"We became bigger and broader and more theatrical," she said.
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Whatever the exact numbers were, Ms. Holzer was inspired to do more theatrical investing.
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In a different debate—the more theatrical Republican ones maybe—the line might have killed.
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The star would only make four more theatrical films for the rest of her life.
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RIVERA: I think that this is much more theatrical than it was then in 1968, 1969.
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Over time, some of the productions have become more theatrical, with elaborate props and sharp choreography.
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But there is, more than that, a deeper and more theatrical overstatement to the whole enterprise.
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That distinction makes Tuesday's announcement more theatrical than substantive at a time when boldness is necessary.
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Feld told me this eliminates human error and should illuminate each performer in a more theatrical way.
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But the multiple Hamilton tweets came literally 10 minutes later, turning everybody's attention to something more ... theatrical.
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Several of the show's sequences would only work in the more theatrical trappings of the multi-cam.
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He says very little of substance and stages his speeches to be more theatrical than anything else.
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The French neo-Classical tradition is much more theatrical and less based on musicality than the American tradition.
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The specifics are a surprise, but he hinted at more theatrical performances, art installations and pop-up events.
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The young Bruce Wayne of this Batman origin series continues to mature and embrace darker and more theatrical impulses.
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They're more theatrical than salads and — in their suggestion that everyone use their hands — at once elegant and messy.
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That song's never sounded better or more theatrical than it does on "Aretha Live at Fillmore West," from 1971.
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Personally, I could have done with a bit more theatrical manipulation throughout, with more varied heightening of tone and pace.
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It's a more theatrical version of squash with cheese sauce, but one that won't end up stealing the entire show.
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"Compensation," shouted another, earning a snort of laughter from the CEO and some more theatrical note flipping to buy himself time.
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Some experts say the tactic is unduly suggestive, ineffectively tests a witness's memory, and provides more theatrical flourish than probative evidence.
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Ms. Schumer has long cut sour material with a sweet glance, but now she uses a more theatrical vocabulary for such incongruities.
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In the end, this week's trade-union march, the 226th in four months against a controversial labour law, was more theatrical than menacing.
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This is a more theatrical style of sitcom, and the show benefits from the brassy stage duet of Mr. Grier and Ms. Devine.
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The food would stay roughly the same — more on this in a minute — but the surroundings would grow bigger, boozier, louder, more theatrical.
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But it turned out that her finger movements weren't really all that dramatic, and on YouTube, I watched students with even more theatrical gesticulations.
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When the celebrities went inside and sat down and divested themselves of their more theatrical garments, would someone still see their clothes as religious?
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In truth, Lloyd Webber's genius was always more theatrical than musical—more about putting on a big show than about writing startling or original music.
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Here the music — Aleksandra Vrebalov's mix of stabbing strings, Morse code signals, surf sounds and radioed coordinates — offers less rhythmic support and more theatrical suggestion.
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Theater, for example, is definitely starting to borrow from the interactive gaming, while there's a lot that games can learn from creating more theatrical experiences.
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The car mount would be great for when you need Google Maps to navigate, or if your friend riding shotgun wants a more theatrical YouTube experience.
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Nominated for Best Original Song, "Into the Unknown" was one of the more theatrical performances of the night, bringing an avalanche of talent to the stage.
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Save $300 on refurbished Dell touchscreen laptops that can convert to a one-screen view for a more theatrical presentation for watching movies or for a tablet experience.
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From throwing heavy objects to filing lawsuits to simply walking out, these employees demonstrated some of the more theatrical ways to quit your job and never look back.
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"My generation — late '60s, early '70s — was very influenced by rock 'n' roll and circus techniques and bizarre theatrical things, because everything was getting more theatrical," he said.
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That's a play, by Dominique Morisseau, that treats a similar subject (the effects of deindustrialization on workers) in what felt to me like a much more theatrical way.
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"My Still the One show was a more romantic, more theatrical type show and this show is gonna be very sexy fashions [and a] party vibe," she told ET.
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Ilfenesh Hadera's Kay Daniels in "Deception" and Bojana Novakovic's Lizzie Needham in "Instinct" are both standard-issue brusque, uptight, damaged cops and straight women to their more theatrical partners.
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It was the weekend of New York Comic Con, the Mecca of nerd culture that, every year, seems to grow bigger, more commercial, more theatrical in its costume pageantry.
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" She was first drawn to the form as an undergraduate art student at Washington University, noting that panoramas "made the process of going to see a painting more theatrical.
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Lady Gaga's residency began on Friday night, and reviews have been excellent -- with many calling the show very energetic and theatrical -- though nothing was more theatrical than Dion's dance moves.
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The ceremony at Indonesia's armed forces headquarters was far more theatrical, however, even featuring a blindfolded soldier shoot out a balloon held between the legs of one of his colleagues.
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Most of these people were buzzing from set to set while others took their union-required breaks to check out some of the takes being prepped for the more theatrical commercial bumpers.
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Even before Frankfurt Ballet closed in 21980, Mr. Forsythe had headed into more theatrical and improvisational terrain, which he would continue to investigate with the Forsythe Company, a smaller ensemble founded in 2005.
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With his newfound independence, he also wants to experiment with the presentation, making it a little funnier, a little more theatrical, and potentially a lot longer, he tells The Verge in a phone interview.
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"Ariana wanted the show to be more theatrical and mystical in nature than a traditional pop show," which see most artists presented "in the same perfect TV/camera friendly way," Baeri told Insider via email.
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Whether people liked him or not, he was impossible to miss, and his visual aesthetics and inventive stage personas arguably made him second only to Alice Cooper in trailblazing what would become metal's more theatrical styles.
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The constant ongoing daily exchange of attacks and vicious views in the media often seems to make life much more theatrical than theater could ever be, and in fact even more absurd and entertaining as well.
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Though both are underemployed actors, Renato is clearly the more theatrical of the two: Fond of declamatory monologues and carefully calibrated gestures, he's a man who seeks the light as instinctively as any newly liberated soul.
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It's almost more theatrical to view this installation from the back, where the propped set displays, with their jagged, laser-cut edges cast deep shadows, and give the impression of a forest of dark, stretched shapes.
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Television did not kill wrestling—it heightened it, made it more accessible, more theatrical, and more appealing to individuals of all ages, all across America, who wanted nothing more than to see evil vanquished and good triumph.
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Foregoing pogoing and externalized anger, and instead embracing the more theatrical, dark side of life, most us black-clad creatures prefer to just be chill, while also exercising some unashamed self-expression in a non-judgmental setting.
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For one thing, Lee has always favored more nuanced and subtle performances from his actors, but all of that visual information just swallows those performances up — images this big and lifelike require a more theatrical acting style.
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But the opening was more theatrical than real because the main highways feeding the bridge on both the mainland and across Crimea to Sevastopol in the west, long the headquarters of the Black Sea fleet, remain under construction.
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The bond market is the larger, mild-mannered cousin of the more theatrical stock market, and bonds don't move as sharply — the S&P 500 was up 4.6 percent on Monday, after skidding over 11 percent last week.
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He did so not by creating a lovable alien—his Jew is a villain who connives at legal murder—but by giving Shylock more theatrical vitality, quite simply more urgent, compelling life, than anyone else in his world has.
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J.P. Smoothed-out melodrama from one of the more theatrical voices in contemporary gospel, "Trust in You" is a showcase for Anthony Brown's determined, forceful singing, while his choir delivers jolting, joyous, almost Wilson Phillips-esque harmonies behind him.
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But Sandra handles the cosmetic side of things — Botox and fillers, liposuction and eye lifts, and the more complex surgeries you see on TV. It's not what I like to do, but those more theatrical surgeries have always been her speciality.
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"Flixster and Rotten Tomatoes are invaluable resources for movie fans, and we look forward to growing these successful properties, driving more theatrical ticketing and super-serving consumers with all their movie needs," said Fandango President Paul Yanover in the acquisition release.
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Though its overwrought laments about painful sunderings and doomed relationships may have seemed more theatrical than real, they provided a public platform for private longings, expressing the cultural rupture underlying the heritage of an island and its ceaseless tide of immigrants.
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In 2002, after almost a decade of working alongside Shimomura, Square Enix released the debut installment of Kingdom Hearts, which saw Shimomura taking the company's flagship Final Fantasy series in a more theatrical direction befitting of its whimsical Disney backdrop.
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I have seen stagings of the cycle, but I have never seen a performance more theatrical than the one the German baritone Benjamin Appl gave, without any props at all, on Thursday in the Park Avenue Armory's intimate Board of Officers Room.
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It was hardly unusual in the classical tradition to create a song cycle tracking the agonies of love — think of Schubert's and Schumann's wrenching collections — but Janacek, working with anonymous poems that had appeared in a Czech newspaper, made things a bit more theatrical.
