39 Sentences With "more sumptuous" | Random Sentence Generator

Plus, it's just as versatile as its other gourd cousins and arguably more sumptuous.

The set has a sleek, midcentury modern look that differs from the more sumptuous set of the film.

Stone filmed in these places, adding yet more sumptuous realism to a movie that again is also definitely not a documentary.

While calling to mind the work of Lucinda Childs, her style of repetition was less coolly austere, more sumptuous and brazen.

We've rounded up a few of the more sumptuous celeb spaces and found standout substitutes for making your own, more affordable versions at home.

Unless you glide among the upper echelons of New York society, you are not likely to attend a holiday gathering in a more sumptuous setting this season.

And in April, the French chain Roche Bobois — known as a retailer of safe modernist furniture in many shades of gray — introduced a more sumptuous "Globe Trotter" collection, created by the Dutch designer Marcel Wanders.

Yet Grizzly Bear doesn't stint on more extroverted (if slightly old-fashioned) pleasures like curvaceous melodies, plush harmonies and sweeping buildups, along with glimpses of heartache and echoes of a more sumptuous, more optimistic pop past.

The island is renowned for producing beautiful objects since the era (beginning about 1,000 years ago) when it was divided into eight tiny kingdoms, each of whose rulers demanded more sumptuous and elaborate tributes than the other.

That could change on Thursday night, especially as Ms. Warren has begun trying to link Mr. Buttigieg to the wealthy donor class and Mr. Sanders's campaign has highlighted some of the more sumptuous locations for Mr. Buttigieg's fund-raisers.

Even though the origin of these pieces was funerary in nature, it's hard to not feel a seductive joy at the notion of covering each individual toe in gold — like toenail polish or a toe ring but much more sumptuous.

The lead single, "Optimistic," features a guest spot from Brandy, singing of faith and self-belief over a beatific bed of voices, even more sumptuous than her typical backing chorus (on standbys like "I Wanna Be Down," say, or "Almost Doesn't Count").

Produced by Vampire Weekend's Rostam Batmanglij, whose own music shares Clairo's affinity for meticulous luxury, the album's mildly serrated rhythm guitar, faded synth clouds, and skeletal piano lines combine to form an airy aural blanket, cozy and immersive, more sumptuous in tandem than each element would sound separately.

In order to commemorate this event, the Senate of Palermo decreed to rebuild the gate in a more sumptuous style. The Viceroy of Sicily Marcantonio Colonna set off the construction in 1583. The gate was completed in 1584. The Viceroy renamed it "Porta Austriaca" (Austrian Gate).

It burned on a further two occasions in the early Imperial era, and was restored each time by Augustus; his second rebuilding was probably the more sumptuous of the two.Roller, 1999, pp.309 - 310. The temple was 33.18 metres deep, and its frontage 17.10 metres wide, accessed by steps of the same width.

In addition to the puerta del Perdón door had another call puerta de los Canónigos door, and perhaps a third was left to the Placeta del Marqués. Years later, the cathedral was small for its function. In 1544, the ecclesiastical authorities had already ordered the construction of a new and more sumptuous cathedral.

The stories are grittier. In the second version Brian's assistant is glamorous (Leigh Taylor- Young), and his office and apartment are much larger and more sumptuous. Nick is a former NYPD officer and now a racquetball pro who works at a health club and investigates on the side. The stories are much more upscale.

Later, this became the caretaker's cottage, and Garrett had a more sumptuous summer home built to the west side of the hotel; he died there in the summer of 1884. The Deer Park Hotel was one of Five Combination Station-Hotels built by the B&O; during the 1870s, including the Queen City Hotel in Cumberland, Maryland.

The third entrance building of 1917 included the lodgings of the stationmaster and some offices. There were also waiting rooms separated by class and station restaurants in the building. The waiting room of the first class was somewhat more sumptuous. Large display boards, which gave information about the arrival of the trains, were in the waiting rooms and the lobby.

