110 Sentences With "no pity" | Random Sentence Generator

After that, however many I killed, I felt no pity.

"At our house, there was no pity," Julie Kusku said.

There will be no pity party for Pat Summitt today, though.

Noisey: What's your favorite track on Broken Limbs Excite No Pity ?

But there's no pity here, only aspiration, and it's a refreshing perspective.

He's cold-hearted and he feels no pity or sympathy for anyone.

In the end, Mr. Meyrou takes no pity on the titanic executive.

He knew he deserved no pity, that he alone was to blame.

He's hoping others will follow his "no pity party" lead into the new year.

There was no pity in "Mama Tried," in other words, only straight-faced honesty.

"I say don't show me no pity because this is my life," he told Holt.

Others argue that public servants enjoy privileged access to many services so should expect no pity.

The Warriors, with their fearsome assemblage of scorers, have taken no pity on a Kawhi-less Spurs team.

He's cold hearted, and he feels no pity or sympathy for anyone," Wilson told CNN's Alisyn Camerota on "New Day.

Jackson took no pity on Stone, and said she would revoke his bond and detain him if he violates the order.

While "Living the Dream" exposes Big Little Lies' dads as less-than-ideal role models, it also takes no pity on Jane.

That's how I felt all these years — you was doing your pity party, but when you were with me there was no pity party.

Using some of that history as a backdrop, he began to piece together Broken Limbs Excite No Pity, a project that spanned five years.

But what is unquestionably the video's strongest quality is the commentary from his Southern-ass buddies, who seem to take no pity on him whatsoever.

Owen Jones, a left-wing columnist for The Guardian, expressed no pity for the Conservative prime minister in a video that has since gone viral.

Trump's allies had no pity for those with tough reelection prospects, saying that their best play is to get on board with the president's agenda.

Denunciation that has no pity in it is pamphleteering at best and a striking of fashionable attitudes at worst, and it is fairly common on the contemporary stage.

" But when she ponders the second: "I feel tainted and disgusted, and I want to live in order to see them all caught and have no pity for them.

He used to listen and weep with emotion, then he would take off his black leather belt and order her to flog him; contemptible creatures such as he was deserved no pity.

I have no pity for Chinese President Xi Jinping, who dug himself into a deep public relations hole with the unnecessarily cruel treatment of China's Nobel Laureate and political dissident Liu Xiaobo, who died today.

"I have no pity for any of them," Rannazzisi — who argues the new law should be repealed and now works as a consultant for a team of lawyers suing the opioid industry — told The Hill.

When asked in the hotel lobby in Storm Lake by a young, undocumented woman who said she was troubled by Cruz's new plan that he would deport people like her immediately if elected, Cruz showed no pity.

Having lived the past six years with Nixon in my head (I seek no pity; just buy the book), I approach the idea of comparing the two leaders with caution and restraint, for there are important differences.

Charles Bennett, 58, wept after some of the friends and family who were victims of his years-long scheme urged U.S. District Judge Laura Taylor Swain in Manhattan to take no pity on him despite his suicide attempt.

I called him up last week to talk about those gnarled family ties, the new album, and how this different musical territory on Broken Limbs Excite No Pity has enhanced his solo stage setup (preorder the album here).

Take Republican senator Marco Rubio, who has earned no pity, but was roasted early last year for wearing a pair of Florsheim boots whose Cuban heel seemed to be just an inch above the Internet's acceptable level for men.

"I would feel a little bad reporting him if his online access was to basically be a normal teen, but he is a monster, and I have no pity for people like that," Ms. Kuhn-Fricker said in her email to the school.

"I would feel a little bad reporting him if his online access was to basically be a normal teen, but he is a monster, and I have no pity for people like that," Kuhn-Fricker allegedly said in the email, according to a friend who provided the message to the Post.

"I would feel a little bad reporting him if his online access was to basically be a normal teen, but he is a monster, and I have no pity for people like that," Kuhn-Fricker wrote in the email that was provided to the Post by an unidentified family friend.

"I would feel a little bad reporting him if his online access was to basically be a normal teen, but he is a monster, and I have no pity for people like that," Kuhn-Fricker wrote to the principal in an email shared with the Post by one of her friends.

