More recently, engineers and draftsmen use the drawing board for making and modifying drawings on paper with ink or pencil. Different drawing instruments (set square, protractor, etc.) are used on it to draw parallel, perpendicular or oblique lines. There are instruments for drawing circles, arcs, other curves and symbols too (compass, French curve, stencil, etc.). However, with the gradual introduction of computer aided drafting and design (CADD or CAD) in the last decades of the 20th century and the first of the 21st century, the drawing board is becoming less common.
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Subsequent whorls are sculptured with four strong, beaded spiral keels and very fine lines, which are only visible under a magnifying lens, and with fine oblique lines of growth. The uppermost spiral keel is situated on the subsutural area. The second and the third spiral keels are dividing the surface of whorl into three parts with unequal interval; the uppermost part the broadest, having angle of about 120° to the middle one, weakly sculptured with a thread and many exceedingly fine spiral lines near the body whorl. The lowest one is the narrowest of them all.
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The forewings are grey-whitish closely speckled with fuscous and the extreme costal edge is white. The stigmata are cloudy and dark fuscous, the plical spot is somewhat beyond the first discal spot and there are indistinct undefined dentate oblique lines of dark fuscous irroration crossing the wing before and beyond the first discal spot. There is an obtusely angulated series of indistinct dots of dark fuscous irroration crossing the wing beyond the second discal, interrupted in the middle, and another series midway between this and the termen. There is also a terminal series of indistinct similar dots.
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The long muzzle is straight cut and the eyes and eyebrows are represented by curved lines. The head continues onto a rectangular plaque of 3.4 cm in length whose relief edges are decorated with incised oblique lines in a "V" shape, separated by a medial line. This is followed by a series of six triangular-oval palmettes, made by three puncheons, and with a length of 14.3 cm. The first puncheon made the first two palmettes, the second made the next two palmettes, and the third was used for the last—which is also the smallest palmette.
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In a contemporary review of Alien Lanes, Matt Diehl of Rolling Stone described the album's music as "hooky rock that infuses songwriting smarts and a love of melody with a sometimes spiky, sometimes whimsical sense of experimentation". Caroline Sullivan of The Guardian gave the album a positive review, stating that "Pollard's songs are gems that stay just this side of self-conscious eccentricity". Sullivan noted the songs' lengths, stating that they were "just enough time for Pollard to wheeze a few oblique lines and guitarist Tobin Sprout to trace out a raucous melody." Robert Christgau of The Village Voice was less complimentary, giving the album a "dud" rating.
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The wings are pale reddish ochreous, the forewings usually with a hyaline (glass-like) spot at the end of the cell. There are two rufous oblique lines from the lower angle of the cell to the inner margin and there are eight or nine indistinct dark waved lines, as well as a double highly curved rufous postmedial line from the costa near the apex to the outer angle and a submarginal highly waved irregular indistinct dark line. The hindwings have a rufous subbasal line, which is obsolete except towards the inner margin. There are about four very indistinct waved lines and the rufous postmedial line is indistinct.
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The heraldic elements exalt the traditional courtesy and hospitality of the people of Icod; their laboriousness and extremely fertile countryside; their profound sense of patriotism and their dedication to the memory of the history uniting their two races under the auspices of Santa Cruz. As an official blazon, the coat of arms of Icod affirms and underscores all of the acts of the city. (1) CANARIAS - Magazine which is published in Villa de La Orotava. (2) Sinople - Heraldic color which in painting is represented by green, and in engraving by oblique lines which run from the cantón diestro del jefe al siniestro de la punta.
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The protoconch is smooth white, pointed, drawn out. The sculpture consists of longitudinal ribs thirteen or fourteen on the body whorl, obsolete on the lower third of the whorl and not extending to the suture, below which is a smooth band only marked by oblique lines of growth. The ribs are slightly nodulous at their posterior terminations (where they are united by a slight carina) strong on the upper whorls, slightly flexuous on the convexity of the whorl. The whorl below the carina is marked by very faint grooves close together and passing over the ribs, stronger at the anterior end of the body whorl.
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The wingspan is 13–15 mm. The forewings are light brownish ochreous, more or less sprinkled with fuscous or dark fuscous, the veins more or less streaked with white, especially posteriorly. There is a fine undefined line of blackish scales on the submedian fold from the base to about the middle, including a well-marked black plical stigma and oblique lines of blackish scales from the costa at one-third and before three-fourths, not reaching the middle, sometimes hardly traceable. The second discal stigma is black edged with white and there are some suffused black marks on the apical portion of the costa and termen except at the apex.
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Patterns like oblique lines, zigzags, lozenges, running dogs, spiraliforme, and circles and triangles alternating one another beneath the rim on Middle Helladic pottery have been found to be inspired by Cycladic pottery motifs. Spiraliforme can also be traced back to Crete, as well as Griffon motifs. However, patterns like lozenges and pendent-style triangles on matt-painted pottery is a continuation of stylistic motifs from the Early Helladic period, and the addition of vertical fringed lines on pottery is an advancement that took place during the Middle Helladic period itself. With the majority of designs and motifs on Middle Helladic pottery being Cycladic in influence it can be assumed that the Middle Helladic culture and the Cycladic culture interacted with one another heavily.
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There is a short very oblique mark from the base of the costa and there are three oblong or subquadrate blotclies separated by narrow irregular cloudy interspaces occupying the dorsal half of the wing, the first narrower, hardly reaching the base, the third broadest, nearly reaching the termen, convex posteriorly. A very oblique line is found from the disc at one-fifth running to the upper anterior angle of the second and there is a short oblique line from the costa at one-fourth, as well as an irregular spot of cloudy grey suffusion in the disc above the middle. There are oblique lines from the costa at the middle and four-fifths, limiting the third blotch, and connected above the middle by an irregular streak. There are also six black terminal dots.
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The second chapter presents examples of designs in which squares and right triangles can be formed from elements of the patterns, and suggests educational activities connecting these materials to the Pythagorean theorem and to the theory of Latin squares. For instance, basket-weavers in Mozambique form square knotted buttons out of folded ribbons, and the resulting pattern of oblique lines crossing the square suggests a standard dissection-based proof of the theorem. The third chapter uses African designs, particularly in basket-weaving, to illustrate themes of symmetry, polygons and polyhedra, area, volume, and the theory of fullerenes. In the final chapter, the only one to concentrate on a single African culture, the book discusses the sona sand-drawings of the Chokwe people, in which a single self-crossing curve surrounds and separates a grid of points.
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