Altering the melody, lyrics or musical arrangement is also forbidden.
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Ludlow said it is retaining a copyright on the song's musical arrangement.
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At first hesitant, Alexa then kicks it into gear, complete with a musical arrangement behind her vocals.
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This early 20th-century painting, by the German artist Rudolf Bauer, similarly connects principles of musical arrangement with the organization of bright, exuberant shapes on his canvas.
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Of course, that was the total wrong thing you could say to them at that point in their development, because they were new and fresh on the scene, too, and now they're supposed to work this other person into their musical arrangement and set up?
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In this play, we begin to hear the seemingly incidental sounds of the characters sweeping the floor, moving a chair, or allowing a phone to ring — along with the truly incidental sounds of an audience member coughing or shifting in her seat — as parts of a larger musical arrangement.
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WATCH THIS: Harry Potter's Evanna Lynch Reveals J.K. Rowling Helped Her Overcome an Eating Disorder at Age 11 The images on the side of the castle will be accompanied by an exclusive musical arrangement based on the original score composed for the film series, conducted by William Ross and recorded by the London Symphony in London.
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N3rdistan, led by Walid Ben Selim, performed this poem in a musical arrangement in 2014.
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According to White, the musical arrangement to "Lazaretto" was inspired by MC Lyte's 1989 hit single "Cha Cha Cha".
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Like the rest of the songs from the album, she retained the English lyrics, although the musical arrangement became pop and jazz influenced.
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Due to an argument over the song's musical arrangement, Paul McCartney walked out of the studio and did not contribute to the recording.
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The primary version used for radio airplay was the Glen's Radio Mix, which has a new intro and a complete different musical arrangement than the original Album Version.
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Madinger & Easter, pp. 435, 436. Rodriguez describes the musical arrangement on the song as "a slow soul groove" and views Wood's version as "more Harrisonian" than Harrison's later reading.Rodriguez, pp. 234–35.
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'Bourée', however, has significant alterations to the musical arrangement. 'God Rest Ye Merry, Gentlemen' (Track 5) has been played in concert many times over the years: this is the first studio version.
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"We Belong Together" is a simple, understated musical arrangement set in C major and composed in 4/4 time. Similarly, within the song, Carey's voice spans from G3 to the high note of A5.
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McCartney has continued to perform "Something", adopting the Concert for George mix of ukulele and rock backing; a version with this musical arrangement was included on his 2009 album Good Evening New York City.
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The song, "Taste The Time," was the first music video created by the band, partly funded by backers through INDIEGOGO. With the musical arrangement written by Scott Clifford and directed by Willi White II.
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Biermann's musical arrangement of "" alternates between a and time signature. Georg Friedrich Kühn noted that the equal emphasis on the quarter notes is reminiscent of a chorale work.: Kutsche und Kutscher. Die Musik des Wolf Biermann.
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Badman, p. 10. According to bootlegs subsequently compiled from the sessions, 44 takes of the song were taped.Madinger & Easter, p. 433. The recordings reveal a musical arrangement featuring acoustic guitars, piano, bass, drums and jazz-inflected horns.
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On October 25, 2005, Densha Otoko was awarded six prizes at the 46th Television Drama Academy Awards: Best Drama, Best Supporting Actor (Atsushi Itō), Best Supporting Actress (Miho Shiraishi), Best Director (Takeuchi Hideki), Best Musical Arrangement and Best Opening.
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The songs and score were written by the Sherman Brothers. # "Freedom". Sung by Roberta Flack (who did not approve of the musical arrangement and threatened a lawsuit if the original cast album were not remixed to her liking). #"Someday, Honey Darlin'".
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Tracks 11 and 12 are Cantonese versions of tracks 5 and 6 respectively. Only track 12 has a different musical arrangement. The title of track 5 is the Chinese name of Gabriel Garcia Marquez' novel One Hundred Years of Solitude.
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The song was written by Yeng Constantino with vocal production and arrangement by Jonathan Manalo, musical arrangement by Ria Villena-Osorio. It was produced by Ria Villena-Osorio, Yeng Constantino, Champ Lui Pio, Tim Mejia and Jonathan Manalo and released under Star Music Philippines.
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On December 18, 2016, Unplugged received four awards from seven nominations from 22nd Anugerah Industri Muzik, including for Best Vocal Performance in a Song (Female), Best Nasyid Song for "Mikraj Cinta", Best Musical Arrangement in a Song for "Menatap dalam Mimpi", and Best Album.
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Allegations have been made that the melody and musical arrangement of the band's breakout single "Pinoy Ako", also used as a theme song in the reality show Pinoy Big Brother, was stolen from an obscure single, "Chandeliers" by 1980s English new wave group, Care.
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"Who's That Girl" employs this effect on the last chorus where three or four different vocal hooks are intertwined. The second track "Causing a Commotion" has a danceable, up-tempo groove. The musical arrangement consists of a number of hooks interpolating with each other.
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"It Had Better Be Tonight (Meglio Stasera)" was later covered by Canadian crooner Michael Bublé, and released as the fourth single from his third studio album, Call Me Irresponsible. Bublé's version of the song is an adaptation of the musical arrangement previously made for Lena Horne.
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For the revue Out of the Frying Pan (1980), she wrote five original songs, collaborated with Judy Szekeres on the musical arrangement, played in the orchestra and was involved with the choreography.Szekeres, Judith Anne (February 1993). "The Adelaide Feminist Theatre Group. A case study", MA thesis, UNSW.
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"Oblivion" is a song by the Cebuano rock band Hastang. The song's lyrics was written by Julie Ann Ladanan (née Redoble), with the melody and music written by lead singer Tessa Manto and bass player Guile Canencia. The musical arrangement of the song is credited to Hastang.
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Harrison played acoustic and electric guitars on "I'd Die Babe", and provided the musical arrangement for "Suitcase". Another outside musician, Klaus Voormann, contributed the electric piano part on "Suitcase", which featured Russell playing guitar. The band took a break from recording late in June,Badman, p. 36.
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The first scene shot was his performance of the musical number "C'est Moi", by which Logan found Nero's singing voice incompatible with the song's musical arrangement. His singing voice was dubbed by Gene Merlino while Nero was given a speech coach to help improve his English.
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Janos Starker at Indiana University in the Indiana United States, where he also served as his teaching Assistant. Over the years, the study also studied jazz, improvisation and theory with Prof. Zvi Keren, with Prof. David Baker (Indiana University), and musical arrangement and orchestration with composer Menachem Wiesenberg.
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It was never revealed if Amy listened to them. The show had a brief run in 1978, and was eventually cancelled. Musical arrangement was produced by Aeolus Productions, known for the themes and musical cues on American soap operas like All My Children, Ryan's Hope and One Life to Live.
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The song's chorus has him elongating its syllables and shouting his lines: "Oh, I'm falling, so I'm taking my time on my ride." During the bridge, Joseph engages in call-and- response patterns. The track's instrumental also takes dub-inspired deviations. Its musical arrangement closes with a piano-driven conclusion.
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Ponirah Terpidana was written and directed by Slamet Rahardjo for Sukma Putra Film. It was produced by Manu Sukmajaya and A. Gunawan, with Tantra Surjadi on camera and editing by George Kamarullah. Rahardjo's brother Eros Djarot handled the musical arrangement, while Suparman Sidik handled sound. Benny Benhardi handled artistic direction.
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Abi Mae was born in Oxford, England. She was the lead singer and bassist of all-girl punk band, Jade Banger. She is a proficient bass, guitar and piano player. Mae's musical arrangement, "Special Guest", is featured in the film The Hammer, based on the life of UFC champion Matt Hamill.
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In general, critics lauded the artistry of the single's music video, comparing it to Instagram. The musical arrangement was composed by Del Rey's long-time collaborators Emile Haynie and Rick Nowels, with Nowels and Del Rey writing the lyrics. The song is also referenced in The Chainsmokers' hit single "#Selfie".
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Although only a handful of sijo (formatted verse used in Korea, as in English sonnet) and geomungo pieces exist today, they nonetheless show skilled craftsmanship of words and musical arrangement. These verses hint at the tragedy of her lost loves. Some are also responses to numerous famous classic Chinese poems and literature.
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Romanian artists Nek and Blondu de la Timişoara have released a track title "Habibi", a remake of the song with an all-Romanian lyrics and new musical arrangement. The duo released a music video to accompany the sing. This non-official version gained popularity long before the official Romanian version featuring Mandinga.
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"Not that I can necessarily differentiate between speed metal and black metal…" she said. "I'll tolerate it, but I turn it down". Mandy has stated that she has become more comfortable with her older music, she even found new ways to present her more bubblegum-friendly songs with a more contemporary musical arrangement.
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All three musicians added handclaps. Other overdubs included McCartney's bass, Harrison on six-string bass, and Lennon playing a snare drum. Harrison played the guitar solo in the instrumental break, while McCartney contributed a high-pitched, single-note solo over the final verse. MacDonald describes the musical arrangement as a "thunderous wall of sound".
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While the musical arrangement was completed before the Tango sessions, the lyrics had yet to be fully developed. An early demo of the song, included on the deluxe edition of Tango in the Night, featured a trembling vocal line at the end of every chorus, which was eventually incorporated into another Buckingham-penned track, "Caroline".
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The album "If you love me " is a selection of songs from Aznavour, Piaf & Bécaud. In April Milko released on YouTube the Jacques Brel classic "If We Only Have Love" recorded early in the year with stage partners Rikelle Turner & Sheridan Gaudry. Musical arrangement by Les Dempsey and the vocal arrangement by Ingrid Sakurovs.
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Edinburgh: John Donald. Usually slow in tempo, ballads tend to have a lush musical arrangement which emphasizes the song's melody and harmonies. Characteristically, ballads use acoustic instruments such as guitars, pianos, saxophones, and sometimes an orchestral set. Many modern mainstream ballads tend to feature synthesizers, drum machines and even, to some extent, a dance rhythm.
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In addition to Siti's career, she wrote the lyrics for five songs on the album. The album has been nominated for the Best Album Cover, won Best Vocal Performance in an Album (Female), Best Musical Arrangement in a Song ("Bukan Cinta Biasa"), Best Pop Album and Best Album at the Anugerah Industri Muzik in 2004.
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The best known of his hymns is "Die Ehre Gottes aus der Natur." The musical arrangement of the hymns also lost much importance. The number of popular melodies to which new and old texts were sung sank rapidly. These tunes were mostly Isorhythmically reshaped and sung by the community in increasingly long-stretched tones.
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Atlas' version is loosely based on Nina Simone's cover version and features a Middle Eastern musical arrangement. The song "He Hesitated" refers to the Iraq War; Atlas has openly criticized the foreign policy decisions of former United States President George W. Bush and former British Prime Minister Tony Blair.Michel, Sia. "Appalachian and Arabic, and a Bit of Politics".
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Elias Rahbani, Assi's younger brother, took over the orchestration and musical arrangement for the performance. Within a year, Assi had returned to composing and writing with his brother. They continued to produce musicals, which became increasingly political in nature. After the Lebanese Civil War erupted, the brothers continued to use political satire and sharp criticism in their plays.
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It is set to the hymn tune Humility by John Goss, written in 1871. Posen recorded "No More Fish, No Fishermen" with the group Finest Kind (on their CD Heart's Delight) as an a capella, three-part vocal; and on his solo CD The Old Songs' Home, with a jangle pop musical arrangement reminiscent of The Byrds.
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Starr recorded a new version of "Back Off Boogaloo" for his 1981 album on Boardwalk Records, Stop and Smell the Roses.Badman, pp. 255, 289. The song was produced by Starr's friend, singer Harry Nilsson, and features a musical arrangement by Van Dyke Parks. Similar to Nilsson's 1968 cover of the Beatles' "You Can't Do That",Clayson, p. 310.
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His breathless performance exudes visceral intensity and quirky, exaggerated inflections. White's lyricism contains a dense slew of words laced with anxious banter and snappy humor. The musical arrangement comes to an abrupt hault at the last line of each verse. In substitution of a chorus, "Fell In Love with a Girl" features an infectious backing vocal line.
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Hail! Hail! Rock and Roll became the title of a 1987 concert film and documentary about Berry; the song itself is also commonly mistitled as Hail Hail Rock and Roll. Much of the song's musical arrangement was reused by Berry in 1964 in "No Particular Place to Go". The same arrangement was also used for "Big Ben Blues".
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After five years, however, the famed Theater an der Wien mounted a production of the operetta. With a slightly different libretto and musical arrangement, it caught the public eye and has since retained its popularity on stages around the world. In 2007 English Touring Opera performed a new concert production of Wiener Blut at venues throughout the United Kingdom.
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Barbershop bell chord. A bell chord, also known colloquially as "bells", is a musical arrangement technique in which a composition has separate instruments (or multiples of the same instrument) play single notes of a chord in sequence, sustaining individual notes to form the chord.Averill, Gage (2003). Four Parts, No Waiting:A Social History of American Barbershop Quartet, p.205. .
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In addition, musicologist Walter Everett highlights the subtle use of piano in the musical arrangement; played as an electric guitar motif by Harrison on initial takes of the song, this part provides a countermelody during the verses. The timpani and piano (the latter played by McCartney) were overdubbed onto take 9, along with a guitar intro.
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He studied jazz, harmony, composition and musical arrangement with his father. In 1969, at age 15, his family moved to Sydney, New South Wales, Australia where he met Angus Young shortly after arrival. He started hanging out with Angus and his brother, Malcolm Young. Van Kriedt is described as being an accomplished jazz- influenced guitarist during this period.
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' The B-side, "Umbrella", is originally from the group's third mini-album, 'Lupin'. The musical arrangement and the lyrics has also been slightly altered. Like for example, the beginning of the song is much more different than the Korean version. However, during the bridge of the song the members can be heard rapping/talking in Korean language.
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Nolan is a music graduate, holding both a B Mus and M Mus. He played violin, cello and viola, although his main study while at university was composition, orchestration, musical arrangement and conducting. In 2008 Nolan's rock opera, She, was filmed for DVD in Katowice, Poland. In 2010 the show was again performed in Santa Cruz, Bolivia.
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Sound the Alarm is the eleventh studio album by The Dawn, released in 2009. It is the band's first album with the new guitarist Kenneth Ilagan. Five of the album's tracks were produced by Raimund Marasigan, the other five by Ariz Guinto. Marasigan also helped with musical arrangement, especially with the six songs composed by the bass guitar player Buddy Zabala.
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Eric Clapton (shown performing in 1975) played the lead guitar part on the recording. The released recording of "I'd Have You Anytime" features a sparse musical arrangement, in what Leng terms the "minimalist" tradition of Dylan and the Band, similar to the treatment given to "Behind That Locked Door", "Run of the Mill" and "If Not for You".Leng, pp. 82, 88, 102.
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The song is a melancholic account about old people who spend their final days in an old folks' home. They are lonely, lethargic and lost all their illusions. The refrain describes how they watch the pendulum of the clock swinging back and forth, which is mimicked in the musical arrangement. As much as they try to resist their old age death remains inevitable.
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Leng highlights this combination as providing the song with its rising and falling musical moods, implying variously light and darkness; Inglis writes of the musical arrangement mirroring the "competing impressions" of hope and melancholy found in Harrison's lyrics. True to its Catskill roots, the recording evokes the Band's "The Weight"Clayson, p. 251. and their eponymous second album,Leng, pp. 53, 96.
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He has won numerous awards including the Indonesian Music Awards for best musical arrangement. He is one of the most influential musicians in Southeast Asia. In recent years, he has generated controversy after his son killed seven people while driving illegally, and after becoming involved in politics. In January 2019, he was sentenced to 18 months in jail for hate speech.
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The track's sparse musical arrangement includes the subtle use of sitar drone, marking a return to Harrison's Indian-style compositions for the Beatles in the late 1960s. Harrison recorded "Be Here Now" for his second post-Beatles solo album, Living in the Material World,Badman, p. 83. the sessions for which began in October 1972."Living in the Material World", georgeharrison.
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223–24 "Arrow Through Me", a track more in keeping with McCartney's melodic pop style,Madinger and Easter, p. 243 is a song written from the perspective of a rejected lover.Benitez, p. 91 With a musical arrangement that eschews guitar backing for synthesizer, Fender Rhodes piano and horns, Benitez views it as "reminiscent of the techno-pop style of Stevie Wonder".
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The song was originally intended to be recorded by boy band Westlife. When Atomic Kitten recorded it, it was introduced on the re-issue of Right Now. The album version of "You Are" differs from the single version, as the single version features newly recorded vocals and a new musical arrangement. On the album version, Natasha performs every solo in the song.
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"Moments" received generally positive reviews from music critics, many of whom praised its musical arrangement and memorability. Alex Hughes from The Huffington Post characterised the song as "heartbreaking". Hollywood Life and AllMusic both rated "Moments" as one of the best songs on Up All Night. Herald Sun writer Cameron Adams referred to the track as a "classic boy band ballad".
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"Right Won't Touch the Hand" is a ballad by American country singer George Jones. It was released on the Musicor label and rose to #7 on the Billboard country singles chart. It was written by Earl "Peanutt" Montgomery. The recording, which features a lilting melody over an ambitious musical arrangement, was reminiscent of the material Elvis Presley was recording at the time.
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Adding to the song's ethereal qualities, the musical arrangement includes a Lowrey organ part heavily treated with studio effects, and drone provided by an Indian tambura. The song has been recognised as a key work in the psychedelic genre. Among its many cover versions, a 1974 recording by Elton John, with a guest appearance by Lennon, was a number 1 hit in the US and Canada.
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The band brought in Date to assist with production and also received input on musical arrangement from Greg Wells on several of the album's tracks. The band later added more material at Studio X in Seattle, Washington and at Larrabee Sound Studios. Overall, the album took 12 months and cost roughly $2.5 million to complete. (Page 2 scan ) The band was fined by Maverick for missing deadlines.
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During this time he took a correspondence course in musical arrangement offered by Archie Bleyer. He moved to New York and existed in subsidence mode as a freelance arranger, including work for Cass Daley, George Hall, and the publishing company of Clarence Williams. While in New York he befriended Bleyer on a personal basis; Bleyer helped him land a job arranging for Paul Whiteman's vocalist Durelle Alexander.
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"A Lover's Question" is a 1958 Pop, R&B; hit for Clyde McPhatter. The single was written by Brook Benton and Jimmy T. Williams and was Clyde McPhatter's most successful Pop and R&B; release. The musical arrangement was by Belford Hendricks who was a close friend of Clyde and the arranger of many hit songs for a multitude singing stars. The bass singer is Noah Hopkins.