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Graph from FiveThirtyEight, used with permission"Flixster and Rotten Tomatoes are invaluable resources for movie fans, and we look forward to growing these successful properties, driving more theatrical ticketing and super-serving consumers with all their movie needs," Fandango President Paul Yanover said in a statement.
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A few doors down at Le Continental, it's dinner and a show, as a troupe of chefs perform tableside, cooking dishes as simple as a Caesar salad all the way up to the decidedly more theatrical flambéed meats that go up in flames right in front of you.
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I'm certainly not the only person enamored with Arkane's latest creation, nor am I the only one impressed by its approach to storytelling—a more nuanced, subtle take on characters that feel like real people, rather than their more theatrical counterparts in say, the BioShock and Dishonored titles.
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In subsequent years, researchers like Stanley Milgram (who tested how people weighed their consciences against the demands of authority) and Philip Zimbardo (who observed the effect of power on students assigned as either prison guards or prisoners) rejected the traditional confines of the lab for more theatrical displays of human nature.
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While many companies are looking to tech that digitally jam signals to land rogue drones, one startup is taking a more theatrical approach with a speedy drone that races at 2-3 times the speed of the fastest consumer options and takes down enemy drones that may not pop up on competitor's systems.
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While some people prefer (and have the privilege) to announce their sexuality in a super casual way (such as Kristen Stewart informing Donald Trump that she's "so gay, dude" during her Saturday Night Live monologue) others prefer personal, one-on-one conversations, heartfelt letters, or, for the more theatrical among us, skywriting.
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"This allowed me to be more extreme and more theatrical in a way than I would not have been coming from a Ph.D." Though Czollek writes from the perspective of a German Jew, in the book and in all of the lectures and panels that have followed, he has sought to create alliances with other minority groups.
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Whether side-stepping in a Katharine Hamnett T-shirt to "Wake Me Up Before You Go-Go," or tanned and lithe in a white speedo in "Club Tropicana," George Michael brought a touch of practical queer sexuality to the mainstream, more down-to-earth and accessible than some of the more theatrical (though no less valid) displays of the era—whether he even realized it at the time or not.
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"I feel New York will be somewhat poorer for not seeing them," said Mr. Redden, who now concentrates on his other job, leading the Spoleto Festival USA in Charleston, S.C. Ms. Moss, whose main background before coming to Lincoln Center was in theater, including time as the executive director of Playwrights Horizons, said she expected to program more theatrical events, but did not say whether the old kind of big-ticket event would return with regularity.
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Adamson said that the initial story involved drug smuggling in Mexico. It was eventually retooled into a chase picture to make it more theatrical.
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Cantor thought Lynch needed a more theatrical-sounding name to be more noticeable as an actor, so she officially became Margaret Kerry. She graduated from high school with honors while working on the film and would later graduate cum laude from Los Angeles City College.
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159 British Library Pseudo-Jacquemart's style tended to imitate that of the painters his work supplemented, but an individualized style with a more theatrical sense of composition than seen in Jacquemart de Hesdin's work, with a more assured stroke and a brighter palette is evident.
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Otto made her theatrical debut in the 1986 production of The Bitter Tears of Petra Von Kant for the Sydney Theatre Company."Cast Biographies". InMyFathersDen.com. Retrieved 12 April 2007. Three more theatrical productions for the Sydney Theatre Company followed in the late 1980s and early 1990s.
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Harris 2004, pg. 222 Building upon the band's previous two albums, Albarn's lyrics for the album consisted of several third-person narratives. James reflected, "It was all more elaborate, more orchestral, more theatrical, and the lyrics were even more twisted ... It was all dysfunctional, misfit characters fucking up."Harris 2004, pg.
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Kestnbaum, p. 228 Hines asserts that Torvill and Dean, with their innovative choreography, dramatically altered "established concepts of ice dancing".Hines (2006), p. 239 Torvill and Dean performing in 2011 During the 1970s, there was a movement in ice dance away from its ballroom roots to a more theatrical style.
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The Orpheum Theater is located at 409 South 16th Street in downtown Omaha, Nebraska. The Orpheum hosts programs best served by a more theatrical setting, including the Omaha Performing Arts Broadway Season, presented with Broadway Across America, and Opera Omaha's season. The theatre is listed on the National Register of Historic Places.
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Heavily influenced by Bob and Ray and the Firesign Theater, Joyce developed a number of continuing characters whom he would portray in the more theatrical episodes of Over The Edge.Ned Raggett, Don Joyce, radio maverick and member of Negativland, dies at 71. SFGate, July 23, 2015. In 1984, he coined the phrase culture jamming.
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The Odd Couple II was released in the United States on April 10, 1998. It was the penultimate film for Lemmon and Matthau, both actors appearing in just one more theatrical film; Lemmon was featured in The Legend of Bagger Vance and Matthau in Hanging Up, in which neither actor played a leading role, both in 2000.
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This scaffolding was decorated with found objects that the cast had gathered from the streets of New York. These included a life-size papier-mâché bus driver, the head of Jesus, and a neon marquee of the Waverly movie theater in Greenwich Village.Horn, pp. 61–64 Potts' costumes were based on hippie street clothes, made more theatrical with enhanced color and texture.
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The Kingsland Empire's style was 'late Edwardian neo- classical'. There was a two-level tea room, domed tower, and an elaborate auditorium featuring five side arches and a proscenium with double Ionic columns either side, topped by a frieze. English Heritage say that the original Kingsland Empire was "more theatrical in planning and decoration than most cinemas of that date".
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Ghostlights scored the highest positions of any Avantasia release in several international music charts and marks the second time Avantasia has entered the US Billboard 200 albums chart. The plot of the album concludes the story started on The Mystery of Time. Musically, it shows a darker and more theatrical tone than its predecessor, which Sammet claims to have been spontaneous, not planned.
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It was Nigel Redon, the director of the Spoleto Festival, who suggested Gitai to work on a stage version for the festival. His film and stage work share texts and actors, yet, paradoxically, the structure and feel of the film seem more theatrical, while the open horizon and stratified composition of the half-hour theatrical version give the impression of cinema.
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During the nineteenth century influence from Thailand and Vietnam spurred the creation of lam luang or Lao opera. Lam luang is a more theatrical version of lam music complete with sets, costumes and orchestral accompaniment. In 1972 the Pathet Lao formed the Central Lao Opera, the first professional lam luang troupe in Laos. The performances center on social issues, traditional themes, and national propaganda.
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2004 saw several changes, as band members settled down. Lila Sklar had a daughter, while the two couples in the band, Carrie and Justin and Beth and Tim, had boys who were born within a week of each other. Carri Abrahms left the band during this period to pursue other projects. Rosin Coven's music took even more theatrical turns, working with costumer and visual artist Gitty Duncan.
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This album went straight to number one in the UK album charts. Melua departed the Batt (Dramatico) management stable and record label in January 2014 after a ten-year contract during which she had recorded six albums for Dramatico. Since 2014, Batt has guided his Dramatico organisation towards a more theatrical/TV /film direction, albeit concentrating on projects which have his music at their core.
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A larger and more theatrical Cirque show, Michael Jackson: One, designed for residency at the Mandalay Bay resort in Las Vegas, opened on May 23, 2013 in a renovated theater. A jukebox musical, Don't Stop 'Til You Get Enough, is due to debut on Broadway in mid-2020. The musical is directed and choreographed by Christopher Wheeldon and features a book by Lynn Nottage.
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Above this granite base stand the three principal floors, which are faced with white marble. Ionic columns supporting a well- proportioned entablature are used for the building's five porticoes, the principal one of which is topped by a pediment. Two additional stories are partially hidden by a marble balustrade. It presents a somewhat more restrained appearance than the neighboring Cannon Building, which was designed in the more theatrical Beaux Arts style.
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99–101 John Duigan had written all his previous movies himself, and worked in a realist style whereas Hibberd's writing was more theatrical. Hibberd had trouble collaborating and Duigan feels they had entirely different interpretations of the material which hurt the final movie.David Stratton, The Last New Wave: The Australian Film Revival, Angus & Robertson, 1980. pp. 178–180 The character of the English journalist was added for Max Gillies.
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In the three years from 1909 to 1912, he gave a more theatrical touch to his work by casting famous stage actors such as Sarah Bernhardt, Réjane and Mounet-Sully to do adaptations of classic literary works, both French and English. After 1913, he returned to the stage himself. He appeared in one film, Le Petit Chose, by André Hugon.Raymond Chirat, Dictionnaire du cinéma, Larousse, 1986, p.96.