Second, the existence of factions helped place a check on the oligarchic tendencies that existed at the national headquarters. Leaders that are unchecked tend to develop larger salaries and more sumptuous lifestyles, making them unwilling to go back to their previous jobs. But with a powerful out faction ready to expose profligacy, no leaders dared take overly generous personal remuneration. These two factors were compelling in the ITU case.

Some of the more sumptuous cave temples, commissioned by wealthy traders, included pillars, arches, and elaborate facades. They were made during the period when maritime trade boomed between the Roman Empire and south-east Asia. Although free-standing structural temples were being built by the 5th century, rock-cut cave temples continued to be built in parallel. Later rock-cut cave architecture became more sophisticated, as in the Ellora Caves.

The peak, Mount McGregor, was originally called "Palmertown Mountain", named after a local native tribe. It was renamed after Duncan McGregor, who purchased the land in a tax sale and constructed a small resort along with a restaurant for summer visitors. The Saratoga, Mount McGregor and Lake George Railroad later bought the property and opened a more sumptuous resort at the end of a rail line. When the Hotel Balmoral burned in 1897, the resort faded in popularity.

With the benefits of the plays and shows, the hospital could bear part of its expenses. For these benefits to be greater, the theatre would have the exclusive right to host theatrical performances in the city. On 27 October 1787 the theatre underwent a fire that completely destroyed it. Rebuilt thanks to the donations of nobles like the Marquess of Ciutadilla and the Count of El Asalto, the new theatre, more sumptuous, was inaugurated on 4 November 1788.

The first temple was damaged by fire in 111 BC, and was repaired or rebuilt. It burnt down in the early Imperial era, and was restored by Augustus; it burned down again soon after, and Augustus rebuilt it in more sumptuous style; the Ara Pietatis relief shows its pediment.Roller, 1999, pp. 309–310. The goddess is represented by her empty throne and crown, flanked by two figures of Attis reclining on tympanons; and by two lions who eat from bowls, as if tamed by her unseen presence.

Generally speaking, the higher ranked an individual was, the taller and more sumptuous was the chair he sat on and the greater the honor. On state occasions the pharaoh sat on a throne, often with a little footstool in front of it. The average Egyptian family seldom had chairs, and if they did, it was usually only the master of the household who sat on a chair. Among the better off, the chairs might be painted to look like the ornate inlaid and carved chairs of the rich, but the craftsmanship was usually poor.

Further restyling for the 1963 300J (the letter "I" was skipped because people would confuse it for the numeral "1".) left the car with a smoother, more angular 1960s look. (Shared with the Newport and New Yorker series, this body design was the last one styled during Virgil Exner's term as Chrysler's styling chief.) The letter-series convertible was dropped, leaving the hardtop. The only engine available was the ram-induction V8, with an increase of from 1962. A redesigned and more sumptuous interior featured an oddly squared steering wheel.

The Matthew Bible was theologically controversial. Furthermore it bore evidence of its origin from Tyndale. If Henry VIII had become aware of this, the position of Cromwell and Cranmer would have been precarious. Consequently in 1538 Coverdale was sent to Paris by Cromwell to superintend the printing of the planned "Great Bible".The description ‘Great Bible’ is justified, since it measured 337 mm by 235 mm. François Regnault, who had supplied all English service books from 1519 to 1534, was selected as the printer because his typography was more sumptuous than that available in England.

Agrippa built up the area around the complex to include gardens with nice walks and colonnades with resting places and shelters from the sun. Wright claims that “The total effect was somewhat like the Athenian gymnasia, the Lyceum, or the grove of Academus, but on a very much larger and more sumptuous scale.” That the bath itself could have served a multitude of functions, serving as a type of club with “a restaurant, a reading-room, and a bathing establishment with every kind of bath then known, hot, tepid, cold, vapour, and shower”.Wright, F. A. Marcus Agrippa: Organizer of Victory.