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As with Faryl, Wonderland was produced by Jon Cohen. Smith promoted the album with appearances on television and radio. For the most part, critics responded positively to the album, with praise for Smith's vocals, the song choice and the musical arrangement, but criticism for "the lack of emotional weight". Further, critics observed that Smith's voice had improved since her appearance on Britain's Got Talent.
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Cuban son originated in eastern Cuba in the late 19th century. The music's defining characteristic was a pulsing or anticipated bass that falls between the downbeat, leading to the creation of many bass instruments including the botija. Other instruments included a marímbula, serrucho, contrabajo and bajo. Other bass instruments were used according to the size of the musical arrangement or timbre of the bass instrument needed.
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Ochs recorded "The War Is Over" for his fifth album, Tape from California. The musical arrangement, by Bob Thompson, incorporates martial beats, brass horns, and flutes. The opening is a theme from the National Emblem March by Edwin Eugene Bagley. Other parts of the arrangement include quotes from John Philip Sousa's patriotic march "Stars and Stripes Forever", implying that opposition to the Vietnam War was patriotic.
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The recording for "Hare Krishna Mantra" took place at EMI's Abbey Road Studios in July 1969,O'Dell, p. 78. shortly before a session for the Beatles' Abbey Road album. Harrison worked through a musical arrangement for the piece on guitar, with Mukunda playing piano. For the recording, Harrison decided on having co- lead vocalists for the verses, Yamuna and Shyamsundar,Greene, pp. 143–44.
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Die Harmonie der Welt (The Harmony of the World) is an opera in five acts by Paul Hindemith. The German libretto was by the composer. The title of the opera is taken from Harmonices Mundi by the astronomer Johannes Kepler (1571–1630) who is the subject of the opera. Hindemith used the planetary system as a metaphor for his own musical arrangement of the chromatic scale.
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Dvořák began to arrange the first Moravian Duets at Neff's request. He used as the source for his arrangements the collection Moravian National Songs, compiled by František Sušil (1804–1868), the pioneer collector of Moravian folk songs. Dvořák, however, did not content himself only with the musical arrangement of the folk melodies, he began to compose entirely new music for the folk-song texts.Šourek (2004), p.
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Billy Dukes of Taste of Country praised Cam’s voice and the musical arrangement, saying “The newcomer’s performance is stark and personal. Her production team does a great job of not getting in the way.” He also said that “Cam is the one who wronged her man, not vice-versa. The other way around is an over-told story, but there’s nothing unoriginal” about "Burning House".
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While touring at the Times Union Center, Albany, New York, Clarkson performed the song with a musical arrangement. Grey Haymes of Times Union remarked that the song was "re-made and re-modeled with a throbbing, fuzzed-out bassline and an irresistible techno pulse as the foundation for her hook-filled pop song." He also added that it was one of the several surprises from the concert.
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In his description of the completed recording, Leng views the song as a "harrowing encounter, a far more savage affair than the Alvin Lee take", due to the musical arrangement and the "pained mood" established by Harrison's vocals. He adds that the "weeping slide guitar riffs" contribute to a musical catharsis that recalls Lennon's primal therapy-inspired Plastic Ono Band album.Leng, pp. 151–52.
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However, unlike Qawwali, the musical arrangement is much simpler and may only include one harmonium, one tabla, one dholak and a single vocalist. The emphasis remains on the words rather than the music itself, since the central aim of Kafi music is to convey the essence of the mystical lyrics. The central verse is often repeated. There are no fixed styles of singing of Kafi.
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Wald 2004, p. 127. His first recorded song, "Kind Hearted Woman Blues", in contrast to the prevailing Delta style of the time, more resembled the style of Chicago or St. Louis, with "a full-fledged, abundantly varied musical arrangement".Wald 2004, p. 133. Unusual for a Delta player of the time, a recording exhibits what Johnson could do entirely outside of a blues style.
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On the 31st Awit Award, Jona bagged 6 awards, Most Downloaded Artist, Most Streamed Artist, Most Downloaded Song for "You," Most Streamed Song for "Pusong Ligaw," People's Voice for Favorite Collaboration for "Till the End of Time" with BoybandPH and Best Selling Album of the Year for self-titled album "Jona." Her collaboration with Regine Velasquez, "Matibay," also won Best Musical Arrangement award for composer Marvin Querido.
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The song's origin was an inspiration by the magnitude of human suffering and tragedy that touched so many lives after the tsunami disaster in December 2004. In Hurricane Katrina's wake Stone, Sharpe, Feist, and Rich used the song as a combined effort to raise funds for the two global tragedies. Feist and Sharpe also served as producers. Mark Feist also wrote the musical arrangement.
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He also has done musical arrangement for Etta James, Lou Rawls, and others.Down Beat Profile Much of his career has been in R&B;, but in the 1970s he had several successful jazz albums, with I Hear a Symphony reaching 11 on Billboard's Jazz albums list and 159 for Pop albums.[ All Music: Hank Crawford] David Sanborn cites Crawford as being one of his primary influences.Fairweather, Digby.
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During the 2014–15 season, a new, re-imagined production was co-produced by Arena Stage and Cleveland Play House. This production featured the five Moes as 21st century musicians and a slightly modernized musical arrangement. The production ran 14 November – 28 December 2014 at Arena Stage and 23 January – 15 February 2015 in Cleveland Play House's Allen Theatre. The production was directed by Robert O'Hara.
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Opening with a pounding major triad, the musical arrangement begins with its piano motif. The song has an upbeat atmosphere, with happy sounding piano chords and sunny, synth-driven melodies intertwining at the anthemic chorus. During its bridge, a propulsive, one-chord vamp is played throughout in D minor with a swing feel. Lyrically, "Tear in My Heart" is an uplifting love song that expresses goofy, sincere lines.
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In an interview with The Jakarta Post, he recalled that he "realized this film belonged to them. This is their world, and we, the adults, are like the keepers." The Indonesian band Netral provided the film with its titular song, also entitled "Garuda di Dadaku"; the song was adapted from "Apuse", a regional song in Papua. Musical arrangement was handled by husband and wife team Wong Askan and Titi Sjuman.
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"Official Girl" is an R&B; song, with a length of four minutes and seventeen seconds. It was written by members of The Clutch collective: Balewa Muhammad, Candice Nelson, Ezekiel "Zeke" Lewis, along with Marcella "Ms. Lago" Araica, Lil Wayne and Nathaniel "Danja" Hills. The Clutch were responsible for the musical arrangement and Danja produced it, while Araica handled mixing at the Hit Factory Criteria, Miami, with additional collaborator Chad Jolley.
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Same year Antonija has prepared a song entitled "Tvoja" for the end of 2017 and the beginning of the new 2018. And this time she signs the lyrics and music, while the musical arrangement is signed by Dragan Brnas. The music video was shot in the former Ferdinand Hall. Antonija is also announcing a new solo fifth album in preparation under the release of Croatia Records for spring 2018.
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In 1994, after thirteen months of music lessons, Kanam created a musical arrangement for her first tour, the "Acoustic One Woman Show," which toured Central Africa. In 1995, Kanam settled in Abidjan, Ivory Coast, where she experimented musically by joining a religious choir. She later joined a church ensemble called the "Grace Choir" in Cocody, Ivory Coast, as a regular singer. In 1997, Kanam resumed her studies in international business.
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The presentation cannot be comprehended by progressively building up an understanding of its parts in isolation. It must be understood as a whole. For example, an element used in one painting may be used to articulate an entirely different meaning in another. The same principle applies to a note in a musical arrangement—such elements independently have no fixed meaning except in the context of their entire presentation.
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Rainforth lived in Edinburgh from 1851 or 1852 to 1856, and contemporary publications post reviews of her performance of the song in the capital; and she published the song with her own (and the now standard) musical arrangement in 1852. She retired from public life in 1859, and until 1871 she taught singing at Windsor. In 1871 she withdrew to Chatterton Villa, Redland, Bristol, where she died 22 September 1877.
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Lupita Ferrer and Ricardo Blume starred as stellar performances. The song Yo Te Recuerdo was used as the theme song of the telenovela Mariana de la Noche (2003–2004), produced by Salvador Mejía Alejandre, but with a different musical arrangement. Alejandra Barros and Jorge Salinas starred as protagonists, while Angélica Rivera and César Évora, starred as antagonists. Patricia Navidad, Adriana Fonseca, René Strickler and Alma Muriel starred as stellar performances.
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The echo is noticeably different in the mono and stereo mixes. The mono version also starts fading out slightly earlier than in the stereo version. The musical arrangement also features sweeping orchestrated strings and the distinctive vibraslap percussion instrument. While the Lemon Pipers played on the record, producer and joint author- composer Leka hired a string section to accompany the band, to add extra depth to the already psychedelic arrangement.
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Jazz Meets the Symphony is an album by Argentine-American composer, pianist and conductor Lalo Schifrin with bassist Ray Brown, drummer Grady Tate and the London Philharmonic Orchestra recorded in 1992 and released on the Atlantic label in 1993.Payne, D. Lalo Schifrin discography accessed March 8, 2012 Schifrin's musical arrangement for the track, "Dizzy Gillespie Fireworks" was nominated for the 1994 Grammy Award for Best Arrangement on an Instrumental.
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Whitburn, Joel (1996). The Billboard Book of Top 40 Hits, 6th Edition (Billboard Publications) An alternate version of the song with a slightly different musical arrangement, which has never been released, is used in the film. The other hits from this soundtrack include "Footloose" by Kenny Loggins and "Let's Hear It for the Boy" by Deniece Williams, both of which went to No. 1 on the pop chart.
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"The Star Spangled Banner" is a charity single recorded by American singer Whitney Houston to raise funds for soldiers and families of those involved in the Persian Gulf War. Written by Francis Scott Key, "The Star-Spangled Banner" is the national anthem of the United States. The musical arrangement for Whitney Houston's rendition was by conductor John Clayton. The recording was produced by music coordinator Rickey Minor, along with Houston herself.
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While teaching at Pen-y-garn, Rees continued composing. His composition for string quartet won the top prize at the national eisteddfod at Aberdare, with the judges declaring it to be the best composition ever submitted there. He again won first prize at a national competition for the best musical arrangement of a Psalm for orchestra, soli and chorus. Rees also edited various collections of hymns and songs.
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"Stronger" is a downtempo pop and R&B; ballad, with elements of hip hop. Daily Mail's Adrian Thrills described it as a "madeto-measure pop ballad". "Stronger" was composed in the key of A minor in common time, at a relatively slow-paced 74 beats per minute. The song features an orchestral musical arrangement; its instrumentation is provided by a bass guitar, violin, viola, cello, double bass, drums and keyboards.
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In the midst of much quarrelling, various singers threaten to walk out. The situation turns more dire with the arrival of Mamma Agata (a baritone role), the mother of the seconda donna. She insists on a solo for her daughter and even issues detailed demands on the musical arrangement of the aria. When the German tenor refuses to go on, he is replaced by the prima donna's husband.
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The first performance that Lee had created in conjunction with the company Dance Umbrella and Greenwich Borough Hall; a large-scale performance piece that was made up of a 50 person-strong cast, a choir and a musical arrangement composed by Terry Mann. The intent of the performance was to pay homage to the once freely occupied "common" areas that are now not as accessible in urban space.
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"Joanna" was written by JoJo, Natalie Dunn, Rebekah Muhammad, and Jeff Gitelman, the latter of whom produced the track. Musically, "Joanna" has been described as a freestyle and R&B; ballad with "raw" and "stripped-down" instrumentation led by a "bluesy" guitar riff. The musical arrangement of the song was compared to the songs found on the singer's previous mixtapes. The lyrical content of "Joanna" centers around the comments of haters, music critics, and fans.
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As a child he studied at the Royal Academy in London. He performed at Exeter Hall, Drury Lane and the Crystal Palace. In the early 1860s Careless joined The Church of Jesus Christ of Latter-day Saints and in 1864 he immigrated to Utah Territory. It was after his ship had docked in New York City that he wrote a musical arrangement for Parley P. Pratt's hymn "The Morning Breaks, the Shadows Flee".
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It was originally conceived by Tedder and Bogart specifically for Beyoncé, although there was media speculation that it had been intended for Leona Lewis. "Halo" is a pop/R&B; power ballad, the lyrics of which describe a sublime love. It features drum, piano, keyboard, string, synthesizer, and percussion instrumentation. The song faced a controversy when Kelly Clarkson claimed that Tedder had reused the musical arrangement in her own 2009 song "Already Gone".
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"Ain't Nobody's Business" (originally "Tain't Nobody's Biz-ness if I Do") is a 1920s blues song that became one of the first blues standards. It was published in 1922 by Porter Grainger and Everett Robbins. The song features a lyrical theme of freedom of choice and a vaudeville jazz–style musical arrangement. It was first recorded, as "'Tain't Nobody's Biz-ness if I Do", in 1922 by Anna Meyers, backed by the Original Memphis Five.
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Mendocino is also the home of the Mendocino Film Festival which was first held in May 2006. Because the area is a haven for artists, the festival honors them with a special "artist category", in addition to the documentary, feature and short film categories. Cliffs of Mendocino, a musical arrangement composed by Alan Lee Silva that is designed for developing middle and high school bands, was also inspired by and named after the community.
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"Which Way, Robert Frost?" received Awit Award nominations in 2015 in multiple categories: Paolo Onesa for Best Performance By A Male Recording Artist, Benjie Pating for Best Musical Arrangement, Arnie Mendaros for Best Vocal Arrangement, Ferdie Marquez & Efren San Pedro, Freq Studio & 12 Stone Studio for Best Engineered Recording. It is Paolo Onesa's second nomination for Best Male Performance, having won the AWIT Award in 2014 for his performance of "Lucky in Love".
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The musical arrangement consists of a number of hooks interpolating with each other. It begins with the chorus, where Madonna sings the line "I've got the moves baby, You've got the motion, If we got together we'd be causing a commotion." The verses are accompanied by a four-note descending bassline and interjecting staccato chords. The lyrics make reference to Madonna's 1985 single "Into the Groove" and have three parts to the vocal harmony.
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She is also writing and recording for her new album which is due to be released in autumn 2015. Salique has been influenced by music from both East and West, she incorporates global mainstream music and poetic melodies and stories from her traditional heritage of her Bangladesh. She is known for her unique soulful voice and powerful vocals. Her musical arrangement is a fusion of Bengali folk, combined with jazz, pop, funk and soul.
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"Undone – The Sweater Song" is a mid-tempo alternative rock song that runs for a duration of four minutes and fifty-eight seconds. Its musical arrangement utilizes dynamics and thick distortion during the chorus in order to drive home the song's melody. According to the sheet music published at Musicnotes.com by Hal Leonard Music, it is written in the time signature of common time, with a moderately slow rock tempo of 80 beats per minute.
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This is followed by synthesized musical arrangement, as Madonna starts singing the line, "When the lights go down and there's no one left, I can go on and on and on." An interlude, where Madonna continuously chants the words "Get Stupid", is also present. According to Miles Marshall Lewis of The Village Voice, the song contains elements of the work of Nile Rodgers. "Give It 2 Me" is written as a self-manifesto song.
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Lahmeik Stacy from Yahoo! Voices commented on the fast-paced musical arrangement of the song, saying that it "immediately demands the attention of the listener". Anthony Balderrama from Consequence of Sound, singled out "Did It Again" as one of the strongest tracks on the album, along with "She Wolf" and "Why Wait", and also as a good choice for creating a Spanish version. Stephen Erlewine from AllMusic picked the song as an album highlight.
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While the musical arrangement was more "club" oriented in the original release, the new version is more calm and soft. "So why not follow me, the blond bombshell deity?/I'll sell you neat ideas without big words/And a little bit of cleavage to help wash it all down," she sings on the country "Stephenville, TX". Her crystalline vocal harmonies are grossly reduced on the album, save for the track "1000 Miles Away".
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"Newborn" is a single by English rock band Elbow and is the third single from their debut album, Asleep in the Back. There were four formats (all of which were released solely in the UK): one CD promo, one 12" vinyl remix promo, 2CD, and 12" vinyl. Several of the songs on the single had been previously on The Newborn EP. The Genesis song "Entangled" was an influence on the musical arrangement of the song.
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His material was "mood music", similar to that of Mantovani, including ballads, waltzes, and film themes. In 1954, he began presenting a series on BBC TV, which continued occasionally until the early 1960s. Chacksfield was responsible for the musical arrangement of the first UK entry into the Eurovision Song Contest 1957; "All" by Patricia Bredin. He continued to write music, release singles and albums through the 1950s and 1960s, and appeared regularly on BBC radio.
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He particularly praised the musical arrangement on the EP, which he observed was "packed with ideas" and "represents some of the finest and most varied to be found across any of [Aphex Twin's] projects". Pitchfork's Philip Sherburne saw that unlike Aphex Twin's previous releases, the music on Collapse "moves on a wider scale" with a "real sense of violence", but manages to stay "relatively unscathed" due to Twin's mastery of "juggling precision and chaos".
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Georgia Harkness "A Song of Peace: A Patriotic Song", also known by its incipit, "This is my song",A Song of Peace is a hymn written by Lloyd Stone (1912–1993) using the Finlandia hymn melody composed by Jean Sibelius. The two stanzas written by Stone first appeared in the 1934 collection Sing a Tune, with a musical arrangement by Ira B. Williams. It often appears in hymnals with substituted and additional verses by Georgia Harkness (1891–1974).
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In September 2015, "Menatap dalam Mimpi" was nominated for 2015 Anugerah Planet Muzik for Best Female Singer. A year later, on 18 December 2016, the song won two nominations from 2016 Anugerah Industri Muzik for Best Musical Arrangement in a Song and Best Vocal Performance in a Song (Female). "Menatap dalam Mimpi" earned her 13th Best Vocal Performance in a Song (Female) from Anugerah Industri Muzik in total. The song was also nominated for Best Pop Song.
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Ryeowook's first composition to be officially released was "Love U More", in the repackaged Sorry, Sorry Version C. He co-wrote the lyrics with fellow Super Junior] member Sungmin. Ryeowook is also credited for musical arrangement in the liner notes of the album. Ryeowook featured in K.Will's 2009 song "Dropping the Tears". He is also the first member of Super Junior to sing a solo track included in their album, "One Fine Spring Day" was released in Bonamana.