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Oliver Thorn (born 24 April 1993) is a British actor and YouTuber who produces the channel Philosophy Tube. The channel began in 2013, when Thorn sought to present philosophy for free following the 2012 increase in British tuition fees. His videos discuss philosophy through a left-wing perspective often informed by developments in contemporary politics. From 2018, the channel became more theatrical, making use of dramatic studio sets, costuming and makeup.
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Elements in The Old Guitarist were carefully chosen to generate a reaction from the spectator. For example, the monochromatic color scheme creates flat, two-dimensional forms that dissociate the guitarist from time and place. In addition, the overall muted blue palette creates a general tone of melancholy and accentuates the tragic and sorrowful theme. The sole use of oil on panel causes a darker and more theatrical mood.
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In the 1860s, John Hollingshead took over the management and made it famous for its corps de ballet. Early films were also a part of the entertainment, with Robert W. Paul, a former collaborator of Birt Acres, presenting his first theatrical programme on 25 March 1896. A fire in 1882 destroyed the interior of the building. The reconstruction retained the original columns and arches but with a more theatrical appearance.
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The Spider's Web was the first serial to be adapted from a pulp magazine. The original pulp magazine stories were too violent for the motion picture production code, but The Spider's Web "did manage to suggest [their] frantic pace." Some changes were made beyond toning down the violence. The Spider's costume—a hood/mask and flowing cape with a web pattern motif was more theatrical than either the description or illustrations from the pulp magazine.
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222 Building upon the band's previous two albums, Albarn's lyrics for the album consisted of several third-person narratives. James reflected, "It was all more elaborate, more orchestral, more theatrical, and the lyrics were even more twisted ... It was all dysfunctional, misfit characters fucking up."Harris, 2004, pp. 223–24 The release of the album's lead single "Country House" played a part in Blur's public rivalry with Manchester band Oasis termed the "Battle of Britpop".
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During the late 1950s and 1960s, the sport was broadcast on several networks, but attendance declined. Jerry Seltzer (Leo's son), the Roller Derby "commissioner", hoped to use television to expand the live spectator base. He adapted the sport for television by developing scripted story lines and rules designed to improve television appeal, but derby's popularity had declined. 1989 saw the debut of RollerGames, an even more theatrical variant of roller derby for national audiences.
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The storyline of this episode is ignored in the subsequent BBC series, with the first episode establishing Hetty as a detective in her first case and meeting Geoffrey for the first time. The characterization of Hetty was altered considerably for the series from the pilot. The 'original' Hetty was blonde and far more 'theatrical' in her manner. Additionally, the pilot character lived in considerably better circumstances than the home seen in the series.
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M was Lang's first sound film and Lang experimented with the new technology.Jensen. p. 95. It has a dense and complex soundtrack, as opposed to the more theatrical "talkies" being released at the time. The soundtrack includes a narrator, sounds occurring off-camera, sounds motivating action and suspenseful moments of silence before sudden noise. Lang was also able to make fewer cuts in the film's editing, since sound effects could now be used to inform the narrative.Jensen. p. 103.
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Since that time, his recut has been the only available version of the film. Bogdanovich directed two more theatrical films in 1992 and 1993, but their failure kept him off the big screen for several years. One, Noises Off, based on the Michael Frayn play, has subsequently developed a strong cult following, while the other, The Thing Called Love, is better known as one of River Phoenix's last roles before his untimely death. In 1997 he declared bankruptcy again.
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The land then became property of Michele Bussi, a merchant of Milan, who was the great-grandfather of the Countess Carolina Jacini, widow of Cavi. The family commissioned a refurbishment of the property by the architect Marquis Antonio Citterio (1853-1936), pupil of Camillo Boito. He designed two advancing wings and more theatrical facades with statues and gardens. Decorative door and window frames, twirling chimneys, and wrought-iron balconies give the small property an air of elegance.
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The club grew and in 1980 a Washington D.C. community TV show PM Magazine ran a half-hour episode where the host of PM Magazine spent a day at a Dagorhir battle game. After that point interest in Dagorhir exploded in the D.C. Area. The explosive growth of Dagorhir took its toll on Bryan Wiese. Bryan, who had coined the game as “Dagorhir Outdoor Improvisational Dark Age Battle Games”, had a more theatrical bend to his dream.
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Beardyman supported Groove Armada on their UK tour in 2007. In July 2009, he appeared at the Udderbelly during its residency at South Bank in London. This was for an ensemble comedy show called "Beardyman's Complete and Utter Shambles" featuring JFB, MC Klumzy Tung, Beardyman's comedian brother Jay Foreman, visual artist mr_hopkinson, guitarist 'J'm Black, saxophonist Hellanor and comedian Reggie Watts. The show took the technology based entertainment experiments of Battlejam to a more theatrical comedy club setting.
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Marie Laveau was a dedicated practitioner of Voodoo, as well as a healer and herbalist. "Laveau was said to have traveled the streets like she owned them" said one New Orleans boy who attended an event at St. John's. Her daughter, Marie Laveau II displayed more theatrical rubrics by holding public events (including inviting attendees to St. John's Eve rituals on Bayou St. John). It is not known which (if either) had done more to establish the voodoo queen reputation.
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Working from a book published in 1850, he developed his first gum bichromate picture in a soup plate at his home. He immediately fell in love with the technique, which he said rendered pictures more theatrical and removed any temporal notions. Benaïm has continued to use the printing technique until today, with lighting becoming one of his main points of focus. His work consists mostly of dimly-lit shots, yet using diffused light to bring the subject to the fore.
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The song is 3 minutes in length and consists of many sound effects, such as row boats and screaming, typical of the album on which it was released. The music itself begins quietly with harmonium and Waters' hushed vocal, in addition to the sounds of certain orchestral instruments. This segues into a louder, more theatrical section dominated by electric guitars. During this particular section, Waters vocal is shouted, a definite contrast from his manner of singing during the previous part of the song.
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By the 1920s, the fashion show had been used by retailers across the country. They were staged, and often held in the shop’s restaurant during lunch or teatime. These shows were usually more theatrical than those of today, heavily based upon a single theme, and accompanied with a narrative commentary. The shows were hugely popular, enticing crowds in their thousands – crowds so large, that stores in New York in the 1950s had to obtain a license to have live models.
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Cymbeline, 1975 The Rippon theater was used through 1966 as originally built — a three-level stage facing an open amphitheater with sandstone benches seating for about 2,000 patrons. In 1967, the university funded construction of stone walkways and forestage, and constructed two large light towers in 1968. Through the years, the Rippon theater has been continually altered and improved. In 1981 Yang hired Richard Devin to make the Rippon space more theatrical and to create more lighting areas on the stage.
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24 All of these bands followed a path based on the new wave and post-punk music of the 1980s. At the same time, a number of German artists, including Das Ich, Goethes Erben, Relatives Menschsein, and Endraum,Matzke, Peter; Seeliger, Tobias: Das Gothic- und Dark-Wave-Lexikon, p. 311, 2002, developed a more theatrical style, interspersed with German poetic, metaphorical lyrics, called Neue Deutsche Todeskunst (literally New German Death Art).Schmidt, Axel; Neumann-Braun, Klaus: Die Welt der Gothics.
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The team intentionally avoided developing any algorithms for objects like rivers and volcanoes, as they hoped that it would flow dynamically and naturally. Regarding physics in the world of Dust, Chahi commented that the developers had: "worked hard to translate a vision of the power of the Earth moving and exploding in the game". Volcanic eruptions, explosions, and lava flows, function in a way similar to actual volcanoes, such as Mount Etna. However, the developers opted for more theatrical, "visually impressive" tsunamis.
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The production had already been performed in Paris for four months when Elliott was hired to adapt the music to better suit Broadway. "I was brought in to re-do some of the songs in a more theatrical way," Elliott said. In this process, the directors carefully study the audience during preview shows, then fine-tune the show based on what they feel the audience responds to. Changes in a dance routine require the music for that dance to be re-written.
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In 1989, television producers David Sams and Mike Miller worked with Griffiths to produce RollerGames, a U.S. television show that presented an even more theatrical variant of the sport for a national audience. It featured a steeply banked figure-eight track, an alligator pit, and a number of skaters who had been in the Roller Games league, as well as younger participants. It was broadcast for one season (1989–1990) before its distributor, Quintex Media, went bankrupt. The bankruptcy was not related to the popularity of RollerGames.
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The second full length Sophe Lux album, Waking The Mystics featured more theatrical vocals with operatic pop and electronic art rock influences. The album was recorded entirely at The Type Foundry in Portland, OR engineed by Adam Seltzer of M. Ward and The Decemberists. The track "Marie Antoinette Robot" was mixed by Brian Vibberts (David Byrne and Paul McCartney). The album features Gwynneth Haynes on lead vocals, guitar, and keys, Twayn Williams on guitars, Scott Appleman on Drums, Kelly Goodwin on keys, and Erika Miller on bass.
