Sentences Generator
And
Your saved sentences

No sentences have been saved yet

35 Sentences With "no longer fashionable"

How to use no longer fashionable in a sentence? Find typical usage patterns (collocations)/phrases/context for "no longer fashionable" and check conjugation/comparative form for "no longer fashionable". Mastering all the usages of "no longer fashionable" from sentence examples published by news publications.

"Straight" or documentary photography is no longer fashionable among artists.
So why, did its report conclude, is fashion week no longer fashionable?
And in its December issue, Vogue UK declared that showing cleavage is no longer fashionable.
Hence the reunion in its participants' former boîte of choice, the no longer fashionable Talk House.
We continue to simplify some of our markets products many of themanyway are no longer fashionable or work actually in the new regulatoryenvironment.
In other words, incentive programs in employer-based health care benefits plans and comparison measurements to improve performance are no longer fashionable among the gym set.
The light in the restaurant was golden light, heavy light—an outdated sort of light, honestly, popular in the nineties but now a remnant of a kind of gaudy, old-school pleasure it was no longer fashionable to enjoy.
But SMS texting is no longer fashionable and emoji are increasingly replacing txtspk, though it isn't likely to disappear completely as recent additions such as FOGO (fear of going out), SMH (same here), ICYMI (in case you missed it) and y/y?
It is no longer fashionable for rulers to appear to be authoritarian, the argument goes, so government after government has undertaken the trouble and the expense to legitimize its grip on power by organizing elections, or constitutional referendums, that few people inside or outside the country say are anything close to democratic.
It has been estimated that "between 1865 and 1885, Ohio alone produced half of America's yellowware". By the early 20th century, yellowware was no longer fashionable.
Middlesex: Guinness Superlatives Limited. pp. 164, 176. Corsets, seamed tights, and skirts covering the knees were no longer fashionable. The idea of buying urbanized clothing that could be worn with separate pieces was intriguing to women of this era.
His summary of the Fair: "At the Fair, one could see the world of television impersonating the world of history.”Context, p. 116. In an obituary for Trow, the novelist and screenwriter Michael Tolkin is quoted as saying that "No Context" is no longer fashionable because "It's not a polemic for change. It's just a cold description of where things are going.
Fried Block p. 222 But there were "generational and gender divisions" among the Fellows in music, with some feeling that Beach's music was "no longer fashionable".Fried Block p. 223 In 1924 Beach sold the house in Boston she had inherited from her husband. Her aunt Franc had become "feeble" around 1920,Fried Block 1998, pp. 219–20. developed dementia in 1924, and died in November 1925 in Hillsborough,Fried Block 1998, p. 247.
The Dog and Duck was a tavern built upon St George's Fields in London in the 17th century. It was named after the sport of duck-baiting, that took place in adjacent wetland. In the 18th century its gardens were used as a spa but, by the 1770s, with spas no longer fashionable, it declined into a rowdy location for concerts. The magistrates refused to renew its licence, despite protracted legal disputes, and it closed in 1799.
The Sioux City Public Library (Smith Villa Branch) is a historic building located in Sioux City, Iowa, United States. Local architect William L. Steele designed the Prairie School-style building, which was completed in 1927. This was long after the style was no longer fashionable in its native Chicago, but it shows its staying power in other areas of the Midwest. with The building is identical to the former Fairmount Branch, which was built the same year.
A chasuble-alb is a contemporary Eucharistic vestment that combines features of the chasuble and alb. In the Roman Catholic Church, it was first adopted in France, though without official approval. In France it is no longer fashionable, but it has been officially approved in some tropical countries such as the Philippines,Eternal Word Television Network, Global Catholic Network of January 25, 2003. and in Hawaii in the United States.Bishop Larry Silva’s Liturgical Catechesis at the Hawaii Catholic Herald It is always white in colour.
The rise of the Artistic Dress movement made loose clothing and the natural waist fashionable even for evening wear. Couturiers such as Fortuny and Poiret designed exotic, alluring costumes in pleated or draped silks, calculated to reveal slim, youthful bodies. If one didn't have such a body, new undergarments, the brassiere and the girdle, promised to give the illusion of one. Corsets were no longer fashionable, but they entered the underworld of the fetish, along with items such as bondage gear and vinyl catsuits.
Urchin carried on and recruited guitarist Andy Barnett, later a member of Visage and FM, and later keyboard player Richard (Dick) Young. However, the advent of punk rock led to the loss of their recording contract and meant that live work was drying up as their brand of hard rock was no longer fashionable. Eventually the band broke up and in early 1980 Smith and Barnett formed The Broadway Brats with ex members of Blazer Blazer. Later that year Smith was invited to replace guitarist Dennis Stratton in Iron Maiden.
Towards the end of his life Tuke knew that his work was no longer fashionable. In his will he left generous amounts of money to some of the men who, as boys, had been his models. Today he is remembered mainly for his oil paintings of young men, but in addition to his achievements as a figurative painter, he was an established maritime artist and produced as many portraits of sailing ships as he did human figures. Tuke was a prolific artist—over 1,300 works are listed and more are still being discovered.