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On the night of the final Cordier performed 4th in the running order, following Austria and preceding Portugal. "Il doit faire beau là-bas" was an intricately structured, atmospheric song with a sophisticated musical arrangement. At the close of voting it had picked up 20 points (the highest being 4s from Sweden and Yugoslavia), placing France third of the 17 entries. The French jury awarded 7 of its 10 points to contest winners the United Kingdom.
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Similar theme can be found in another of their song 'Babam Bam' from the album 'Jhoomo Re' where the singer is persuading Lord Shiva. Due to the complex nature of musical arrangement in their songs, Kailasa involve artists other than band members in the recording process to play instruments like Harmonium, Dholak, Tabla Sarangi, Iranian Setar, Ravanahatta, Rabab, Saz, Oud, Mandolin, Santoor, Sitar, Mor Chang, Khartal etc. The artists are credited for their work in each of their album.
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Only a handful of sijo (Korean verse form) and geomungo pieces exist today. They show skilled craftsmanship of words and of musical arrangement. Hwang's sijo often describe the beauty and sites of Gaeseong (such as the palace of Manwoldae and the Pakyon Falls in the Ahobiryong Mountains), the personal tragedy of her lost loves and responses to famous classic Chinese poems and literature (the majority of them reflecting on lost love). Hwang appears to have been of noble birth.
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The song follows a basic sequence of A5–C#5–F#5–B5 in the verses and alternates between the chords of D5 and B5 during the refrain as its chord progression. The tight musical arrangement begins with Cobain strumming his electric guitar unaccompanied while singing, "One baby to another says I'm lucky to have met you." After the song's opening lines, there is an arrival of loud distortion alongside a thunderous combination of drums and bass.
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Sulpy & Schweighardt, pp. 5, 319. In the search for a suitable musical arrangement, Harrison stressed his preference for a "feel" akin to the Band, a suggestion that resulted in Lennon switching from guitar to Lowrey organ, a keyboard favoured by the Band's Garth Hudson.Sulpy & Schweighardt, pp. 42, 44–45. During the Twickenham rehearsals, the Beatles also discussed the idea of Harrison performing "All Things Must Pass" solo for inclusion in the proposed film.Sulpy & Schweighardt, pp. 120–21.
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Frank Grunwald in 2010 working on the female sculpture that will eventually be a reference to the day his mother and brother were killed in Auschwitz-Birkenau. The film begins by defining “fugue,” as a musical arrangement of several different components woven together. Holocaust survivor Frank Grunwald narrates his life story, beginning with his youth amidst the artistic elite of early twentieth-century Prague. When the Nazis invaded Czechoslovakia in 1939, Grunwald was sent to internment and concentration camps.
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A Girl and a Dolphin (Russian: Де́вочка и дельфи́н) is a 1979 Soviet/Russian animated film directed by Rosalia Zelma, produced at the TV film studio Ekran in Moscow. The film is a poetic sketch cartoon about the friendship of a girl and a dolphin. The cartoon is distinguished by a deep level of romance and moral purity. A great musical arrangement by Eduard Artemyev and the song were used, which precisely reflect the meaning of the story.
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"Mulanya Cinta", third track from the album, debuted in a musical play called P. Ramlee: The Musical which was a tribute to the legendary Malay actor Tan Sri P. Ramlee. "Melawan Kesepian" is picked as the second single. And just a few weeks before the 15th Anugerah Industri Muzik, Siti choose to release her third single from the album, "Cintamu". The song won the Best Musical Arrangement In A Song, defeating her other two songs "Hati" and "Sekian Lama".
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Life in Mono is the third studio album by English pop singer Emma Bunton. The album was originally set for a November 2006 release in the UK, however it was later pushed back to 4 December 2006. Much like her previous album, Free Me, the album experiments with elements of 1960s pop music. For this particular album the musical arrangement was more directed towards 1960s French pop music, with some elements of British 1960s pop and Motown.
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By 1981, they were playing in Paris and Segovia approached Libertella and Stazo with his idea. Sexteto Mayor provided the music for both the Paris performance and the first Broadway performance. Together they put together a musical arrangement that followed the origins of Argentine tango from its beginnings in the 19th century to the nuevo tango of Piazzolla. Originally Segovia had hoped to use the orchestra of the great Aníbal Troilo; however, Troilo had died in 1975.
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Harrison's musical contributions to the recording included all the guitar parts on the song, as well as synthesizer. Leng describes the musical arrangement as typical of Harrison's work at the time: "layers of acoustic guitars topped by picking light electrics, understated keyboards, and lots of slide riffs". In addition, the track includes occasional vocal interjections (credited as "bass voice") performed by Willie Greene, a gospel bass singer whom Harrison recruited from slide guitarist Ry Cooder's touring band.Leng, pp.
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The first known musical arrangement of the kоzachok for lute is attributed to the Polish nobleman and composer Kazimierz Stanisław Rudomina-Dusiacki in the 17th century. There are manuscript collections of kozachok melodies from the second half of the 18th century, and printed collections begin to appear toward the end of that century. Dusiacki's score was preserved in the Berlin State Library under the name "Dusiacki-Buch". Kozachok melodies were used in Polish music in the 18th century.
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126 Robert Goldbeck also set it to music in a version published in 1878. Some more recent recordings of the song follow a musical arrangement created by Garnet Rogers in the 1980s, first recorded by his brother Stan on For the Family. It was also used in Ralph Fiennes's film, The Invisible Woman (2013), about Charles Dickens and his mistress Ellen Ternan. The short film by D.W. Griffith, The Unchanging Sea (1910) was inspired by the "Three Fishers" poem.
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"Sei bellissima" is an Italian ballad song written by Claudio Daiano and Gian Pietro Felisatti and performed by Loredana Bertè. During the years Bertè claimed to be the actual composer of the song, but that at the time she was unable to sign it as she was not a member of SIAE. According to Bertè, lyrics were inspired by her relationship with Adriano Panatta. The musical arrangement by Vince Tempera was inspired by Riccardo Cocciante's "Bella senz'anima".
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Outside of Three Days Grace, Gontier has also written and collaborated with numerous writers, musicians and bands. Some of his collaborations include Daughtry, Ian Thornley, Max Martin, Shaun Morgan, Ben Burnley, Art of Dying, Before the Curtain, and fellow musician and long time friends Kevin Brown, Grainne Ryan, and Kim Brown. He has also contributed to a number of other albums. He contributed vocals and musical arrangement on "I Don't Care" on Apocalyptica's album, Worlds Collide in 2007.
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His song, "Jij en ik", written by Dick Bakker (music), Liselore Gerritsen (lyrics) and Peter Schön (musical arrangement), failed to make an impression in Harrogate: it finished 16th with only 8 points. He performed voices on Sesamstraat, the Dutch co-production of Sesame Street. Van Dijk did the voices of Roosevelt Franklin, Clementine, and many of the rock singers on the show (such as Little Chrissy and Bip Bipadotta). He was active on Sesamstraat until the early 1990s.
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In North America, the series is licensed by Aniplex of America, who simulcasted the series on Aniplex Channel, Crunchyroll, Hulu, Daisuki, Viewster, and Animax Asia. The series was obtained by Madman Entertainment for digital distribution in Australia and New Zealand who simulcasted the series on AnimeLab. The anime's music is composed by Maeda, Hikarishuyo, and the group Anant-Garde Eyes, who also provided the musical arrangement. The music is released on Key's record label Key Sounds Label.
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The song follows a basic sequence of F7–Bmaj7–F7–Bmaj7–Faug/G–F/A–F6/A–B/D–F6/A–B/D during the verses and coda and F7–Bmaj7–F7–Bmaj7–Faug/A at the chorus as its chord progression. The musical arrangement opens with an introduction, where West utters a series of ad-libs and onomatopoeic vocables atop tumbling delayed beats. He then begins rapping his lyrics, which are intertwined with a twinkling piano melody.
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"Lifesong" received mostly positive reviews upon its release, with some critics praising the song's musical arrangement. The song was nominated for two awards at the 37th GMA Dove Awards and has been performed by Casting Crowns in concert. It was a hit on Christian radio, topping the Billboard Hot Christian Songs and Hot Christian AC charts as well as the Radio & Records Christian AC and Soft AC/Inspirational charts. It also peaked inside the top 10 on the Radio & Records Christian CHR chart.
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McCartney said the idea was inspired by the Dutch design collective the Fool, who derived their name from the tarot card of the same name, and possibly by the Maharishi. A piano ballad, its musical arrangement includes flutes and bass harmonicas, and a recorder solo played by McCartney. The song's sequence in Magical Mystery Tour involved a dedicated film shoot, featuring McCartney on a hillside overlooking Nice, in the South of France, which added considerably to the film's production costs.
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While the only French influence on "French Toast (Soleil Trop Chaud)" is in its lyrical language, the song's musical arrangement mixes calypso, Afrobeats and elements of Mediterranean music. According to Jo-Ann Greene of AllMusic, "Drowning" and "Dream Home in NZ" combine reggae with art rock experimentation reminiscent of Gang of Four. "Walk Away" is influenced by the Motown Sound, while "Over and Over" builds into a steel band groove. One critic described "Cheated" as being in a "bellicose dub" style.
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Music videos,SkippybentlyFeifei2226 "documentaries",PowerApple.comXh1120Awflasher and cartoons about the Grass Mud Horse started appearing on the internet in 2009. The original Grass Mud Horse music video's musical arrangement of a children's choir has been compared to It's a Small World,Wang and Nguyen and it scored 1.4 million hits in its first three months. A cartoon about the Grass Mud Horse attracted a quarter million views, and a nature documentary on its habits received 180,000 more hits in the same amount of time.
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A third one was: "¡Linda Melodía!" (Beautiful Melody!), which he uttered when a musical arrangement was particularly complex or remarkable. He also used code phrases to refer to drugs: "¡Guayacol, con uña rallá!" was his code phrase for cocaine, and "¡Acetileno!" his reference for heroin. After his religious conversion, however, Marvin affirmed that the only substance in his life from that moment on, besides the insulin he needed daily for his diabetes, was "Cristomicina", a portmanteau of the name of Christ and erythromycin.
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Arriving in Aguascalientes, he had his first contact with music when he became part of a local student musical arrangement. At the age of ten he began to feel attracted to bands like The Beatles, The Rolling Stones, and The Doors. At thirteen, he received his first salary as a musician, when he began to give private guitar lessons to other young kids in his same age group. He formed the band "Wando" with his siblings Rocío and Fernando Vallín, and Emilio.
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In addition to the above four songs, McElhiney also made the musical arrangement for the song "Talk Back Trembling Lips" which became a #7 Billboard hit for Johnny Tillotson in 1963-64, although Ernest Ashworth sang the song originally in 1963. It was not Tillotson's highest ranking single recording though, as "Poetry In Motion" was his biggest hit, in 1960, on Cadence Records. "Talk Back Trembling Lips" was released on MGM Records as single # K13181. McElhiney did not arrange Ernest Ashworth's version.
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R.A. 8491 specifies that "Lupang Hinirang" when performed "shall be in accordance with the musical arrangement and composition of Julián Felipe." However, when literally followed, this means that the national anthem should only be performed by a pianist or by a brass band, as these were the only versions that were produced by Julián Felipe. Moreover, the original version was composed in duple time (i.e., in a time signature of 2/4) as compared to the present quadruple time (4/4).
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Elements of the theme tune were given a subdued musical arrangement, which was then used as background music for tender and sentimental scenes. Occasionally, a few phrases from well-known musical compositions, such as Chopin's "Funeral March" and "La Marseillaise", the French national anthem, were quoted. This CBS show required "wall-to-wall" music, a term for productions that utilize musical "tag" pieces between scenes as needed. While "The Toy Parade" theme was written for the show, incidental music was not.
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The song is characterised by the typical Romani glides, vocal power and Techno musical arrangement. Marinova performed in the first half of the second semifinal on May 24 and narrowly missed out on qualifying for the grand final, finishing 11th place and scoring the same number of points as Norway who got through in 10th place. This was Marinova's third appearance in the Bulgarian national finals for Eurovision. In 2005, her collaboration with Slavi Trifonov "Edinstveni" ("Only Ones") finished second.
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Despite the title eluding to a fairy tale, the song itself was about the distance between two lovers, with the "shoes" being a euphemism for the distance. The lyrics to "VS" were written by misono herself, while the musical arrangement was done by video game music composer Takahiro Izutani. The musical composition was done by Diamond Head guitarist and composer Susumu Nishikawa. Takahiro composed most of the music for the game Tales of the Tempest, to which "VS" was the theme song.
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Thompson said the song was finished and he didn't add any other touches to it. Another song on the album, "You Don't Understand", was primarily influenced by Evans' marriage to The Notorious B.I.G.. The music of R. Kelly was the primary inspiration for the musical arrangement, according to Thompson. The third single from the album was the song "Ain't Nobody". Thompson said it was influenced by the song "Can't Let Her Get Away" by Michael Jackson from his 1991 album Dangerous.
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Much like her previous album, Life in Mono experimented with elements of 1960s pop music. For this particular album, the musical arrangement was more directed towards the 1960s French pop music, with some elements of British 1960s pop and Motown. The album was Bunton's first not to reach the top ten in the United Kingdom, only reaching number 65 on the albums chart. The second single from it was "All I Need to Know", released on 12 February 2007, intended for Valentine's Day.
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For this recording, Williams replaced the jazz musicians with a modern country music band, using a rhythm guitar, mandolin, string bass, drums and a steel guitar. Williams' session band was composed of Clyde Baum (mandolin), Zeke Turner (electric guitar), Jerry Byrd (steel guitar), Louis Innis (rhythm guitar), Tommy Jackson (fiddle) and Willie Thawl (bass). With little time left, Byrd and Turner replicated the musical arrangement they previously used on an Ernest Tubb session for a cover of Jimmie Rodgers' "Waiting for a Train".
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The song has a basic sequence of C–D–C–D during the introduction, follows A–D–E in the verses and chorus, and changes to G–Dtype2–D–E–F–C at the bridge as its chord progression. The musical arrangement opens with an instrumental introduction, where a rhythm guitar part is played at high-speed using downstrokes with grinding distortion. "Rockaway Beach" is a breezy number laden with catchy hooks. It express carefree lyrics that hearken back to simpler, brighter days of the band's youth.
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The film was also commonly screened at wedding parties. "Tiga Dara" competitions between groups of three sisters were held in much of Java, and the term became widely used as the name of batik products, shops, and drinks. At the 1960 Indonesian Film Week, Tiga Dara received Best Musical Arrangement. Negotiations to bring Tiga Dara to Malaya began soon after its release, and the film was exported, again to commercial success, in exchange for the import of the Malayan film Mega Mendung (Cloudy Skies).
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She became a ballerina of the Nouveau Ballet de Monte Carlo in 1946, and danced during the last season of Colonel de Basil's Ballets Russes de Monte Carlo in London in 1947. From 1949, she became the star of the Ballets de Paris directed by Petit, where she was known for her energy and passion. She created her most famous role, Carmen, to a musical arrangement of Bizet's opera. For the role, she had her hair cut to boyish shortness, which was copied by many women.
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The next song was a Tropical-Dance version of "La Isla Bonita", where the screens displayed clips of different beautiful islands, the sea and its fauna. This is followed by "Lucky Star"; this dance re-invention of the song shared the same musical arrangement of the following and final song of the evening "Hung Up", which is accompanied by a sing-along with the audience and confetti and golden balloons falling from above. The show ended as the phrase "Have you confessed?" appeared onscreen.
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The short time frame forced him to use portions of symphonies by Franz Liszt in about ten percent of the score. And not willing to take credit for the entire film score, he insisted that his credit be only for "musical arrangement". Captain Blood became an immediate hit, with an Oscar nomination for the score. As Korngold's first fully symphonic film score, it marked a milestone in his career, as he became the first composer of international stature to sign a contract with a film studio.
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Ankit Tiwari stated that he wants to explore different genres given the right opportunity, though it shouldn't be vulgar and should hold meaning. Satyajit from Glamsham called his second composed song "Saheb Bada Hatila" from Saheb, Biwi Aur Gangster a "rock-musical" arrangement. In his next composition "Sunn Raha Hai", the male version features electronic distortion guitar, zitar and drums while the female version is supported by instruments like ghatam, flute, santoor and acoustic guitar. The variance in composition was particularly applauded by critics.
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"Little of Your Love" was written for the movie Trainwreck, although it was not used in the movie. The song was first performed to during the group's Summer 2016 tour of North America. It was then entitled by the band "Give Me Just a Little of Your Love", and featured a different musical arrangement and introduction. It also lacked the guitar solo performed on the album version by Danielle at the end of the song, giving it therefore a much shorter length than the released version.
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It is written in the key of E♭ minor and Swift's vocals span two octaves, from G♭3 to C♭5. The musical arrangement contains a prominent hook during its chorus, according to Jonathan Keefe of Slant Magazine. "You're Not Sorry" commences with piano and, mid-song, progresses toward backing electric guitars, which eventually reach a solo. Martens believed Swift's vocals were not the strongest because the existence of the electric guitar solo was meant to prevent too many high notes.
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The track includes a keyboard solo from Wakeman that Anderson wrote in the album's liner notes, "bring alive the ebb and flow and depth of our mind's eye". Anderson ranked the solo as one of Wakeman's best works. Squire described his bass playing on the track, done on a fretless Guild bass, as "one of the nicest things" he has done, ranking it higher than his playing on some of the band's more popular tracks. He called it a very successful piece of musical arrangement.
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Professional reviews for "Just a Kiss" have been mostly positive, commending on the song's theme and musical arrangement and also praising Lady Antebellum's performance. In the United States, the song debuted at number 28 on the Billboard Hot Country Songs chart and appeared at number seven on the Billboard Hot 100. It later topped the Country chart and was certified 2× Platinum by the Recording Industry Association of America (RIAA). The song 19 weeks later peak at number 4 on the Billboard Hot 100 .
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Through the Battle Sounds project, Carluccio gained credibility in the DJ community and continued to collaborate with turntablists for many years to come. From 1996 to 2001, he produced The Battle Sounds Turntablist Festival, an open and non-competitive DJ event in New York City. While documenting X-Pressions, the X-Ecutioners’ first studio recording in 1997, Carluccio recognized the need for a musical arrangement and conduction tool. So he designed the first version of TTM, Turntablist Transcription Methodology, a notation system for DJ scratching.
