But more importantly, Tribal Council is the show's most theatrical moment.
|
|
This musical adaptation of J. M. Barrie's "Peter Pan" differs from most theatrical stagings.
|
|
The dancers were gloriously free of the mirror-consciousness that dominates most theatrical dancing today.
|
|
"His day-to-day life was the most theatrical thing I'd ever seen, ever," Bowie said of Kemp.
|
|
But Queen, arguably one of the most theatrical rock bands of all time, has never taken the stage.
|
|
The third and most theatrical scenario would be to try to fill the position using a recess appointment.
|
|
MOSCHINO [tv] H&M, it's called (or H&MOSCHINO, for short) — and it's Scott's most theatrical, and probably most lucrative, project yet.
|
|
It kind of comes back to what you do personally, too—you're always looking for the biggest, loudest, most theatrical, dramatic sound.
|
|
It's arguably the most theatrical part of the show -- past contestants have paid homage to elephants, Transformers and a basket of bánh mì.
|
|
The challenge the team faced wasn't small: it's a tall order to live up to what is arguably the most theatrical and narratively-driven trajectories in music.
|
|
OF ALL OF literature's female trios, it is Chekhov's eponymous three sisters who seem to have inspired the most theatrical productions and adaptations, and for good reason.
|
|
Their moments together were the most theatrical: At one point she happily leapt into his arms, and he swung her around while rose petals fell around them.
|
|
At Agern, Claus Meyer's graceful Nordic restaurant, which opened inside Grand Central Terminal in April, the most theatrical moment of a meal hinges on a humble root vegetable.
|
|
" In high school, Mr. Evans balanced wrestling and lacrosse practice with Shakespeare, and was voted "most theatrical" after appearing in "A Midsummer Night's Dream" and "The Winter's Tale.
|
|
In the longest and most theatrical section, "Jwala: The Flame," Ms. Prakash began with only her hands illuminated, one poised above the other like the wick of a candle.
|
|
The most fascinating examples, however, are the stars of the messiest, most theatrical television shows in the world: Vanderpump Rules, The Bachelor, and your choice of any Real Housewives franchise.
|
|
Despite the public controversy that preceded and awaited him, the British visionary's designs are cemented in fashion history as the most theatrical, sketch-to-runway works the industry has ever seen.
|
|
Essential to the spell is the movie's most theatrical conceit: A script, by Alecky Blythe, gleaned entirely from interviews she conducted with the town's residents after the murders of five prostitutes in 2006.
|
|
Still, in contrast to most theatrical works presented in foreign languages, we are not listening to dialogue, which can be quickly digested, letting us concentrate mostly on what's taking place on the stage.
|
|
And now comes the coronavirus, which has prompted people to bivouac in their homes, theaters to put in place social-distancing restrictions and studios to postpone most theatrical releases through the end of April.
|
|
And now comes the coronavirus, which has prompted people to bivouac in their homes, theaters to put in place social-distancing restrictions and studios to postpone most theatrical releases through the end of April.
|
|
Lilliet's passive narration has a distant, formal tone, seemingly meant as a re-creation of 19th-century voice, but executed without the mastery of a Catton or Waters, dulling the drama, even at the most theatrical moments.
|
|
Some of the most theatrical of NRA supporters have decided YETI coolers must be publicly destroyed in protest, following the NRA Institute for Legislative Action's announcement that the cooler company was cutting ties with the gun rights group, the Washington Post reports.
|
|
For most theatrical releases, A21.5 would spend roughly 224 percent of its marketing money online, using data and analytics to stitch films into the social media firmament in ways that prompts movie lovers to feel a sense of discovery and pass the message on organically — persuading fans to persuade one another.
|
|
Most theatrical of all was Isabel Bayón, whose "Yo Soy," or "I Am," traced a personal history that began with the dancer poised on a high wall, seemingly lost in thought, then segued to a sepia-toned film that showed Ms. Bayón in old-fashioned dress, performing a stamping solo while holding a stick like a rifle.
|
|
The most theatrical recent addition to the waterfront is The Siam, an over-the-top resort owned by the family of the Thai rock star and actor Krissada Sukosol Clapp and filled with antiques from their collection, many of which are like enigmatic objets d'art — rusted musical instruments from the Jazz Age, stuffed crocodiles dancing on their hind legs; 3/2 Thanon Khao, Vachirapayabal, Dusit; thesiamhotel.
