119 Sentences With "music stands" | Random Sentence Generator

"All we had were music stands and small chairs," he said.

Downfall of Gaia's music stands defiant and firm against the odds.

Or do you think the music stands alone, independent of outside influence?

At one point, all the players become percussionists, banging implements on their music stands.

Members of his orchestra set up their music stands in the cemetery to play.

It should always be music theater — music stands in the foreground — and nevertheless it should be good theater.

Mr. Gilbert and other musicians had stayed onstage while chairs and music stands were rearranged and latecomers seated.

For Johnson, music stands in as a harmony for the work, helping to shape and contextualize it with sonic reflection.

His treasures on the market in recent years have included cars, jewelry, tables, chairs, music stands, shelves, light fixtures and cutlery.

This, the final transformation, was also why he had set up the music stands in that underground car park that day, and waited.

The music stands up on its own—the lyrics are just a bonus for those of us who understand the importance of paying attention.

Trump, who warmly greeted Epstein and two other people when they arrived, is seen on the video smiling and clapping along with the music stands beside Epstein.

Mr. Costanzo, in a painter's work clothes and wearing a turban, looked agonized with longing as he sang, moving from a small desk to various music stands.

At other times, the tubes are waved in the air and slapped against sheet music stands, causing both papers and bits of plastic to fly into the air.

He had been given 50 music stands, one for every two of the hundred children he expected, and already these resembled a skeleton orchestra, set out in rows.

Onstage, he was surrounded by empty chairs and crowds of black music stands; in the audience, some people rustled plastic bags between their feet while others energetically shushed them.

There are conductors who, when they hear something they don't like, rant and rage and throw music stands, but Dudamel has never been dictatorial; he prefers collaboration to control.

Yeah I know what you mean, there was a huge wave of new rappers from SoundCloud and that really represents where music stands right now and how powerful the internet is.

But making the leap from being in an orchestra's stage crew — the team that puts out chairs and music stands and sets up lights — to being a player is altogether rarer.

The easiest (and safest) way to realize your Spider-Man fantasies is to build this DIY web shooter instead, which also ensures no music stands will ever pose a threat to you.

When asked why he's taking his music on tour, Zimmer said that he wanted to see if his music stands on its own, a feat that's impressive for any composition, let alone a film score.

The room only holds 24 people and as your name is called, you can choose a seat at a circular table — painted black and white to resemble a wire reel — or behind the music stands arrayed in the back.

"It's not everyone, but a lot of drill music stands for violence and it's obvious from the lyrics that these artists have either been stabbed or shot, or are stabbing and shooting people," Mr. Goupall said in an interview.

There is little to suggest that dozens of kids have spent their Saturday here playing classical music — aside, perhaps, from a set of music stands that might seem curiously low to the college students who use them during the week.

Among his best known early works are a series of graceful music stands, including the one at left in the collection of the Museum of Arts and Design, which faintly evokes the figure of a person holding a sheet of music.

So last week, when three dozen singers from the Crossing, a Grammy-winning chamber choir dedicated to new music, gathered in the Presbyterian Church of Chestnut Hill in Philadelphia to rehearse the piece, it was heavy Wiss scissors that were placed on their music stands.

Onstage, in costume behind music stands, actors gave a public reading of the show — an "Oklahoma!" where Curly and Laurey, the central couple, were women, and the secondary romance was between two men, Will Parker and Ado Andy (changed from the original Ado Annie).

Stretching over 50 minutes, and drawn to long silences, it has the violinist wander between music stands placed around the room, in the midst of an electronic soundscape filled with the echoes of another violinist (the great Gidon Kremer) improvising, along with the occasional mumble of a voice or a clatter of furniture.

ICE's single-minded dedication to new music stands out while many established orchestras are unsure how to best present new work: Just last week a New York Philharmonic contemporary music series was saved from being scrapped only after an extraordinary last-minute donation by a small group that included several prominent conductors.

On a brilliant spring morning, with the cherry blossoms in bloom, ensembles drawn from the orchestra's ranks—a string quartet, a piano-and-violin duo, a woodwind quintet, and a percussion trio—stationed themselves around the Tidal Basin, within earshot, variously, of F.D.R., Jefferson, and Martin Luther King, Jr. The results were captivating, despite gusts of wind that occasionally sent music stands tumbling.

Each had variations in appointments, such as legs, lyres, and sheet music stands.

Sheet music stores often carry some practice accessories, such as metronomes, music stands and tuning forks.

A vocal group using music stands. There are various types of music stands for different purposes and intended users. Folding stands collapse, which makes them convenient to take to rehearsals and performances out of the home. Folding stands are typically used by amateur musicians at rehearsals and performances.

Most music stands for orchestral, chamber music or solo orchestra- family instruments (violin, oboe, trumpet, etc.) can be raised or lowered to accommodate seated or standing performers, or performers of different heights. Many types of keyboard instruments have a built-in or removable music rack or stand where sheet music can be placed. Music stands enable musicians to read sheet music or scores while playing an instrument or conducting, as the stand leaves the hands free. Music stands are sometimes used by singers, however for choirs, singers typically hold their sheet music in a folder, and singers performing solo recitals or opera performances typically memorize the lyrics and melodies.

From 1892–1939, the team played at Stuart Field on the university's campus. Currently, the Elliott Hall of Music stands on the former site of Stuart Field.

Evans called his invention the "Bungerack".Richard B. Evans. Bungerack and manufactured a limited number of these music stands for close friends, including John Cage. Retrieved on July 1, 2009.