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Steven, Mildred, Flaco & Caridad and Paul performed that night. Once Lemon was released and saw the fundraiser video tape, he visited UNIVERSES at The Point to meet them. Soon thereafter, Lemon joined the company and after seeing some of the theatrical performances Steven and Mildred had created at Bard College in 1989 (namely, "Purgatory") he was on board with the idea that the company should shift into a more theatrical ensemble. Universes was creating 10–15 minute vignettes which incorporated Poetry, Music, Theater and movement.
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It starts out playful in a fantasy-like world until later the ending gives the feeling of an "Uncanny Valley" effect. All songs debuted within the top ten of the Gaon Chart, with "Re-Bye" becoming a chart- topper. Billboard named Spring the fourth best K-pop album of the year, where the record "boast a more theatrical feel to them to show the young duo is growing an exciting pace." To promote Spring, the duo performed at the Seoul Forest park in front of 10,000 people.
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The album is a slight departure from Fix Me, containing more theatrical elements and instruments while still retaining the punk rock influence of its predecessor. Songs like Masterpiece Theater 1, 2, and 3, Beside You, and Good To You show some experimentation using pianos and strings and harmonies. The album sold 5,000 copies in its first week of release debuting at No. 4 on the Canadian Albums Chart and since then it has reached Double Platinum status in Canada with sales of over 80,000 copies nationwide.
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The first international ice dance competition took place as a special event at the World Championships in 1950 in London. British ice dance teams dominated the sport throughout the 1950s and 1960s, then Soviet teams up until the 1990s. Ice dance was formally added to the 1952 World Figure Skating Championships; it became an Olympic sport in 1976. In the 1980s and 1990s, there was an attempt by ice dancers, their coaches, and choreographers to move ice dance away from its ballroom origins to more theatrical performances.
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In 1972 Danvers participated in the racially motivated beating of an innocent African American man, but was the only one of the six gang members to show real remorse for the crime. This is brought up by an Independent Counsel looking to blackmail Danvers and threaten his nomination for becoming a judge. Even though Giardello and the other black officers in the Criminal Investigation Division publicly back Danvers, he loses his nomination as a result of the publicity. A naturally quiet man, Danvers is sometimes upstaged in court by more theatrical defense attorneys.
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Sabbat were initially labelled as "thrash" and "satanic" in the Midlands metal scene. Fraser Craske: "We're not Satanists. It's more theatrical. We're interested in religion and philosophy and it follows that we write tracks about things like that."Kerrang!, No 140, 4 March 1987 The band's early lyrics were "primarily Satanic or […] influenced by the Occult in some way"; in Walkyier's interpretation, Satanism "doesn’t say ‘let’s go out and kill people’ or anything like that", referring to The Satanic Bible which has "nothing to do with sacrifice" but with a selfish outlook.
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Kees Brusse (; 26 February 1925 - 9 December 2013) was a Dutch actor, film director and screenwriter. A self-taught actor, he was remarkable for his natural acting style at a time when more theatrical performances were the norm in The Netherlands. One of the first Dutch actors who managed to combine a stage and film career with a career on TV, radio and in commercials, he appeared in 47 films and television shows between 1936 and 2004, including Pension Hommeles (1957-1959), Ciske de Rat (1955), and Dokter Pulder zaait papavers (1975).
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For her work on SNL she won two Emmys and received three other nominations, as well as winning several Writers Guild of America Awards. Miller left the SNL staff in 1979 to work on Radner's one-woman Broadway revue and movie, Gilda Live.″ After more theatrical work, she returned to weekly television as a producer on The Tracey Ullman Show, for which she won another Emmy for Outstanding Writing in a Variety or Music Program in 1990. In 1991, she was the co-executive producer of the briefly revived The Carol Burnett Show.
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The partnership led to the group making musical appearances at Ice Ribbon events, performing Maki Narumiya's new entrance theme and, on March 7, the two promoting the first "Hyper Ribbon" event, which featured both matches and musical performances. On December 12, 2012, Neoplus officially announced the creation of Corazon Joshi Puroresu, Ice Ribbon's sister promotion, which has a more theatrical take on professional wrestling. Following Sayaka Obihiro's December 2012 departure from Ice Ribbon, the promotion put 19 O'Clock Girls ProWrestling on hiatus as it considered the future of the program.
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After graduating with honors with a degree in science and psychology, Henning decided to take a couple of years off before entering medical school to continue with his magic. Henning and Mars successfully performed with the top entertainers in Canada and traveled from one end of the country to the other. He soon realized that he needed more theatrical training as well as the principles of magic. He applied for a grant with the Canada Council Arts Bursary in the theater division with a proposal that used the equation that magic plus theater equals art.
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He singled out "My Evil Is Strong" and "Piano" for overindulging in cynical attitudes and monotonous music. David Browne was more critical in Entertainment Weekly. He believed Tricky's incorporation of more soul and reggae elements than Maxinquaye, as well as his use of spasmodic beats and "revue-style singers", had weakened his "trademark trip-hop" style and resulted in a more theatrical, "pretentious" record. At the end of 1996, Pre-Millennium Tension was voted the ninth best album of the year in the Pazz & Jop, an annual poll of American critics nationwide.
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Success did not follow and the band split up in 1984. Morris then sang with The Happy End, a 21-piece brass band named after Bertolt Brecht, Elisabeth Hauptmann and Kurt Weill's musical play. Playing a circuit that included Brighton's Zap Club and the Edinburgh Festival Fringe, The Happy End explored protest music from Africa, Ireland and Latin America on a way that emulated Charlie Haden's Liberation Music Orchestra. Morris explored her more theatrical side on Brecht/Eisler's There's Nothing Quite Like Money and Brecht/Weill's Pirate Jenny from The Threepenny Opera.
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In a demonstration, the demonstrator generally explains the activity or concept using something "real" like an object or animal. In traditional demonstrations, the demonstrators generally do not assume to be anyone else (characterization might be involved in more theatrical demonstrations). One example of a demonstration is fish feeding at the New England Aquarium, in which visitors watch a diver feed fish while listening to a volunteer explain the process. Another example is the lightning presentation at the Museum of Science, Boston during which visitors watch lightning flashes produced by a Van de Graaff generator.
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2015 Royal Nova Scotia International Tattoo. The Royal Nova Scotia International Tattoo is unique among other Tattoos in the world in that it is more theatrical in nature with a mixture of both military and civilian performers. It takes place in the Halifax Metro Centre's hockey arena, a venue that, to some degree, resembles a traditional theatre in the round. The show is heavily costumed and intensively rehearsed with technical staff, choreographers, assistant directors, wardrobe staff and designers as part of the production team, which also sets it apart from traditional Tattoos.
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Thorn in the 2019 video "Steve Bannon", which reviewer VanDerWerff said "effortlessly undercuts the former Trump adviser's entire shtick". The channel's style progressed over a period of years from a direct style of talking to the camera about the works of philosophers such as Descartes and Kant, to more theatrical productions. In 2016, Thorn took part in the YouTube NextUp, a week-long training programme for YouTubers with under 100,000 subscribers. Following attendance at the 2018 conference VidCon, Thorn decided to change his content creation, beginning to film at a studio with costumes and makeup.
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It has also been likened to the bow of a ship. The hall plays host to a variety of touring productions, stand up comedians, live bands, opera, and most famously classical music. The hall is designed to be multi purpose, and has multiple stage formats that fit shows according to their needs, plus a removable proscenium to cater for more theatrical performances that require more than a standard 'black box' stage, notably opera and pantomime. The auditorium has adjustable seating and considered some of the finest acoustics of any concert hall in Europe.
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Girodet was trained in the neoclassical style of his teacher, Jacques-Louis David, seen in his treatment of the male nude body and his reference to models from the Renaissance and Classical antiquity. However, he also deviated from this style in several ways. The peculiarities which mark Girodet's position as the herald of the romantic movement are already evident in his Sleep of Endymion (1791, also called Effet de lune or "effect of the Moon"). Although the subject matter and pose are inspired by classical precedents, Girodet's diffuse lighting is more theatrical and atmospheric.
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Her SeaChange co-star Kevin Harrington claimed that Naidu had been underpaid by those in charge of the programme. Following SeaChange Naidu secured guest roles in Blue Heelers, Stingers, Guinevere Jones and Something in the Air. She appeared in six more theatrical productions during 2003 and 2004. She then played various roles in the Belvoir production of Run Rabbit Run, at the Belvoir St Theatre, Sydney, and continued to pursue on camera work, taking a role in legal and medical drama MDA and acted in the short film Tackle.