In late 2016, he wrote on Facebook that he had no pity in his heart for the Red Army choristers who had perished when a Russian military plane crashed into the Black Sea on its way to Syria, where they were to sing for the Russian forces that had recently bombed Aleppo.

Despite Fox New's efforts to stir things up between the two women, like one of the villains in Lush's "Ladykillers," with the not-technically-inaccurate-but-wildly misleading headline "Holly Holm has no pity for Ronda Rousey's suicidal thoughts," Holm navigated similarly thoughtful and nuanced waters with this reflection: "I'm probably the worst person to ask for advice on that," she said when asked about Rousey's revelation.

Titled "New No's," it reads: No to racists No to fascists No to taxes funding racists and fascists No mercy for rapists No pity for bigots No forgiveness for nativists No to all those No hope without rage No rage without teeth No separate peace No easy feat No to bounds by genders No to clickbait as culture No to news as truths No to art as untruths No anti-Semitic anything No Islamophobic anything No progress without others No meaning without meaning No means no No means no No means no No means no At its best, art is an essential source of comfort, wisdom and hope — and this past season was no exception.

The videos were shot for the songs "Unanswered", "The Price of Beauty", "Bludgeoned to Death", "No Pity for a Coward" (live version).

Washington, DC: National Council on Disability. Shapiro, Joseph. No Pity: People with Disabilities Forging a New Civil Rights Movement. Random House, 1993.

Thomson is also featured in the music video for "No Pity on the Ants" by thrash metal band Lupara, directed by Frankie Nasso and released in 2007.

According to one source, during the briefings before the operation, Peiper stated that no quarter was to be granted, no prisoners taken, and no pity shown towards Belgian civilians.

However, Olivia coldly shows no pity, prompting Brian to quit. Brian finds Stewie and apologizes for his actions. The duo reconcile and Brian reveals that Olivia got a new dog to join the band. They assume it is one they never met.

This movie explores the plight of a dumb and deaf young woman Tunga (Aarathi) whose mother will die. Her father Govardhanaraya Seetharam tries hard to get her married off. His second wife Ramabai (Sathyabhama) shows no pity towards Tunga. Tunga has a step sister Leela (Sathyapriya).

However, when it comes to battle, the Mushrooms are treated like non-humans or animals—alien. Killing them is necessary, impersonal, and raises no questions of conscience. The Minnipins feel no pity for their enemy, even as the story describes the shrieks from the Mushrooms as they are killed.

Kyle Munkittrick of Discover magazine notes that Hanna is a "transhumanist hero". Despite being genetically engineered to have "high intelligence, muscle mass, and no pity", she is still a good-natured person. He says Hanna, "symbolizes the contest between genetics and environment", or, "perhaps more familiarly, nature versus nurture".

No Pity for Women (French: Pas de pitié pour les femmes) is a 1950 French mystery film directed by Christian Stengel and starring Simone Renant, Michel Auclair and Marcel Herrand.Rège p.940 It was adapted by Jean Giltène from his own novel. The film's art direction was by Robert Hubert.

999 is the debut album by the band 999, released during the punk era. It contained such singles as September 1977's "I'm Alive"/"Quite Disappointing" and October 1977's "Nasty Nasty"/"No Pity". The album also contained "Emergency", which was the start of the band's more distinctive approach to their previous punk sound.

His papers are held at the Bancroft Library at UC Berkeley. Roberts has been termed the father of the independent living movement in the U.S., though Lex Frieden of Texas was more well known in Washington politics. Roberts is highlighted in Joseph Shapiro's 1993 book, No Pity: People with Disabilities Forging a New Civil Rights Movement.

De Kérillis was the only conservative deputy to vote against the Munich Agreement. He described the agreement as shameful. He said that Germany was insatiable, respected only the strong and would show no pity to the weak, which France had shown herself to be. He said that far from becoming peaceful, Germany would become more demanding and terrible.

Her goal was to have hospitals that were for mothers, managed by women, and doctored by women. The hospitals were created for only a certain class of women, however. Only the respectable wives of working men could go there. Neill had no pity for the destitute woman, because Neill herself was a widow raising a child.

