From her early beginnings in the mega clubs of Tokyo to her trademark stream-of-consciousness work here in the U.S, Martin's signature black and white drawings are an inquiry into the role of the artist and the viewer, where a work of art is more than an object of admiration disconnected from its inception.
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Just like their female lengger and ronggeng counterpart, a famous male lengger dancer would also become the local celebrity, as the object of admiration, affection, even coveted by men eager to court and date him. In the past, some rich and powerful men might recruit him as a mistress. Because of prevalent culture of shame regarding sexuality, any sexual encounters or emotional relations would be done in such discreet manner.
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She and Neviril piloted the Ventus (ウェヌストゥス / ウェントス) Simoun. ; : : : Neviril is the Sibylla Aurea, and the regina of Chor Tempest. She has a reputation for being the best Auriga in the entire Simoun fleet, and is the object of admiration of both the other sibyllae and the cadets aboard Arcus Prima. She is so revered that junior sibyllae are reprimanded for addressing her without an honorific even in her absence.
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In the English-dubbed version, it is translated as "You still have a ways to go." His favorite subject is Science, but having been brought up in the United States, Ryoma is fluent in English, which his classmates admire him for. He is also the object of admiration of his own fan club in school, which is led by Tomoka Osakada. However, he does not care about girls at this point in his life, due to solely focusing on tennis.
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He says he has carried out important synthesis work - notably with Marie-Antoinette - and sees his capacity for conciseness as a defining element of his success. He knows the pleasure of seeing Maxim Gorky, whom he already admired at school, write the preface to one of his works. While he recognizes that this success fills him with joy when he touches his works and his work, he refuses to be the object of admiration for his appearance. He naively enjoys his fame at first on his travels, but it begins to weigh on him.
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192 British historian Hugh Seton-Watson called Carr "an object of admiration and gratitude" for his work in Soviet studies.Haslam, The Vices of Integrity, p. xi The British Marxist historian Hillel Ticktin praised Carr as an honest historian of the Soviet Union and accused critics like Norman Stone, Richard Pipes and Leopold Labedz as "Cold Warriors" who were "not unconnected with serving the needs of official British and American foreign policy".Ticktin, Hillel "Carr, the Cold War, and the Soviet Union" pp. 145–161 from E.H. Carr A Critical Appraisal ed.
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Celtic researcher Edward Davies deemed Creirwy "the Proserpine of the British Druids"—also comparing her mother Ceridwen to Ceres of Roman myth.The Mythology and Rites of the British Druids, page 205 Mythographer Jacob Bryant theorized that Creirwy and Ceridwen were essentially "the same mystical personage." Her name possibly means "sacred symbol of the egg" (i.e., "mundane egg", "adder stone") from the Welsh elements "a token, jewel, sacred object, relic, talisman, treasure, richly decorated article, object of admiration or love, darling, safeguard, strength, hand-bell, church- bell"Hunt, August.
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Landscape historian Georgina Whitehead describes Weekes' design as an accomplished melange of modern City Beautiful, Beaux Artes and Art Deco inspiration.Whitehead, 2001, 180 Their report stated (inter alia) that a "park laid out on the above lines (a hierarchy of traffic ways, lined with and shaded by trees, expanses of lawn, restrained fountains and monuments) and ...would be dignified, useful, a pleasure to the citizens and an object of admiration to visitors, as they are in the principal cities of Europe. Hyde Park properly treated may thus take its place among those of the leading cities of the world". Weekes' design was simplified.
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The building won the Soviet Estonian Prize in 1967 and became a major object of admiration and a destination for excursions. Today the main building has become a hotel, the original finishing materials for the hall and lobby interiors have been preserved and the fireplace furniture has been restored. At first Väino Tamm started planning the interiors of the Vanemuine Theater with Leila Pärtelpoeg, but completed it with Vello Asi, who joined the project when Tamm was in Finland. The project was officially done by Tamm alone, although several books published in the years of the 1960s-70s mention V.Asi as the co-author.
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Apparently the sculpture was never copied during the time it was in the Giustiniani collection: Winckelmann never mentioned it, though the austere classical style it exhibits was first isolated and described by him. Towards the end of the century it had become an object of admiration especially among the British visitors: a custodian of the Giustiniani told Goethe that the restored hand was whiter than the rest of the work because the English had kissed it so often.Noted in the exhibition catalogue for Pompeo Batoni, prince of painters in 18th-century Rome, (Edgar Peters Bowron and Peter Björn Kerbep, curators), Houston and London, 2007, p. 79.