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Recording for Riddle Box occurred in producer Mike E. Clark’s personal studio. The group was looking to make the album more theatrical, so Clark introduced them to local guitarist and vocalist Rich Murrell. Originally a member of the group Coup Detroit, Murrell later left his band to join Insane Clown Posse’s studio band along with Clark. Murrell contributed to the album through guitar and various vocals in songs and skits. Jive Records' Senior Vice President of Artists and repertoire, Jeff Fenster, had told Insane Clown Posse that Riddle Box couldn’t be over one hour long.
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The textual problem can, however, become rather complicated. Modern scholarship now believes Shakespeare to have modified his plays through the years, sometimes leading to two existing versions of one play. To provide a modern text in such cases, editors must face the choice between the original first version and the later, revised, usually more theatrical version. In the past editors have resolved this problem by conflating the texts to provide what they believe to be a superior Ur-text, but critics now argue that to provide a conflated text would run contrary to Shakespeare's intentions.
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We went two solid years without losing a contest. By that time, '83 to be exact, we had women in the color guard which added to the show; made it a little more theatrical and much less military, which seemed to be the trend." ♦ "And, of course, the fifth would have to be this past year, 1995, not only because of the eighth DCA championship, the high score, and the completion of our fifth undefeated season, but because we hadn't won the DCA since '85. It was definitely another turning point year for us.
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As time went on, they would add further theatrics to their performances, in one instance making the audience crawl through a polythene tunnel in order to enter the venue.. In December 1969, P-Orridge and Shapeero moved out of their flat and into a former fruit warehouse in Hull's dockland area, overlooking the Humber. Named the Ho-Ho Funhouse by P-Orridge, the warehouse became the communal home to an assortment of counter-cultural figures, including artists, musicians, fashion designers and underground magazine producers.. At Christmas 1969, a woman named Christine Carol Newby (1951-) moved into the Funhouse after being thrown out of her home by her father. Having earlier befriended P-Orridge at an acid test party, Newby would move into h/er room at the Funhouse, adopting the nom-de-guerre Cosey Fanni Tutti after the title of Amadeus Mozart's 1790 opera Così fan tutte.. Joining COUM, Tutti initially helped in building props and designing costumes, and was there when the group began changing its focus from music to performance art and more theatrical happenings; one of these involved the group turning up to play a gig but intentionally not bringing any instruments, something P-Orridge considered "much more theatrical, farcical and light-hearted" than their earlier performances.
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The show loosely follows the story found in the video "3 Chains O'Gold", but in a much more theatrical fashion. The decor was themed similar to Arabian Nights, with a curtain of stars featured from the previous Diamonds and Pearls Tour, which was reused on several laps later. The musicians are relegated to the sides of the stage, leaving Prince, Mayte and Game Boyz ample space to dance and express themselves on stage. Following up on Act I's heavy promotion of the Love Symbol album, Act II minimized the album promotion and instead focused on Prince's greatest hits.
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Holopainen has described it as the band's first single to represent the entire album, being different from the singles "Eva" and "Amaranth" which Holopainen didn't feel do the same for Dark Passion Play. He has also said that it greatly represents the band as a whole, with "punchy riffs and a melodic chorus" and an orchestra heavy C-part. "Ghost River" has been described as "a duel between the Devil and Mother Gaia", and is more theatrical and "weirder" than the rest of the album. It was also one of the first songs on the album to be written.
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A tango show in Buenos Aires Show tango, and Tango de Escenario (stage tango) is a more theatrical form of Argentine tango developed to suit the stage. In theory, all styles can be performed on stage, but the movement has to take stage elements into accounts, such as diagonals, centres, fronts, placement of lights, etc. Often, show tango routines includes embellishments, acrobatics, and solo moves that would be impractical on a social dance floor. Stage tango can be partially improvised, but in order for the general choreography to fit the set stage, some parts need to be rehearsed as a set routine.
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By now, Sheedy's on-field persona marked him as a "villain" to be watched. He enjoyed niggling his opponents, physically and verbally and seemed to be at the centre of every melee on the ground. Occasionally, his teammates blanched at some of his more theatrical attempts to win free kicks or fifteen-metre penalties and he had the ability to drive opposing supporters into a frenzy. Since his injury, Sheedy had lived on the edge knowing that if he failed at Richmond it would be the end of the line because of the impending five-year suspension.
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Early games consisted mainly of puzzles that were solved with paper and pencil. As Escape Rooms progressed physical locks were introduced that could be opened by finding combinations, hidden keys and codes using objects found in the rooms. These ideas have evolved to include automation technology, immersive decoration and more elaborate storylines to enhance the visitor experience, make puzzles more interactive, and to create an experience that is more theatrical and atmospheric. The development of the new device as head-mounted display allows complement or even replace modern approaches to entertainment in the field of Escape Rooms.
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In 2001, Jason Gilkison took over the role of choreographer. By 2005, an Australian workshop of the show was named "Jason Gilkison's Ballroom." Through the course of several tours, the production tinkered with what worked. Growing into a large production requiring seven vehicles to move from city to city, the tour's creative team began to realize that they preferred the show more stripped down and focused on the dancers. According to Gilkison, “The goal was to streamline it, make it more theatrical, reinvent it with the help of the dancers, who had their own ideas of how to make it more contemporary.
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Ten years later, in 1995, he performed at an event for Streisand, Clint Eastwood, Warren Beatty, and others. Jim Bailey as Barbra, with Barbra Streisand In the 1990s, Bailey performed for Diana, Princess of Wales and Prince Charles in London. He again performed at Carnegie Hall and the London Palladium, as well as another long stint at The Sands in Las Vegas and Harrah's in all of their main showrooms. After touring extensively in the 1990s, Bailey opened the Jim Bailey Theater in Palm Springs, California, but closed the theater just 10 months later when offers were coming in for more theatrical work.
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Two more theatrical Road Runner cartoons have followed during the year (Fur of Flying and Rabid Rider). On June 8, 2011, three more shorts were announced: I Tawt I Taw a Puddy Tat with Sylvester, Tweety, and Granny, which was released with Happy Feet Two; Daffy's Rhapsody with Daffy Duck and Elmer Fudd, which was released with Journey 2: The Mysterious Island; and Flash in the Pain starring Wile E. Coyote and the Road Runner. All of these 6 shorts, directed by Matthew O'Callaghan and produced by Reel FX Creative Studios are available on the official Warner Bros. Animation YouTube channel.
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Many titles pages also include Rotten Tomatoes reviews and one or more theatrical trailers, ranging from 30-seconds to 2-minutes. Fayve title page for Pulp Fiction. Displayed below the cover art of the movie or TV show are the service providers the title is available on. Tapping on the logo of the content provider will enable the user to stream the title instantly. The app also allows the user to use “service filters” to ignore service providers a user does not have access to. Celebrities also have their own home pages, which includes biographies, photos, “mediography” (which encompasses movie and TV credits).
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Both Il Fuoco and Tigre Reale are perfect examples of what Aldo Bernardini defined as, "tailcoat cinema." Both films allowed audiences a passport into the exciting lives of the upper-classes; an imaginary world of luxury where it was possible to transgress Italian society's strict moral codes. More widely, both films have also been mentioned as classics of the diva genre, although Menichelli's acting style was very different from the more theatrical styles of Francesca Bertini and Lyda Borelli. While Bertini rejected close-ups in the early part of her career, Menichelli managed to express a lot of emotion in them.
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He then pursued a solo career in opera and oratorio, singing several roles in opera productions in Europe and for the English National Opera and Opera North. In 1993 Short, then aged 27, joined The King's Singers. It was while performing with this ensemble that Short conceived of creating a larger group of singers capable of more "passionate sounds" combined with "the precision of ensembles like The King's Singers", and a more "theatrical" style of performing within religious buildings, involving movement around the performance venue as well as dramatic use of lighting and ambiance. The result was Tenebrae, founded in 2001.
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The novel's action takes place against a backdrop of post-Thatcher London, rendered by Weiner into a dark and phantasmagorical dreamscape. The cover illustration is also by the Brothers Quay, the London-based animated filmmakers Stephen and Timothy Quay. Weiner's writing is characterised by its exceptionally bold telegraphic style, one that has a truly cinematic feel in the sheer convulsive power of the images that are evoked and their deeply unsettling visionary tone. He would even seem to defy the cinema (unless one were to think of the more theatrical and stylized approach of certain animators and graphic artists).
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This was his minimalist and severe reaction to the existing 1950s official style that was more theatrical and festive. Although some have associated the black color with a strong symbolic shadow, Asi has acclaimed he chose the color primarily for practical reasons - to hide holes and dents of the ceiling. However, he was obliged to go to Moscow in order to justify the color choice as the bosses in Tallinn did not dare to give their signature to the project. In addition to the hall, Asi designed in the Writers' House the cabinets and its furniture.