She takes her clothes off, hands him her wedding ring, and they make love on the beach. As the waves roll over them, she faints in his arms. At the hospital, Alan watches over her, hearing her last words in German, "I had no pity." The next day he is told she died during the night.

Would he trade his life for one night with her? She warns him that when dawn comes, she would have no pity. Mardion begs him not to sully himself, and admits that she loves him. He states that he does not know her, and when he accepts the queen's bargain, the maid grabs a dagger and stabs herself.

Serve them right! She has no pity. However, her hard and unforgiving attitude towards the Germans begins to lessen when she meets the polite and well-spoken Oskar Heine. As she begins to fall in love with him, her virulent hatred of the Germans begins to break down as she increasingly comes to empathise with their plight and understand their common humanity.

The main square of Burgos. It is a lively spring day The Infanta distributes alms and dancing follows: a Castillane, Andalouse, Aragonaise, Aubade, Catalane, Madrilène, Navarraise (ballet). Chimène demands justice to the King against Rodrigue and will hear of no pity or pardon for him. Don Diègue says that his son has only revenged him and that he should bear the accusation.

Kathleen returns home devastated. John has no pity: he wishes Kenneth dead. Moonyean comes to him, but his hate is standing between them. She tries to make him realize that unless he can right this wrong, he can never come to her. With WW1 coming to its end, Kathleen goes to meet a troop train, but she can’t find Kenneth.

The next morning, Nina seeks help from Mario (Spiros Andros), a frustrated screenwriter who lives in the hotel. She has brought with her some of the Contessa's old stock certificates, hoping that Mario will be able to determine their worth. Mario tells her the certificates are worthless and that he feels no pity for the Contessa. Nina reacts angrily and leaves his room.

A British journalist described the standoff: > No surrender; no compromise; no pity. The owners mean to starve the miners > to death; the miners mean to blow the owners to atoms. A number of mines soon reopened, including some which paid $2.50 per day. Sources disagree on whether the mines were opened predominantly with out-of- state strikebreakers or returning Leadville miners.

In the first reading (, aliyah), Moses told the Israelites that if they obeyed God's rules, God would faithfully maintain the covenant, would bless them with fertility and agricultural productivity, and would ward off sickness.. Moses directed the Israelites to destroy all the peoples whom God delivered to them, showing no pity and not worshiping their gods.. A closed portion (, setumah) ends here.

Deaths are presented as caring yet stern creatures, showing no pity for a person's dæmon which must vanish upon death. Deaths are present in a physical form in some worlds, much as dæmons can be seen in Lyra's. Deaths can disappear in a similar manner to dæmons. In The Amber Spyglass a dead girl says that her death "went forever".

In 1992, facing financial difficulties from lost market share,Joseph P. Shapiro, No Pity: People with Disabilities Forging a New Civil Rights Movement (Crown/Archetype 2011): 214-218. Everest & Jennings moved from Camarillo, California to St. Louis, Missouri.Larry Speer, "Wheelchair Company to Lay Off 450: Camarillo" Los Angeles Times (February 29, 1992). In 1993, the company acquired Medical Composite Technology, a carbon fiber technology company.

Thakur Jaswant Singh rules over the region with an iron hand. He has no pity or empathy for the poor, all he is interested in is their money, their women, and alcohol. After the passing away of his dad, he assumes total control over the region, and increases the taxes. One day while walking across the hallway, he trips over the wet floor, and falls down.

Styles retired from the army on 16 October 1974, and became an adviser for various companies on anti-terrorist techniques. He wrote Bombs Have No Pity in 1975. He was featured in the Thames Television programme, Death on the Rock, in 1988, in which he commented on various aspects of a counter-terrorism operation in Gibraltar in which three PIRA members had been killed earlier that year.

King Sennacherib had lost his eldest son in the revolt and had also suffered heavy losses. Prior to this, most Assyrian attempts at punishing Babylon were lenient, due to a strong pro-Babylon presence in Assyrian governmental ranks. However, Sennacherib, now an old man with nothing to lose, found no pity in his heart and sacked Babylon. Large amounts of desecration took place, even by Assyrian standards.