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Soon, Kid Marvelman resumes into his human form to escape the unbelievable pain. A wounded Marvelman cradles Johnny in his arms, assures the boy that everything will be fine, then swiftly kills him, both to end the long suffering he has endured from Kid Marvelman's mind games, and to prevent Kid Marvelman from ever escaping again. Marvelman and his allies use the destruction of London as a pretext for taking over Earth's governments. Following Marvelman's establishment of a global utopia, the dark allure of Kid Marvelman as an anti-hero figure makes him the object of admiration and veneration for the rebellious subculture known as "Bateses".
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Her father had an affair and a baby with Kanako's former senpai, Yūko. Initially, she imagines Yumi as the living entity of a "perfect and pure" girl (i.e. one who would not involve herself with men), and Yumi admits to Rei that she feels a lot of pressure having to stay on her toes. When that fabricated image was shattered later on (Kanako claims that Yumi's pure self was overtaken by another personality and is no longer her object of admiration, but someone she "couldn't care less about"), Yumi quickly acts to repair their strained relationship, and finds out that in the end, Kanako still greatly likes her (Kanako had always, and still wants to take a photo alone with Yumi).
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Under Zamira's rules, the scrub watch have the opportunity to become full Orchids by participating in a raid on another ship. Locke and Jean volunteer to be the first to board the next ship in order to regain the trust they lost with the Messengers. The duo's bravery becomes an object of admiration among the crew when the ship they raid turns out be defended by vicious Jeremite Redeemers. Jean contends with Locke that the pirates, as fellow thieves, deserve their full frankness instead of Locke's plan to lead them to their doom against Tal Verrar. Following the Messengers’ induction into the Poison Orchid’s crew, Locke takes Jean's advice, telling Zamira the truth about how Stragos has been using him and begging her to help him find a way to subvert the archon's scheme.
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Her efforts for civil rights in Guyana was her personal means of opposing the discrimination she had experienced growing up. The film asserts that Janet was viewed by the Guyanese population as a self-sacrificing and relentless force. “She’s been there from the very beginning. She’s put her neck out more than most Guyanese,” Janet's Guyanese daughter-in-law exclaims. “She’s more Guyanese than most Guyanese you’ll meet,” and adds, “she’s more Guyanese than me!” Janet, of course, was not an object of admiration by all Guyanese citizens. At the beginning of her involvement with Guyanese politics, her opponents spread rumors that she was a family member of the legendary American coupleJulius and Ethel Rosenberg who were put to death for spying and an American journalist implied she was spreading propaganda to enlist communists.
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The Church of Our Lady of Remedies is an old relic of the years 1850, built inside Atlantic Forest, near the banks of Lake Mundaú and the stream of Remedio (remedy), in the village of Cadóz. This is a Sacred Relic, a work odd that, by its historical value, religious, architectural and especially the greatness of the mass human that it worships the faith for more than one hundred and fifty years, could not disappear, and to try to reverse the framework that was virtually destroyed by the action of the storm, time, the termites and bats the TV, radio and telecommunications office Arnon de Mello coordinated the full restoration of the church in 2005. Its entire structure was damaged, not to have the slightest manifestation of the public authorities to prevent the total extinction of that Church consecrated as Miracle. The restoration work which started at the end of March 2005 have been fully completed in July of that year when that church was opened again, now, a real shrine, the object of admiration of all who will see.
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John Inglesant – the "philosophical romance" that was the first and best-known work of the Birmingham novelist Joseph Henry Shorthouse – became a publishing triumph in the atmosphere of highly charged religious controversy of the 1880s, seeing its author "fêted throughout the literary world", the object of admiration from writers as varied as Charlotte Yonge, T. H. Huxley and Edmund Gosse, and the subject of an invitation to breakfast at 10 Downing Street by William Gladstone. The result of 30 years of study and over 10 years of writing, the novel told the story of a 17th-century English soldier and diplomat, his travels through England and Italy and his excursions through the principal religious philosophies of the time – Puritanism, Anglicanism, Roman Catholicism, Quietism and Humanism – as a recreation of Shorthouse's own intellectual journey from Quakerism to the Church of England . Shorthouse wrote four other novels and a book of short stories over subsequent years, all of which catalogued their protagonists "protracted torments of conscience". Emma Jane Guyton published over fifty popular and oft-reprinted novels between 1846 and 1882, most of which used their commonplace domestic settings to communicate an ecumenical Protestant or strongly anti-Catholic message.
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