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12 Sentences With "most mass market"

How to use most mass market in a sentence? Find typical usage patterns (collocations)/phrases/context for "most mass market" and check conjugation/comparative form for "most mass market". Mastering all the usages of "most mass market" from sentence examples published by news publications.

But for most mass-market clothing brands, that's just business as usual.
Let's be clear: Most mass-market wines need no aging at all.
Several media outlets have posted glowing reviews of the unit, noting that, while flawed, it's still the most mass-market-friendly virtual reality headset on the market.
My fear was that these machines would be viewed as good enough for most mass-market consumers, and would threaten the PC category as a whole with steep ASP declines.
Pros: Eliminates the toughest pet odors, environmentally safe to use around humans and pets, 100% money-back guaranteeCons: Does not remove visible stains, not readily available in most mass-market stores.
What craft chocolate is: Premium and fine craft chocolates are made in small batches at small companies with much higher cacao content than the 10%-30% contained in most mass-market brands.
It was structured with the intention not of suppressing consumption but of stimulating reformulation. So it took the form of a “levy” on manufacturers, not an excise tax at retail level. It was effective: most mass market drinks have reduced their sugar content to evade the levy.Winkler, Jack; Fry, Tam (14 May 2018).
EXIT’s interior was black and white. Five of its six covers were printed in black, red and yellow; a sixth (issue #3) appeared in black and white and metallic mauve. Unlike most mass-market magazines available at the time, which measured eight-by-eleven inches, EXIT was printed at an oversized eleven-by-fourteen inches. This made it stand out but also limited its distribution since it often did not conform to display-rack sizes.
As in most mass-market photography magazines, much of the editorial content of Camera Mainichi was devoted to news and reviews of cameras, lenses, and other equipment. But from the start it found space for first-rate and unconventional photography, and especially during the period 1963-78 when it was edited by Shōji Yamagishi it seemed more adventurous than its major rivals Asahi Camera and Nippon Camera (which both survived it). After Yamagishi left, it devoted more space to fashion and mildly erotic photography. Camera Mainichi was based in Tokyo.
However, these beers are sometimes criticized for being less flavorful than full-strength beers, being "watered down" (whether in perception or in fact), and thus advertising campaigns for light beers generally advertise their retention of flavor. In Australia, regular beers have approximately 4%-5% ABV, while reduced-alcohol beers have 2.2%–3.2%. In Canada, a reduced-alcohol beer contains 2.6%–4.0% ABV, and an "extra-light" beer contains less than 2.5%. In the United States, most mass-market light beer brands, including Bud Light, Coors Light, and Miller Lite, have 4.2% ABV, 16% less than ordinary beers from the same makers which are 5% ABV.
The Descriptive Color Names Dictionary is a dictionary of color names used for mass-market clothing and consumer merchandise, such as those in mail order catalogs. It relates each color name to one or more color swatches in the Color Harmony Manual, a color atlas based on the Ostwald color system. The book was edited by Helen Taylor, Lucille Knoche, and Walter Granville, and was published by the Container Corporation of America in 1950 and distributed free to owners of the Color Harmony Manual. The editors decided to use the Color Harmony Manual and the Ostwald system as a basis for their dictionary because it is easy to relate to basic color names, includes the color gamut of most mass-market products, and has easily removable double-sided (one glossy, one matte) color chips.
Safety was another area of innovation: the 127 included an articulated steering column and crumple zones for progressive deformation under impact. The car was one of the first of the modern superminis, and won praise for its use of space (80 percent of the floor space was available for passengers and luggage) as well as its road-holding. It was launched a year before the comparable Renault 5, and before the end of the 1970s most mass market European manufacturers were producing similar cars, including the Ford Fiesta and Volkswagen Polo, while General Motors added a three-door hatchback to the Opel Kadett range, which was reworked for British production and sold as the Vauxhall Chevette. The 127 was also one of the more popular imported cars on the UK market, peaking at more than 20,000 sales in 1978.

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