How to use murmurous in a sentence? Find typical usage patterns (collocations)/phrases/context for "murmurous" and check conjugation/comparative form for "murmurous". Mastering all the usages of "murmurous" from sentence examples published by news publications.
Their brain wave response to the kind of constant, murmurous aural clutter around us was lower than among the other students, allowing the athletes to better amplify and pinpoint the sound they wanted.
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Sibelius structured the quartet in five movements: The work opens with a dialogue of violin and cello. The first movement contrasts "murmurous figuration with firm chords". The second movement is a scherzo in A major, connected to the first by musical motifs. The central slow movement has been described as a "soulful quest for serenity in F major".
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" National Sawdust's Steve Smith listed one of Boon's 2018 solo recitals in New York in his top 10 of memorable musical events. Boon's debut album as a soloist, cage.frey.vriezen.feldman.ayres.johnson manion, was met with critical acclaim. Anthony Fiumara, writing for Trouw, notes that "[i]t is striking how self- evident [John Cage's] pointillist Etudes Australes sound under Boon's fingers," while characterizing Boon's playing as "murmurous lyricism.
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Søvnen is a work in three movements. The first and last describe in which the composer's elysian Brahmsian style is present depict gentle and restful sleep free of worry. This blissfulness is contrasted in the middle movement by an eldritch cabalistic rite revealing the terror of a nightmare that is associated with claustrophobia and other fears of being held captive, or falling down a deep chasm. The cantata ends in a murmurous glow.
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Other pieces from this period include a draft of a play about a bishop, a monk, and a woman accused of paganism by local shepherds, as well as love-poems and narrative lyrics on German knights. The early works were both conventional and, according to the critic Charles Johnston, "utterly unIrish", seeming to come out of a "vast murmurous gloom of dreams". Although Yeats's early works drew heavily on Shelley, Edmund Spenser, and on the diction and colouring of pre-Raphaelite verse, he soon turned to Irish mythology and folklore and the writings of William Blake. In later life, Yeats paid tribute to Blake by describing him as one of the "great artificers of God who uttered great truths to a little clan".
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" Despite noting that "a lot of the concrete associations [MacMillan] tries to get across in the piece didn't ring true" with him, Dobrin concluded, "But music doesn't need, or even always benefit from, a tangible relationship with real life. The pure sonic experience is more than enough reason to justify the investment of mental adrenaline needed to listen." John von Rhein of the Chicago Tribune later described the piece as an "arresting meditation" and wrote, "None of MacMillan's effects come across as meretricious, certainly not the murmurous Babel of mixed choral voices at the beginning or the magical hush of 'unborn' children's voices with solo violin at the end. Those two sections, 'Incarnadine' and 'Living Waters,' frame two darker central tableaux, 'Midwife' and 'Poppies,' that erupt in spasms of orchestral agitation undergirding powerful surges of choral declamation.
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