The Manhasset Specialty company was founded in 1935, when inventor and musician Otto Lagervall, dissatisfied with the quality of existing music stands and their inherent problems and shortcomings, set out to develop a better music stand. He succeeded in developing the initial Manhasset music stands. At the time of the company's founding, Lagervall lived in Manhasset, New York, whence the company's name derives. During the early 1940s, he moved the company to Yakima, Washington, where it is still located.

He remained at the forefront of all new musical tendencies, and his music stands as an important link between the late Baroque and early Classical styles. The Telemann Museum in Hamburg is dedicated to him.

The duo filmed a music video for the track. The video shows Bennett and Gaga singing "The Lady Is a Tramp" together in a studio in front of music stands. The video received largely positive critical reception.

Manhasset Specialty Company, or simply Manhasset, manufactures music stands. The company was founded in 1935, and is headquartered in Yakima, Washington. Known for their simple black appearance, the company's stands are near- ubiquitous in schools, churches, and performance halls.

Louis Metcalf said, "The sight of Fletcher Henderson's men playing behind music stands brought on a learning-to-read-music kick in Harlem which hadn't cared before it. There were two years of real concentration. Everybody greeted you with 'How's studying?'"Magee, Jeffrey (2000).

In January of 1890 the brigade began to look to purchase band instruments. After reviving instruments, uniforms, music stands, ect. from a Mr. D. W. Marsh a band was organised. The band carried on with varied success under different leaders for a number of years.

The festival celebrating the patron saint of Ireland St Patrick and organised by Luton Irish Forum, is held on the weekend nearest to 17 March. In its 15th year in 2014, the festival includes a parade, market stalls and music stands as well as Irish themed events.

He was buried in the local cemetery at Aberdare, in the same grave as his wife Cecilia and daughter Louisa. A memorial to James James and his father, in the shape of two figures representing the muses of Poetry and Music, stands in Ynysangharad Park, Pontypridd.

1905 Wanganui Liedertafel - 20th Grand Concert. 1909 Handrails provided on stairs leading to Dress Circle. 1910 Agreement in July to cover stage entrance before next winter. 1911 Engineer told to prepare specifications and tenders invited for erecting stage. 1912 Larger music stands and improved lamp holders for the orchestra.

We missed the intro on the first song and it never got any better. Amp speakers blew, charts fell off music stands and everyone was, in general, in a complete state of confusion. Ended up each song turned into one long jam. I think we were, at times, all in the same key.

The piano was exhibited in the rotunda of New York City's Steinway Hall and was ceremonially unveiled on stage at the Kennedy Center in Washington,DC."The Madison Bluestone Steinway", The Kennedy Center Playbill, April 2007 Steinway kept LaBerge unofficially "on call" to paint scenic music stands for the company's Madison Century series of limited-edition pianos.

Hamilton Stands Inc. is a musical instrument accessories manufacturing company founded in 1883 and based in Middletown, Ohio. The company is currently owned by St. Louis Music. Hamilton is most famous for their wide variety of music stands (from light, fold-up types to rugged, near-permanent ones), used by musicians and music students around the world.

Rehearsal Hall at the Conservatory: A small room at Madrid Conservatory served for their first performances. This room was intended for lectures at the conservatory. It was usually described as small, cold, sober, and poorly decorated. It had chairs and straw benches for the public, a small ticket box with four music stands, and a grand piano made by the Pleyel house.

The hand-carved walnut organ case preserves the view of the Cathedral's rose window. Human-sized carved angels stand on both sides of the organ case and a statue of Saint Cecilia, patron saint of music, stands on top of the central organ case dome, directly below the rose window. The Cathedral is normally open from 7 a.m. to 6 p.m.

A table top stand. While the vast majority of music stands are designed to provide their own support for raising the music rack to the desired height, there are some music racks which are designed for placing on a table or counter. Since a table or counter must be used, this makes these racks unsuitable for instruments such as timpani.

The Madisons, Lincolns, Grants, and Kennedys all used the Red Room as a music room. A guitar, piano and music stands were kept in the room. Today a music stand beside the fireplace recalls that earlier use of the room. In 1833, during the presidency of Andrew Jackson, the Red Room was host to the second Catholic ceremony in the history of the White House.

The soundtrack of the movie has received positive reviews. bollywoodhungama reviewed the music saying "Blue is a good album and has all in it to make a good impression at the music stands. In a way, the album comes at just the right time when there is quite some variety in store this Diwali. Blue practically mixes up genres..."Music Review of Blue By bollywoodhungama.

May 21, 2000. Metro Silicon Valley analysed the music in great depth, concluding that "[T]he technique is adroit, fluid and winningly integrated. Ching speaks music so well that he accommodates the text without a stumble.... [T]he music stands remarkably well on its own – rather like a string of pearls.... Ching might well be tempted to craft a concert suite without the transitional material."MacClelland, Scott.

By the age 12, Maxwell was studying piano with Guy Bernard, a music professor at Loyola University New Orleans. Later in his teenage years he was "band boy" for Rene' Louapre's Society Orchestra and would set the music stands, lights, and arrangements for the orchestra on a nightly basis. As well as acting as bartender for the band, he occasionally subbed on drums or piano to relieve fellow musicians.