Wolff refused, but accepted on 10 September 1740 an appointment in Halle. His entry into the town on 6 December 1740 took on the character of a triumphal procession. In 1743, he became chancellor of the university, and in 1745, he received the title of Freiherr (Baron) from the Elector of Bavaria. But his matter was no longer fashionable, he had outlived his power of attracting students, When Wolff died on 9 April 1754, he was a very wealthy man, owing almost entirely to his income from lecture-fees, salaries, and royalties.
Since American and Canadian lifestyles were similar and business connections were so tight, the new American architectural taste affected Canadian architects. The new trend influenced most Canadian architects, including Darling whose "favourite High Victorian Gothic design was no longer fashionable" (Crossman 9). Expressing the mood of Canadian architecture of the late 1880s, the building has an impressive contrast against a background consisting of modern and postmodern architectural styles. The solidity of the exterior design of the building is caused by heavily-rusticated stone that was used in the construction of massive, thick walls.
In 1992, YVHS changed its school colors to navy blue and gold. The student body felt that the previous colors of powder blue and yellow were no longer fashionable for athletic team uniforms. On March 14, 1987, the YVHS boys' basketball team, coached by Jim Grace, won the Division 1 Northern California Championship at the Oakland Coliseum Arena, 56-54 (2OT) over James Logan High School. This marked the first time in history that an East Bay High School (east of the Caldecott tunnel) accomplished such a feat.
After the liberation of Greece from the occupation of Nazi Germany, difficult times persisted, but his kind of music was no longer fashionable. He also suffered badly with arthritis in his hands which crippled his bouzouki playing, and from asthma that hampered his singing. The slump in his fortunes lasted until the early 1960s when, after initiatives by Vassilis Tsitsanis, many of his old songs were revived and sung by singers including Grigoris Bithikotsis, and Stratos Dionysiou. Vamvakaris died on 8 February 1972 at the age of 66.
On 9 April 1694 Bloomsbury Square was the setting for an infamous duel. The then 23-year-old Scottish economist and financier John Law fought Edward 'Beau' Wilson, killing him with a single pass and thrust of his sword. Law would be convicted of murder and sentenced to death, but would escape his condemned cell and go on to become the founder of the Mississippi Company and the de facto prime minister of France. By the early 19th century, Bloomsbury was no longer fashionable with the upper classes.
By 1938, mineral springs were no longer fashionable and the Chalybeate Spring at Mittagong had slipped from public consciousness. The iron ore mine and the Chalybeate Spring had co-existed for many years. The Fitzroy iron ore mining operation had been on a small scale, commensurate with the small capacity and sporadic operation of the 19th-century iron-works. In 1941, iron ore was again mined from a location close to the spring. Despite assurances that the spring would be protected, the mining activity caused the Chalybeate Spring to ‘deviate’ from its pre-war position.
As the summer season of 1970 drew to a close that gig ended as well, and they relocated back to Naples where they struggled to make ends meet. This is when the band began to disregard Bebek musically. In keeping with the Canned Heat-inspired boogie rock sound favoured by Vukašinović and Bregović, the two made Bebek stop playing the rhythm guitar reasoning it's no longer fashionable. Bebek also had trouble adapting to the new material vocally — he'd sing the intro on most songs and then step back as the other three members improvised for the remainder of songs.
The gearbox was provided with synchromesh between its top two ratios in 1934. The factory catalogued body range was steadily updated with the last of the no longer fashionable Weymann style fabric-covered cars in 1931 and no open tourers after 1934. After the war the Austin Twelve name resumed in the Austin catalogue for a couple of years until the arrival in 1947 of the Austin A40 Dorset and Devon saloons. Today, the Austin Twelve is remembered as being virtually unburstable and is well catered for by the Vintage Austin Register in the UK and various other clubs in other parts of the world.
It became part of the national identity and was normally worn with the other elements of Welsh costume, especially the gown or bedgown or Welsh: "gŵn neu betgwn". It continues in use as an icon of Wales in tourist literature. By the time Sydney Curnow Vosper painted the iconic Salem in 1908, the hat was no longer fashionable, but Vosper still felt the women he painted should wear the now iconic hats. The hat was so rare by the early twentieth century that it is thought Vosper could only find one in the local area, and had to share it amongst the models, painting the same hat into the composition four times.
Vauxhall was opened every day of the week, by Sundays was a special "Vauxhall- day" when something special was generally arranged in the park, often fire works. On 24 September 1774 as well as in 1779, the future Charles XIII of Sweden and Hedwig Elizabeth Charlotte of Holstein-Gottorp visited Gothenburg and were celebrated by the burghers of Gothenburg in Vauxhall, and on 12 July 1786, king Gustav III of Sweden and the crown prince were celebrated with a grand party in the Vauxhall arranged by the burghers of the town. In 1802, the Vauxhall was no longer fashionable and the selling of tickets was discontinued. In the 1820s, the park was destroyed and divided into residential areas, and in 1906, the Vauxhall building was torn down.