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With the success of Gran City Pop, Rubio performed at many award shows. Rubio's big comeback took place in the month of April at the 2009 Latin Billboard Music Awards, where Rubio performed the lead single "Causa y Efecto" for the first time. Rubio performed live at Univision's Premios Juventud, singing "Causa y Efecto" with a different musical arrangement and choreography. Rubio appeared at Los Premios MTV Latinoamérica 2009 on 15 October along with Cobra Starship, performing "Good Girls Go Bad" and "Ni Rosas Ni Juguetes".
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Chris accepted. His decision was based on Los Dinos's sound, which was more "hip and sophisticated" than other Tejano bands, and he hoped to learn more about musical arrangement from A.B., whose work he admired. Chris auditioned for the group's manager, A.B.'s father Abraham Quintanilla, Jr. Abraham Sr. initially disliked Chris's rocker image and insisted that he change his appearance for the band. The elder Quintanilla feared that allowing Pérez in the group might affect his daughter Selena's "perfect image" and ruin her career.
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"Hoochie Coochie Man" (originally titled "I'm Your Hoochie Cooche Man") is a blues standard written by Willie Dixon and first recorded by Muddy Waters in 1954. The song makes reference to hoodoo folk magic elements and makes novel use of a stop-time musical arrangement. It became one of Waters' most popular and identifiable songs and helped secure Dixon's role as Chess Records' chief songwriter. The song is a classic of Chicago blues and one of Waters' first recordings with a full backing band.
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"Sparvöga" was released as a non- album single exclusively in Sweden in February 1989, with an instrumental version of the track appearing as the b-side. The instrumental version contains a different musical arrangement to the original, and is over a minute shorter as a result. Anders Herrlin and Per "Pelle" Andersson are listed as the only producers of the latter version. The song initially peaked at number nine for two issues of the then-fortnightly Swedish Singles Chart, before peaking at number six on its third appearance.
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The Yardbirds were a popular live attraction at music clubs. Much of their reputation was built on their use of a "rave up" musical arrangement, an instrumental interlude that builds to a climax. Clapton credits the rave up to bassist Paul Samwell-Smith and explains: "While most other bands were playing three-minute songs, we were taking three-minute numbers and stretching them out to five or six minutes, during which time the audience would go crazy". It was at such performances that Clapton often broke a guitar string.
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The Pet Shop Boys version differed significantly from the original version in its musical arrangement. In contrast to the U2 version's instrumental build-up, the Pet Shop Boys version opens abruptly with synthesized and sampled noises and a drum machine. The musical climax of the song is also changed in other elements; a background vocal sample of "burning down love" is played right at the start, and synthesized horns erupt with even higher notes immediately following each chorus. Singer Neil Tennant performs the lyrics with no vocal exertion or stresses, in contrast to Bono's performance.
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The Stamps-Baxter version was set to a new musical arrangement by Gospel composer and publisher J. R. Baxter, and was initially credited "As sung by the Burnette Sisters". W. B. Stephens, a Church of God preacher, heard the song on the radio and contacted Stamps-Baxter claiming to be the author of the song. After further correspondence, Stamps-Baxter credited Stephens as the song's author in subsequent publications. Most versions of the song published today use the Stamps-Baxter arrangement and also credit Stephens as the song's author.
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Not all of these revivals have generated the same enthusiasm as Papp's 1980s productions. A 1999 UK touring production received this critique: "No doubt when Papp first staged this show in New York and London it had some quality of cheek or chutzpah or pizzazz or irony or something that accounted for its success. But all that's left now ... is a crass Broadway-style musical arrangement ground out by a seven-piece band, and the worst kind of smutty send-up of a historic piece of art."McMillan, Joyce.
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The song has a basic sequence of G–F–G in the verses, changes to B–A–G–F–G at the chorus and follows G–F–G–G–G during the outro as its chord progression. The song harbors atypical song structure and vocal delivery. Its musical arrangement employs a false ending where the band abruptly ceases, only for the recording to suddenly return with noisy feedback of a snippet before coming to a blunt end. "Isolation" is built on harsh electronic drums and a rolling, stabbing bassline.
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Ennio Morricone was an Italian composer who created music for hundreds of films. In the 1960s, director Sergio Leone was impressed by a musical arrangement of Morricone's and asked his former schoolmate to compose music for one of his films, A Fistful of Dollars. This led to a collaboration between the two on future Leone films, many of which came to be referred to as "Spaghetti Westerns". After a steady percussion beat, the theme to The Good, the Bad and the Ugly begins with a two-note melody sounding like the howl of a coyote.
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Most of the songs are sung in Icelandic. Several of these songs are covers of jazz standards translated and sung in Icelandic. Three are sung with a noticeably different musical arrangement: "Bílavísur" (originally "The Blacksmith Blues"), "Ég veit ei hvað skal segja" (Theresa Brewer's "Ricochet Romance") and "Pabbi minn" ("O Mein Papa"). "Þad sést ekki sætari mey" is misattributed in the liner notes as a "Rogers/Hammerstein" composition, but is instead an interpolation of Irving Berlin's "You Can't Get a Man with a Gun" from the musical Annie Get Your Gun.
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"Stupid Girl" is a song recorded by alternative rock band Garbage for the band's self-titled debut studio album. The song was composed and produced by band members Duke Erikson, Shirley Manson, Steve Marker and Butch Vig. "Stupid Girl" features lyrics about a young woman's ambivalence and is a musical arrangement centered on a repetitive bassline and a drum sample from the Clash's 1980 hit "Train in Vain". The song was released by Almo Sounds in North America, and Mushroom Records worldwide, as the band's fourth international single in 1996.
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It was also here that the Italian choreographer Virgilius Calori produced Pan Twardowski (1874), which (in the musical arrangement first of Adolf Sonnenfeld and then of Ludomir Różycki) has for years been part of the ballet company's repertoire. During the 1939 battle of Warsaw, the Grand Theatre was bombed and almost completely destroyed, with only the classical façade surviving. During the Warsaw Uprising of 1944 the Germans shot civilians in the burnt-out ruins. The plaque to the right of the main entrance commemorates the suffering and heroism of the victims of fascism.
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Under Cardinal Elector Albert of Mainz, who obtained the Electorate of Mainz in 1514, and in 1518 was made a cardinal at the age of 28, the orchestra is first mentioned as electoral court orchestra. The first verifiable conductor, Jan le Febure took up its duties at the Mainz court in 1601. In the following years the musical arrangement of numerous imperial coronations is evident, whereby the Mainz electoral court orchestra already gained early supraregional recognition. For example the orchestra performed in 1612 during the coronation of Matthias, Holy Roman Emperor.
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Several versions have been prepared by adapting other music. The first performance (in concert) was in Frankfurt in April 1860 with numbers taken from Lo sposo deluso and some concert arias. The first stage performance was given on 6 June 1867 in Paris at the Théâtre des Fantaisies-Parisiennes in a 2-act French adaptation, L'oie du Caire, by the Belgian librettist Victor Wilder, who added a new conclusion, and a musical arrangement by the conductor, Charles Constantin, who orchestrated the music and added other pieces by Mozart to complete it.Lecomte 1912, pp.
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Definition Oxford dictionary By contrast, a musical arrangement is a musical reconceptualization of a previously composed work, rather than a brand new piece of music. An arrangement often refers to a change in medium or style and can be instrumental, not necessarily vocal music.Arrangement, Encyclopædia Britannica online Texts commonly used in choral settings include the mass and the requiem in Western Christianity, and the Divine Liturgy of St. John Chrysostom and the All-night vigil in Eastern Christianity. Examples include Mozart's Great Mass, and Leontovych's Liturgy of St. John Chrysostom.
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Eddie recovered from his hip surgery in November 1999, but from 2000 to early 2004 no official statements were made by Van Halen and no music was released. However, information about members past and present trickled in. The Van Halen brothers continued writing at 5150 Studios, Cherone recorded an album and toured with new band Tribe of Judah. One of the songs that Cherone had written for the scrapped second album with Van Halen, titled "Left For Dead", would see its lyrics set to a new musical arrangement with Tribe of Judah.
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A single that was recorded as a tribute to her father, "Menatap dalam Mimpi" won Best Musical Arrangement in a Song and her thirteenth Best Vocal Performance in a Song (Female). She also won her seventh Best Album with Unplugged. After receiving more than 300 songs submissions for her to shortlist and include in her new album since November 2016, SimetriSiti, her seventeenth solo album was released on 10 May 2017. Citing an estimate cost of RM100,000 to produce, the 10-track album featured collaborations with Malaysia rapper Joe Flizzow and Indonesian singer Judika.
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Also according to Scott, the line sung as a refrain after each stanza, "And the harbour bar be moaning," refers to, "the belief that it was a bad omen if the tide made a moaning sound as it receded over the sand bar that kept the harbour waters still." A performance by Scott using Hullah's musical arrangement is available online. The song was quite popular during much of the Victorian era. In 1883, English painter Walter Langley created "For Men Must Work and Women Must Weep", a watercolour painting based on Kingsley's poem.
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The Hungarian Jazz Federation awarded him first prize in Musical Arrangement in 2006, while the Budapest Jazz Orchestra commissioned and performed his piece "Budapest 1956" in front of U.S. Ambassador April H. Foley at the Museum of Fine Arts. Since 2006, Vig has lived with his wife Mia (of The Kim Sisters) in Hungary, where they have been performing concerts, appearing on radio and television, and recording albums, including ÜssDob (B'eat It!, Tom-Tom Records), Now and Then (Pannon Jazz), and Welcome to Hungary! The Tommy Vig Orchestra 2012 Featuring David Murray (Klasszikus Jazz, 2011).
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"The A.B.C." or "A.B.Cs" is one of the best-known English language alphabet songs, and perhaps the one most frequently referred to as "the alphabet song", especially in the United States. Music for the alphabet song including some common variations on the lyrics The song was first copyrighted in 1835 by the Boston-based music publisher Charles Bradlee, and given the title "The A.B.C., a German air with variations for the flute with an easy accompaniment for the piano forte". The musical arrangement was attributed to Louis Le Maire (sometimes Lemaire), an 18th-century composer.
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Mena began performing live at the age of 17, her first concert occurring in a classroom of Juan Gómez Millas Campus at the University of Chile. In 2002, she began to study musical composition and musical arrangement at the music academy ProJazz, while also performing at underground parties and clubs. In 2003 she recorded various demos which leaked to the internet shortly thereafter and spread by her friends. In 2004, she performed outside Chile for the first time, opening for Argentinean electropop band Entre Ríos in Buenos Aires.
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After Royce had presented the track to Eminem, he was inspired to write and record the first verse, prompting Royce to write his the day afterwards. Bad Meets Evil then flew to Los Angeles, where R&B; and pop singer Bruno Mars heard the song. Eminem and Mars then made minor changes to the musical arrangement. The song was recorded at Effigy Studios by Strange, Isolation Studios by Asar and Levcon Studios (Los Angeles, California) by Ari Levine of The Smeezingtons, a music production and songwriting group consisting of Philip Lawrence and Mars.
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"Green Chri$tma$" is a comedy single written and performed by Stan Freberg and released by Capitol Records in 1958 (catalog number F 4097). Musical arrangement and direction is made by Billy May, and performed by the Capitol Records house orchestra. Other vocal performances are by Daws Butler, Marvin Miller, Will Wright, and the Jud Conlon Chorale. The title is wordplay on the phrase "green Christmas", a Christmas with no snow, with "green" taking on a double meaning of the green ink uniformly used on U.S. currency at that time (and still predominant today).
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He also wrote for such artists as Michel Petrucciani, Richard Galliano, Charles Aznavour, Freddy Zucchet, Gilbert Bécaud, Diane Dufresne, Nicole Croisille, Natacha Atlas, Viktor Lazlo, Janet Jackson, Myriam Abel, Camille Bazbaz et Malia. He completed the musical arrangement and composition for films including Quatre étoiles et Jean-Philippe. He is currently well known by the general public for being on the M6 reality TV series, Nouvelle Star (New Star). He has been on the jury since the first season along with Marianne James, Manu Katché and Dove Attia.
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"Sappy" is an alternative rock song that lasts for a duration of three minutes and twenty-four seconds. According to the sheet music published at Sheet Music Plus by BMG Rights Management, it is written in the time signature of common time, with a moderately fast tempo of 132 beats per minute. The song follows a basic sequence of D–B–G–A–B–C in the verses as its chord progression. The musical arrangement is crisp and piercing, featuring rhymthic hooks in addition to a fluctuating guitar solo.
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Sonny Curtis wrote and performed the opening theme song, "Love Is All Around". The lyrics changed between the first and second seasons, in part to reflect Mary Richards having become settled in her new home. The later lyrics, which accompanied many more episodes at a time when the show's popularity was at a peak, are more widely known, and most covers of the song use these words. For Season 7, there was a slightly new musical arrangement for the opening theme, but the lyrics remained the same as Seasons 2-6.
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In an interview, Page explained that Plant wanted to record Johnson's song, so he developed a new musical arrangement, while Plant retained some of the original lyrics. However, Led Zeppelin biographer George Case maintains that Page was probably influenced by John Renbourn's 1966 acoustic version of the song. Led Zeppelin further developed and recorded the song during the difficult period they faced after Plant's 1975 automobile accident in Rhodes. The incident left him with serious injuries to his ankle and leg and there was fear that he might not recover completely.
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The album was released on EMI Records in June 1983 and was their only album with the label. This album was the first (and only) to feature new member Barry Upton who had replaced Lee Sheriden a year earlier and was their last work with long-time manager/producer and co-writer Tony Hiller. Upton took on the musical arrangement duties on ten of the twelve tracks, a role previously filled by Sheriden. Upton worked with studio session drummer Peter Boita at Boita's house in Upper Norwood London, programming all the drum tracks for the album.
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On 2 November 2016, its final official music video was uploaded to Siti Nurhaliza's official Vevo account after its first music video was retracted in less than 12 hours it was published in August. In September 2015, "Menatap dalam Mimpi" was nominated for 2015 Anugerah Planet Muzik for Best Female Singer. A year later, on 18 December 2016, the song won two nominations from 2016 Anugerah Industri Muzik for Best Musical Arrangement in a Song and Best Vocal Performance in a Song (Female). "Menatap dalam Mimpi" earned her 13th Best Vocal Performance in a Song (Female) from Anugerah Industri Muzik in total.
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After the war, Kobayashi and Hata faced reprisals for their war activities, and Sapphire lost her primary backers. She left the Takarazuka Theater but continued to dance in stage productions, such as her version of Carmen using a musical arrangement by Shiro Matsumoto, a shortened version of Swan Lake, and scenes from The Nutcracker. In 1950, she published a book バレエ読本 (Ballet Reader), which was referred to in Nobel Prize-winning author Yasunari Kawabata's 1951 book, 舞姫 ('), which evaluates the impact of cultural exchange. Her last performance was in 1953, though she continued working to promote Japanese ballet until 1957.
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Winch played with an array of blues, pop and jazz artists from New Zealand and abroad, toured with musicals such as Chicago, Jesus Christ Superstar and My Fair Lady, lent his fine touch to hundreds of local albums and jammed with Nigel Kennedy Winch's most famous album, Espresso Guitar sold over 80,000 copies in New Zealand alone. Musical arrangement was done by another famous New Zealand musician, Pianist Carl Doy who also produced it. Espresso Guitar enjoyed the number 1 spot on the NZ charts for several weeks, and found wider popularity in Australia and Asia.
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Luxembourg was represented by French singer Michèle Torr, with the song '"Ce soir je t'attendais", at the 1966 Eurovision Song Contest, which took place on 5 March in Luxembourg City following France Gall's victory for the Grand Duchy in the 1965 contest. The song was chosen internally by broadcaster RTL. Like Gall's winner "Poupée de cire, poupée de son", "Ce soir je t'attendais" was an extremely contemporary song, very much in tune with current trends in European pop music. Many noticed a strong similarity, particularly in the musical arrangement, between "Ce soir je t'attendais" and the Tom Jones hit "It's Not Unusual".
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The song has a basic sequence of C–F–Am–G–C–F–C–G/B–C during its chorus and verses and follows F–A/E–Dm–Bm/D–F/C–C–F–C/E at the bridge. The musical composition features a folky, ukulele-driven atmosphere that delves into a traditional form of Americana. As one of their slower numbers, "House of Gold" exhibits an acoustic accompaniment driven by ukulele while Joseph's sings with dreary emo pop-like vocal stylings. The musical arrangement retains a memorable, aching melody built on simplistic ukulele folk as well as stomping drums.
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Stalling encouraged Disney to create a new series of animated short films, in which the animation and its action would be created to match the music. This was still unusual at the time, since film music was played or composed to match the action of a film. Stalling's discussions with Disney on whether the animation or the musical score should come first led to Disney creating the Silly Symphonies series of animated short films. Stalling is credited with both the composition and the musical arrangement of The Skeleton Dance (1929), the first of the Silly Symphonies.
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Together, they would make Baiser (a double entendre meaning both "a kiss" and "to fuck") in 1997. This album was marked by a new, fuller musical arrangement that disappointed some fans who preferred the understated musical backdrop of the first album, but Baiser was, nonetheless, another critical and commercial success for Miossec. He was nominated for the 1997 Victoires de la Musique prize for Best newcomer, but he stated that he did not want to take part in the event. A year later, the third album, A prendre (), would come out only one year later, coïnciding with the birth of his son, Theo.
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However, after watching the filming, with a dynamic new star, Errol Flynn in a heroic role, alongside Olivia de Havilland, who had her debut in A Midsummer Night's Dream, he changed his mind. After he accepted, however, he learned that he needed to compose more than an hour of symphonic music in only three weeks. The short time frame forced him to include about ten percent of the score using portions of symphonic poems by Franz Liszt. As such, he was unwilling to take credit for the entire film score, insisting instead that his credit be for "musical arrangement" only.
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In 1976, on the first episode of The Muppet Show to be recorded (featuring Juliet Prowse), the 1969 "Mahna Mahna" routine from The Ed Sullivan Show was reworked and used as the first sketch with the same characters and a new recording of the last musical arrangement. The Muppet Show became an immediate hit and "Mahna Mahna" was the highlight of that episode. During the sketch, Mahna Mahna managed to dance his way backstage and out of the Muppet Theater, phoning the Snowths after exiting. At the end of the episode, he managed to enter Statler and Waldorf's box.
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Clarkson tried to prevent "Already Gone" from being included on All I Ever Wanted, but it was impossible to make last minute changes, as her album was already being printed when I Am... Sasha Fierce was released. She accused Tedder of using the same arrangement on both "Already Gone" and "Halo", and complained that people would, incorrectly, assume she was stealing it from Beyoncé. Clarkson was furious, and confronted Tedder on the phone. In response, Tedder commented that he would never give two artists the same musical arrangement, and that her criticism was "hurtful and absurd".