Sascha Konietzko performing in Bolków, Poland in July 2009 KMFDM is an initialism for the nonsensical and grammatically incorrect German phrase Kein Mehrheit Für Die Mitleid, which, keeping the same word order, literally translates as "no majority for the pity", but is typically given the loose translation of "no pity for the majority". In the original phrase, the articles preceding the nouns Mehrheit and Mitleid are inflected for the wrong gender, as the proper declension would be Keine Mehrheit für das Mitleid. Swapping the two nouns yields the grammatically correct Kein Mitleid für die Mehrheit, which translates directly as "no pity for the majority". In a 2003 interview, Konietzko explained the origins of the phrase: The initialism has also jokingly been said to stand for "Kill Motherfucking Depeche Mode", coined by the band on their first U.S. tour and used as recently as Kunst.

The couple supported the allied cause and Raffalovich had no pity for Sinn Féin when they seemed to endanger the allied war effort. Her husband was less unforgiving and they had to disagree on the topic. The war eliminated what wealth Raffalovich had through the loss of the family investments in Russia and Germany. Her finances had supported her husband's political career and that career also ended with the 1918 election.

In 2007, she began her film career by appearing in an episode of Law & Order: Special Victims Unit, titled Haystack, as a character named Raye. She also worked as a photographer on Canada's Top Model in 2009 on the episode Bright Lights: No Pity. In 2012, Gray first became involved with Natasha, Pierre, & the Great Comet of 1812. Gray portrayed Countess Hélène Bezukhova in the musical's performances at the Off-Off-Broadway Ars Nova Theater.

Voiced by C. Martin Croker, Zorak Roberts is the band leader and a mantis-like alien, known for his hatred of Space Ghost. Extremely evil, he once ate his own nephew. He is a virgin, largely due to the fact that he does not wish to be eaten by his mate after intercourse, as is normal for mantises. He has no remorse, feels no pity, and acts only to meet his own ends.

He was active in organizations working to help Czech and Slovak refugees. He published his memoirs "No pity for sacrifice" (Nelituj oběti) in the 1950s. After the Soviet invasion of Czechoslovakia in 1968 Buršík returned his Hero of the Soviet Union medal. Despite ongoing health problems he lived until the fall of communism in Czechoslovakia (later the Czech Republic) and was officially "rehabilitated" and promoted to the rank of Major General in the Czech Army.

Dumbarton followed up a free week by entertaining Johnstone at Boghead in a friendly on 14 April. A full strength home side took no pity on their opponents and gave them a sound thrashing by 6-0. The following Saturday Dumbarton travelled to Millburn Park to play the return county fixture with Vale of Leven. Having lost the home tie by the single goal to their Second Division opponents in March, the Sons were anxious to level matters.

According to André Chouraqui, in May 1967, just before the Six-Day War, she was heard on Radio Cairo and Radio Damas singing "Slaughter, slaughter, slaughter and have no pity ..." towards the Zionist Israeli. Another source mentions the creation of a song of war. Laura Lohman has identified several other warsongs created for her in that same period. In 1969 it was followed by another one "Asbaha al-Ana 'indi Bunduqiyyah" (I now have a rifle).

Although it was agreed that Smith had intended to burgle the warehouse, Smith was only found guilty of theft. He was sentenced to transportation to Virginia. He then lodged an appeal to Sir John Eyles Knight, the Lord Mayor, requesting for physical punishment in lieu of transportation. In spite of his physical disabilities and role as a father of two children, the court took no pity on him and he was taken to Virginia on the Susannah.

She discovers that her brother only has sixty elves total in his force, but he still manages to spare some to help rescue Forlo and Hult. Since Forlo "deserted", he's brought to Rekhaz, who is now the Emperor of the Imperial League. Rekhaz has no pity for Forlo, and declares his life forfeit. Forlo manages to call on his Imperial right of dueling in the arena, and so he and Hult are sent to fight a horax, and begin to lose soon after.

