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14 Sentences With "most macabre"

How to use most macabre in a sentence? Find typical usage patterns (collocations)/phrases/context for "most macabre" and check conjugation/comparative form for "most macabre". Mastering all the usages of "most macabre" from sentence examples published by news publications.

" The most macabre: "Assigned as your lab partner… Dies.
But the massacres around the town of Beni were the most macabre and mysterious in recent memory.
The worst, most macabre part of my brain assumed that the cello statue is made out of a real woman.
When Pavel Ivanovich Chichikov drives his carriage into the provincial town of N., he plans to carry out the most macabre heist in literature.
One of the most macabre and surprising details was revealed a year after Casey's stunning 2011 acquittal, when multiple sources told PEOPLE that Casey and her mother, Cindy, had matching necklaces that contained Caylee's ashes in small vials.
With seven tracks ranging in length from long to longer, "Blackstar" — which dropped Friday from Sony Music — is among Bowie's most macabre and ritualistic records, all skittering jazz drums and washes of dark energy, an unsettlingly shifty landscape of outer-space nightmares held together only by the Thin White Duke's pulsing, mournful vibrato itself.
Katie Walsh, The Detroit Free Press: "The Snowman" has everything (just not a coherent plot): creepy abortion doctors, human trafficking, really bad Scandinavian techno, Michael Fassbender passed out in the snow, a terrible wig on Rebecca Ferguson, Chloe Sevigny chopping heads off chickens, J.K. Simmons attempting a Norweigan-ish accent, Val Kilmer singing "Happy Birthday" while chugging vodka out of a sports bottle, and, of course, the bloodiest, most macabre snowmen ever.
His most famous mission, and probably most macabre, was Operation Mincemeat, widely regarded as one of the most successful disinformation exercises of the war. The intention was to deceive the Germans about Allied intentions to invade Italy in 1943. It became the subject of several books, and a 1956 film, The Man Who Never Was. As part of the ruse, a corpse, dressed as a Royal Marines officer and with a briefcase, stuffed with dummy secret papers, chained to its wrist.
He frightens her into giving him her wedding ring, before declaring "you're my wife now". This scene in particular was cited as one of the most macabre and genuinely frightening scenes from the series. However, he ran off when he realised that everyone in Royston Vasey was stranger than he was. In series 3 he became even more sinister when he took on the disguise of Keith Drop at the Charity Shop, and demonstrated his more elaborate techniques of keeping his wives (and anyone who dared to rescue them) inside of his circus animals.
The Gare Montparnasse, since its beginning as a railway connection to Versailles in 1840, has since grown into the Rive Gauche's commuter hub connection to many destinations in southern France. The neighbourhood around it is a thriving business quarter, and houses Paris' tallest building: the Tour Montparnasse. The Catacombs of Paris To the south- east of the boulevard Montparnasse, to the bottom of the northward-running Avenue Denfert-Rochereau at the square of the same name, is one of Paris' few- remaining pre-1860s "prolype" gateways. The westernmost of these twin buildings holds Paris' most macabre attraction: the Catacombs of Paris.
During 1966, several other L.A. based bands enjoyed success with "Hey Joe", leaving Crosby angered by his bandmates' lack of faith in the song. Finally the other members of the Byrds acquiesced and allowed Crosby the chance to record the song during sessions for Fifth Dimension. Another cover version on the album, "I Come and Stand at Every Door", has been called the most macabre song in the Byrds' oeuvre by biographer Johnny Rogan. The song's lyrics, which were adapted from a poem by Nâzım Hikmet, recount the story of a seven-year-old child who was killed in the atomic bombing of Hiroshima.
In a review of Eight Songs for a Mad King in the newspaper Die Welt, Heinz Joachim said: > Roy Hart is an artist who commands not only all the voices of the human > register – ranging from the deepest bass to the highest soprano, but also > (incredibly enough) the ability to produce several sounds simultaneously; > added to which he gives an acting performance which stretches from the most > tender allusiveness to the most macabre realism. All this is (as banal as > the formulation may sound) simply phenomenal, unique, sensational. Yet it > lay beyond all 'sensation'. It was so deeply stamped by immediate > experience; it was the art of presentation which, at every moment, uses the > means available in a conscious way, and yet never transgresses the > borderline that leads to trash...the solo part is specifically written for > Roy Hart.
The Ibicaba Farm (in Portuguese: Fazenda Ibicaba) is one of the most known farms of Brazil. Established in 1817 by senator Nicolau Vergueiro, it was widely known as one of the most macabre symbols of the slavery in the state of São Paulo. Afterwards, it has become the pioneer in the replacement of the African enslaved by the European immigrants' labour and in the use of the steam engine, cart and plough. The Ibicaba has also served as a military headquarters during the War of the Triple Alliance, receiving the Emperor Dom Pedro II, the princess Isabel and the count Gaston of Eu. In the 19th century, it was the stage to the revolt of the European immigrants, led by Thomaz Davatz, who achieved to show the European authorities the conditions in which their former citizens lived in Brazil.
Jagger was keenly aware of new styles and wanted to keep The Rolling Stones current and experimental, while Richards was seemingly more focused on the band's rock and blues roots. As a result, there was friction, and the tension between the two key members would increase over the coming years. A compounding factor was the fact that Richards had emerged (to an extent) from his self-destructive lifestyle of the previous decade, and thus sought a more active role in the creative direction of the band, much to the chagrin of Jagger, who had enjoyed nearly a decade in relative control of the band. The lyrics on Undercover are among Jagger's most macabre, with much grisly imagery to be found in the lead single and top 10 hit "Undercover of the Night", a rare political track about Central America, as well as "Tie You Up (The Pain of Love)" and "Too Much Blood", Jagger's attempt to incorporate contemporary trends in dance music.

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