That girl is Gemma, whose story is the more suspenseful.
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When he catches a subway train, his kinesis assumes a more suspenseful character.
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Making a Murderer is back, and promises to be more suspenseful and controversial than ever.
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But a world sporting scandal intervened, making Mr. Fogel's story more suspenseful and more disturbing.
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Eurovision's byzantine voting rules have evolved as organizers have tried to make voting more fair and more suspenseful.
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"The President" grows more suspenseful when the principals mingle with former political prisoners, witnessing the consequences of the despot's rule.
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My memory from a number of 1981 performances is that this section once seemed more dense, more suspenseful, less charming.
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Many directors have made scarier and more suspenseful films than Mr. Argento has, but few have ever made buckets of blood look lovelier.
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The attempted landing should be a bit more suspenseful, though — landing at sea means we're not likely to see the same excellent live footage this time around.
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Hurricane Elena, in 1985, made one of the more suspenseful loops on record: It neared Florida's west coast but then turned around and made landfall in southern Mississippi.
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The first half was more suspenseful than most expected as George Washington never let the Flyers lead by more than four points, and actually ripped off 11 unanswered points to grab a 19-12 advantage when Potter hit a short jumper with 9:26 left.
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But far from taking the novel down a darker, more suspenseful avenue, this simply means we're offered pages of lengthy witness statements from various kooky locals who may or may not have seen the girl, not to mention a weirdly involved account of the lost child's moth obsession.
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Alternatively, it could have been more suspenseful and clever to let viewers in on the scheme, either by showing spies listening to Arya and Sansa's conversations, or with hints like Margaery's surreptitious plea for her grandmother Olenna to leave the capital while she was under the watch of the Faith Militant.
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After covering the initial phase of the case in December, when Mr. Roof was found guilty of 33 counts by a jury that deliberated for only two hours, I am now back in Charleston for the more suspenseful penalty phase, when the same jury must decide whether to sentence Mr. Roof to death or life in prison without parole.
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Frost is also the author of the Etherlin series, which features darker, more suspenseful storylines. As of 2016, Frost has published seven full-length novels and two novellas. She has also written a few short stories that are featured on her website.
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New York, United States was filmed on the Lions' Gate Bridge in Vancouver, British Columbia, Canada and two scale representations of the bridge. Location filming returned to Vancouver, where parts of the first three films were shot. Principal photography took place between September 13 and December 14, 2010. Producers stated that this installment would be darker and more suspenseful in the style of the original film.
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Potter biographer Linda Lear explains: "The original letter was too short to make a proper book so [Potter] added some text and made new black-and-white illustrations...and made it more suspenseful. These changes slowed the narrative down, added intrigue, and gave a greater sense of the passage of time. Then she copied it out into a stiff-covered exercise book, and painted a coloured frontispiece showing Mrs Rabbit dosing Peter with chamomile-tea".
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Principal photography took between thirteen and fifteen days. Traynor chose a large home in Hancock Park, Los Angeles, as a primary filming location, which the crew rented for $1,000 per week. Both Locke and Worth have described the filming process for Death Game as extremely tumultuous. Locke claimed the original script for film was much more suspenseful and less exploitive, but that Traynor attempted to interject more comedic elements into the story.
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Composer John Williams began scoring the film at the end of February, and it was recorded a month later. John Neufeld and Alexander Courage provided the score's orchestrations. Like Close Encounters of the Third Kind another Spielberg film he scored, Williams felt he needed to write "pieces that would convey a sense of 'awe' and fascination" given it dealt with the "overwhelming happiness and excitement" that would emerge from seeing live dinosaurs. In turn more suspenseful scenes such as the Tyrannosaurus attack required frightening themes.
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In the first round, the top four scorers on the written portion received a bye into the second round leaving the fifth place to face off against the twelfth place, and the sixth place to face off against the eleventh place, etc. This change was presumably made to ensure that the final round would be more exciting and more suspenseful, since now the champion must win at least three consecutive matches, while previously a student could potentially win the championship after defeating a single opponent.
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Radek Ladczuk was the film's cinematographer for The Babadook and helped bring her ideas to life. Kent was influenced by old movies, and even wanted to film the movie in black and white but later changed to colour. Kent used many different techniques to embody a terrifying set, using colours like "muted grey-and-blue and hints of red as the story became more suspenseful". Throughout the film, Kent pushed to colour grade certain scenes to stay within the colour scheme, by altering and enhancing the colour of the scene either chemically or digitally.
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Jang made a successful comeback in 2016 with Mnet's music survival show Produce 101, where 101 trainee girls competing against each other for their debut. He acts as the host and mentor of the show, making significant contributions in introducing the program to viewers and making the program more suspenseful. Jang then starred in the historical drama The Royal Gambler where he played a gambler who rivals the King. Though it had lower viewership ratings, the series marked a turning point in Jang's career and allowed him to overcome his fixed image as a "pretty boy" and expand his acting roles.