He has had hits and toured also in Latin America and throughout the Middle East. In Chile, the audience awarded him an appreciation prize known as the "Antorcha" (Gold and Silver Torch) at the "Festival de Viña del Mar" held yearly in the "Quinta Vergara", at the seaside resort of Viña del Mar, where he once had to sing in three different, sold-out venues in the same night. In the 1980s, Adamo's career faltered, as the style of his music was no longer fashionable. Since the 1990s, however, and on the crest of a nostalgia wave, he has successfully resumed composing, issuing records and touring, starting with a full season at the Casino de Paris venue in April 1990.
The authors question how the contradictory anthropological theories of family proffered by Lewis Henry Morgan, Edvard Westermarck, and Robert Briffault could have all been acknowledged as true at different times and in different societies. Arguing that the theory of each resonated with a specific hegemonic intellectual paradigm and lost favor only when this paradigm was no longer fashionable, they claim that it is in fact the conformity of the idea to dominant values and ideology—and not any actual claim to verifiable truth—which constitutes the source of its popularity. This lack of objective thinking about society is a problem, however, because within the realm of social policy it obscures necessary solutions to pressing issues. This distortion causes people to yearn for a romanticized past when the issue in question had allegedly not yet come into existence, exacerbating the current situation.
Baccara is a female vocal duo formed in 1977 by Spanish artists Mayte Mateos (born 7 February 1951 in Logroño) and María Mendiola (born 4 April 1952 in Madrid). The pair rapidly achieved international success with their debut single "Yes Sir, I Can Boogie", which reached number one across much of Europe and became the best-selling single of all-time by a female group, eventually selling more than 18 million copies worldwide. A successful follow-up single ("Sorry, I'm a Lady") and European tour led to a number of album releases, numerous television appearances and the duo's selection to represent Luxembourg in the Eurovision Song Contest 1978. Despite a substantial following in Spain, Germany and Japan, by 1981 the duo's distinctive blend of disco, pop and Spanish folk music was no longer fashionable, and by 1983 Mayte Mateos and María Mendiola were both working on solo projects.
This collection consists of the following works: # Fantasia in C minor (Adagio – Allegro – Adagio – Allegro) # Fantasia in D major (Vivace – Andante – Vivace Presto) # Fantasia in E minor (Largo – Presto – Vivace) # Fantasia in F major (Vivace – Grave – Allegro) # Fantasia in B-flat major (Allegro – Largo – Allegro) # Fantasia in G major (Scherzando – Dolce – Spirituoso) # Fantasia in G minor (Andante – Vivace – Allegro) # Fantasia in A major (Allegro – Vivace – Allegro) # Fantasia in C major (Presto – Grave – Allegro) # Fantasia in E major (Dolce – Allegro – Dolce – Allegro Siciliana Scherzando) # Fantasia in D minor (Allegro – Grave – Allegro) # Fantasia in E-flat major (Andante – Allegro – Vivace) Written at a time when the instrument was no longer fashionable, Telemann had to compose with imagination to attract buyers. A reviewer of Gramophone notes: "Telemann presents a cornucopia of broken chords, unison and contrapuntal writing, passagework and even some plucking; there’s also a nod to the fashion tussle of the time between the fugal and the galant style".
Under the Empire and Restoration, there were a number of collaborations in which composers worked together in a very short time to produce works to celebrate events of importance to the ruling dynasty, such as a marriage, birth, or baptism. Such a composition was usually the work of a few days and might involve as many as 4 composers. The only notable work by many hands before the composition of La marquise de Brinvilliers was Le congrès des rois, conceived in a revolutionary spirit, the work of 12 composers, and presented at the Opéra-Comique on 26 February 1794.La Nouvelle revue: André Chadourne, "La Collaboration au Théâtre", vol. 78, 354.Wild and Charlton (2005), p. 200. In 1831, the Opéra-Comique was suffering financially and its Salle Ventadour was no longer fashionable. Émile Lubbert,John Goldworth Alger, ed., Paris in 1789–94: Farewell Letters of Victims of the Guillotine, vol. 3 (London: George Allen, 1902), 85–86.
Gordon Fraser' or using his initials. William Andrew Baird Grove, in his booklet ‘The Frasers - A Local Family of Artists’ (1980) describes George Gordon’s work as - “a wide variety of Fen scenes of painstaking detail and accuracy, no longer fashionable in today’s art. His brushwork was very fine and it appears that every single twig and every leaf is given individual attention.” There are noticeably fewer examples of his work in circulation as he died young, at the age of 35, having fallen through the ice while skating on the River Ouse. He was buried with his father in a secluded spot in the graveyard of St. James’s Church, Hemingford Grey, a village between Huntingdon and St. Ives, Cambridgeshire. Example of the illustrative work of George Gordon Fraser, 1859-1895, from the 1891 publication 'The Diary of a Pilgrimage' Besides following his older brothers into the uncertain life of an artist, Arthur Anderson Fraser (1861-1904) was also an enthusiastic participant in the Neo- Jacobite Revival, founding a ‘White Cockade’ club at the Ferry Boat Inn at Holywell.

No results under this filter, show 35 sentences.

Copyright © 2024 RandomSentenceGen.com All rights reserved.