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The band have been described as hardcore punk, punk rock, and melodic hardcore, incorporating elements of youth crew, characterised by fast tempos and melodic sections. Their sophomore album Midnight Mass has been described as more theatrical than their previous hardcore punk work. Their early releases were compared to groups such as Comeback Kid, Strike Anywhere, Shook Ones, Kid Dynamite and Lifetime, whereas their final record Midnight Mass is considered more emotional and gothic, leading to it being compared to AFI and the Damned, and even categorised as horror punk. BBC has even cited them as an "indie metal" band.
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Trixie Minx's first & flagstaff production, Fleur de Tease started in September 2006 out of her desire to explore a more theatrical and comical side to burlesque within a group dynamic. With a cast of dancers, comedians, magicians, & aerialists Fleur de Tease brings a new elaborate theme show to One Eyed Jacks on Toulouse Street in New Orleans each month (formerly the ShimSham where Ronnie Magri & the Shimshammettes began). Fleur de Tease has become synonymous with the definition of New Orleans Burlesque and has been featured at the New Orleans Jazz & Heritage Festival (with Preservation Hall, Better than Ezra), New Orleans Food & Wine Experience, Tales of the Cocktail, Voodoo Music Experience.
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Being the "gentler" of the two brothers, Danny could not take Max's bullying ways, unlike his brother Shane. The constant tension between Danny and Max and Danny seemingly having a better relationship with his mother then Shane, led Andrew Mercado to question whether Danny was struggling to come to terms with his sexuality in his 2004 book Super Aussie soaps. Danny would spend more time with his mother where he could be more "theatrical", Mercado also described Danny as being "girlie" and pondered whether this made Max believe that Danny was not a true Ramsay. Max believed Danny was a "wimp" and wished he would be more like Shane.
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The libretto was written by the imperial poet in Rome on the instruction of Charles VI, Holy Roman Emperor. Court composer Antonio Caldara's original setting of La passione di Gesù Cristo signor nostro was performed in at the holy sepulchre in the Hofburgkapelle, the court chapel in Vienna, for Holy Week on 3 April 1730.Harry White Johann Joseph Fux and the music of the Austro-Italian Baroque 1992Howard E. Smither A history of the oratorio p.395. The oratorio marks a departure from the settings of actual Gospel passion narratives such as the Latin Passio Secundum Ioannem of Alessandro Scarlatti to a more theatrical style.
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In November, they released the album Changing Horses, which was generally seen as a disappointment after their earlier work. By late 1969, they had established a communal base at Glen Row near Innerleithen, and the relationships between Mike and Rose and between Robin and Licorice had ended. In April 1970 they released the album I Looked Up. The ISB's performances were more theatrical than those of most of their contemporaries. In addition to the spectacle of their exotic instruments and colourful stage costumes, their concerts sometimes featured poems, surreal sketches and dancers, all in the homegrown, non-showbiz style characteristic of the hippie era.
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Angel Dust is the fourth studio album by American rock band Faith No More, released on June 8, 1992, by Slash and Reprise Records. It is the follow-up to 1989's highly successful The Real Thing, and was the band's final album to feature guitarist Jim Martin. It was also the first album where vocalist Mike Patton had any substantial influence on the band's music, having been hired after the other band members had written and recorded everything for The Real Thing except vocals and some lyrics. The band stated that they wanted to move away from the funk metal style of their prior releases, towards a more "theatrical" sound.
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During this same period, Holiday began performing in concert halls rather than nightclubs, and her live performances became more theatrical than jazz, with many of these dramatic songs becoming centrepieces of her set. Holiday continued to record for Decca throughout the 1940s, before again switching to Norman Granz's Clef label (later Verve) in the next decade. The orchestras Holiday recorded with while at Commodore and Decca were variously led by Toots Camarata, Bob Haggart, Bill Stegmeyer, John Simmons, Buster Harding, Sy Oliver, and Gordon Jenkins. "Big Stuff" was a Leonard Bernstein single, with Billie doing a new vocal to a song Bernstein had written as the prologue to his 1944 ballet Fancy Free.
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Such stand-alone videos, however, are typically only viewed in this live setting and may include additional theatrical sound effects. The earliest concert video visuals likely date to the period of the late 1960s when concerts for artists such as Jimi Hendrix and The Doors featured psychedelic imagery on projection screens suspended behind the performers. Live concert performances took on more and more theatrical elements particularly notable in the concert events put on by Pink Floyd throughout their career. Laurie Anderson was among the earliest to experiment with video content as part of a live performance, and her ideas and images continue to be a direct inspiration to performers as diverse as David Bowie, Madonna and Kanye West.
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Starting in May 2019, The Residents undertook a short tour performing exclusively tracks from the album, beginning at a Residents themed event at Bourges, France with a significantly shortened version of the album. The next performances of the show were in January 2020, featuring a significantly reworked more theatrical set design. The first of these performances was a public dress rehearsal at The Lab in San Francisco, the rehearsal was received well, earning a favourable review from The New Yorker. The professional performances taking place at the Museum Of Modern Art, the show received a lot more attention than the band's usual output, being reviewed by The Rolling Stone, The Brooklyn Vegan, and The Art Forum.
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A more theatrical imitation called Roller Games was started in 1961 in Los Angeles featuring retired Roller Derby skaters who chose not to make the move to San Francisco. Owned by Bill Griffiths, Sr. and Jerry Hill, Roller Games was the only viable rival organization to the original Roller Derby and actually consisted of several separate leagues, including the (U.S.) National Roller Derby (NRD), soon renamed to National Roller League (NRL) since the "Roller Derby" trademark was aggressively protected by the Seltzer organization. The NRD/NRL consisted of the Northern Hawks (sometimes billed as the Chicago Hawks), New York Bombers, Texas Outlaws, Detroit Devils, Los Angeles Thunderbirds (nicknamed "T-Birds"), and Philadelphia Warriors (sometimes billed as the Eastern Warriors).
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A Boy Named Charlie Brown is the debut theatrical film based on the Peanuts comic strip by Charles M. Schulz. For the music score, producer Lee Mendelson recruited jazz pianist Vince Guaraldi, who had previously composed uptempo jazz melodies for the first six Peanuts television specials as well as the unaired documentary of the same name. Guaraldi did not compose new songs for the film, but instead fitted established compositions with a more "theatrical" treatment featuring lusher horn-filled arrangements. Instrumental tracks used in the film included new variations of the songs "Skating", "Baseball Theme", "Charlie Brown and His All-Stars", "Oh, Good Grief", "Blue Charlie Brown", and several versions of the Peanuts franchise theme song, "Linus and Lucy".
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The films were so realistic, which had always seemed to be missing in the westerns of the 1930s, 40s and 50s, in the brutality and the different shades of grey and black. Leone found an even darker black and off-white. There is realism in Leone’s presentation of the Civil War in The Good, the Bad and the Ugly that was missing from all the Civil War movies that happened before him. Leone’s film, and the genre that he defined within it, shows a west that is more violent, less talky, more complex, more theatrical, and just overall more iconic through the use of music, appearing operatic as the music is an illustrative ingredient of the narrative”.
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This section evolved over the years to become more theatrical, from the massive flashcard displays that complemented the parade in the 1980s to multimedia projections in recent Shows. Float displays also featured prominently in the Show segments of the 1970s and 1980s where floats were designed to promote government campaigns or highlight the works of various public and private companies. This returned in NDP 1998 and in NDP 2005 as a visual representation of Singapore's past 40 years of nation building, with further reappearances at NDP 2009 and at NDP 2010 to symbolize the mixture of peoples that make up Singapore today. Floats would return in the 2015, 2017 and 2019 editions.
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244 Initially the historic and traditional cultural school of ice dance prevailed, but in 1998 the ISU reduced penalties for violations and relaxed rules on technical content, in what Hines describes as a "major step forward"Hines (2006), p. 242 in recognizing the move towards more theatrical skating in ice dance. At the 1998 Olympics, while ice dance was struggling to retain its integrity and legitimacy as a sport, writer Jere Longman reported that ice dance was "mired in controversies", including bloc voting by the judges that favored European dance teams. There were even calls to suspend the sport for a year to deal with the dispute, which seemed to impact ice dance teams from North America the most.
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His work marks a transitional phase from the realistic still- lifes that dominated the first half of the 17th Century (represented by Louise Moillon, Lubin Baugin, Jacques Linard and ), and the generation that came to maturity during the reign of King Louis XIV (such as Jean-Baptiste Monnoyer and Jean-Baptiste Belin), who favored more theatrical, detailed and decorative compositions. He excelled in the representation of fruit, especially peaches and grapes, whose textures he faithfully rendered. Unlike his contemporaries, he eschewed obviously symmetrical compositions; favoring a disorderly effect with textural contrasts that made the arrangements look spontaneous. His dark palette and emphasis on blues bring to mind the work of another still-life painter, Willem van Aelst, who was active in Paris at the same time.