The main part of the museum exhibits are on the first floor. The upper floors house archive material relating to Smetana, providing a centre for research. Exhibits include copies of letters, photographs and newspaper cuttings relating to Smetana’s life as well as various possessions including his earbone (Smetana suffered from deafness). There are also folders on music stands which contain material about some of Smetana’s most famous works.

The National Medal of Arts is a presidential initiative managed by the National Endowment for the Arts. In celebration of his 91st birthday and honoring a lifetime of service to the company, Steinway & Sons introduced a series of Henry Z. Steinway Limited Edition pianos in ebony or East Indian rosewood with distinctive music stands bearing cutwork of the initials HZS.Henry Z. Steinway Limited Edition. steinway.com The pianos were advertised nationally.

These included pieces by Witold Lutosławski, Hans Werner Henze and Einojuhani Rautavaara; altogether they performed 87 world premieres. The ensemble's leader was noted for his meticulous preparations at every concert, lining up the music stands himself, his personal commitment being one of the reasons for the ensemble's success. In 1986 he accidentally drove his car over his own trumpet case. He took this as the hand of fate and decided to retire from concert performances.

Digital music stands that use a computer screen to display the music began being used in the 1990s and 2000s. The digital "pages" can be turned by pressing an electronic footpedal, thus enabling performers to play chamber music or solo pieces with difficult page turns without hiring or finding a volunteer to act as a page turner. The music notation is typically displayed on a flatscreen display or a tablet computer screen.

" Graham Reed of Drowned in Sound wrote a negative review, stating "If you love music, take a hammer, and smash every copy you can find. You’ll be doing the world a favour. This is the exact antithesis of everything music stands for. Its stale, unoriginal, formulaic, repetitive, and shows as much originality and passion as a tribute band. There’s thousands of musicians out there with more originality and passion out there than Lenny.

Hill violins, cellos and cases are also highly regarded. Their other products included varnish cleaner, violin e-strings, rosin, peg paste, music stands, chinrests, and specialist tools. Over the years many of the most celebrated instruments by Stradivari, Amati, and Guarneri passed through Hill & Sons. They built up one of the most notable collections of stringed instruments which can be seen at the Ashmolean Museum in Oxford, including the "Messiah" Stradivari from 1716.

The work combines first-person narrative with legal records to tell the stories of six wrongfully convicted inmates: Delbert Tibbs, Kerry Max Cook, Gary Gauger, David Keaton, Robert Earl Hayes and Sunny Jacobs, and their paths to freedom. The production is performed as an anthology by 10 actors seated behind music stands. Their accounts of the freed convicts emphasize their lives after being sentenced to death, including much of the legal proceedings that gained their exoneration.

Both version of "Har Kisi Ko" received mixed to negative response from music critics, due to the comparison between the composition and lyrics from the original to the re-created version. Joginder Tuteja writing for Rediff.com was satisfied with the composition by Chirantan Bhatt. Giving its due credits, Tuteja stated; "The musical team does well in creating the kind of sound which is not like umpteen remixes or re-arranged versions that flood the music stands".

One unique form of theatre performed during the 18th century was the ‘Travelling Opera’ or Wanderoper. It was performed in the German court theatres as well as on the travelling stages of the Wanderbühne. In addition to the singers, the Wanderoper had additional instrumentalists, whose instruments, music and music-stands had to be carried by the troupe – unless musicians local to the particular destinations were used instead. This theatre-form also required intensive preparation and a musical director.

Musicians leaving a wedding performance carry non-folding music stands. Professional orchestras, concert bands and big bands typically use non-portable, non-folding heavy-duty stands. The stands are typically coloured or painted black so that the stands blend in with the black clothing of the musicians and are not distracting. The music holding portion of the stand may be plastic or metal, and in both cases, the music holding portion is supported by a metal column.

The concert folder contains all the music for the complete concert for an individual musician (e.g. Oboe I) or a single desk of musicians (such as Violin I / Desk 1). Assembling the concert folders needs to be finished well in advance of each series of performances to make sure the musicians have time to practice. In some orchestras, the librarian is responsible for delivering concert folders to the music stands on stage for all rehearsals and performances.

Sims acquired the nickname "Zoot" early in his career while he was in the Kenny Baker band in California. "When he joined Kenny Baker's band as a fifteen-year-old tenor saxophonist, each of the music stands was embellished with a nonsense word. The one he sat behind said "Zoot." That became his name." Sims played a 30-second solo on the song "Poetry Man", written by singer Phoebe Snow on her debut eponymous album in 1974.

Narváez's models include both sacred (volume 4 only) and secular melodies, and the music stands out by virtue of a very wide palette of techniques. Apart from melodic variations, there are also two sets on ostinato harmonies: Guardame las vacas and Conde claros, both in volume six. The remaining music comprises villancicos, romances, and a Baxa de contrapunto. With the exception of two motets, no other music by Narváez survives, although he must have composed a substantial amount of vocal music.

At one point during the partnership the music stands were designed to look like packs of Chesterfield cigarettes, and later was replaced by a blue banner with gold fringe that was embroidered with Glenn Miller and his Chesterfield Orchestra with two crossed cigarettes at the bottom, the top one having a red tip with emulated smoke rising from it. It was during the Chesterfield radio broadcasts on Sunday afternoons with Glenn Miller that the female trio The Andrew Sisters skyrocketed to fame.

Twenty-eight specially commissioned music stands were built for the occasion, engraved with either the coat-of-arms of Ruspoli or his wife. The proscenium was decorated with a tapestry depicting cherubs, palm trees, and foliage: in the middle of which hung a plaque with the name of the oratorio. The 46 letters were spread out over 4 lines, each letter about 18 cm in height. These letters were brought into prominence by the backing light of seventy light pans.