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The director also felt that it was unnecessary to have in the film so it was removed as it was irrelevant to the plot. Petersen also said that in the original draft, Gibbs revealed himself as the mole early and joined the terrorists in hijacking the plane. The director felt it was more suspenseful to keep the audience guessing in the final cut and specifically pointed to the scene in which Marshall gives Gibbs a gun before escorting the hostages from the conference room to the parachutes in the cargo hold. Gary Oldman did not stay in character between the scenes.
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The soundtrack of TNM was composed by Graeme Arthur, Leonardo Badinella, Steve Foxon, Brian Giannotti, Jonathan Gladwill, Andrew Livingston, Martin Ahm Nielsen and Trent Robertson. As each artist comes from a different background, the soundtrack contains various mixed genres, including ambient music, jazz fusion, techno, light rock, metal and classical music. Similar to Deus Ex, each setting in the game has multiple tracks, with the actions of the player affecting which track will play at any given time. For example, joining WorldCorp will change the track played in the rival PlanetDeusEx building from Democracy, Pt. I to Democracy, Pt. II, a more suspenseful track containing similar motifs.
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The result was one of the more suspenseful scenes in the film, but was not in the original script.Phillips, Creatures, pp. 175-76 MacMurray was surprised when he first saw it onscreen: "When I ... turned the key I remember I was doing it fast and Billy kept saying 'Make it longer, make it longer,' and finally I yelled 'For Chrissake Billy, it's not going to hold that long,' and he said 'Make it longer,' and he was right."Zolotow, p. 116 Wilder managed to bring the whole production in under budget at $927,262 despite $370,000 in salaries for just four people ($100,000 each for MacMurray, Stanwyck, and Robinson, and $70,000 – $44,000 for writing and $26,000 for directing – for himself).
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BBC Online gives the film three stars out of five, calling it a "weak and perhaps too padded adventure" whose plot has the "extended feel of a special TV episode" instead of a feature film. Jim Schembri of The Age praises the story and describes the film as having a "snappier pace, with an action climax leaps ahead of anything in the latest Bond epic." Writing for the same newspaper, Philippa Hawker notes an increased level of humour, stating that the film is "more self-consciously light-hearted but it's also more suspenseful." The Film4 website awards three out of five, praising Century 21's decision to introduce more realistically proportioned puppets and comparing Thunderbird 6 favourably to the 2004 live- action adaptation.
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The scene where the NASA scientists give Arroway the "cyanide pill" caused some controversy during production and when the film came out. Gerald D. Griffin, the film's NASA advisor, insisted that NASA has never given any astronaut a cyanide pill "just in case", and that if an astronaut truly wished to commit suicide in space, all he or she would have to do is cut off their oxygen supply. However, Carl Sagan insisted that NASA did indeed give out cyanide pills, and they did it for every mission an astronaut has ever flown. Zemeckis said that because of the two radically different assertions, the truth is unknown, but he left the suicide pill scene in the movie, as it seemed more suspenseful that way, and it was also in line with Sagan's beliefs and vision of the film.
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The series made Bruno Gerussi a highly visible star on Canadian TV, and between 1975 and 1984 he hosted a second series, Celebrity Cooks which aired initially on the CBC and later the rival Global network. The series' title was shortened to Beachcombers in 1988 (with the CBC announcing that the intent was to give the aging show a new look), coinciding with the replacement of the show's original theme music with a new composition. Subsequent funding cutbacks at the government-supported CBC, however, led to Beachcombers being cancelled even though it was still popular in its homeland and syndicated around the world, though attempts to revamp the series by giving it more suspenseful storylines and making it more action-oriented met with fan criticism. Molly's Reach, as featured in the program Music for the long-running series was composed and orchestrated by Canadian composer and producer Bobby Hales and later by Vancouver-based composer, Claire Lawrence.
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In response to feedback from players, Zero Time Dilemma was intended to be more suspenseful than Virtue's Last Reward: Uchikoshi and the game's producer decided that, as Zero Time Dilemma is the final Zero Escape game, they should no longer hold back and instead do what they had always wanted to do. Because of the life-and-death theme, they felt that there would be less of an impact if they had held back, and that they instead should make the violence in the game "extreme" to make the player's choices hit home. According to Uchikoshi, the development team wanted the player to feel worried, and that the game would be done as he wants it without any changes done for the sake of age ratings: they had originally considered aiming for a CERO D age rating – 17 years or older – but decided to aim for a Z age rating instead, which is the highest age rating in Japan, as they felt they could not get the visual and emotional impact they wanted within a D rating. Despite this, CERO ended up assigning the game a D rating.
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