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The Tenebrae Choir is a London-based professional vocal ensemble founded and directed by former King's Singer Nigel Short. Co-founded by Short and Barbara Pollock in 2001, its repertoire covers works from the 16th to the 21st Century. The choir was launched in 2001 with a performance of Nigel Short's own composition, The Dream of Herod, created to demonstrate a more "theatrical" style of performing within religious buildings, involving movement around the performance venue as well as dramatic use of lighting and ambiance. In 2006 it toured Joby Talbot's Path of Miracles to the churches in Spain on the Camino route, and formed an association with the London Symphony Orchestra, making recordings for LSO Live with the conductor Colin Davis.
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After his follow-up album, You Can Feel Me, elevated Har Mar's popularity in the United States and put him on the map in the United Kingdom, his stage outfits became more theatrical and several live shows featured female dancers. By the time the third album, The Handler, was released in 2004, Har Mar Superstar regularly toured with a drummer and a bassist to fortify the prerecorded material. Shows have ranged from club dates to festival engagements (Reading and Leeds Festivals). In addition to his own headlining tours, Har Mar has opened for Ben Lee, The Strokes, Incubus, Tenacious D and the Yeah Yeah Yeahs. In 2007, Har Mar Superstar supported the Red Hot Chili Peppers on their tour of Australia and New Zealand.
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Everybody's in Show-Biz is the eleventh studio album released by English rock group the Kinks, released in 1972. A double album, the first disc features studio recordings, while the second disc documents a two-night Carnegie Hall stand. Everybody's in Show-Biz is often seen by fans as a transition album for the Kinks, marking the change in Ray Davies' songwriting style toward more theatrical, campy and vaudevillian work, as evidenced by the rock-opera concept albums that followed it. This album marks Davies' explorations of the trials of rock-star life and the monotony of touring, themes that would reappear in future releases like The Kinks Present A Soap Opera and the 1987 live album Live: The Road.
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Peerce's subsequent theatrical features included The Sporting Club, A Separate Peace, Ash Wednesday, and The Other Side of the Mountain. He directed the television movies The Stranger Who Looks Like Me (1974), and Elvis and Me (1988), and directed several episodes of the children's television series The Ghost Busters a.k.a. The Original Ghostbusters, and after more theatrical films did not meet success, he became a frequent director of television miniseries, including Queenie (ABC, 1987), The Neon Empire (Showtime, 1988), the Jacqueline Kennedy biography A Woman Named Jackie (NBC, 1991) and John Jakes' Heaven and Hell: North and South Book III (ABC, 1994). He additionally did several more television movies, ending with Second Honeymoon (2001), starring Roma Downey and Tim Matheson.
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With his flamboyant gimmick, Gorgeous George became one of the most famous wrestlers of his era More theatrical heels would feature dramatic outfits giving off a nasty or otherwise dangerous look, such as wearing corpse paint over their faces, putting on demonic masks, covering themselves in dark leather and the like. Gorgeous George is regarded as the father of the wrestling gimmick, and by extension the heel gimmick. Starting in the 1940s, he invented an extravagant, flamboyant "pretty boy" gimmick who wore wavy blonde hair, colorful robes and ritzy outfits, and was accompanied by beautiful valets to the ring for his matches. The crowd widely jeered his persona, and came out to his matches in hopes of seeing him defeated.
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The film is an inside look at the world of Roller Games, then a popular league sport-entertainment, a more theatrical version of roller derby. The story focuses on K.C. Carr, who has just left her former team in Kansas City, Missouri, to start her life as a single mother over again in Portland, Oregon, with a team called the Portland Loggers. Loggers' owner Burt Henry is clearly interested in her, and he and K.C. date. Henry has a rather ruthless side to him: he trades away K.C.'s best friend on the team, and when he sees that star male skater "Horrible" Hank Hopkins (Norman Alden) is interested in her, he manipulates the audience into booing Hopkins, causing him to go crazy and lose his job.
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A Dutch Merchant Vessel in Choppy Waters near a Rocky Coast, Whales Nearby Castro was active in Antwerp as a marine painter. The few works by his hand that are currently known cover the range of subjects typical for marine painters in the 17th century such as sailing ships, port scenes and naval battles. These works show an influence by the Dutch development towards tonal painting while retaining typically Flemish stylistic elements. This is demonstrated in the Spanish Ships at Anchor (National Maritime Museum, Greenwich) which through the tonality of its colour scheme, low horizon and build-up of clouds in the background reveals a Dutch influence while its more theatrical lighting and schematic depiction of the ships show a typically 'Flemish' style.
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He also mentions losing himself in dotage—"himself" referring to Antony as Roman ruler and authority over people including Cleopatra. Cleopatra also succeeds in causing Antony to speak in a more theatrical sense and therefore undermine his own true authority. In Act I, scene 1, Antony not only speaks again of his empire but constructs a theatrical image: "Let Rome and Tiber melt, and the wide arch/Of the ranged empire fall... The nobleness of life/Is to do thus; when such a mutual pair/And such a twain can do't—in which I bind/On pain of punishment the world to weet/We stand up peerless."Antony and Cleopatra I.1.35–42 Cleopatra immediately says, "Excellent falsehood!" in an aside, indicating to the audience that she intends for Antony to adopt this rhetoric.
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While performing in Europe with singer and pianist Annette Peacock, Discogs – Sam Phipps Phipps was contacted by Richard Elfman and asked to return to the United States to play with the then theater group The Mystic Knights of the Oingo Boingo. He played tenor and soprano saxophone, clarinet, flute, percussion, and provided occasional backing vocals for Oingo Boingo from 1973 until the band's breakup in 1995. Oingo Boingo's odd mixture of pop, rock, ska, and varying world musical styles often featured the band's brass and woodwind instruments, giving Phipps the opportunity to perform solos that are reminiscent of the band's more theatrical and traditional origins.Allmusic – Oingo Boingo During the early years of Oingo Boingo, Phipps recorded an album of original avant-garde jazz compositions entitled Animal Sounds with pianist John Larkin.
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Correspondence with his friend d'Argental indicated that he was initially unsure which would be more successful; he gradually came to consider that Irène would work better on stage, and it was indeed Irène that was rehearsed and performed while he was alive. Having previously sent him the manuscript of Agathocle, he wrote to d'Argental on 25 October ‘I'm sending you something (Irène) more passionate, more theatrical, and more interesting.' The original working title for Irène was Alexis Comnène and it was only in a later revision that the title and the focus of the plot was changed to the heroine. The action is very loosely based in the historical setting of the overthrowing of the Byzantine emperor Nikephoros III Botaneiates by Alexios I Komnenos in the year 1081.
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A Boy Named Charlie Brown also included several original songs, some of which boasted vocals for the first time: "Failure Face", "I Before E" and "Champion Charlie Brown" (Before this film, musical pieces in Peanuts specials were primarily instrumental, except for a few traditional songs in A Charlie Brown Christmas.) Rod McKuen wrote and sang the title song. He also wrote "Failure Face" and "Champion Charlie Brown". The instrumental tracks interspersed throughout the movie were composed by Vince Guaraldi and arranged by John Scott Trotter (who also wrote "I Before E"). The music consisted mostly of uptempo jazz tunes that had been heard since some of the earliest Peanuts television specials aired back in 1965; however, for A Boy Named Charlie Brown, they were given a more "theatrical" treatment, with lusher horn-filled arrangements.
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The director acted as his own cinematographer under the pseudonym Peter Andrews and operated the camera himself in an effort to "get as close to the movie as I can," and to eliminate the distance between the actors and himself. Soderbergh drew inspiration from the cinema verite style of Ken Loach's films, studying the framing of scenes, the distance of the camera to the actors, lens length, and the tightness of eyelines depending on the position of a character. Soderbergh remembers, "I noticed that there's a space that's inviolate, that if you get within something, you cross the edge into a more theatrical aesthetic as opposed to a documentary aesthetic". Most of the day was spent shooting because a lot of the film was shot with available light.
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" Hive's true form, as portrayed by Dalton through motion capture Dalton aimed to emulate Meryl Streep's character in The Devil Wears Prada, who never spoke above "a conversational level...She didn't pound on her chest and make sure everybody knew that she's powerful, she just was." Dalton also changed his voice to represent the memories of Will Daniels and Nathaniel Malick "just a little bit. I tried to change my voice in there, I tried to change even my level of expression in there because I was supposed to be channeling somebody else entirely coming through." Dalton called the coat that Hive wears later in the third season "iconic and timeless", noting that "fashion wasn't on the forefront of [Ward's] mind", while Hive is more theatrical, "colorful without having to do much.