|
|
"We said, since so much visual information now is digital, let's create a kind of pixelated approach," said Mr. Rockwell, a prolific Broadway set designer who won a Tony Award last year for a revival of the musical "She Loves Me." For the walls of the Helen Hayes, Mr. Rockwell chose to pay tribute to the image that seemed most theatrical — the one depicting Bacchus and Ariadne.
|
|
The accusations in The Manila Times, propagated by Dante Ang, the paper's owner and publisher and a fierce Duterte supporter, were part of the latest and perhaps most theatrical attempt to put Rappler out of business and discredit Ressa and possibly send her to jail; three months later, she would go on trial in six separate courtrooms in Metro Manila and face the frightening prospect of spending decades in prison.
|
|
Most cold reading takes place in such an intimate session, as do most theatrical séances.
|
|
AC Nielsen EDI ranked her as the actress appearing in the most theatrical films in the 1990s with 29 films grossing $1.3 billion in the U.S. and Canada.
|
|
Godfrey is explicitly and repeatedly linked to Exeter Hall, site of the most theatrical elements in evangelical preaching:B. Hilton, A Bad, Mad, & Dangerous People? (Oxford 2008) p. 627 "Exeter Hall again....the performance with the tongue".
|
|
The female dancer, leaning asymmetrically, is placed to imply forward motion, from left to right across the canvas. She is wearing a large, embroidered shawl wrapped around her shoulders, illustrating common flamenco costuming. The dancer's pose, with the outstretched left arm, is a depiction of standard flamenco dance technique and style. El Jaleo is the most theatrical of Sargent's early major works.
|
|
Zervos was born in Loutraki near Corinth in Perachora. He attended the Art Theatre School with Karolos Koun (Coon). He entered the theatrical scene from 1933 and participated with the greatest stars of the time as distinction in classic and main roles, even in modern Greek civics. His most theatrical plays he acted was Alkistis Antigoni (Alcestis Antigone), Macbeth, Pluto, etc.
|
|
The quick and decisive results of the Gulf War were attributed to Schwarzkopf's leadership. Historian Rick Atkinson considered Schwarzkopf "the most theatrical American in uniform since Douglas MacArthur." Atkinson further contended that in his leadership during the Gulf War, Schwarzkopf conducted one of the greatest military campaigns of all time, providing the United States with its "first battlefield hero in decades." The later accomplishments of General Tommy Franks during Operation Enduring Freedom were compared favorably with those of Schwartzkopf.
|
|
The Evil Dead premiered at the Redford Theatre because Bruce Campbell watched films there as a child. With the film completed, Raimi and the crew decided to celebrate with a "big premiere". They chose to screen the film at Detroit's Redford Theatre, which Campbell had often visited as a child. Raimi opted to have the most theatrical premiere possible, using custom tickets and wind tracks set in the theater, and ordering ambulances outside the theater to build atmosphere.
|
|
We want the audience to feel the space itself is comfortable and interesting and to do productions in a way which prove to be the most theatrical and immediate for them.”Two New Soho Theaters Soho News; Sep 18, 1975; New York Public Library Billy Rose Theatre Division, "Soho Repertory Theatre Ephemera" By 1979 the theater was consistently running two shows in repertory, even allowing audiences to see both plays in succession on Saturday nights.Soho Rep: Converting a ground floor fabric warehouse.
|
|
Stanley Russell McCandless (May 9, 1897 - August 4, 1967) is considered to be the father of modern lighting design. He paved the way for future lighting designers by making contributions to almost all aspects of theatrical lighting, from the engineering of lighting instruments to consultant work, and designing realized theatrical productions. Perhaps most importantly he wrote on of the seminal works on the theory of stage lighting, which continues to influence the technique of most theatrical lighting designers to this day.
|
|
Usually there's a one-frame audio POP that plays 48 film frames (2 seconds at 24 frames per second) before the first frame of action (FFOA). The POP is used to line up and synchronize audio and picture/video during printing processes or postproduction. The POP is in editorial (level) synchronization with the "2" frame on the SMPTE and EBU leader, and with the "3" frame on the Academy leader. On most theatrical release prints, the POP is removed by the laboratory to avoid any accidental playing of it during a screening.
|
|
There are sounds recorded at locations such as Westminster Cathedral. The video clip uses religious images throughout to reinforce the feel of the song. The dramatic, overblown production style of the song, loaded with synthesizers, orchestra hits and bookended by a non sequitur sample of a NASA countdown, has come to exemplify the most theatrical extremes of the Pet Shop Boys' musical style. It remains a concert staple, being one of only two songs (alongside "West End Girls") that has been played during every Pet Shop Boys tour.