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Byrne's live cabaret, Caught in the Act Again, commenced during mid-1999, it included both show tunes and some original material. The first half was "a little too low- key, mostly because the songs all have a similar, slow, acid-jazzy tempo" according to Fiona Scott-Norman of The Age. She was backed by John McAll on piano and Don Hirini as backing vocalist; she also co-wrote some material, including "I Don't Make the Rules", with Hirini. Caught in the Act Again earned a Green Room Award nomination for Best Cabaret Performance and Best Musical Arrangement.
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She was one of the first Japanese singers to be deemed an "idol". Her single "Chiisana Koi" was the first of five number 1 hits on the Oricon chart list. No other female Japanese entertainer had achieved this, yet her record was broken by Pink Lady in the late 70s and their record was subsequently broken by Seiko Matsuda in the 80s. At the 15th Japan Record Awards the single Wakaba No Sasayaki won the award for best musical arrangement of the year, and at the 6th Japan Record Sales Award the song was awarded with a gold medal.
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The lyrics and musical notation of the anthem are given in the second appendix. The text of the law does not credit a single person for the lyrics or music, but the notation credits Hiromori Hayashi for the musical arrangement. However, evidence suggests that Yoshiisa Oku and Akimori Hayashi (son of Hiromori) authored the music; the elder Hayashi had put his name on it for serving as their supervisor and Chief Court Musician of the Imperial Court. The melody was eventually put to a Western-style harmony by Franz Eckert and has been in use since 1880.
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A key element of the Yardbirds' live shows was an extended instrumental section during some songs. Clapton recalled, "While most other bands were playing three-minute songs, we were taking three-minute numbers and stretching them out to five or six minutes, during which time the audience would go crazy". Dubbed a "rave up", this musical arrangement usually came during the middle instrumental section, in which the band shifted the beat into double-time and built the instrumental improvisation to a climax. The rave up has roots in jazz and became a signature part of the Yardbirds' sound.
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One of the songs, "Cara Maestra" ("Dear Teacher"), was censored by the then-thriving Italian media censorship. The censors struck again in the following year, against his songs "Io Sì" ("I Would"), considered too sexually explicit, and "Una Brava Ragazza" ("A Good Girl"), where Tenco express his admiration for a '60s "bad girl". In September 1964, he released "Ho capito che ti amo", a song written by him with musical arrangement by Ezio Leoni. It was released on the Italian record label Jolly as Side A of a 45 rpm, side B being "Io lo so già".
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From their Flëur's popularity has been slowly but steadily growing. Besides live performances in their hometown of Odessa and Ukraine's Kiev, the collective has been touring extensively in Russia in recent years (2007–2012), including many live performances in Moscow which presented them with a full house. Flëur has also performed live on radio several times, had a TV slot for the song "Искупление" ("Redemption") on the Ukrainian music TV- channel M1 (video directed by Yevhen Tymokhin (Євген Тимохін), musical arrangement made by Pavlo Shevchuk (Павло Шевчук) — the producer of Mumiy Troll band). New album called "The Awakening" came out in spring 2012.
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At the time of the single's release, British DJ Jonathan King accused the Pet Shop Boys of plagiarising the melody for "It's a Sin" from Cat Stevens' 1971 song "Wild World". He made the claims in The Sun newspaper, for which he wrote a regular column during the 1980s. King went so far as to release his own cover version of "Wild World" as a single, using a similar musical arrangement to "It's a Sin", in an effort to demonstrate his claims. This single flopped, while the Pet Shop Boys sued King, eventually winning out-of-court damages, which they donated to charity.
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NME called it "some kind of love song" and found musical and lyrical symmetry between the song and the group's 1981 album October. Mike DeGagne of AllMusic praised the song for Eno's and Lanois' "gleaming" production work, Bono's vocals and "poetic deftness", and for The Edge's "astute but assertive" guitar playing. DeGagne described Bono's singing as "unleashing all his vocal power, moving from a soft, subtle intro and middle to an explosive burst of unyielding energy toward the end". He made religious comparisons to the musical arrangement, saying the "discerning air sounds almost church-like as it slowly unravels".
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"I Miss You" is a pop music song with a length of three minutes and fifty-eight seconds. It is a ballad that maintains low-key with an acoustic styling. "I Miss You" is influenced by elements of the country music genre; nevertheless, it has a rock music-based musical arrangement, relying prominently on a gentle strumming guitar for instrumentation. Written in the key of B♭ major but will transpose at the key of C major at the end of the bridge, "I Miss You" is set in common time with a tempo of 85 beats per minute.
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As a musical producer he was nominated for a Latin Grammy Award in 2000 with the album “Ellas Cantan a Cri-Cri” for best Latin children's album. As musical director he is best known for his musical direction in “West Side Story” and for his musical arrangement, orchestration and conducting Orchestras in Mexico, having presented his work at The Palace of Fine Arts in Mexico City with the National Philharmonic Orchestra. He has worked with Fernando de la Mora, in the concert with the Campeche Philharmonic Orchestra. Chacho is founder of the Mexican Jazz Band “Manzana Jazz Band”.
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The Merry Widow ballet is an adaptation of Franz Lehár's romantic operetta The Merry Widow (Die lustige Witwe). John Lanchbery and Alan Abbott adapted the score of the operetta for ballet and retained the style of Lehár's orchestration. The arrangement includes the well-known tunes of the operetta: Vilja's song Ich bin eine anständige Frau and the Weibermarsch. This musical arrangement has been used for two ballets: the first was choreographed by Ronald Hynd for The Australian Ballet in 1975, while the second was choreographed by Veronica Paeper for CAPAB (since renamed the Cape Town City Ballet Company) in 1988.
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Recorded and released as a single in 1988, this version also did well on the charts, reaching No. 5 on the UK Singles Chart and No. 25 on the US Billboard Hot 100. In 1987, Jonathan King accused Pet Shop Boys of plagiarising the melody of "Wild World" for their UK No. 1 single "It's a Sin". He made the claims in The Sun, for which he wrote a regular column during the 1980s. King also released his own cover version of "Wild World" as a single, using a similar musical arrangement to "It's a Sin", in an effort to demonstrate his claims.
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Following a long convalescence, Casal returned in 1987 with a cane and a new album, recorded at Abbey Road Studios. The album, entitled, Lágrimas de cocodrilo (Crocodile Tears), contained his own versions of other artist's songs but also some of his own original recordings. It was produced under the orchestral direction of Julián Ruiz and Andrew Powell, in charge of musical arrangement of Alan Parsons Project. The album's biggest success was the cover of Barry Ryan's "Eloise", which reached number 1 in Los 40 Principales (the Spanish Top 40) and became one of his best-known works.
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In 1995, BBC Radio commissioned a Spider-Man radio play which aired on BBC Radio 1 over 50 episodes on week days between January 15, 1996 and March 24, 1996. The performance was co-produced by Brian May, who also contributed to the musical arrangement and wrote and performed the theme tune. The scope of the story included a number of familiar characters from the Spider-Man comic books as well as key figures from the Marvel Universe such as the Fantastic Four, Namor the Submariner, and Doctor Doom. The role of Spider-Man was performed by William Dufris.
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Rekti, Aditya, and Acil had known each other since middle school. They often had band practice together, mainly with the influence from Led Zeppelin, The Stone Roses and many more classic rock bands. Not long after, in high school, Farri came along and joined the band with a sense of musical arrangement and, of course, the same taste in music, so they started to write their own songs and later played at local gigs and school events. In classroom, the group would discreetly listen to their 70s influences, in addition to recent phenomenon britpop, shoegaze and punk music at times.
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"Standing in the Shadows of Love" is a 1966 hit single recorded by the Four Tops for the Motown label. Written and produced by Motown's main production team Holland–Dozier–Holland, the song is one of the most well-known Motown tunes of the 1960s. A direct follow-up to the #1 hit "Reach Out I'll Be There" (even featuring a similar musical arrangement), "Standing in the Shadows of Love" reached #2 on the soul chart and #6 on the Billboard Hot 100 in 1967. It also reached #6 in the UK. Though the song was well-received, it has received some criticism.
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Thomas Dunn English wrote the poem "Ben Bolt" in 1842 at the specific request of Nathaniel Parker Willis. While he was then an active participant in the New York City literary scene and lived much of his life in New Jersey, English is popularly believed to have written the poem while visiting Tazewell, Virginia on a hunting trip, as claimed by regional folklorists. The poem was published in the New-York Mirror, appearing in print for the first time on September 2, 1843. The most popular musical arrangement of "Ben Bolt" was composed by Nelson Kneass in 1848.
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Bono composed "Baby Don't Go" on an $85 upright piano that he had purchased and kept in the couple's garage or living room. Working in the middle of the night and lacking paper, Bono wrote the lyrics down on a piece of shirt cardboard, a practice he would continue with. The musical arrangement features a rhythmic, rolling piano-and-clavietta foundation with a hyper-staccato electric guitar joining late in the verses. Lyrically, Cher sings as a poor 18-year-old girl from a broken family, unliked and frustrated in the small town she's lived in all her life.
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Cilla Black recorded a version of the song for her 1967 hit album Sher-oo!. Black's version was arranged by Mike Vickers; showcasing her powerful vocal styling that readily lent itself to solid interpretations of Burt Bacharach & Hal David songs. For Bacharach's part, he said "… there weren't too many white singers around, who could convey the emotion that I felt in many of the songs I wrote but that changed with people like Cilla Black". British legend Petula Clark recorded a version live at the Royal Albert Hall on February 14, 1974 with a musical arrangement by Peter Knight.
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"Lady Madonna" was chosen as the A-side of the Beatles' first single of 1968. The release was intended to cover their absence while they attended a Transcendental Meditation course in India under the guidance of Maharishi Mahesh Yogi. The song was selected over Lennon's "Across the Universe", which Lennon also withdrew from contention as the B-side, since he was dissatisfied with the musical arrangement. As a result, George Harrison gained his first Beatles B-side as a songwriter, with "The Inner Light", the backing track of which he had recorded with several Indian classical musicians in Bombay, in January.
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The song intensifes at the jubilant chorus, which is signaled by pelting snare rolls. They unleash layers of guitar distortion alongside Deal's distorted, transmitted vocals shouting: "Hey now, hey now/I want you Koo Koo, Cannonball." Its musical arrangement features stuttering, start-and-stop transitions before evening out into an infectious, melodic hook layered with sweet vocal harmonies, with Deal and the band repeating the line: "In the shade/In the shade." "Cannonball" employs a false ending, pausing for a whole measure and then crashing into its chorus and shifting in another full verse and chorus before coming to an abrupt halt.
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A Puerto Rican Cuatro Segarra was born in Maricao, Puerto Rico into a family of musicians. He was always surrounded by many musical instruments and as a child, learned how to play the drums, guitar and cuatro. He received his primary and secondary education in his hometown. In 1976, he played the drums and guitar for various local bands, When he was 16 years old, Segarra auditioned for the role of guitar player and was hired by a band called "The Monarc", however a year later he joined another band "Mundo de Ponce" with whom he made his first recording and musical arrangement.
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Digital Spys Lewis Corner gave the song 4 stars out of 5, praising the musical arrangement of the song. Ultimate Music critic said that the song "is without doubt an almighty global smash, the perfect union of two powerhouses making the ultimate feel good love song." In July 2014, Billboard listed "I Will Never Let You Down" as one of the "10 Best Songs of 2014 (So Far)" saying that "one listen to that delicious synth line and gooey chorus will whet your appetite for more listens." Popjustice named it the fifth best single of 2014.
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There have been a number of modern recordings of the song since the American folk music revival. At that time it was recorded by Richard Dyer-Bennet for his 1955 album, Dyer-Bennet, Volume 1, and later by Joan Baez for the 1963 album Joan Baez in Concert, Part 2. They each performed a version using Hullah's arrangement. In the 1980s, Canadian folk singer Stan Rogers recorded a version with a musical arrangement by his brother, Garnet Rogers, for the album, For the Family; it was subsequently re- recorded by Stan's son Nathan on his 2004 album True Stories.
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The university's alma mater song is "The Yellow and Blue." A common rally cry is "Let's Go Blue!" which had a complementary short musical arrangement written by former students Joseph Carl, a sousaphonist, and Albert Ahronheim, a drum major. Before "The Victors" was officially the University's fight song, the song "There'll Be a Hot Time in the Old Town Tonight" was considered to be the school song. After Michigan temporarily withdrew from the Western Conference in 1907, a new Michigan fight song "Varsity" was written in 1911 because the line "champions of the West" was no longer appropriate.
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After University, O'Donnell began an acting career, working briefly in the theater and in the circus, until he broke his leg in 2006, preventing him from working for nine months. After a full recovery, he entered the Royal Shakespeare Company, joining the production of Romeo and Juliet, and later landed the role of Jimmy in the theatrical production of Quadrophenia. On that occasion, he returned to meet John O'Hara, who had organised the musical arrangement of Quadrophenia. Then he collaborated with Cat Stevens in a duet with the British singer in the song "Matthew and Son".
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She was born in Mobile, Alabama. After moving to California, she recorded for the Supreme label in Los Angeles, and her first single, "A Little Bird Told Me", written by jazz pianist Harvey Brooks and featuring guitarist Tiny Webb, reached number 2 on the Billboard R&B; chart (then called the "Race Records" chart), and number 6 on the pop chart. The song was covered by Evelyn Knight for Decca Records, with a similar musical arrangement, and Supreme sued Decca for damages. In the meantime, Watson had a second R&B; chart hit with "You Broke Your Promise", which reached number 13.
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" Christian Broadcasting Network's Chris Carpenter wrote, "[the] album features several radio friendly songs including the debut single 'Losing' but something gets lost in translation. Thematically, The Struggle explores the challenges of life and how God's grace consistently delivers us from the depths of despair. Frontman Mike Donehy, an emerging voice in contemporary Christian music, has crafted a set of lyrics that are powerful and strong but sometimes feel disconnected from the musical arrangement. Perhaps the addition of two new band members into the creative mix finds them in a transitional period of sorts that is reflected on this record.
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"Question" is a 1960 hit song written by Lloyd Price and Harold Logan. Lloyd Price's recording was issued as ABC-Paramount single 10123,Liner notes from The Best of "Lloyd Price - The Millennium Collection", Universal Music Group, 2002 reaching the Top 10 of the Billboard R&B; Singles chart, peaking at #5, and the Top 20 on the Billboard Hot 100, peaking at #19. The song combines a rhythm and blues musical arrangement with a pop style backing vocal-chorus. Lloyd performed the song on a 1960 telecast of Dick Clark's "Beech Nut" Saturday night show on ABC Television.
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The song was well received by music critics who praised its musical arrangement as well as the guest vocals by Knowles. "Hollywood" charted on US Billboard component charts, reaching a peak of number 56 on the Hot R&B;/Hip-Hop Songs chart in early March 2007. It also gained attention in Australia where it charted inside the top 100 positions of the ARIA Singles Chart. Knowles later recorded a solo version of the song, which was re-titled "Welcome to Hollywood", and included it on the deluxe edition of her second studio album, B'Day (2006).
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Each of the first three seasons of the series featured its own tailored opening sequence, featuring completely original animation and a unique arrangement of the theme tune. Additionally, the third-season premiere "Five Faces of Darkness" had its own specialized opening, depicting events that occurred in the mini-series. The fourth season, however, did not feature any new animation in its opening sequence, instead combining together footage from the third season opening and various clips of animation from 1987 toy commercials; likewise, the fifth season featured commercial animation mixed in with footage from The Transformers: The Movie. Both used the season three musical arrangement.
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Artists who have covered the song include Rosanne Cash, America, Vince Welnick, Quorthon, Jeff Tweedy, Suggs, Yonder Mountain String Band, and Stereophonics with Oasis. Arctic Monkeys covered the song at their first live performance. Thom Bishop issued a version of the track on his 2013 album A Little Physics and a Lot of Luck. In the description of Jim Heald of No Depression magazine, Bishop's musical arrangement borrows from later Lennon psychedelic songs such as "Lucy in the Sky with Diamonds", "Because" and "Sun King", and builds in intensity from a soft acoustic backing as if to convey "the ratcheting up the tension as the dreamer resists being awakened".
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The bells can now be programmed to play any tune, subject to musical arrangement and technical limitations. The bells have played No Matter What several times in 2001, when Whistle Down the Wind was playing at the Alhambra; the operator of the bells was able to see the theatre steps from the bell tower, and timed the peals with the audience's exit. This meant that the superintendent had to undertake the long climb up the tower at 10.30 pm every day for a week, as the bell system was still under repair. In 2010, the bells played the theme tune from Coronation Street when the cast was filming in the area.
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On the night of the final Aubret performed 10th in the running order, following Finland and preceding Italy. "La Source" was a deceptively gentle-sounding song with a much-praised lilting musical arrangement which, to non-French speakers, hid lyrics often said to deal with the darkest subject matter - rape and murder - ever heard in a Eurovision song."La Source" translation @ diggiloo.net In the early voting Aubret appeared to be on course to become the first performer to score two Eurovision victories, as after six juries had voted "La Source" held a seemingly commanding lead of 17 points over the United Kingdom on 10.
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The press-gang song "Here's the Tender Coming" (number 3174 in the Roud Folk Song Index) has been recorded by many other well-known folk artists, including Frankie Armstrong and Dave Burland. "Lucky Gilchrist", the only original song on the album, was also released on 30 November 2009 as a single. Written by Adrian McNally, it tells the story of Gary Gilchrist, who Rachel Unthank knew when she was studying history at Glasgow University and who has since died. The song includes references to composer Steve Reich and Queen's lead vocalist Freddie Mercury, and its musical arrangement has been described as reminiscent of multi-instrumentalist Sufjan Stevens.
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After its release at the festival it was immediately recorded in studio along with other new tracks on an LP released in 1970. José José recorded the song again in 1982 under new accompaniment and musical arrangement, and in 1998 in a duet with pianist Raúl di Blasio. Some of the performers who have made their version of the song include: Plácido Domingo, Manuel Mijares, Ximena Sariñana, Eddie Santiago, Vikki Carr, Yuri, Lucho Gatica, Charlie Masso, Julieta Venegas, Kalimba, David Bisbal, Cristian Castro, Il Volo, Jorge Valente and Marc Anthony among others. Eddie Santiago's cover of the song peaked at No. 28 on the Billboard Hot Latin Songs chart.