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Judson Dance Theater 1962-64 At Judson, Summers shared in the ongoing experiments with chance methods and pedestrian, everyday movements as part of the interest in expanding the then accepted methods of creating and performing dances. However she also embraced the more theatrical part of the collective (as did Aileen Passloff, John Herbert McDowell and others). Elaine Summers expanded dance into other disciplines, experimental film, visual art, and body work. In the later phase of the Judson Dance Theater she created dances that would be made to work with the entire environment of the performance space, notably Country Houses (1963) which included speaking non-sequitor one-liners, and her solo-concert Fantastic Gardens (1964) which included the first large- scale use of intermedia, immersing the entire performance area in film- projections, multiplied by the audience with hand-held mirrors.
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To replace the departed members, Paul and Rachel Hope recruited a new lead singer - Phil "Earl Slick" Sears - plus bass player Adrian "Bill" Bailey and keyboard player Danny Orange. A self-released double A-side single featuring the new line-up ("Home Is Where Your Telly Is/Hanghar") kept up the band's momentum; although Orange and Bailey both left in 1997 to be respectively replaced by Anna Blaydon (also known as "Anna Tanglewood") and Gary "Spangles" Bowden. In 1997, the band signed a deal with Edgy Records and recorded and released their second album Typhoid and Swans. The band's songs were now less eccentric than previously. Hope was favouring more direct lyrics and making use of Sear's rich quasi- operatic voice, although signs of the band’s more theatrical past remained in the shape of the lengthy "Everything You Know Is Wrong".
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The 1625 painting by Michiel van Miereveld is not only of unparalleled magnificence, with a jacket encrusted with pearls which also hang in ropes across it, but may also contain a reference to his diplomatic coup that year in negotiating the marriage of the future Charles I. At his entry to the French Court, he is recorded as wearing a grey velvet suit from which the loosely threaded pearls dropped to the ground as he advanced to make his bow to the queen, to the general wonder. A series of more theatrical depictions heighten Buckingham's self- dramatisation and in certain cases make policy statements as well. Two of these are connected with his betrothal to and marriage with Lady Katherine Manners in 1620. In Van Dyck's historical painting The Continence of Scipio, Buckingham is clearly recognisable standing at the centre, receiving from Scipio the hand of his captured betrothed.
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The Alice Cooper band broke up by Spring of 1974, with Cooper beginning work on his first solo project. Cooper intended the music to be more theatrical than the previous glam-rock focused records. Cooper hired Bob Ezrin, who had produced four previous Cooper records, to collaborate with him. The album is a concept album, with Cooper telling the story of the nightmares of the character Steven. Ezrin, Steve Hunter, and Dick Wagner had all performed on the Alice Cooper band’s 1973 album Billion Dollar Babies, produced by Ezrin. Subsequently, Ezrin produced and performed on Lou Reed’s 1973 concept album Berlin, including Hunter, Wagner, and Tony Levin. Reed’s band on his following live album Rock 'n' Roll Animal was composed of Hunter, Wagner, Prakash John, and Pentti Glan. Ezrin and Cooper hired all four members of Reed’s live band, plus Levin, to work on Cooper’s new album.
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Noted in books such as Bang Your Head: The Rise and Fall of Heavy Metal, the concert also showcased the ego clashes which eventually helped lead to the collapse of glam metal shortly thereafter. Many of the bands argued over who went on before whom, and many were envious of Bon Jovi, who not only headlined the event and was far more considered to be pop music among the hard rock and heavy metal community, but also had a much more theatrical stage spectacle and longer set times; each band was supposed to do a stripped-down show with just music and no spectacular theatrics. Jon Bon Jovi supposedly offered his headlining spot to Ozzy Osbourne after Ozzy threatened to not go through with his set (a move many felt was calculated to further JBJ's 'boy next door' persona). Ozzy's set was initially scheduled before Mötley Crüe's set.
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After the band's departure from Full Effect Records, Anderson focussed his efforts on various side projects throughout 2009 including steampunk-inspired Fighting Ice With Iron, folk metal Wolves Under Sail and a revival of his old band The Shizit, later rebranded as The Named due to contract disputes with his former members in The Shizit. From 2011 to 2013, Rabbit Junk released a series of singles which Anderson claims were keeping the project "on life support" after the experiences with Full Effect. After the release of "Break Shins to This" in 2013, and the positive feedback that followed, Anderson decided to move Rabbit Junk's music direction into an altogether more electronic direction. The band released "From the Ashes" (which contained a sampled riff from "Dead Embryonic Cells" by Sepultura) on a 2013 Christmas sampler by Glitch Mode Recordings, who they would from then on work with on a regular basis, however the more theatrical metal direction was rejected for future releases.
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A few weeks later he was involved it yet another number one contenders match for the Dream Gate title, but this time the match was won by Cyber Kong. While Kobayashi did not win a lot of matches he made a name for himself with his ability to execute the knife edge chop on opponents with such force that it makes a very loud sound on impact, partially by actually hitting opponents with full force instead of the normal, more "theatrical" version used in professional wrestling. His Chopping prowess and that of other Dragon Gate wrestlers led Dragon Gate to hold a "King of Chop" tournament, which was not a wrestling tournament but a tournament where two wrestlers used the knife edge chop on each other and the fans determined the winner of each match up. Kobayashi defeated Mondai Ruy, Cyber Kong and Don Fujii on his way to the finals where he also overcame Tomahawk T.T. to become Dragon Gate's "King of Chop".
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The Milestones of Flight entrance hall of the National Air and Space Museum in Washington, DC. Among the visible aircraft are Spirit of St. Louis, the Apollo 11 Command Module Columbia, SpaceShipOne, the Bell X-1, and (far right) John Glenn's Friendship 7 capsule. Macchi C.202 and P-51D Mustang Because of the museum's close proximity to the United States Capitol, the Smithsonian wanted a building that would be architecturally impressive but would not stand out too boldly against the Capitol building. St. Louis–based architect Gyo Obata of HOK designed the museum as four simple marble-encased cubes containing the smaller and more theatrical exhibits, connected by three spacious steel-and-glass atria which house the larger exhibits such as missiles, airplanes and spacecraft. The mass of the museum is similar to the National Gallery of Art across the National Mall, and uses the same pink Tennessee marble as the National Gallery.
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However, it was around this time that founding drummer Chris Taylor departed from the band due to the tole that so frequently touring took on some aspects of his life, being replaced by Shane Bonthuys. In January 2012 they announced that their second studio album, "Midnight Mass", would be released on 6 March 2012, along with a series of UK headlining tour dates. Gould cited his intention for the sound of the record to be "if Green Day created a punk rock opera", doing so by embracing more theatrical influences, such as The Rise and Fall of Ziggy Stardust and the Spiders from Mars by David Bowie, the Art of Drowning by AFI, Good Mourning by the Alkaline Trio and Energy. Lyrically, the album was based on love letters written by Gould's step-mother's broker and his wife, which Gould had found while clearing out the man's room after he a stroke.
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Around this time Pierce met L.A. musician Phast Phreddie Patterson, whose vast record collection and knowledge of American roots music added to the eager Pierce's musical education. While his later interest in American blues was presaged by his devotion to reggae, his love for the more theatrical, complex sounds of glam and prog rock showed up in his support for the No Wave movement in New York City. Pierce felt disappointed by the swift decline of punk rock into what he saw as strict formality and also began to feel his beloved reggae was ultimately an import, seeking a style combining the authenticity and simplicity of reggae but more rooted in his own culture's history, he discovered the Delta blues and developed an extensive knowledge of the genre which influenced and inspired him. Throughout his career Pierce was supportive of fellow musicians, encouraging new friend Brian Tristan, aka Kid Congo Powers, to play guitar and develop his own unique sound and style, recruiting him to form the band Creeping Ritual.
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The 2007 event The 2007 event The 2007 event The 2007 event An event at the Rainbow Warehouse, Digbeth, Birmingham, on 3 November 2007, presented as the pinnacle of the weekend’s Gigbeth music festival, taking a more theatrical approach than the first show and centring on a narrative based on the Hero's Journey by Joseph Campbell which takes its structure from Campbell’s study of the great myths and legends. Characters included a demonic clown, semi- deranged Bacchic priestesses performed by the Kindle Theatre Company, actress Rahil Liapopolou, Lucy Nicholls, capoeira dancers and other "strange, shady characters", in a performance directed by Pyn Stockman. Musical highlights included Islamic vocal group Aashiq al-Rasul and instrumental heavy post-rock band Einstellung who produced a collaboration also including the minimalist piano of Rich Batsford and a new incarnation of the 'aural fight' this time comprising a digital vs analogue sound clash. The show was described as "a seamless six hour journey of fantasy and light" by Bearded recognising a progression created by adding another screen between each of the stages to those directly above each stage, to effectively create a 360-degree visual environment.
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