The setting for this segment had its beginnings in the first television broadcasts of the Chesterfield Supper Club. Como and his guests did the radio show sitting on stools behind music stands; this is what was seen by the cameras when they initially came into the radio studio. The opening theme song for Como's shows from 1955-1963 was "Dream Along with Me (I'm On My Way to a Star)". The closing theme was "You Are Never Far Away From Me".

The film clip for "Arithmetic" features Fraser in a dimly lit studio surrounded by fairy lights and with fairy lights all over her piano. As the song only features piano and a string quartet, the quartet is also visible in another part of the studio with their music stands also lit by fairy lights. For this abundance of fairy lights, "Arithmetic" was awarded the satirical award for "Most used fairy lights in a video clip" in the 2004 Studio 2 Awards.

In 1895 at the Belfast Art and Industrial Exhibition, Robinson exhibited a decorated oak settle. It is most likely the same piece that she later exhibits at the Arts and Crafts Society of Ireland exhibition in Dublin in the same year. It has been concluded that a settle which is now in the collections of the Ulster Folk and Transport Museum is probably this piece. Over time the school's scope broadened, with members showing chairs, panels, mantelpieces, music stands and friezes.

Gresle was excommunicated for his role in the rebellion and when King John later ignored the terms of Magna Carta, Gresle forfeited his lands. King John died in 1216 and the land was returned to Robert Gresle on behalf of King Henry III. Medieval Manchester was centered on the manor house and the church of St Mary mentioned in the Domesday Book. The castle in Manchester overlooked the rivers Irk and Irwell where the Chethams School of Music stands today.

Both these sections, rather than repeating the chords of the verse and chorus, introduce new material for the rhythm part, the reason for the three music stands required for each player during the session. "Becker and Fagen were not content to have their soloists simply noodling on verse changes or one-chord vamps. This made for very few repeat signs," writes Breithaupt. This leads to a short interlude in which the vamp gives way to chord flourishes punctuated by beats from Gadd in between soft cymbal taps.

Instruments might be purchased outright, leased or rented. Specific or non-stock items could be ordered through the store. More commonly, music stores offered some variety, depending upon the tastes and resources of the owners and the desires of their clientele (whether actual or sought- after). This might include some mixture of fretted instruments (electric guitars, acoustic guitars, mandolins, ukuleles); brass, woodwind, and violin- family instruments; drums and percussion; pianos and organs; consumable items (strings, reeds, drum sticks); accessories (metronomes, music stands); and sheet music.

It is likely that James senior was inspired by the fact that two of his brothers had emigrated to the United States and had written in praise of their adoptive country and urging him to join them. A memorial to Evan James and his son, in the form of two figures, representing Poetry and Music, stands in Ynysangharad Park, Pontypridd. Evan's face is shown alongside that of his son, but appears younger because the photographs available to the sculptor, Goscombe John, were taken many years apart.

The adult supervisors were paid from the bids on jobs. With fully developed internal economies, Lancaster schools provided a grammar-school education for a cost per student near $40 per year in 1999 U.S. dollars. The students were very clever at reducing their costs, and once invented, improvements were widely adopted in a school. For example, Lancaster students, motivated to save scrip, ultimately rented individual pages of textbooks from the school library, and read them in groups around music stands to reduce textbook costs.

Joginder Tuteja from Bollywood Hungama gave the soundtrack 1/5 stars saying "As expected, Help doesn't have much to offer and hence the reason why one hasn't heard much about it either. Earlier this year, there have been soundtracks that have been created for the horror flicks. However, this one is clearly the weakest of all." Tuteja listed one of the reasons of the flop soundtrack was because of bad promotion of the film and the music is nowhere to be found on music stands.

The undulating lawn, music stands, and lengthy arbor have been removed. In their place is a fenced-in lighted area for three baseball fields, an asphalt basketball and handball courts and a children's playground as well as a dog park. In 1959, residents sought to soften Hell's Kitchen and decided to rename the neighborhood Clinton, after the park. By the 1980s and 1990s, the area around the park had little residential population and it developed a reputation as an outpost for illegal drug use and homeless encampments.

Charles Frederick Thiele (November 17, 1884 - February 3, 1954) was an American-Canadian bandmaster, musician and industrialist. He founded Waterloo Metal Stampings, the first company to manufacture music stands in Canada. Thiele also established the Waterloo Music Company, which produced sheet music used by bands across Canada. Actively involved in the local and national music community, Thiele was a founding member of the Ontario Amateur Bands Association and the Canadian Band Association, and was the driving force behind the nationally recognized Waterloo Band Festival.

The organ case at the Cathedral of Saint Paul, National Shrine of the Apostle Paul draws from the original unbuilt design by Emmanuel Louis Masqueray but also refines it, preserving the view of the rose window. The existing split organ system was restored and 123 new organ ranks have been installed. The new organ case is constructed of walnut with hand carved detailing and gilding. Two human sized hand carved angels with instruments adorn the organ case while Saint Cecilia, patron saint of music, stands atop the central dome below the rose window.

