Gamergate ultimately gave way to something deeper, more violent, and more uncontrollable.
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Mr Xi likely fears that promoting them may impose crippling financial burdens on local governments and unleash yet more uncontrollable social forces.
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" After fiat currency Eventually, Reid says, "it's possible that inflation becomes more and more uncontrollable and the era of fiat currencies looks vulnerable as people lose faith in paper money.
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Video Boy's place also houses something far more uncontrollable than the gory movies. In Tore Renberg's clean yet suggestive prose, the boys’ experiences come across as an encounter with pure evil.
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'Shorty in the Tiger's Den,' is with us today and you will shake > with laughter as Shorty tries to ride a motorcycle, which proves more > uncontrollable to Shorty than a bucking pony.
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An angry Giles orders Xander to go home, while he attempts to make Amy reverse the spells. Oz looks for the Buffy-rat to ensure that she is not hurt. As Xander is leaving the school, he finds the spell is becoming stronger and more uncontrollable. He saves Cordelia from an attack by Harmony and a group of girls.
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Foreign exchange derivatives can allow investors to engage in risk avoidance to keep value, but also can earn profit through speculation. This kind of specific duality makes derivatives more uncontrollable. Thus, foreign exchange derivative products can be risky while rewardable.(Chen Qi, 2009); in addition speculative transactions in the financial market are considered negatively and potentially damaging to the real economy.
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The stressor and the individual's appraisal of the stressor may determine the effectiveness of emotional approach coping as a mechanism for managing stress. An appraisal of a stressful situation as uncontrollable may make emotional approach coping an advantageous coping mechanism. In fact, one study of undergraduates shows that when faced with a stressor individuals appraise as more uncontrollable, they are more likely to endorse using emotional approach coping to manage it.
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The Elves and Paranor are both now back in the Four Lands, and the former Walker Boh has inherited Allanon's powers. Moreover, the Sword of Shannara has been found. Knowing all these, Rimmer Dall decides to attempt to destroy all of The Scions of Shannara. Rimmer Dall dispatches the Four Horsemen (Famine, Pestilence, War and Death) to Paranor, sends Wren an untrue friend and wants to deceive Par Ohmsford, whose wishsong is growing steadily more uncontrollable.
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Still, within the city of Paris and amongst the philosophers of the time, many of which were members of the National Assembly, the monarchy had next to no support. As the Revolution became more radical and the masses more uncontrollable, several of the Revolution's leading figures began to doubt its benefits. Some, like Honoré Mirabeau, secretly plotted with the Crown to restore its power in a new constitutional form. Beginning in 1791, Montmorin, Minister of Foreign Affairs, started to organize covert resistance to the revolutionary forces.
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Mulder, however, believes that the victim's brain was removed by a proboscis, and suspects another employee, Rob Roberts, of committing the murder. Rob, who is actually a mutant human who wears a disguise to hide his true physical body, subsists on brains in order to survive. When Rob's landlady, Sylvia Jassey, is trailed by a private investigator (Steve Kiziak), Rob kills him and eats in order to placate his hunger, which begins to get more and more uncontrollable. Spinks visits Rob at his home the following day, annoyed at being fired from Lucky Boy for lying about his criminal record.
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Marco Polo is the last of the illustrious Polo family left in Venice, after his father and uncles moved abroad, leaving him and his mother behind. His mother dies when he is seven, and he becomes increasingly unruly as he is raised by family servants like Zia Zulia, and their black slave Michiel. Marco becomes friends with Venice's "boat children", a group of orphans who live on the canals of Venice, and becomes particularly close to Ubaldo and his sister Doris. Marco becomes even more uncontrollable when Zia Zulia and Michiel are caught sleeping together and subsequently run away.
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So depending on what one's definition of drift hypothesis is, there will be data either to support or refute the validity of it. From an economic perspective of social class and mental illness, the social causation thesis is the ruling theory. People who are unemployed have been shown to have an increased amount of distress; have more physical health problems, which are often seen to be contributors of depression; and experience more frequent and more uncontrollable life events, which studies have shown increase the risk of developing some form of mental illness. When looking at the gender differences in people who have mental illnesses, women are overly represented.
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Bradley is a senior VA officer, introduced in #39 as an intelligent career-climber who was attempting to get in with Stillwell. In #40, she was taken on as his confidant and protégé, and he told her that her work had gotten her noticed years ago – he was merely waiting for her to speak to him. Their relationship soon becomes a strong one, with her appearing to develop feelings for him and Stillwell marking her out as vital to VA's future; in #61, she admits she feels safe around him and he admits he can relax around her. She is more worried about the seedier, more uncontrollable aspects of the superheroes than Stillwell is, and is visibly sickened by the photographs of the Homelander's rampage.
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After John tells her that his mother used to lock him up in the house, she theorizes that Jerolyn, who believed that her son was a miraculous virgin birth, kept him trapped inside her house for his entire life, eventually trying to kill him with carbon monoxide poisoning when she believed he'd leave her. John's telepathy quickly becomes more and more uncontrollable, especially after he begins “sending” while conscious. Despite Gail's protestations, John is taken into the surgical ward to have an intracranial operation to identify and neutralize the receptors causing his powers. Before the operation begins, the local Sheriff arrives to tell Denman and Gail that they found John's house and mother, but that she's been dead of carbon monoxide poisoning for five days, indicating that he killed her and not the other way around.
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In early 1940, he began his Período Sepia, which corresponds to a set of canvases painted on the coast and in the port of La Guaira in which brown tones are dominant in landscapes of land and sea. He subsequently suffered a period of depression following a psychotic breakdown which forced confinement in "San Jorge" sanatorium from "José María Finol". Once recovered, he worked in a different style. From that moment, he took refuge in a magical universe, around objects and dolls created by him, gave birth to the last and delirious expressionist stage of his work figurative period characterized by the use of materials such as chalk, crayons and a theatrical fantasy that became more and more uncontrollable but, through a drawing that aspired to academic correctness, sought to restore the emotional balance of Reverón.
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In San Quentin State Prison, the violence rates were still high in the 1980s despite the similar lockdowns and procedures of Pelican Bay because these prisoners use the small windows out of lockdown to either harm themselves or others. They typically will try not to harm themselves while in the psychiatric hospital ward either, but they will plan out while in lockdown until they can see their plan through. However even as they near their release dates, they are moved to "prerelease programs" out of the SHU which are successful with some prisoners, but it causes most others to become even more uncontrollable and unpredictable due to their mental states that aren't properly cared for or screened. In May 2012, California's prison system faced a lawsuit from the Center for Constitutional Rights and a group of California attorneys for the use of long terms of solitary confinement, some lasting for decades.
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