It is a story of isolationism and the ease with which those who are cut off learn hate for "the other". It comments on the brutality of mutilation and the reaction of our protagonist when he discovers he has no pity or empathy, just bitter resentment for his own loss. It is a story of despair – a mother's despair and the despair of giving up hope when lovefails. This bleak story is haunting, and the 'realness' of this unreality is truly horrifying.

Leningrad songs appeared in several popular pulp and crime films, notably DMB and Bimmer. Three songs by Leningrad appeared prominently on the soundtrack to the 2005 film Everything Is Illuminated. "Nikogo Ne Zhalko" ("No Pity for Anyone") is one of the songs used in the video game Grand Theft Auto IV.appearing on the set list for a mock Russian-themed radio station in the game called Vladivostok FM. In 2015, Leningrad's song "Lastochka" was featured in the ending credits of the 2014 mockumentary film What We Do in the Shadows.

While it is clear that Mars is in distress as he continues his lament, he seems concerned when considering who will hear his complaints. For Mars cannot spend his time complaining to Venus, as she is only causing him heaviness from the pain, fear, and sorrow she has left him with. It seems that most of Mars' worry stems from his uncertainty about her safety and well being. Sometimes, Mars claims, ladies have no pity on the men that they leave behind, as jealousy engulfs them and they begin to devote themselves to death.

They appear as superhuman geniuses despising the dirty and corrupt human world and having no pity for the adults. Banev makes acquaintance with Diana, and discusses slimies in dinner conversations with the chief doctor of the leprosarium Yul Golem, a drunken artist Ram Quadriga and sanitary inspector Pavor Summan. Banev dislikes the mayor, a patron of local fascist thugs, and also the military who guard the slimies. Golem mentions that the genetic disease of slimies represents the future of humanity, a new genetic type of people, intellectually and morally superior to ordinary people.

Vic displays no pity, and is merely angered by the "wastefulness" of such an act, as well as disgusted by the thought of satisfying his urges with a woman in such a condition. They move on, only to find slavers excavating another bunker. Vic steals several cans of their food, later using them to barter for goods in a nearby shantytown settlement. That evening, while watching old vintage stag films at a local outdoor "cinema", Blood claims to smell a woman, and the pair track her to a large underground warehouse.

He's also strong enough to repel a Viralt barehanded and wasn't worried about facing Ludmila in combat. Like a frog he has the ability to jump long distances, shoot out a long tongue, but can also spit out a purple colored poison that can dissolve flying arrows in a split second. Vodyanoy can appear as a demonic shadow that ordinary people can't see, but those armed with Dragonic Tools (or a similar item) like Mila and Tigre can still see him. He felt no pity that his comrade Torbalan was killed.

They were known for brutal tactics, a result of the original doctrine of "no pity" which Eicke had instilled in his camp personnel as far back as 1934, together with the fact that the original Totenkopfstandarte had "trained" themselves. The Division's ineffectiveness in France, as well as its war crimes, can in part be explained by its personnel who were more thugs than soldiers. When first formed a total of 6,500 men from the SS-TV were transferred into the Totenkopf Division. Over the course of the savage fighting in the East, the Division was twice effectively destroyed and recreated.

Kevin Llewellyn Callan (born 24 March 1962), better known as Stewart Home, is an English artist, filmmaker, writer, pamphleteer, art historian, and activist. He is best known for his novels such as the non-narrative 69 Things to Do with a Dead Princess (2002), his re-imagining of the 1960s in Tainted Love (2005), and earlier parodistic pulp fictions Pure Mania, Red London, No Pity, Cunt, and Defiant Pose that pastiche the work of 1970s British skinhead pulp novel writer Richard Allen and combine it with pornography, political agit-prop, and historical references to punk rock and avant-garde art.

Artists on the cutting edge of German-language techno include Klee. Both Einstürzende Neubauten (collapsing new buildings, translated literally) and KMFDM (no pity for the majority, translated literally) are considered by many industrial and electronic music fans as the godfathers of their genre. Their sounds developed the modern styles of groups such as NIN, Marilyn Manson, Rammstein, and New Order. Einstürzende Neubauten can be recognized by their Prince-esque logo, which has been subliminally fused into several mainstream American movies (such as a tattoo in the movie Bug, directed by William Friedkin, starring Harry Connick Jr.).