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Alex Fletcher of Digital Spy rated the song three out of five stars and stated that it is "undoubtedly" one of the album's low points. Additionally, he criticised the song's lack of "bravado and pizazz" in comparison to Cruz's previous singles "I Can Be" and "Come On Girl". Andy Welch of the Halesowen News described it as "a fine example of a Brit doing R&B; as well as the Americans", but was unimpressed with the child's voice sample. Hazel Robinson from the BBC Chart Blog gave the song a full five-star rating, and wrote that its composition and musical arrangement produced a song that sounds natural and "pretty extraordinary".
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Musicologist James Webster defines through-composed music in the following manner: Many examples of this form can be found in Schubert's Lieder, where the words of a poem are set to music and each line is different, for example, in his Lied "Der Erlkönig" ("The Elf King"), in which the setting proceeds to a different musical arrangement for each new stanza and whenever the piece comes to each character, the character portrays its own voice register and tonality. Another example is Haydn's 'Farewell Symphony'. No section of Ary Barroso's 1939 samba "Brazil" repeats; however, a second set of lyrics in English allows the melody to be sung through twice.
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"Millennium" is a song recorded by English singer Robbie Williams for his second studio album I've Been Expecting You (1998). In September 1998, it was released as the first track from the album and became Williams' first single to top the UK Singles Chart. The song also received extensive airplay in the United States and Canada, where it was the lead single from Williams' 1999 compilation album, The Ego Has Landed. The song borrows heavily from the musical arrangement of John Barry's "You Only Live Twice", the title track of the 1967 James Bond film, said to be one of Williams' favourite James Bond movies.
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4000 seats were made available for viewing the show and while most were reserved for invited guests, some tickets were auctioned at a charity ball for the "Full Stop" campaign by the National Society for the Prevention of Cruelty to Children (NSPCC). The show was directed by Minogue's stylist and friend William Baker, with musical arrangement and choreography being handled by Steve Anderson and Michael Rooney, respectively. The setlist of the concert show was composed primarily of songs from Body Language; other songs were taken from Impossible Princess (1997), Light Years, and Fever. The show was split in four acts: "Paris by Night", "Bardello", "Electro" and "On Yer Bike".
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An unexpected smash hit, the single reached number one on the disco chart and crossed over to the Soul Singles chart, where it peaked at number 15, and to the Billboard Hot 100, where it peaked at number 36. In Europe, the single reached the top 10 in several countries, including the UK, Ireland and France. It eventually sold five million copies worldwide, making it one of the best-selling singles of all time. Recognizable by both its vocal hooks and its classical section, which is featured in the middle of the song, "Let's All Chant" was well received by critics, who have praised its musical arrangement and its catchiness.
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Commercially successful singles were issued of both the title song, performed by Shawn Phillips, and "Living Together, Growing Together" by The 5th Dimension, the latter being the band's last top 40 hit on the Billboard pop charts. The song "Things I Will Not Miss" was covered by Diana Ross and Marvin Gaye during recording sessions for the 1973 album Diana and Marvin. Tony Bennett recorded "Living Together, Growing Together" and "If I Could Go Back" for MGM/Verve. Richard Harris sang "If I Could Go Back" to the original musical arrangement made for the movie in the 1973 TV special Burt Bacharach in Shangri-La.
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"La Cima del Cielo" () is a song performed by Argentine-Venezuelan singer- songwriter Ricardo Montaner. It was written by Montaner and co-written and produced by Pablo Manavello and released in late 1989 as the lead single from the third studio album Un Toque de Misterio (1990). The song became the first number-one single for the singer in the Billboard Top Latin Songs chart in January 1990. The song was re-recorded by Montaner in 1999 with a new musical arrangement, and it was included on the setlist of his album Ricardo Montaner con la London Metropolitan Orchestra which was produced by Bebu Silvetti.
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"The Long and Winding Road" is a song by the English rock band the Beatles from their 1970 album Let It Be. It was written by Paul McCartney and credited to Lennon–McCartney. When issued as a single in May 1970, a month after the Beatles' break-up, it became the group's 20th and last number-one hit on the Billboard Hot 100 chart in the United States. The main recording of the song took place in January 1969 and featured a sparse musical arrangement. When preparing the tapes from these sessions for release in April 1970, producer Phil Spector added orchestral and choral overdubs.
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", and similar in mood and form to McCartney's 1966 song "Here, There and Everywhere". He also views it as lacking in genuine emotion, however, due to the lyrics and musical arrangement, and concludes: "This is one of the few instances in which the restraint Paul typically brought to his ballad singing blanches into something that sounds like simple indifference. 'Who knows how long I've loved you?' he asks, and it's tempting to think, 'Who cares?'" Howard Sounes welcomes the diversification of McCartney's non-rock White Album contributions such as "Martha My Dear" and "Honey Pie" but he says of "I Will": "[It] exemplified Paul's weakness for the soft-centred love song.
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The following day, McCartney added piano over the end portion of the song and, according to Beatles historian Mark Lewisohn, a brief snippet of flugelhorn. Music journalist Robert Fontenot says that although some commentators list this sound as a flugelhorn, it is in fact Harrison's lead guitar, played on his Gibson Les Paul. Over the fourth verse and ending, the song's musical arrangement includes an extended drum fill by McCartney, which author Jonathan Gould describes as a "ten-bar drum solo", and an ascending countermelody played in two octaves by Harrison. In the opinion of author Ian MacDonald, the "richest ingredient" in the arrangement is Harrison's "Indian"-style guitar parts.
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The main 12" remix of "Never Let Me Down Again" is known as the "Split Mix", as stated above, and the nine-and-a-half-minute track featured direct involvement from the band during its creation. In detail, the remix features the regular song, an added intro piece, and a techno-like musical arrangement appended at the end. The arrangement was expanded to the "Aggro Mix" on the 12" B-side, a piece additionally available as a bonus track on the CD and cassette tape versions of Music for the Masses. The "Split Mix" appears on the album collection Remixes 81–04, a release that came out on October 2004.
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For the Sakanaction album sessions, the band found that they felt free to record any music that they wanted to, and that the location allowed for the band to develop a different sound, as this was the space where Yamaguchi usually listened to music. Yamaguchi described these home sessions as feeling like an after school club, how everyone worked together in front of a computer. In addition to the main recording session, additional recordings were held at Alive Recording Studio in Setagaya and Aobadai Studio in Aobadai, Meguro. The members of Sakanaction entirely finished the musical arrangement of each song first, without having lyrics to accompany the songs.
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"Through the Rain" received positive reviews from music critics; many complimented Carey's restrained vocal performance, as well as the song's simple instrumental accompaniment, while others criticized it for being overly-dramatic. Jon Pareles of The New York Times described it as "inspirational", and felt that due to its vagueness, the song is would be applicable to all listeners, not just Carey. The Daily Unions David Germain commented how the song's simple musical arrangement and Carey's "restrained" vocal delivery aided it in becoming "modest and reserved". Writing for Billboard, Michael Paoletta chose "Through the Rain" as a top pick from the album, as did Allmusic's Stephen Thomas Erlewine.
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"Waterfalls", an Organized Noize- produced song that features an old-school soul-based musical arrangement, socially conscious lyrics criticizing drug dealing and unsafe sex, and an introspective rap from Lopes, became the biggest hit of TLC's career. Its million-dollar music video was an MTV staple for many months and made TLC the first black act to win MTV Video Music Award for Video of the Year. At the 38th Annual Grammy Awards, TLC took home Best R&B; Album and Best R&B; Performance by a Duo or Group for "Creep". Billboard also crowned TLC as the Artist of the Year at the 1996 Billboard Music Awards.
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For instance, a special musical arrangement written for the trailer for The Return of the King, which primarily consisted of principal leitmotives along with movie trailer-like music.The Fellowship of the Ring trailer used music from outside Shore's score, "Gothic Power." Trailers for further films were slated after the credits of the theatrical release, and featured music from Shore, music in the vein of Shore or existing music from Shore's score. The Two Towers trailer featured the debut of the Evenstar theme and a variation of Lux Aeternae from Clint Mansell's Requiem for a Dream score which was reorchestrated to fit with Shore's score, earning the moniker "Requiem for a Tower".
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"Stressed Out" is composed in the key of A minor, while Tyler Joseph's vocal range spans three notes, from a low of E4 to a high of A5. The song has a basic sequence of F–Dm–Am in the verses, pre-chorus and outro, changes to Am–G–C–E at the refrain and follows Am–G–C5–E during the bridge as its chord progression. Opening with its drumbeat, the linear musical arrangement is structured around the phrase, "My name is Blurryface and I care what you think." The track is built from wobbly synths, a Caribbean style keyboard line and rapped vocals by Tyler Joseph.
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Ronnie Spector later admitted to being unable to understand the concept and disliking the song, and commentators have duly noted its unsuitability as a vehicle for her comeback. "Try Some, Buy Some" is notable for the extent to which Phil Spector employed his Wall of Sound production, as well as for being a significant commercial failure for Spector, in the manner of his ambitious 1966 production "River Deep – Mountain High", by Ike & Tina Turner. The recording features a choir and long, lavishly orchestrated instrumental passages, the musical arrangement for which was supplied by John Barham. Besides Harrison, the backing musicians include Leon Russell, Pete Ham, Klaus Voormann and Jim Gordon.
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"In terms of musical arrangement, no revolution can take place", he wrote. In contrast to Haager though, Filantrop himself reproached Mikloš for a somewhat awkward English pronunciation, summarizing his notes with: "The Past of the Future with no export intensions, thus, has been quite obviously meant for audiences located in Central Europe, preferably in there, where the world music could be forty years seen only from behind the Iron Curtain. And it's a good album." Also Pavel Zelinka from Czech UNI that covers local culture life on a monthly basis, cited Mikloš'es wording as the weakest spot whereas pointing out on his, more or less, remarkable lyrics.
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Four minutes and fifty-two seconds into the last track on the single, "Get the Fuck Out of Here", the original version of "Hold on Me" can be heard. It was entitled "Showpony" and contains different lyrics as well as slightly different arrangement. According to the band, the album's US record producer, Howard Benson, told them they couldn't call a song "Show Pony"' because he'd never heard the term, so the title of the song and the musical arrangement was changed. To promote the release of the single Grinspoon embarked on a national tour with New Zealand band, Shihad, called 'The Show Pony Express Tour'.
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"Bye Bye" received mostly positive reviews from music critics, and was heavily speculated to have become Carey's 19th number-one single on the Billboard Hot 100. Many reviewers complimented its simple and understated musical arrangement and personalized lyrics, while some felt the song was too simple for an artist of Carey's stature. Jeffrey Mitchell from The Hollywood Reporter described it as a "high point" on the album, and wrote "Mariah softly and sweetly lamenting the loss of any kind of loved one on the truly touching 'Bye Bye'. Mitchell concluded his review put stock in the song's success, and ended with "Thankfully, it looks like we won’t be saying “bye” to Mariah for a long time.
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Ali Rıfat Çağatay, 1910s Ali Rıfat Çağatay (1867-1935) was a Turkish composer, oud virtuoso and academic, who served as the founding president of the Türk Musikisi Ocağı (The Institute for Turkish Music) and the long-term president of the Şark Musiki Cemiyeti (The Society for Eastern Music). He was noted for his efforts to harmonize Classical Turkish Music with elements of western musical heritage, his vocal abilities, as well as his talents on the oud, the violoncello, the tanbur, and the kemenche. Notable works include the original musical arrangement for the Turkish National Anthem, used between 1924-1930 until the acceptance of the new composition by Osman Zeki Üngör, as well as other national favorites.
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As globalization continues, this system allows capitalist cultures to absorb and appropriate other musical cultures while receiving full credit for its musical arrangement. Feld also discusses the subjective nature of appropriation, and how society's evaluation of each case determines the severity of the offense. When American singer James Brown borrowed African rhythms, and when the African musician Fela Kuti borrowed elements of style from James Brown, their common roots of culture made the connection more acceptable to society. However, when the Talking Heads borrow style from James Brown, the distancing between the artist and the appropriated music is more overt to the public eye, and the instance becomes more controversial from an ethical standpoint.
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"Master Sir" is about colonial Sri Lanka, narrating a story about the dignity of labour- a story about social justice. The song was recorded both in English (by Mendis and Sandra Edema) and Sinhala (by Neville Fernando; lyrics translated to Sinhala by Karunaratne Abeysekera). The song has remained a hit in Sri Lanka for over thirty years, mostly as a result of Neela Wickramasinghe's popularized version based on the musical arrangement of the English version (time signature, riffs etc.). His composition Ganga Addara ("By the Banks of the River"), translated into Sinhala by Augustus Vinayagaratnam, and sung by Vijaya Kumaranatunga, for the film of the same name (directed by Sumitra Peiris), is also popular.
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Rahman has then already attained fame across South India for composing successful jingles for advertisement films, who was then known by the name Dileep. Sangeeth decided to experiment Rahman as the music director, he was impressed with Rahman's musical arrangement for a candy commercial he directed, he also liked his composition of "Chinna Chinna Asai" for Roja, which Rahman showed him while he was in his studio. The song "Padakaali" is featured in the backdrop of a singing competition between Ashokan and Appukuttan in a temple, with both of them dissing each other with words. The song's situation in the story was briefed to lyricist Thirumala by Sivan while they were in Rahman's Panchathan Record Inn studio in Chennai.
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"I Me Mine" is a song by the English rock band the Beatles from their 1970 album Let It Be. Written by George Harrison, it was the last new track recorded by the band before their break-up in April 1970. The song originated from their January 1969 rehearsals at Twickenham Film Studios when they were considering making a return to live performance. Written at a time of acrimony within the group, the lyrics lament humankind's propensity for self- centredness and serve as a comment on the discord that led to Harrison temporarily leaving the Beatles. The musical arrangement alternates between waltz-time verses and choruses played in the hard rock style.
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The lyrics of "What You're Doing" concern McCartney's relationship with Jane Asher and demonstrate an aggrieved tone that was uncharacteristic of his writing. Author Simon Philo identifies the song's combination of musical arrangement, "sonic texture" and lyrics as an early example of the influence of cannabis on McCartney, who said the drug made him start "really thinking for the first time". The recording features a syncopated drum pattern and a jangly Rickenbacker guitar riff, as well as an instrumental coda that McCartney introduces by playing high up on the neck of his Höfner bass. A satisfactory arrangement proved elusive until the band remade the track on the final day of the Beatles for Sale sessions.
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As part of Northwestern University's early 1950s efforts to revitalize its school hymn (Quaecumque Sunt Vera), then Director-of-Bands John Paynter, NY Times Obituary for John P. Paynter, February 11, 1996 recruited Tyra - at the time an undergraduate music major, trumpet player and staff assistant for the Wildcat Band - to craft English words to replace the hymn's traditional Latin verse. The earliest known recorded performance of their resulting collaboration - renamed Mater (University Hymn) Northwestern University website: Behind the Music \- was made on October 3, 1953 by the Northwestern Glee Club.Hail to Purple: School Songs from the Vault Paynter's instrumental/a cappella musical arrangement and Tyra's lyrics (. . . Hail to Purple, Hail to White, Hail to thee Northwestern . . .
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In 2014, Haifa Kamal produced her first album Denya with 10 tracks from different music genres in collaboration with Lebanese Producer & composer (Mike Massy), Irani Musician (Alaa Wardi) and Jordanian Composer (Aziz Maraka). A second mini Album (EP) named (#THEEDMProject) was released by Haifa late in 2018, in which She reproduced traditional Arab music (especially Levantine) in EDM (Electronic & Dance Music) style, and the album was very well received by critics, as she tried to revive traditional & folk music, making it more popular among youth audience, with a modern musical arrangement. In 2019, Haifa Kamal Produced the first Arabic Anime Music video, directed and animated by Arab animators Hilal Ashour & Kamal Khdeim-Allah, featuring her Opening song of (Denya).
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"Be Here Now" is a song by English rock musician George Harrison from his 1973 album Living in the Material World. The recording features a sparse musical arrangement and recalls Harrison's work with the Beatles during 1966–68, through its Indian-inspired mood and use of sitar drone. Part of Harrison's inspiration for the song was the popular 1971 book Be Here Now by spiritual teacher Ram Dass – specifically, a story discussing the author's change in identity from a Western academic to a guru in the Hindu faith. Some Harrison biographers interpret "Be Here Now" as a comment from him on the public's nostalgia for the past following the Beatles' break-up.
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"Piggies" features baroque musical elements in its melody and texture. Music journalist Steve Smith groups the song with the Paul McCartney-written "For No One" and "She's Leaving Home" as examples of the Beatles' forays into baroque pop. Harrison biographer Simon Leng recognises the composition as essentially a folk song, however, that was then given a "satirical, drawing-room [musical] arrangement" on the official recording by the prominence of harpsichord and orchestral strings. The song's musical key is A. Its structure comprises two verses, a middle eight (or bridge) section, an instrumental passage (over the verse melody), followed by a final verse that leads into a coda (or outro) and a formal ending.
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Leng suggests that the musical arrangement was influenced by the Delaney & Bonnie song "Comin' Home", following Clapton and Harrison's guest roles on the band's European tour in December 1969. "Wah-Wah" also features prominent percussion, including uncredited maracas and congas, and, in Leng's description, a "rollicking horn chart" from Price that helps define the middle-eight sections. Adding to the musical tension, Janovitz notes, Harrison sings high in his range throughout, "almost drowned out" by Spector's Wall of Sound, which sees keyboards, horns and the many guitar parts competing for space in the mix. The song fades out on the single-chord main riff, accompanied by the sound of a car engine changing gear.
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In 1936 Gray joined Artie Shaw, who was calling himself Art Shaw, and his "New Music" orchestra as lead violinist. He studied musical arrangement under Shaw and became a staff arranger a year later. During the next two years he penned some of the band's most popular arrangements, including "Carioca", "Softly, As in a Morning Sunrise", "Any Old Time", and the classic "Begin the Beguine." Many of his up-tempo arrangements show early evidence of the style that would eventually become his trademark: a melody broken into two- to four- measure phrases, usually carried by brass section, repeated with increasing intensity until the climax. In November 1939, Shaw suddenly broke up his band and moved to Mexico.
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In the last instrumental section, Harrison incorporates the conclusion of Lao-Tzu's poem, beginning with the line "Arrive without travelling". The melody conforms to the pitches of Mixolydian mode, or its Indian equivalent, the Khamaj thaat. Musicologist Dominic Pedler writes that the tune features unusual tritone intervals, which, together with the musical arrangement, ensure that the song is far removed from standard "pop tunes". In a further departure from Harrison's previous forays into Indian music, both of which made extensive use of single-chord drone, the melody allows for formal chord changes: over the verses, the dominant E major alternates with F minor, before a move to A over the line "The farther one travels the less one knows".