|
|
Interior has been described as "the most theatrical of all Degas's compositions of modern life".Gordon and Forge 1988, p. 113. Art historians have written of the work's "distinctly stage-managed character: items are arranged as if they are props, while the dramatic lighting increases the impression that a play is being enacted ... In addition to the mysterious subject-matter, this stage-like effect is presumably one of the chief reasons why scholars have repeatedly tried to identify a literary source for the painting." Various Naturalist novels have been put forward for consideration.
|
|
York and Sawyer's central block dating from 1908 was extended and sympathetically completed by pavilions on either end. This project stands among the last examples of Beaux-Arts architecture completed in the city and in the entire country. In sharp contrast the firm's most theatrical modernist building came the same year. That was the Electrical Products Building for the 1939 New York World's Fair, where an arch-headed blue slab tower intersected with a stepped curved structure, housing demonstrations of radical new uses of electricity: shaving, mixing cake batter, and home sewing.
|
|
Knowles described the shows as her best and most theatrical from all of her tours. The set list for the concerts included songs from Knowles' three studio albums as well as several covers of other artists and a Destiny's Child medley. The central theme of the tour was to showcase the difference between Knowles' dual personality; her emotional side and her onstage persona, Sasha Fierce which was also demonstrated in the dual album I Am... Sasha Fierce. The show featured two stages – the main one and a smaller B-stage where Knowles was transferred during the middle of the show.
|
|
Patton was first telecast by ABC-TV as a three hours-plus color film special on Sunday, November 19, 1972, only two years after its theatrical release. That was highly unusual at the time, especially for a roadshow release, which had played in theatres for many months. Most theatrical films at that time had to wait at least five years for their first telecast. Another unusual element of the telecast was that almost none of Patton's profanity-laced dialogue was cut (only two sentences, one of which contained no profanity, were cut from the famous opening speech in front of the giant US flag).
|
|
The String Quartet No. 1 (1985) was commissioned by the Arditti Quartet. Nyman had attended a performance of Ludwig van Beethoven's Grosse Fuge by the group, and found it the most theatrical performance on a string quartet he had ever witnessed, performed as though Beethoven had been trying to break through the limitations of the string quartet to create an orchestral sound. The quartet was originally intended to be a "compendium" of string quartet literature, but he decided that two pieces from different eras were enough of a contrast. It is built out of three distinct and diverse pre-existing music sources: John Bull's Walsingham Variations, Arnold Schoenberg's String Quartet No. 2, and Alex North's "Unchained Melody".
|
|
Col. Bleep's Arrival on Earth (1956) Most theatrical cartoons had been produced for non-specific audiences. Dynamic action and gags with funny animals in clear drawing styles and bright colours were naturally appealing to young children, but the cartoons regularly contained violence and sexual innuendo and were often screened together with news reels and feature films that were not for children. On US television, cartoons were mainly programmed for children in convenient time slots on weekend mornings, weekday afternoons or early evenings. The scheduling constraints of the 1950s American TV animation process, notably issues of resource management (higher quantity needed to be made in less time for a lower budget compared to theatrical animation), led to the development of various techniques known now as limited animation.
|
|
Most theatrical lamps are tungsten-halogen (or quartz-halogen), an improvement on the original incandescent design that used halogen gas instead of an inert gas. Fluorescent lights are rarely used other than as work lights (see below). Although they are far more efficient, they cannot be dimmed (run at less than full power) without using specialized dimmers, cannot dim to very low levels, do not produce light from a single point or easily concentrated area, and have a warm-up period during which they emit no light or do so intermittently. High-intensity discharge lamps (or HID lamps) are now common where a very bright light output is required, for example in large follow spots, HMI (hydrargyrum medium-arc iodide) floods, and modern automated fixtures.
|
|
Director Wayne Wang in 1982The film was the subject of controversy when it originally received an X rating from the Motion Picture Association of America, the distributor, Silverlight Entertainment, chose to release it without this rating and with a self-anointed adults-only A rating. On their TV show for the week of August 13–17, 1990, the late film critics Gene Siskel and Roger Ebert praised the decision to apply the A rating since it was a concept they had often discussed on At the Movies in the context of harshly criticizing the MPAA's standards of forcing serious films aimed at adult audiences to either undergo damaging edits to receive R ratings or be locked out of most theatrical and advertising outlets. Both critics, however, also said the film itself was not very good.