In Hosea 2, the woman in the marriage metaphor could be Hosea's wife Gomer, or could be referring to the nation of Israel, invoking the metaphor of Israel as God's bride. The woman is not portrayed in a positive light. This is reflected throughout the beginning of Hosea 2. “I will strip her naked and expose her as in the day she was born” (Hosea 2:3). “Upon her children I will have no pity, because they are children of whoredom” (Hosea 2:4). “For she said, I will go after my lovers...” (Hosea 2:5).

He later explained the Holocaust as owing to the Jew's sabotage of the German war effort in World War I and the millennia of Gentile anti-Semitism as due to the Jews' 'chararacter': (quoting al-Husseini) 'One of the most prominent facets of the Jewish character is their exaggerated conceit and selfishness, rooted in their belief that they are the chosen people of God. There is no limit to their covetousness and they prevent others from enjoying the Good. … They have no pity and are known for their hatred, rivalry and hardness, as Allah described them in the Qur'an.' " and has written that "Haj Amin al- Husseini was an antisemite.

Marie-Hélène, age 17, said "I didn't really want to stand for the one minute silence, I didn't think it was right to pay homage to a man who insulted Islam and other religions too". Abdul, age 14, said "of course everyone stood for the one minute silence, and that includes all Muslims... I did it for those who were killed, but not for Charlie. I have no pity for him, he had no respect for us Muslims". It also reported that for most students at the Paul Eluard high school in Saint-Denis, freedom of expression is perceived as being "incompatible with their faith".

Such workers saw > no advantage to huddling within their traditional crafts; they sought to > mobilize all workers across a given industry to confront employers--and > governments--with their aggregate clout. With little stake in the status > quo, they invested their faith in sweeping political programs to remedy the > grim conditions in which they worked and lived. When the Cloud City Miners Union in Leadville, Colorado, a local of the Western Federation of Miners, went on strike to try to win back a fifty cents per day pay cut, the mine owners imported strikebreakers. This resulted in a major struggle which a British journalist described: > No surrender; no compromise; no pity.

At first, Iron pursued professional wrestling in the weight room, inventing his own regimen since his right hand would not allow him to execute most lifts in the traditional way. In this way he added 30 pounds of muscle to his frame. In early training with J. T. Lightning, Iron took a great deal of punishment, asking for no pity, and modifying wrestling holds so they could be applied using his one good arm. Iron appeared on the very first episode of Pro Wrestling Ohio, televised on Sports Time Ohio, on November 20, 2007, defeating Johnny Gargano in what has often been called an upset.

Jack Oliver received a good reception when he returned to his former club – Small Heath were introduced as "Oliver's team" – but Sunderland took no pity, winning 7–1. At Liverpool, an exciting game produced a 3–1 defeat. The three home forwards worked as one, putting extra pressure on the centre of the visiting midfield, and the defence was unable to hold them out. The game was rough at times, Liverpool's Joe McQue attracting particular attention because of an incident in the corresponding match the previous season when Caesar Jenkyns was sent off for his violent reaction to McQue kicking Frank Mobley in the abdomen.

In a police interview, Said Zakaria referred to two thirteen-year-old victims of one incident of abuse as "dirty slags" who knew that their function was to "suck dick and then fuck off". He had trafficked a "small 13-year-old girl" to a "sex party" in a hotel room in Bristol, where he raped her twice in what the trial judge, Julian Lambert, described as a "rough, callous and very nasty manner" and using "significant" force. Zakaria left the girl "totally humiliated and bleeding". The girl was then raped again by Jusuf Abdirazak, whom the judge described as acting "without humanity and with no pity whatsoever".

The Mexican wrestling company Consejo Mundial de Lucha Libre (Spanish for "World Wrestling Council"; CMLL) has held a number of major shows over the years using the moniker Sin Piedad ("No Pity" or "No Mercy"). CMLL has intermittently held a show billed specifically as Sin Piedad since 2000, primarily using the name for their "end of the year" show in December, although once they held a Sin Piedad show in August as well. CMLL has on occasion used a different name for the end-of-year show but Sin Piedad is the most commonly used name. All Sin Piedad shows have been held in Arena México in Mexico City, Mexico which is CMLL's main venue, its "home".