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Much of The Joshua Tree showed the band's fascination with American culture, politics, and musical forms, and while the lyrics of "Running to Stand Still" were Irish-based, the musical arrangement for it began with touches of acoustic blues and country blues that represented an idiomatic stretch for the group. Although producer Brian Eno was known for introducing European textural music into U2's sound, he also had a strong fondness for folk and gospel music. Indeed, writers have seen echoes of Bruce Springsteen's stark acoustic 1982 album Nebraska in the song's sound. "Running to Stand Still" is a soft, piano-based ballad played in a key of D major at a tempo of 92 beats per minute.
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Speaking to film music fan site Maintitles, Arnold said he wanted "You Know My Name" to act as a substitute for the James Bond theme, to represent Bond's immaturity. The song's main notes are played throughout the film, and the classic theme only plays during the end credits to signal the end of his character arc. Arnold felt the song should tie closer to the score, and have the "DNA of the James Bond music". The musical arrangement tried to create "the right blend of rock aggression and sophisticated instrumentation", with Cornell describing it as "more uptempo and a little more aggressive than any other Bond theme has been, maybe since Paul McCartney ['s 'Live and Let Die']".
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Ian Inglis describes Harrison's singing as one of his "least impressive performances" and writes of the composition generally: "It may be a love song or a hymn of salvation but, unlike songs where this duality strengthens their impact (such as 'Isn't It a Pity'), here it sits uneasily between the two." With a different musical arrangement and the "melodramatic delivery" of a singer like Shirley Bassey, Inglis suggests, "Try Some, Buy Some" might have found some success. In a 2006 review for Mojo magazine, Mat Snow described the track as "[a]n anti-heroin song so seductively melodic it might induce the opposite effect".Mat Snow, "George Harrison Living in the Material World", Mojo, November 2006, p. 124.
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As the trumpet climax seethes its agony, the introduction erupts into a hard rocking electric groove, Scott's invective jammed with thumping fear like the dying cries of a sacrificial animal." John Kovalic of The Capital Times described "Don't Bang the Drum" and "The Whole of the Moon" as "quite elaborate epics that would make even an ELO album sound sparse". Mike Daly of The Age commented: "'Don't Bang the Drum' opens with a dramatic exhortation against militarism and man's destructive nature. What the lyrics lack, the musical arrangement makes up for: Lorimer's haughty Spanish trumpet ushers in wall-to-wall guitars, piano, ballzouki, crashing drums and wailing saxophone in a strutting rock orchestration.
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"Heavydirtysoul" is composed in the key of D minor, while Tyler Joseph's vocal range spans one octave and six notes, from a low of D4 to a high of C6. The song is restricted to a droning chord of Dm throughout its verses and pre-chorus, changes to a basic sequence of B–Gm–Dm–C at the refrain and follows B–Gm–Dm–C/E during the bridge as its chord progression. The musical arrangement begins with its introduction, opening with an ambient drone before quickly morphing into a two-step drumbeat. Following its intro, Joseph's begins rapping over cascading noise. "Heavydirtysoul" features Joseph’s most high-speed rapping and intense vocals.
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"Groovin' High" is an influential 1945 song by jazz composer and trumpeter Dizzy Gillespie. The song was a bebop mainstay that became a jazz standard, one of Gillespie's best known hits, and, according to Bebop: The Music and Its Players author Thomas Owens, "the first famous bebop recording". The song is a complex musical arrangement based on the chord structure of the 1920 standard originally recorded by Paul Whiteman, "Whispering", with lyrics by John Schonberger and Richard Coburn (né Frank Reginald DeLong; 1886–1952) and music by Vincent Rose. The biography Dizzy characterizes the song as "a pleasant medium-tempo tune" that "demonstrates...[Gillespie's] skill in fashioning interesting textures using only six instruments".
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Tomok kicked off his campaign in the OIAM3 Top 12 by singing Faizal Tahir's Coba. After the performance, both judges urged Tomok to prove that he deserves to be in the competition. However, Paul Moss also commented that the dramatic knee drop that he did for the performance was vomit worthy. After he was criticised for not making the right song choice for the Top 11 show, Tomok made his breakthrough performance in the Top 10 Week with his rendition of Beyoncé's Crazy in Love. For the Songwriter's Week (Top 9), Tomok brilliantly executed the challenge that was set out for the week and delivered Meet Uncle Hussein's La La La Kerjalah with his own style and musical arrangement.
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The band formed in Eunice, Louisiana in 1955 consisting of teenaged members Doug Ardoin, Skip Morris, Bert Miller and Harris Miller. In the mid-1960s, the band expanded to include Ned Theall, a trumpeter from Abbeville, who became the group's leader. Because of Theall, and his musical arrangement skills, the band changed its style of music from swamp pop, to a more successful, blue-eyed soul sound of music. In early 1965, the band released its first self-titled album on the Jin label and recorded at Floyd Soileau's studio in Ville Platte, Louisiana. During this time, the band was provided leadership from front man Clint West (born Clinton Joseph Guillory in Ville Platte on August 11, 1938).
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However, when he becomes jealous and travels from Jakarta to Bandung to profess his love, she agrees to marry him. Produced using government credit and written in an attempt to cover Perfini's outstanding debts, Tiga Dara was intended to be commercial despite Ismail's disapproval of such works. After it was released on 24 August 1957, the film was an immense popular success, launching the careers of its stars, earning the highest box office returns of any Perfini film, and being screened in first-class cinemas. However, even though Tiga Dara was shown at the 1959 Venice Film Festival and received Best Musical Arrangement at the 1960 Indonesian Film Week, Ismail considered it a compromise of his initial vision for Perfini.
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Rainforth lived in Edinburgh from 1851 or 1852 to 1856, and contemporary publications post reviews of her performance of the song in the capital; and she published the song with her own (and the now standard) musical arrangement in 1852. The song does not date from the Jacobite period, as is the case with many others now considered in the "classic canon of Jacobite songs", most of which were songs "composed in the late eighteenth and nineteenth centuries, but were passed off as contemporary products of the Jacobite risings." The tune has not been satisfactorily traced, and though it is indexed in the Lays as "Hundred Pipers", no such air is known to exist previous to the date of Lady Nairne's song.
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Fabian composed and arranged two music pieces for the concert, parts of the Merregnon 2 Suite and The Legend of Zelda: The Wind Waker by Nintendo written by Koji Kondo. The concert has been performed live by the Czech National Symphony Orchestra. In the following year, the second symphonic game music concert took place in Leipzig as part of the "Games Convention 2004" opening ceremony, performed by the Prague FILMharmonic Orchestra, where Fabian produced three music pieces: The Secret of Monkey Island, Turrican and Metal Gear Solid and worked as synthesizer programmer for the concert. In August 2005, the third Games Convention concert was held, again in the Gewandhaus in Leipzig, where Fabian was responsible for the musical arrangement of the piano part of Chrono Cross.
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Musical setting by Charles Burney (1777) A musical arrangement of the rhyme as a catch by Charles Burney was published in 1777, at a date earlier than any still existing copy of Mother Goose's Melody. But the melody commonly associated with the rhyme was first recorded with the three stanza version by the composer and nursery lore collector James William Elliott in his National Nursery Rhymes and Nursery Songs (1870),University of Florida, pp.2-3 which was published in America as Mother Goose Set to Music the following year.Google Books And in 1877 the single-stanza version illustrated by Walter Crane appeared in The Baby's Opera (London 1877), which described itself as "a book of old rhymes in new dresses, the music by the earliest masters".
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The production and release of "Already Gone" have been surrounded in controversy. Clarkson claimed that Tedder re-used the musical arrangement on the 2009 Beyoncé song "Halo", and stated that the public would incorrectly assume that she had stolen it; Tedder declared the accusations hurtful and false. After failing to prevent the song from being included on All I Ever Wanted because the track listing had already been finalized and the album was already being pressed, Clarkson then voiced her anger towards her record company bosses for subsequently deciding to release it as a single. The accompanying music video was directed by Joseph Kahn, who complained that he was not allowed to fully realize his vision, and stated he was unhappy with the final result.
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The musical arrangement (including the accompaniment, chords, and interpolations from the other traditional songs) is quite different from the published 1893 version and was copyrighted by members of the group. American Hallowe'en composer Kristen Lawrence found two historical tunes associated with soul cakes as she was researching souling songs for her 2009 A Broom With A View album. As Lawrence heard the traditional Cheshire tune, she was struck that the beginning notes were the same as the mediaeval plainchant Dies Irae, "Day of Judgment", calling the people to repent and pray for the dead. It seemed plausible that the Cheshire tune could be a folk corruption of the chant as children and beggars asked for cakes in return for praying for the dead.
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In 2012, Minogue re-recorded "Can't Get You Out of My Head" for her orchestral compilation album The Abbey Road Sessions. On the album, 16 of Minogue's earlier songs were re-worked and backed by an orchestra, which according to Nick Levine of BBC Music, "re- imagine them without the disco glitz and vocal effects". The Abbey Road Sessions version of "Can't Get You Out of My Head" has a more-noticeable musical arrangement that used a pizzicato playing technique in which the strings of a string instrument are continuously plucked. According to Tania Zeine of ARIA Charts, the listener to the re-recorded track is "instantaneously hit with a powerful violin ballad with the accompaniment of a large orchestra throughout the remainder of the song".
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The Era () is the tenth studio album by Taiwanese singer Jay Chou, released on 18 May 2010 by Sony Music Taiwan. "The Era album info" JVR Music. 18 May 2010. Retrieved 2011-05-09 The album was nominated for six Golden Melody Awards and won for Best Mandarin Male Singer, Best Mandarin album, and Best Musical Arrangement for "Free Tutorial Video". "22nd Golden Melody Awards nomination list" GIO, Taiwan. 13 May 2011. Retrieved 2011-05-20 "22nd Golden Melody Awards winners list" GIO, Taiwan. 20 June 2011. Retrieved 2011-06-20 The tracks, "Superman Can't Fly", "Rain Falls All Night", and "The Era", are listed at number 2, number 10, and number 39 respectively on the 2010s Hit FM Top 100 Singles of the Year chart.
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One of the album's more gospel infused songs, "And You Don't Remember," featured organ chord changes and held minimal production to give the vocals a more "raw and sixties feel." It and the former song were part of a trio of tracks from the album that were meant to pay homage to Motown ballads, with the inclusion of soft church choir vocals, and sole musical arrangement by Carey. Its lyrics reflected the song's raw chorus, telling of girl that is promised the world by her boyfriend, and quickly forget about her and moves to the next one. After the heartbreak, the protagonist asks him "Don't You Remember" all those things he had promised her, and the things they had spoken and dreamed about doing together.
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In January 1999 Beverly Jane Fry was appointed Director of Ballet for The National Theatre, Melbourne by invitation from the Board. Since then her talents as a choreographer have come to the fore choreographing and directing many ballets for the N.T.B.S. They include: a full length Cinderella , a full length Giselle and a new production of the ballet Carmen. Ballets created especially for children include: The Magic Toyshop, The Pied Piper of Hamelin (based on the Robert Browning poem), and What the Moon Saw, a captivating work with narrative, A Perfect Day and The Little Mermaid, a work which was 2 years in the making which she produced, directed, and choreographed. She also designed the sets and did the musical arrangement.
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In his book Revolution: The Making of the Beatles' White Album, David Quantick recognises the song's musical qualities – describing it as "a powerful song, full of angry climaxes" with "a fine [vocal] performance ... [and] a charming baroque feel" – yet he bemoans its "arrogant" and misanthropic message. Quantick concludes: "Although the Beatles preached peace and love and meant it, large parts of the White Album indicate that they could be a bit selective about it." Ian Inglis considers that the intentions behind Harrison's send-up of capitalist consumerism were reasonable, and acknowledges the sinister connotations that the song gained through Manson. He says that the track fails, however, melodically and lyrically, and lacks cohesion in its musical arrangement as well as "any subtlety or charm".
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Wiener Blut (Viennese Blood or Viennese Spirit) is an operetta named after the "Wiener Blut" waltz, supposedly with music by the composer Johann Strauss the Younger, who did not live to witness the première. Such was the popularity of the original "Wiener Blut" Op. 354 waltz until the time of the composer's death that his work would be chosen as the name of the operetta with libretto by Victor Léon and Leo Stein set around the Vienna Congress of 1814 to 1815. Strauss did not specifically compose any music for this operetta, although many of his earlier compositions were incorporated for the work. He took no active part in the musical arrangement at its conception nor any production work leading up to its première.
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Velasquez also collaborated with Kazufumi Miyazawa and Mariya Takeuchi on three of the record's singles and recorded a cover version of British folk band Fairground Attraction's 1988 song "Perfect". The singer's seventh studio album Retro (1996) was aided by the release of several cover versions of international material, as well as of its lead single "Fly"--the only original song on the record. Maurice White, Al McKay and Allee Willis, members of the American disco-soul group Earth, Wind & Fire, are credited as songwriters due to the interpolation of the melody of their 1978 song "September". Velasquez's eight studio album Drawn (1998) marked her collaboration with executive producer Mark Feist, who also received songwriting and musical arrangement credits on the effort.
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The song, along with its B-side, continues to be a staple of playlists on classic rock radio stations. The band first became aware of "Jesus Is Just Alright" after hearing The Byrds' version and before long the song had been added to The Doobie Brothers' own live repertoire. As a result, the song's musical arrangement is very similar to the one used by The Byrds, although The Doobie Brothers' rendition does include an extra bridge that the band added themselves. In 2007, bassist Tiran Porter claimed that the idea of adding a slow bridge was his, including the lyrics "Jesus is my friend", but due to the high vocal range demanded, guitarist Patrick Simmons sang lead instead of him.
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With collaborators Belu Alexandru and Valentin Antonescu, he tested minimalist recordings on magnetic tape, glued into various sequences. Florian also composed and, with the help of Transsylvania Phoenix drummer Costin Petrescu, recorded the experimental rock song Nicodim şi toaca ascunsă ("Nicodim and the Hidden Semantron"), which was visually supported by Florian's performance art and reworked on a music sequencer. The musical pieces were played at Florian's exhibits, including his contribution to the major multimaedia show Scrierea ("Writing"), or in special "new music" concerts held in classical concert halls such as the Romanian Atheneum. His other activity as a multimedia artist was in biomusic: in 1976, Kalinderu Palace hosted his live study, Corpul uman ("The Human Body"), during which he mixed the body resonance of one friend into a musical arrangement.
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The CD featured the title track with its corresponding instrumental, and the coupling tracks "Sora no Kanata e" (空の彼方へ / Beyond the Sky) and "Kimi wa Nanika ga Dekiru" (君は何かが出来る / You Can Do Something). The DVD harbored the music video for "Umi", along with the video's behind-the-scenes making. "Umi" was written and composed by the Japanese rock band MJ. The musical arrangement was done by Seiji Motoyama, who had worked with Lead with prior songs ("Summer Madness", "Drive Alive") and would continue to work with the group in the future. "Sore no Kanata e" was written and composed by Japanese musical composer Gajin (Masato Nakamura), who has also worked with the likes of KinKi Kids and AKB48.
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On the night of the final Aubret performed 9th in the running order, following the Netherlands and preceding Norway. "Un premier amour" was a gentle ballad with a hypnotic melody and a sophisticated musical arrangement which was highly praised, and was rated by observers as the stand-out song in a particularly drab line-up. Each national jury awarded 3-2-1 to their top 3 songs and France took the lead in the third round of voting, then quickly pulled away from the field to gain a comprehensive victory with 26 points against the 13 received by runners-up Monaco. Five juries - Germany, Norway, Sweden, Switzerland and Yugoslavia - gave their maximum vote to "Un premier amour", and only Denmark, Finland and the Netherlands failed to place the song in their top three.
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Lane was impressed with Muller's musical arranging skills and asked him to provide string arrangements for B.T. Express, a group he had begun producing. Two of the group's songs to feature Muller's arrangements, "Do It ('Til You're Satisfied)" and "Express", became major hits and club favourites, and Muller's innovative arrangements helped the songs pioneer disco music. The success of B.T. Express inspired United Artists Records to sign Brass Construction, while Muller, studying music theory at Hunter College, concurrently achieved a degree in musical arrangement. In assignments on musical counterpoints, he used some of the arrangements he had written for the Brass Construction album, including that of "Changin'," which features "all these displacements where a phrase is shifted over a bar," as he described in an interview with Wax Poetics.
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"The Change Inside of Me" and "All the Above" were noted as being "firmly rooted in the pop side of adult contemporary music", with the latter song focusing on "the elation that rang through the heavens when we became children of God" (The moment you surrendered/the moment you were saved/Life as you knew it forever was changed/And all the above rejoiced). The album's title track was described as "haunting"; lyrically, it "offers a look at Jesus recognizing His children at heaven’s gate". "There's a Reason" was noted as being "worshipful". "Word of God Speak" features only piano and strings alongside Millard's vocals; according to Millard, the sparse musical arrangement mirrors the song's lyrics, which focus on the inability to describe an infinite god with a limited vocabulary.
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These Guys Are from England and Who Gives a Shit is the 2001 re-release of the U2 EP by Negativland. It contains both tracks from the original EP, plus some tracks from the 1989 Over the Edge broadcasts on which the original EP was based, as well as live tracks recorded at the Great American Music Hall in San Francisco. The album was called a "bootleg" and released under "Seelard Records" as a joke, but in fact it was a real release by the band. Several of the live tracks on the album contain the same samples of a profane Casey Kasem as had appeared on the U2 EP set to a different musical arrangement, which includes a spoken portion which in part borrows from the lyrics of "(I Can't Get No) Satisfaction".
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Alan Stivell at Nuremberg, Germany, 2007 In the 1990s, Stivell recorded with the French singer Laurent Voulzy, Irish traditional performer Shane MacGowan and Senegalese singer Doudou N'Diaye Rose. The album was Again, and it became very popular in France, the beginning of a Celtic new wave. Stivell's records in the late 1990s contained more pronounced rock elements, and he performed at a rock festival called Transmusicales in Rennes. He continued working with a variety of musicians, inviting Paddy Moloney (of The Chieftains), Jim Kerr (of Simple Minds), Khaled and Youssou N'Dour to be in his very international 1 Douar / 1 Earth album. The 1998 French-language hit "La Tribu de Dana" by rap trio Manau, one of the best-selling French singles of all time, featured a very similar musical arrangement to Stivell's "Tri Martolod".