The Richmond Symphony Youth Orchestra was founded in the spring of 1962 by Edgar Schenkman and is the oldest youth orchestra in the state of Virginia. It was a partnership between the Richmond Symphony Orchestra and Richmond Public Schools. The schools provided the venues, students, and music stands, and the Richmond Symphony provided Edgar Schenkman and the rest of the artistic leadership. While originally only one orchestra, by 1981 had expanded to three orchestras, the original Richmond Symphony Youth Orchestra, the Richmond Symphony Youth Concert Orchestra, and the Richmond Symphony String Sinfonietta.

However, Order members are not required to relocate there, but can participate in Order activities to whatever extent they can, from wherever they live. One ongoing group activity of the Order is the Lemurian Crafts, where hand-made products have been designed and fashioned ranging from wooden beakers, to lamps, to door and cabinet hardware, to violins and music stands. Emphasis is on making useful and beautiful products. One item, a wooden beaker, is part of the permanent collection of the Museum of Modern Art in New York City.

A large, heavy conductor's stand. Large, heavy duty music stands are available for conductors of orchestras, concert bands, choirs and big bands to hold their heavy, over-size scores of music. These stands are typically not designed to be easily transportable, and they are usually intended for installation in a rehearsal hall or concert hall. Conductor's stands have to be able to be angled much flatter than an instrumentalist's stand, because the conductor reads from a large full-score, which contains the parts for all of the instruments.

Mother Maybelle Carter Interview. Columbia Records As she began to feature her autoharp playing more and more in concerts and radio work, Carter became frustrated with trying to steady the instrument close enough to a microphone that was often shared by others. She utilized tables and music stands at first but later got the idea of holding the instrument, upside down, across her chest and playing along what was essentially the head of the harp (nearest the tuning pegs). Prior to that time musicians played below the cord bars at the opposite end.

Bennink's style is wide-ranging, running from conventional jazz drumming to highly unconventional free improvisation, for which he often uses whatever found objects happen to be onstage (chairs, music stands, instrument cases), his own body (a favourite device involves putting a drumstick in his mouth and striking it with the other stick), and the entire performance space—the floor, doors, and walls. He makes frequent use of birdcalls and whatever else strikes his fancy (one particularly madcap performance in Toronto in the 1990s involved a deafening fire alarm bell placed on the floor).

The concept of the monument is a motif used throughout Kabakov's oeuvre. Monument to a Lost Glove was a public project created in 1996 for Lyon, France to coincide with the G7 summit. Later in the year it was placed on the corner of Broadway and 23rd Street in New York. A red plastic woman's glove is attached to the ground and around it is placed a semicircle of nine metal music stands, each engraved with a text from a different imaginary character and written in poetic form.

Netflix announced its acquisition of the film shortly before its September 13, 2015 premiere at the Toronto International Film Festival. The film premiered worldwide on Netflix October 12, 2016. Reviewing the concert film, critic David Rooney from Billboard wrote: > It's noteworthy that after two years and 134 dates on the 20/20 Experience > World Tour, the act is drilled to perfection but never robotic. All six > dancers combine precision with a personal signature, as do the musicians and > singers who frequently step out from behind their 1940s big band-style JT > music stands to cut loose.

The release of Jackson 5 Christmas Album in October 1970 marked the end of a successful year for the band. Three albums were released by the group, with ABC in May and Third Album in September. The Jacksons recreated a similar feat the following year, with Maybe Tomorrow hitting record stores in April, the Goin' Back to Indiana soundtrack in September, and a greatest hits collection in December. In addition, Michael Jackson's solo debut single "Got to Be There", also hit the music stands in October, with the complete album of the same name coming out in January 1972.

It is equipped with movable bleacher seating for up to 240 people, platform risers for the stage, movable chairs for up to 110 people, tables, a sound system, lighting equipment, concert piano, music stands, pull-down screen and a projector. Gymnasium The Gymnasium is 476m2 (28m x 17m) and is equipped with changing rooms, along with basketball, volleyball, badminton, pingpong, dodgeball, and hockey equipment Dance Studio The Dance Studio is 116.23m,2 (11.8m x 9.5m) and is able to hold around 40 people. It is equipped with changing rooms, a sound system along with various exercise mats.

Kevin McNerney, jazz musician, professor, and private instructor, describes auditions for University of North Texas Jazz Lab Bands as being almost completely based on sight-reading: "you walk into a room and see three or four music stands in front of you, each with a piece of music on it (in different styles ...). You are then asked to read each piece in succession." This emphasis on sight-reading, according to McNerney, prepares musicians for studio work "playing backing tracks for pop performers or recording [commercials]." The expense of the studio, musicians, and techs makes sight- reading skills essential.

Instruments were either donated or bought using PoW monies from their Central Fund. Incidentally, on viewing the size of the orchestra pit, one is unsure how eight to 11 prisoners, seating, music stands and instruments (including a double bass and drum kit), were accommodated. Harperley's Camp Orchestra played by popular request at many local functions aided by their equally talented Musical Director, PoW Helmut Entz, (in his previous civilian life he was a professional musician). It is hoped to restore and return the theatre to the community, not just to Drama and Theatre groups, but also to schools and colleges.

The Wall Street Journal described it as "No set, no props, just four actors in evening dress seated on stools placed behind music stands, reading Shaw's words out loud." Brooks Atkinson in the New York Times called it "a mighty and moving occasion, not only a performance but an intellectual crusade." Harris Yulin along with Ed Asner, Rene Auberjonois and Mira Furlan formed the Second Drama Quartet in 1994 and also performed Shaw’s Don Juan in Hell. Other actors who participated with the Second Drama Quartet included Gena Rowlands, Dianne Wiest, Harold Gould, David Warner, Martin Landau, and Charles Durning.