|
|
One of Bowie's better-selling albums, Never Let Me Down was certified Gold by the RIAA in early July 1987, less than three months after its release date, and charted in the top 10 in several European countries, although it only reached No. 34 on the US charts. Despite its commercial success, this album was poorly received by fans and critics, many of whom regard the mid-to-late 1980s as a low point of creativity and musical integrity for Bowie. Bowie later distanced himself from the arrangement and production of the finished album but also admitted a fondness for many of the songs, eventually remixing the track "Time Will Crawl" (one of his favourites) for inclusion on his career retrospective release, iSelect (2008). In support of this album, Bowie embarked on the Glass Spider Tour, a world tour that was at that point the biggest, most theatrical and most elaborate tour he had undertaken in his career.
|
|
Vampire Hunter D is credited as one of the earliest anime productions targeted explicitly at the male teenager/adult demographic in lieu of family audiences, and capitalized on the emerging OVA market due to its violent content and influence from European horror mythology (such as the films of British film studio Hammer Film Productions). The film's limited budget made its technical quality comparable to most anime television series and other OVAs, but not with most theatrical animated films. During the film's production, director Toyoo Ashida stated that his intention for the film was to create an OVA that people who had been tired from studying or working hard would enjoy watching, instead of watching something that would make them "feel even more tired". Yoshitaka Amano, the illustrator of the original novels, acted as character designer for the OVA. However, alternative designs were provided by Ashida (who also acted as the film's animation director), and elements from both artists’ works were combined to create final designs by the animators.
|
|
With only three exceptions, the scenes alternate between interior and exterior dramatic locations.After act two, scene one, which takes place on the street outside the Wise Woman's house in Hoxton, the following two scenes are both indoors (in Sir Harry's house on Grace Street and inside the house of the Wise Woman in Hoxton, respectively); after that, there are two exterior scenes (one outside the Wise Woman's house again and the other presumably on the street near to Luce's shop); two exterior scenes also follow the interior setting of act four, scene one. The interior of the Wise Woman's house in Hoxton is shown only twice—though, in each case, they are the most theatrical and significant scenes in the play (act three, scene one and act five, scene two). The central crisis in the play's dramatic structure is staged there (the secret wedding-ceremony, in which two pairs of disguised participants are married by the pedantical scholar and deacon, Sir Boniface, only to be abruptly dispersed when the Wise Woman interrupts with a false alarm).
|
|
For the first several decades of television broadcasting, sets displayed images with a 4:3 aspect ratio, in which the width is 1.33 times the height—similar to most theatrical films prior to 1960. That was acceptable for pre-1953 films such as The Wizard of Oz or Casablanca. However, in the early to mid-1950s, to compete with television and lure audiences away from their sets, producers of theatrical motion pictures began to use "widescreen" formats such as CinemaScope and Todd-AO, which provide more panoramic vistas and present other compositional opportunities. When televised, the image on films with widescreen formats might be twice as wide as the TV screen. Showing a widescreen movie on a television set with a 4:3 screen requires one of two techniques to accommodate the difference: "letterboxing", which preserves the original theatrical aspect ratio, but is not as tall as a standard television screen, leaving black bars at the top and bottom of the screen, or "pan and scan", in which the image fills the full height of the screen, but is cropped horizontally on each side.
|
|
Broadway revival of Cats at the Neil Simon Theatre Cats debuted on Broadway on 7 October 1982 at the Winter Garden Theatre with a record-breaking $6.2 million in ticket pre-sales. Most of the original creative team remained, with Martin Levan replacing Jacob as the sound designer and Stanley Lebowsky replacing Rabinowitz as music director. The musical was co-produced by the original London production team, along with David Geffen and The Shubert Organization. It was the most expensive Broadway show ever mounted at the time with a production cost of $5.5 million, though it recouped its investment in less than 10 months. On 19 June 1997, Cats overtook A Chorus Line to become the longest-running show in Broadway history with 6,138 performances. At the time, the musical was found to have had an economic impact of $3.12 billion on New York City and had generated the most theatrical jobs of any single entity in Broadway history. A June closing date was announced in early 2000 but was subsequently pushed back after a resulting surge in ticket sales. The show closed on 10 September 2000 after a total of 15 previews and 7,485 performances.
|
|