The Mexican professional wrestling company Consejo Mundial de Lucha Libre (Spanish for "World Wrestling Council"; CMLL) has held a number of major shows over the years using the moniker Sin Piedad ("No Pity" or "No Mercy") for a major show intermittently since 2000. The name has primarily been used for CMLL's "end of the year" show in December with one exception when the show was held in August. CMLL has on occasion used a different name for the end-of-year show, but Sin Piedad is the most commonly used name. All Sin Piedad shows have been held in Arena México in Mexico City, Mexico which is CMLL's main venue, its home base and main venue.

The Mexican wrestling company Consejo Mundial de Lucha Libre (Spanish for "World Wrestling Council"; CMLL) has held a number of major shows over the years using the moniker Sin Piedad ("No Pity" or "No Mercy"). CMLL has intermittently held a show billed specifically as Sin Piedad since 2000, primarily using the name for their "end of the year" show in December, although once they held a Sin Piedad show in August as well. CMLL has on occasion used a different name for the end-of-year show but Sin Piedad is the most commonly used name. All Sin Piedad shows have been held in Arena México in Mexico City, Mexico which is CMLL's main venue, its "home".

KMFDM (originally Kein Mehrheit Für Die Mitleid, loosely translated by the band as "no pity for the majority") is a German industrial band from Hamburg led by Sascha Konietzko, who founded the band in 1984 as a performance art project. The band's earliest incarnation included German drummer En Esch and British vocalist Raymond Watts, the latter of whom left and rejoined the group several times over its history. The trio recorded the band's earliest albums in Germany before Konietzko and Esch moved to the United States, where they found much greater success with seminal industrial record label Wax Trax!. German guitarist Günter Schulz joined in 1990; both he and Esch continued with the band until KMFDM broke up in 1999.

Atlantis, the only man to work 12 of the 13 shows Sin Piedad (Spanish for "No Mercy" or "No Pity", not to be confused with a similarly-titled series of PPV's hosted by WWE) is the collective name of a series of annual lucha libre, or professional wrestling major show promoted by Mexican professional wrestling promotion Consejo Mundial de Lucha Libre (CMLL). The Sin Piedad show is CMLL's end of the year show, held in December. The first show held under the Sin Piedad took place in 2000, although CMLL has traditionally held a major event in December before then. Sin Piedad has been held eleven times so far, with the end of years event in 2005 billed as Juicio Final ("Final Justice") and then 2009 event billed as Sin Salida ("No Escape") instead.

Author Roger Austen states that Paul might be portrayed as a homosexual character because of the "depiction of a sensitive young man stifled by the drab ugliness of his environment and places the protagonist in an American literary tradition of "village sissies." Paul has shown multiple signs of PTSD, a few are: “efforts to avoid thoughts, feelings, and conversations,” “efforts to avoid activities, places and people that arouse recollections,” and considering the idea of his “foreshortened future… not expected to have a normal life span” (Obertino 50). By, him going to New York to avoid his father and escape from his father who showed no pity, he displayed signs of PTSD. Wayne Koestenbaum reads the story as a possible portrait of Willa Cather's "own desire for aesthetic fulfillment and sexual nonconformity.

After one more Top 10 R&B; hit, "It's Love Baby (24 Hours a Day)", in 1955, the Midnighters had no more hit songs for three and a half years. During this time, members came and went: Lawson Smith returned from the U.S. armed forces after having been drafted, replacing Henry Booth, and Norman Thrasher eventually replaced Sonny Woods. The guitarist Cal Green replaced Arthur Porter, who had earlier taken the place of original member Alonzo Tucker. Tucker went on to become a successful independent songwriter, writing hits for Jackie Wilson "Baby Workout", "No Pity (In the Naked City)", "Squeeze Her, Tease Her (But Love Her)", "You Don't Know What It Means", "Years from Now", the Chi-Lites "Marriage License", Gladys Knight & the Pips "Every Beat of My Heart" (originally recorded by the Midnighters), the Animals, and others.