All six > dancers combine precision with a personal signature, as do the musicians and > singers who frequently step out from behind their 1940s big band-style JT > music stands to cut loose. Timberlake is a magnetic performer who moves with > twitchy sensuality in his Tom Ford tux. But I could just as easily have > watched bespectacled vocalist Jack E. King III get his groove on all night, > since there's nothing quite so ecstatically graceful as a heavy-set dude > with funk in his bones. The concert film was the final project directed by Academy Award-winning filmmaker Jonathan Demme (pictured).

"It is on the concert stage where the moments of true intimacy occur", writes Steinhardt. "When a performance is in progress, all four of us together enter a zone of magic somewhere between our music stands and become a conduit, messenger, and missionary ... It is an experience too personal to talk about and yet it colors every aspect of our relationship, every good-natured musical confrontation, all the professional gossip, the latest viola joke." The playing of chamber music has been the inspiration for numerous books, both fiction and nonfiction. An Equal Music by Vikram Seth, explores the life and love of the second violinist of a fictional quartet, the Maggiore.

Having left the conservatoire, Offenbach was free from the stern academicism of Cherubini's curriculum, but as the biographer James Harding writes, "he was free, also, to starve."Harding, p. 21 He secured a few temporary jobs in theatre orchestras before gaining a permanent appointment in 1835 as a cellist at the Opéra- Comique. He was no more serious there than he had been at the conservatoire, and regularly had his pay docked for playing pranks during performances; on one occasion, he and the principal cellist played alternate notes of the printed score, and on another they sabotaged some of their colleagues' music stands to make them collapse in mid-performance.

After visiting Greece in 1985, and closely studying classical friezes, he embarked on a series of large-scale narrative works, including After Olympia, a panorama more than long, inspired by the temple to Zeus at Olympia. Latterly he has attempted large scale installation pieces, one of which, Sea Music, stands on the quay at Poole, Dorset. In the early 2000s, his work featured nearly life-size equestrian figures built from fragments of wood and terra cotta on gymnast's vaulting horses. In 2008, Caro opened his "Chapel of Light" installation in the Saint Jean-Baptiste Church of Bourbourg (France), and exhibited four figurative head sculptures at the National Portrait Gallery, London.

This was not intended as a demonstration of any special powers of memorization, but rather of an approach which involved such careful rehearsal that by the time a piece was ready for performance, the musicians no longer required the score. The quartet used eye contact and were more able to respond musically to one another without music stands interfering. The Quartet was on tour in Paris in 1938 when Nazi Germany annexed Austria. Because of their association with Schoenberg (whose music had been banned by the Nazis) and because most of the members of the Quartet were considered Jewish according to the Nazi legal definition, they did not return to Vienna.

Waterloo Metal Stampings produced a variety of music-based items including music stands, drums and cymbals, eventually introducing the production of office furniture. When it was founded in 1922, Waterloo Music Company sold and produced music for pianists working in silent film houses, later selling sheet music used by bands across the country. Thiele started the business in his home, relocating to an office after outgrowing the space. The Company went on to sell and repair musical instruments, as well as offer music lessons and educational resources. The Waterloo Music Company operated for the majority of its time at 3 Regina Street North in Waterloo.

Liszt, in some of his works, supported the relatively new idea of programme music—that is, music intended to evoke extra-musical ideas such as a depiction of a landscape, a poem, a particular character or personage. (By contrast, absolute music stands for itself and is intended to be appreciated without any particular reference to the outside world.) Liszt's own point of view regarding programme music can for the time of his youth be taken from the preface of the Album d'un voyageur (1837). According to this, a landscape could evoke a certain kind of mood. Since a piece of music could also evoke a mood, a mysterious resemblance with the landscape could be imagined.

The rack area for holding the music is either pre-set at a slight incline away from the performer (as compared with being straight up), so that a song book or étude book will lie open naturally, or the degree of incline can be adjusted by the performer (on more expensive stands). The portability of lightweight music stands can lead to some problems. Heavy fake books or full scores may overload the stand, leading to it falling over when a performer turns a page. As well, when a lightweight stand is used with its column fully extended, as by a standing orchestral timpanist or double bass player, a heavy part may be "tippy" on the over- extended column.

Upright pianos, grand pianos, stage pianos, harpsichords, pipe organs, Hammond organs and many post-1980s electronic keyboards have some type of rack or stand to hold sheet music and/or scores. On some grand pianos, the music stand can be removed, for example, if the performer is playing a piano solo work or a piano concerto from memory. On some electronic or electric keyboards, the stand can be removed, to facilitate transportation of the instrument to rehearsals and gigs. If the music stands on electronic and electric keyboards were permanently affixed, they would make the instrument harder to load into a van or car, and the stand would be vulnerable to damage.

With outdoor performances, users of music stands can face challenges due to wind blowing the pages of sheet music off the stand or blowing the pages to an incorrect page. To resolve this challenge, performers use metal clips or clothes pins on the sides of the music or lay a sheet of plexiglass over the stand. While these methods prevent the music or pages from being blown by the wind, they make page turns more difficult. As well, users of lightweight folding stand may face challenges on windy days, as the opened pages of a music part may act like a sail and catch the wind, which can lead to the entire stand blowing over.