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Harrison's musical arrangement reflects the influence of the 1963 album A Christmas Gift for You, which contained Spector-produced songs by the Ronettes, the Crystals and Darlene Love,Dennis MacDonald, "Phil Spector A Christmas Gift for You from Phil Spector", AllMusic (retrieved 28 December 2012). while more recently Spector had co-produced the Apple Records single "Happy Xmas (War Is Over)" single, by John Lennon and Yoko Ono. Some authors claim that with "Ding Dong", Harrison set out to create a seasonal "classic", in an attempt to match the British chart success of "Happy Xmas" and particularly of Slade's "Merry Xmas Everybody"Clayson, p. 343. and Wizzard's "I Wish It Could Be Christmas Everyday" – two glam rock singles that were major UK hits over the winter of 1973–74.
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This track features an unintelligible synthesized "voice" that harmonizes with the melody, as technical limitations for the SPC700 sound format chip prevented the use of an actual vocal track (although some developers eventually figured out how to overcome the limitation a few years later). The orchestral album Final Fantasy VI Grand Finale features an arranged version of the aria, using Italian lyrics performed by Svetla Krasteva with an orchestral accompaniment. This version is also found in the ending full motion video of the game's Sony PlayStation re- release, with the same lyrics but a different musical arrangement. In addition, the album Orchestral Game Concert 4 includes an extended version of the opera arranged and conducted by Kōsuke Onozaki and performed by the Tokyo Symphony Orchestra, featuring Wakako Aokimi, Tetsuya Ōno, and Hiroshi Kuroda on vocals.
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Written and produced by Motown's main production team of Holland–Dozier–Holland, the song's fast tempo accompanies a somber lyric which delves into the feelings of depression which can set in after a breakup; instrumentally, this is showcased with a Storm and Stress musical arrangement, in tow with the trend of baroque pop during the mid-1960s. "My World Is Empty Without You" was one of the few songs written by the team for The Supremes to not reach number one, peaking at number five on the US pop chart for two weeks in February 1966 and at number 10 on the R&B; chart; the single failed to chart on the UK Singles Chart. The group performed the song on the CBS hit variety program The Ed Sullivan Show on Sunday, February 20, 1966.
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The theme tune for Bitsa was written by Peter Charlton and the original musical arrangement was by Bill Le Sage, but after the first series the tune was reworked by Mark Reader from the rock band Strider. Reader also wrote the music for the 3-minute challenge and composed all the rest of the music for the show. Other items featured on the show included clips of children presenting craft projects they had made themselves, and footage of the presenters travelling around the country in their van visiting local schools. There was also a robotic puppet (made from glued together craft materials) named 'Hands' who would quickly make a small item, often mechanical in nature, from small items such as pieces of card, elastic bands or matchboxes, who would hum as he worked, then present the completed item with a flourish.
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The song has a basic sequence of Cmaj7–Bm7–Am7 in the introduction and verses, alternates between the chords of Cmaj7 and Am7 during the pre- chorus, and follows Em–C–Am–G–D at the refrain, bridge and outro as its chord progression. The musical arrangement has an "upbeat groove" built around a "shimmering disco-esque guitar" before a beat played by Dun is added. Entertainment Weeklys Omar Sanchez compared its groove to the band's single "Ride", while Billboard journalist Chris Payne opined that the beat had "strong "Walking on a Dream" vibes," and also dubbed the single a "hashtag-2020 song" due its frequent references to the coronavirus pandemic. The lyrics focus on finding hope and optimism in difficult times, with Joseph describing it as "simple but hopeful," but are "still earnest and honest about the chaos everywhere".
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Ziad Rahbani, the eldest son of Fairuz and Assi, at age 16, gave his mother the music of one of his unreleased songs "Akhadou el Helween" (that he had composed to be sung by Marwan Mahfouz in "Sahriyyi" Ziad's first play) and his uncle Mansour Rahbani re-wrote new lyrics for it to be called "Saalouni n'Nass" ("The People Asked Me") which talked about Fayrouz being on stage for the first time without Assi. Three months after suffering the haemorrhage, Assi attended the premiere performance of that musical Al Mahatta in Piccadilly Theatre on Hamra Street. Elias Rahbani, Assi's younger brother, took over the orchestration and musical arrangement for the performance. Fairuz made her first European TV appearance on French TV on May 24, 1975, in a "Carpentier special show" called "Numero 1" dedicated to French star Mireille Mathieu.
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"Alles heeft ritme" ("Everything has rhythm") was the Dutch entry in the Eurovision Song Contest 1986, performed in Dutch by Frizzle Sizzle. The song is up-tempo with a tropical-tinged musical arrangement, in which the point is made that there is nothing to be gained by worrying about being late or having to make deadlines. The band explains that "everything has a rhythm", people included, and that to try to work against this rhythm would be foolish. During the previews week before the Contest, the music video for the song was shown, in which the girls lounged about the beach with a large mascot; the girls sang the song while walking along the beach, watching windsurfing (and shaking hands with windsurfer Stephan van den Berg), and in the final part of the song, riding an all-terrain vehicle (which the mascot drove).
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The song is set in a basic four-chord progression, either I-vi-ii-V7 or I-vi-IV-V7 depending on the musical arrangement. The song has four verses of eight bars each, with no refrain or chorus, sung and performed in a slow swing rhythm. While different covers of "Oh Happy Day" phrased the lyrics somewhat differently, the lyrics of the first verse typically started as follows: > The sun is shining, oh, happy day; No more troubles and no skies are gray; > Ever since you said those words to me; Oo-Doo, doo-doo-doo-doo; You said you > loved me, I know it's true; My life's complete, dear, for now I have you; > Oh, happy day, oo-oh lucky me; Oo-Doo, doo-doo-doo-doo. Howard originally performed it in the key of E major.
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Belyaev was a great lyric tenor, but it's Boris Alexandrov's Alexandrov Ensemble webpage on Boris Alexandrov musical arrangement (see Alexandrov Ensemble) which sets off his skill and creates the magic every time. A good example of this is the "Bryansky Partisan Song" with its Eastern Orthodox Church music tonality and harmony, which has the effect of somehow making the Ensemble sound like a choir of thousands, evoking perhaps the size of the USSR, the history which created its peoples, and pride in the Soviet partisans. Belyaev sings the secondary harmony in a duet with Alexei T. Sergeev and the choir here, but his enthusiastic voice adds a piquant excitement to the sheer power of the arrangement. So here is one possible answer to the question of why Belyaev stayed with the Ensemble instead of looking for easy fame on the opera circuit.
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The following year, her immense artistic repertory began to be published, starting with NAR, in 2005, of Mediterranea Tour, a 1984 concert, and the remixed and remastered A casa di Ida Rubinstein, which, in the meantime, became unobtainable on the market. The DVD/CD is, like all the previous and following works, produced by Maria Antonietta Sisini and is the best selling product of all the charts, staying on the top for many weeks. In 2005, after 25 years Energie is back to the charts, the only case of the kind, reprinted by Wea and including three bonus tracks: Un'estate al mare, Bing bang being and Adeste fideles. In 2006 Giuni virtually duets with various national and international artists in Unusual, in which Giuni's voice sings with Caparezza, Lene Lovich, Franco Battiato, Toni Child and others, alternating original musical arrangement with brand new others.
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They were Best New Artist, Best Musical Arrangement in a Song, Best Pop Album and Best Album. After a series of delays, Jaclyn's second album, Inilah Jac, was released on 25 August 2006, while she was on a trip to Australia for both leisure and business purposes, including visiting Mount Buller and performing in two concerts in Melbourne's Australia for Christ Fellowship Church (with the singer-songwriter Juwita Suwito), and in Adelaide's Paradise Community Church (of which the inaugural Australian Idol winner, the Malaysian-born Guy Sebastian is a member, though Sebastian himself did not appear). While in Australia, Jaclyn also did an interview for the Christian radio station HCJB. In November 2006, she made her first proper music video (previously her videos were clips from studio recording sessions or footage from Malaysian Idol) when she filmed "Ceritera Cinta" with the male crooner Rio Febrian in his homeland in Indonesia.
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Songs such as these, so characteristic of her nature, have created the most confessional album of her career, a record in which Olívia not only assumes the role of a great singer, one that the critics and the public are following attentively in Brazil, but as a great song writer, able to create harmonically rich songs, with exceptionally original melodies. The work being intimate, Byington surrounded herself with friends. She invited Leandro Braga to do part of the musical arrangement, and also the Portuguese Pedro Jóia, who played with her in "Clarão" and "Balada do Avesso", and many other great musicians like Marco Pereira, João Lyra, Zero and Zé Canuto. She also wanted to share the singing, so she shared the microphone with Seu Jorge in "Na Ponta dos Pés," and with the great singer Maria Bethânia in "Mãe Quelé," a homage to Clementina de Jesus, a deceased Afro-Brazilian singer.
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He has translated songs from Ukrainian into English for Lessia Horova, prepared a musical arrangement for a London Theatre production "Husbands and Lovers" by Hungarian playwright Ferenc Molnar, and recorded introductory music for British Columbia, Canada's longest running Ukrainian radio show, Nash Holos (Our Voice). Between 2007 and 2014 he played accordion for Welsh folk rock band Here Be Dragons for their Italy tours, and for their US gig and ABC TV debut for the Chicago Celtic Festival. In January 2015 he released the first ever adaptation from Ukrainian to English of the original meaning of Shchedryk with his daughters, the tune of which was used for the lyrically non related Carol of the Bells. His Mum's cousin was Eddie Rabbitt, the Nashville country music star whose song "Kentucky Rain" was a hit for Elvis Presley, and whose song "Every Which Way But Loose" was the theme tune for a film starring Clint Eastwood and an orangutan.
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There are times throughout the album where you can hear her emotion and soul speak right to your heart and others where the musical arrangement behind the lyrics really take on a life of their own." Timothy Yap, rated the album three out of five in a Hallels review, asserting that the album "bears the marks of many singer-songwriter albums where it's personal with equal portions of emotions and intelligence," further describing Gretzinger's work as "coterminously ruminative as well as theological." Jesus Freak Hideout critic Josh Balogh awarded Blackout a four star rating, concludes, "with its powerful, engaging vocals, and catchy pop melodies, Blackout is a worshipful, not-to-be-missed album of 2018 sure to please longtime fans of Bethel musicians, and fans of the pop/worship genre." Hayden Royster of LightWorkers praised the album in his review, saying that Blackout is "something truly remarkable: a worship album that encapsulates both the human condition, the glory of God and everything in-between.
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Hadiah Daripada Hati came under criticism from the press when it was released. Critics said it was a moderate performance from her and was not on the same par as her previous album Transkripsi, which was touted as the best album she had ever made. But these criticisms were rebutted when Hadiah Daripada Hati received five nominations in the 15th edition of AIM including Best Pop Album, Song of The Year, Best Vocal Performance in an Album (Female), Best Arrangement and Best Album Cover making Siti the second nominee with the most nominations after newcomer Faizal Tahir. Out of five categories including three multiple nominations for Best Arrangement category, the album earned her three awards for Best Pop Album, Best Musical Arrangement in a Song (Malay) for the song Cintamu as well as her ninth Best Vocal Performance in an Album (Female) in which she had lost to Jaclyn Victor the previous year.
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In The Musical Quarterly, John Howland wrote an article entitled "The Blues Get Glorified: Harlem Entertainment, Negro Nuances, and Black Symphonic Jazz". In his analysis of the piece, Howland says, "the narrative content and musical arrangement of the film present an ideal microcosm of the hybrid cultural aesthetics that informed a special category of prewar, jazz-based concert works by popular music composers in Harlem."John Howland "The Blues Gets Glorified: Harlem Entertainment, Negro Nuances, and Black Symphonic Jazz", The Musical Quarterly, October 17, 2008 He goes on to say that “the pantomime narrative of Symphony in Black depicts a celebrated African American symphonic composer—Duke Ellington—and the world premiere of his racially motivated symphony, or rhapsody. The subtitle of this film, like many other rhapsody-themed stage numbers and jazz-styled concert works of the day, purposefully alludes to the inspiration and catalyst for the most symphonic jazz concert works of the 1920s and 1930s, George Gershwin’s Rhapsody in Blue.
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Way to Your Heart is the debut album by Filipina R&B; singer Kyla, released in 2000.iTunes Accessed July, 2000PolyEast Records The album consists of ten original OPM tracks mostly written by Mr. Rafael Amaranto XXVII. It includes the single Hanggang Ngayon which was nominated at MTV Pilipinas Awards in 2001 for Best Song and music video, Best Direction ( by Lyle Sacris), and Best Video. Kyla also won Best New Artist and Best Female Artist.MTV nominee Accessed June 2, 2001MTV nomination The music video also won the MTV Video Music Awards as MTV Southeast Asia 2001 Viewers’ Choice making Kyla the first and the only female artist to win the VMAsMTV SEA win Accessed July 31, 2007MTV SEA win Accessed May 12, 2002 making The album also won numerous award at the 16th Awit Awards for the single Hanggang Ngayon for Best Musical Arrangement, Best Performance By A New Female Recording Artist and Music Video Of The Year.
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The vision of the Remix Artist Collective was to maintain a style of remixing that strays from the "club mix" archetype, creating new incarnations of songs that stem from the original structure, but expand on their genre and musical arrangement. Early RAC mixes typically feature a blend of hip-hop and vintage drum machine samples, analog synthesizers, melodic hooks, and original instrumentation performed by the remix artists themselves. Annie Zaleski of the Riverfront Times wrote of Anjos' style: "Unlike many electronic remixes, which are commonly technical and precise, RAC mixes embody a unique aesthetic built on emotion and nuance, an almost intangible warmth and innate playfulness." Anjos' signature remixing sound is in large part a result of some of his equipment, notably, a 1982 Roland Juno-60 and 1973 Univox MiniKorg, though he has also been known to manipulate analog tape machines to achieve effects, and primarily works with Ableton Live to do so.
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Dana had recorded "All Kinds of Everything" following her victory in the Irish National Song Contest with veteran Eurovision composer Phil Coulter ("Puppet on a String", "Congratulations") providing the musical arrangement for the Ray Horricks production. The record was released on 14 March 1970 on the Rex label for whom Dana had previously recorded four singles (including "Look Around") and became a massive hit in the Republic of Ireland even prior to its Eurovision win reaching #1 on the chart dated 20 March 1970 and remaining at #1 for nine weeks: in October 1970 Dana received a gold disc for "All Kinds of Everything" selling 100,000 units in Ireland. In the UK "All Kinds of Everything" was #1 for the weeks dated 18 April and 25 April 1970. A #2 hit in the 1970 Eurovision host nation the Netherlands, "All Kinds of Everything" was also a hit in Austria (#7), Germany (#4), Israel (#3), Malaysia (#3), New Zealand (#8), Singapore (#1), South Africa (#7), Switzerland (#3) and Yugoslavia (#4).
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The song was prohibited from 1939 to 1960 under the regime of Spanish caudillo Francisco Franco, as part of Franco's ban on Catalan language and culture. In 1960, while Franco was on a rare visit to Barcelona, four of his ministers, including Minister of the Interior Camilo Alonso Vega, attended the centennial ceremony for Maragall at the Palace of Catalan Music. The Civil Governor of Barcelona, Felipe Acedo, had authorized the concert, but forbade the playing of the "Cant" despite its being based on Maragall's work. \- Don Felipe Acedo concluyó por autorizar el concierto, pero manteniendo la prohibición expresa y terminante de interpretar el Cant de la Senyera, prohibición mantenida no obstante advertírsele que- bastaba esa prohibición para que se The orchestra played a musical arrangement of Cant de la Senyera, upon which a number of Catalan nationalists stood up and sang along, marking a key turning point in the history of Catalan nationalism, a happening known as the Fets del Palau de la Música ("Events of the Palace of Music").
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"Doctor Robert" uses the keys of A major and B major, and its melody is in the Mixolydian mode based on B. The musical arrangement has staggered layering, with backing vocals starting in the second verse, the lead guitar entering just before the bridge, and the bridge itself featuring added harmonium and extra vocals. Lennon's lead vocal is automatically double tracked with each of the two slightly-out-of-phase tracks split onto separate stereo channels; creating a surrealistic effect supporting the lyric about drug use. An interesting feature is the suitably "blissful" modulation (on "Well, well, well, you're feeling fine") to the key of B on the bridge via an F7 pivot chord (VI7 in the old key of A and V7 in the new key of B). The extended jam that lasts 43 seconds at the end was recorded, but it was removed and replaced with a fade-out. In the US mono mix of the song, as released on Yesterday and Today, Lennon appears to say "OK, Herb" at the very end of the track.
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Initially, the painting appears to depict a momentary disagreement between husband and wife, but the title and a host of symbols within the painting make it clear that this is a mistress and her lover. The woman's clasped hands provide a focal point and the position of her left hand emphasizes the absence of a wedding ring, although rings are worn on every other finger. Around the room are dotted reminders of her "kept" status and her wasted life: the cat beneath the table toying with a bird; the clock concealed under glass; a tapestry which hangs unfinished on the piano; the threads which lie unravelled on the floor; the print of Frank Stone's Cross Purposes on the wall; Edward Lear's musical arrangement of Alfred, Lord Tennyson's 1847 poem "Tears, Idle Tears" which lies discarded on the floor, and the music on the piano, Thomas Moore's "Oft in the Stilly Night", the words of which speak of missed opportunities and sad memories of a happier past. The discarded glove and top hat thrown on the table top suggest a hurried assignation.
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" Ritter wrote, "This record wants you to feel not sad or angry but as if you are, say, in a government- town city centre at 4am, or a parking lot under a red sun. It's not a cinematic mode of intuition, exactly, since there's no plot; but there is the development of impression through time, as if the space gets sharper and more detailed as the song goes on." Ritter wrote that each track is an evocative "space" a listener is brought in; these spaces take a variety of forms, such as spaces "filled with regret," "with the anticipation of an event just about to begin," "with people and things, stone-still in a frozen tableau," or "emotional spaces, again not something like "happy" but the headspace you're in when, for instance, you step off a cross-state bus into a very bright day." A Tilt magazine critic highlighted Silver's experimental musical arrangement techniques on the album: "Subtle shifts in tempo will transition into the next track, What may have been a background pad will become the lead synth, Sudden switch-over from faint drums to a breathy latin percussion.
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