Jewish characters in Dostoevsky's works have been described as displaying negative stereotypes. In a letter to Arkady Kovner from 1877, a Jew who had accused Dostoevsky of antisemitism, he replied with the following: > "I am not an enemy of the Jews at all and never have been. But as you say, > its 40-century existence proves that this tribe has exceptional vitality, > which would not help, during the course of its history, taking the form of > various Status in Statu .... how can they fail to find themselves, even if > only partially, at variance with the indigenous population – the Russian > tribe?" Dostoevsky held negative views of the Ottoman Turks, dedicating multiple pages to them in his "Writer's Diary", professing the need to have no pity for Turks at war and no regrets in killing Turks and depopulating Istanbul of the Turkish population and shipping it off to Asia.

The Mexican wrestling company Consejo Mundial de Lucha Libre (Spanish for "World Wrestling Council"; CMLL) has held a number of major shows over the years using the moniker Sin Piedad ("No Pity" or "No Mercy"). CMLL has intermittently held a show billed specifically as Sin Piedad since 2000, primarily using the name for their "end of the year" show in December, although once they held a Sin Piedad show in August as well. CMLL has on occasion used a different name for the end-of-year show but Sin Piedad is the most commonly used name. All Sin Piedad shows have been held in Arena México in Mexico City, Mexico which is CMLL's main venue, its "home". The 2018 Sin Piedad was the third first show to be held on New Year's Day after being held on the same day in 2016 and 2017.

Later in the days of the Israelite kingdoms, they are urged to show no pity, but to massacre their enemies…. Today, both Christian Zionists in the West and Israeli messianics continue to refer to the Hebrew Scriptures for archetypal conflicts, which guide their attitudes towards the indigenous inhabitants of Palestine: the Palestinian Muslims and Christians." Masalha refers to: Prior, Michael P., The Bible and colonialism: a moral critique, Sheffield Academic Press, 1997. Arthur Grenke quotes historian, author and scholar David Stannard: "Discussing the influence of Christian beliefs on the destruction of the Native peoples in the Americas, Stannard argues that while the New Testament view of war is ambiguous, there is little such ambiguity in the Old Testament. He points to sections in Deuteronomy in which the Israelite God, Yahweh, commanded that the Israelites utterly destroy idolaters whose land they sought to reserve for the worship of their deity (Deut 7:2, 16, and 20:16–17).

Tough, loyal, infallible with guns, enemy of prejudice and discrimination, Tex is very quick and smart, and has a marked disregard for strict rules; on the other side, he has no pity for criminals, of every race and census, nor regard for their rights, if they do not immediately cooperate with the law. Tex's closest friend in almost every adventure, since he became a ranger, is Kit Carson, loosely inspired by the historic figure of the same name. A main role has been held by Tex Willer's son, Kit Willer, and by the Navajo warrior Tiger Jack; though importance of last two has been diminishing in recent stories. Other recurring characters include El Morisco (a kind of warlock-scientist of Egyptian origin, living in the north-east of Mexico), the Mexican Montales (originally a bandido that fought against a corrupted government, and after a successful politician), the Canadian trapper Gros- Jean, the Irish boxer Pat Mac Ryan, the Mounties Colonel Jim Brandon, San Francisco Police Department Captain Tom Devlin, the Apache chief Cochise, and the Navajo wizard Red Cloud.

Racist editorial cartoon published in 1864 after Charlotte Brown won a lawsuit against a segregated San Francisco streetcar company After the first trial, the black-owned newspaper the Pacific Appeal noted that the verdict in her favor "establishes the right, by law, of colored persons to ride in such conveyances". "While the law recognizes and gives us the right to ride in such conveyances," the editorial continued, "there are a certain number of the employees of this Company, who, if a colored person attempts to cross the street while their car is passing, are seized with a sudden fit of Negrophobia, which is generally manifested by pulling their alarm bell violently, as if some danger was imminent, so afraid are they that some other of our respectable females might attempt to exercise the right that Miss Brown has just won. So long as we have law, justice and right on our side, we want no pity."Pacific Appeal, Number 34, November 1863 Judge Pratt's 1864 ruling was derided in an editorial cartoon by a local white-owned newspaper that showed blacks and whites riding side by side.