Antes's compositional style is often compared to that of Joseph Haydn, since the two were contemporaries. The instrumentation of Antes's string trios might have followed that of Haydn, who wrote 21 trios for the same scoring. Haydn's music was highly visible in the Moravian Church, most likely a large part of the music library at Fulneck, and joined that by other composers of the time such as Ignaz Pleyel, Muzio Clementi, George Frideric Handel and Jean Paul Egide Martini. Karl Kroeger states in his article "John Antes at Fulneck" that Antes's music stands well alongside the work of other major composers of the day, with a nod to Haydn, as well as Franz Anton Hoffmeister and Carl Stamitz.

" Chicago Tribune writer Greg Kot described the production of the song in detail, writing: > "Ostensibly sung by a groom to his new bride at a wedding, the song plays as > an apology, a warning and a defiant manifesto. The music mirrors that > complexity. A midtempo funky-drummer beat glides underneath the melancholy, > reverberating piano notes, while a deep, mushrooming bass tone threatens to > swallow everything. Brusque cello strokes contrast with elegiac violins, > while a dirty guitar wends through the string section like a drunk, knocking > over music stands and splattering mud on the white-tablecloth beauty. It’s a > turbulent combination of sounds: brooding and chastened in the verses, oddly > triumphant and darkly humorous during the choruses.

" Mikael Wood of the Los Angeles Times gave Conatus a 3.5/4 rating, calling it a "thoroughly bewitching album", while Stephane Girard of Resident Advisor dubbed it "Zola Jesus' most gratifying offering so far", and The A.V. Clubs Jason Heller agreed, stating that on Conatus, "she's made another bold step toward fully realizing her cyborg-like, post-goth opera." Pitchfork Media's Brian Howe viewed the album as a huge step forward as well, noting that "[m]ost traces of obscuring murk have burned away, so that every pock and ridge in the rugged, elemental music stands out distinctly. [...] Her bouts of nihilism feel nervier and more bracing in the unforgiving light of sonic clarity. The closer she gets, the more enigmatic she's revealed to be.

One of the biggest R&B; tracks in the catalog is "I Love Me Some Him" off of Toni Braxton's "Secrets" album, which went 8 x Platinum. "Me Against The Music" stands out in the catalog as a duet with Britney Spears and Madonna that peaked at #1 on the Billboard Hot Dance Club Songs chart and was recently featured on an episode of Fox's "Glee." Pink's "Can't Take Me Home" added a double platinum plaque to Laney's publishing collection along with platinum and double platinum sales worldwide as well. Other pop hits included "Case of the Ex" by Mýa, which peaked at number two in its 16th week on the Billboard Hot 100 chart and at #1 on Billboard's R&B; chart.

In The New Rolling Stone Album Guide (2004), Jon Pareles wrote that Jackson had "doubled his ambitions and multiplied his audience ... Thriller had extra musical help in becoming the best-selling non compilation album of all time: Jackson's dancing feet and dazzling stage presence, amplified by the newfound promotional reach of music video and the Reagan era's embrace of glossy celebrity. But especially in the album's seven hit singles (out of nine songs), the music stands on its own." Sputnikmusic reviewer Tyler Fisher wrote that Thriller "stands one of Jackson's greatest efforts, giving him an eternal legacy in pop music." Culture critic Nelson George wrote that Jackson "has educated R. Kelly, Usher, Justin Timberlake and countless others with Thriller as a textbook".

In Valentino's final year at the Opéra-Comique, Jacques Offenbach became a cellist in the orchestra. Siegfried Kracauer, in his biography of Offenbach, recounts an unverifiable anecdote concerning the latter's shenanigans, arising from his boredom with having to repeat the same repertory night after night: > In order to make life a little brighter, he [Offenbach] started indulging in > practical jokes, in which [Hippolyte] Seligmann [a fellow cellist] > occasionally joined him. For instance, instead of following the score as > they should have done, each would play alternate notes; or Offenbach would > secretly tie several chairs and music stands together and then make them > dance during the performance. The disadvantage of all this, however, was > that M. Valentino, the conductor, had a strong sense of discipline.

Gossett notes that these early works were written at a time when "[t]he deposited mantles of Cimarosa and Paisiello were unfilled" – these were Rossini's first, and increasingly appreciated, steps in trying them on. The Teatro San Moisè in Venice, where his farse were first performed, and the La Scala Theatre of Milan which premiered his two-act opera La pietra del paragone (1812), were seeking works in that tradition; Gossett notes that in these operas "Rossini's musical personality began to take shape ... many elements emerge that remain throughout his career" including "[a] love of sheer sound, of sharp and effective rhythms". The unusual effect employed in the overture of Il signor Bruschino, (1813) deploying violin bows tapping rhythms on music stands, is an example of such witty originality.

Connie Ward (Ann Rutherford) is a young woman who on the spur of the moment marries Bill Abbott (George Montgomery), a trumpet player in Gene Morrison's (Glenn Miller) swing band (Miller's character was given a name with initials that matched Miller's so that the band could use their monogrammed stainless-steel music stands). She soon finds herself at odds with the cattiness and petty jealousies of the other band members' spouses, as they accompany their husbands on their cross-country train tour. Her discomfort is exacerbated by a flirtation between Abbott and Jaynie (Lynn Bari), the band's female vocalist. When Ward eventually walks out on Abbott, their split releases so many other tensions among the musicians and their wives, that leader Morrison is forced to break up the orchestra.

The launcher concept became the precursor to the bazooka. The rocket-powered, recoil-free weapon was the brainchild of Goddard as a side project (under Army contract) of his work on rocket propulsion. Goddard, during his tenure at Clark University, and working at Mount Wilson Observatory for security reasons, designed the tube-fired rocket for military use during World War I. He and his co-worker, Dr. Clarence N. Hickman successfully demonstrated his rocket to the U.S. Army Signal Corps at Aberdeen Proving Ground, Maryland, on November 6, 1918, using two music stands for a launch platform. The Army was impressed, but the Compiègne Armistice was signed only five days later, and further development was discontinued as World War I ended.. The delay in the development of the bazooka and other weapons was a result of the long recovery period required from Goddard's serious bout with tuberculosis.

An ongoing issue in discussion among ensemble or performance librarians is the adequacy of available performance materials, in comparison to today's needs and standards required for professional use. Therefore, challenges arise, such as the deterioration of materials only available on a rental basis, the need to meet the recommended requirements for editing music in terms of format, size, page turns, etc.; the problem of errata present in many editions; the delivery of materials in digital format (common in the case of direct distribution from composers to the user), from which the librarian must then create physical parts for performance; the quality of service provided by music publishers and the accessibility of the information they provide; the emergence of digital music stands and the associated changes such media may bring. In addition to the typical concerns professional ensemble librarians face, another major issue is ensuring compliance with copyright laws.

The work featured musicians Chris Cundy Robert Perry, Evelyne Beech, Mike Cross with Wyer performing on guitar, piano and sound manipulation performing from a 'time-structured map' with stopwatches on music stands, allowing coherent movement from section to section. Other works featuring Time Structured Mapping include the one-hour Listening to the Sky performed in the atrium of Birmingham Symphony Hall in 2010 by members of the Orchestra of the Swan along with components from local schools, according to directions given from the 'map'. The system was used by Welsh National Opera for the educational element of their 2010 tour. A 20-minute film, Beware Inanimate Objects (Bearing Grudges) was created by Gavin Porter, with a Wyer score for the first half of the film and a time-structured map for the second half, giving musical guidelines to groups of students in order for them to create the second half of the score in a one-day workshop.

It has carved timber columns and a railing and a weatherboard ceiling. The frieze is of carved timber and the peaked roof is tiled. Original gas fittings and music stands are extant. A delightful set of photographs of Cook Park was published in the Orange District Guide for 1908 and gives a good basis for modern comparison. In the 1920s the fountain was remodeled and it took on its present form. A small lake was built in the park in 1890. In 1938 the ferneries were built and this structure contains the fountain from the original bush house, this fountain being cast iron and having swan modelling. The park has two sets of notable cast iron gates. Of these the most impressive are those on the Clinton Street-Summer Street corner which were erected in the 1890s. The other set, on the Summer Street-Sampson Street corner, were made in Parkes and were moved from Orange's Robertson Park to Cook Park in 1927.

The next song Party All Night composed and sung by Honey Singh according to the reviewer is the pick of the album and in spite of non-sensical lyrics manages to be an appeasing affair with a strong connect factor and at the same time maintains to hold the audiences attention from beginning till the end. Thus he upheld the track to be played at Discothèques till the New Year's Eve at least. The next track Har Kisi Ko a recomposed version by Chirantan Bhatt of the song of the same name originally composed by Kalyanji Anandji from the 1986 film Janbaaz. The song belonging to soft rock genre scores with the fact that it is not among the umpteen remixes or re-arranged versions that flood the music stands but one that creates makes its own presence felt by reaching out to its audiences more so with Nikhil D'Souza behind the mike in the solo version.

They leased the theatre for three years, with an option for six more, and promoted live concerts. Heart played there as part of the "Catch a Rising Star" series (which included Tom Petty and Elvis Costello, among others), for the admission price of 92 cents (promoted by local radio station KGON, 92.3 FM). John Haviland still owned it and claimed that the rent was "1/10 of what it should be for such a theatre": $4000 per month. In December 1972, Haviland proposed a state-run gambling casino on the property, claiming he was losing more than he could afford on the Paramount.The Oregonian December 3, 1972 In March 1975, Haviland conducted an auction during which he sold off all the statuary, pipe organ, antique furniture, 16th century suit of armor, mirrors, China, Oriental rugs, original oil paintings, lighted gold-leaf music stands, and pianos (there were 3 grand pianos); basically everything that was not attached to the walls or floors.

"I’ve always had the goal of bringing 10 new piano compositions to life that would help elucidate the state of modern pianism. I started several years ago, with Leon Kirchner’s last piano sonata as the first of this sequence." - Joel Fan Leon Kirchner: Piano Sonata No. 3, "The Forbidden" Leon Kirchner's music has been recognized with a Naumburg Award (for his Piano Concerto No.1) and the Pulitzer Prize (for the String Quartet No.3 with tape,1967) among other citations. Kirchner taught at Harvard from 1961 to 1989, and "among the beneficiaries of his instruction who have gone on to become champions of his music are cellist Yo-Yo Ma and the pianist Joel Fan." To pianist Joel Fan, an alumnus of Kirchner's courses at Harvard University, his music is of “pure artistic integrity, revealing the highest ideals for which music stands.” In March 2002, Joel Fan entered into a contract with Kirchner, who agreed to compose a solo piano sonata. Leon Kirchner's compact Sonata No. 3, “The Forbidden,” which was written for Mr. Fan in 2006, refers to his use of tonality, “forbidden” at the time. This was his way of linking the past with the present, keeping "the art of music alive and well".