American officers started to come to London, and Brittain took on the task of organising an Officers' Club. King George V, when accompanied by Queen Mary, inspecting the club, expressed surprise that the chairs were so much more sumptuous than he could get for Buckingham Palace. In May 1918 Brittain conducted a U.S. delegation, including a number of labour leaders, to the battlefields of France. The tour included personal visits to senior commanders including General Pershing, the American Commander-in-Chief in France, who paid Brittain high praise for his part in organising the American Officers' Club in London.

In addition, the number of crews planned was increased from about 860 – 880 on the Olympic and Titanic to 950 on the Britannic.. The quality of the First Class was also improved. Children began to appear as part of the clientele needed to be satisfied, and thus a playroom for them was built on the boat deck.. Similar to her two sister ships, the first class amenities included the Grand Staircase, but the Britannics amenities were more sumptuous, with worked balustrades, decorative panels and a pipe organ.RMS Britannic: A deck, Hospital Ship Britannic on The Internet Archive. Accessed 7 April 2011.

But Georgian houses in London did not just come in the form of simple terraces. Many much more sumptuous homes known as townhouses were built as city residences for the nobility and gentry as opposed to their country house or stately home. The grandest of the London townhouses were stand-alone buildings like Spencer House but some were terraced buildings such as Chandos House. In the Georgian period many of these grand houses once lined Piccadilly and Park Lane but the majority of these were demolished as they went out of fashion in the late 19th and early 20th century, including the famous Devonshire House on Piccadilly.

It did not recommence until 1816, initially under the supervision of the architect Mathurin Crucy. He died in 1826; the work was continued under the local architect Louis Richelot, and finished in 1845. The original decoration was in a plain neo-classical style, but during the 19th century it was extensively refurbished with gilt, stucco and paintings (inspired by those in the Parliament of Rennes) to create a more sumptuous appearance. Characteristic of this cathedral is the contrast between the rich decoration, including, in front of the altar, slabs of rare marble from the Roman Forum, a gift from Pope Pius IX, and the sombre granite of the structure.

The twin epics of ancient Tamil Nadu Silappatikaram (1st century CE) and Manimekalai (6th century CE) speak of Nāka Nadu across the sea from Kaveripoompuharpattinam, and their civilization which was even more sumptuous than those of the Cheras, the Cholas and the Pandyas. Manimekalai speaks of the great Nāka king Valai Vanan who ruled the prosperous Nāka Nadu with great splendour and a rich Tamil Buddhist tradition. Cīttalai Cāttanār, the author of the Manimekalai reflected Tamilakam's perception at the time that Nāka Nadu was an autonomous administrative entity, kingdom or nadu stretching across coastal districts, distinguished from the rest of the island also ruled intermittently by Tamil kings; Eela or Irattina Tivu- Nadu.Peter Shalk.

Judging from his date of birth, scholars have speculated that Heda began painting around 1615. His earliest known work was a Vanitas(1621; The Hague, Bredius Museum) which fit the monochromatic and skillful texturing of his later pieces, but portrayed a subject matter distinct from the depictions of more sumptuous objects in his later years. This Vanitas, and the two other breakfast pieces by Heda in the 1620s(1625, F. Clemm, Berlin and 1629 Mauritshuis, The Hague) were known for their clear deviation from earlier breakfast-pieces. The objects in these works demonstrate greater special effect and maintain a sense of balance for the viewer despite the uneven and diagonal grouping of objects.

Cassone from the 15th century Large cassoni (singular cassone) or marriage chests, were the most desired and common features of homes, and despite the fact that they were expensive, were bought by nearly all the social classes. Made with gesso and wood, these chests were often dark and elaborate, and their grandness depended on people's different classes (wealthier people had more sumptuous ones, whilst poorer classes' chests were often far simpler). The best decorators and sculptors in Italy often produced grand and beautiful chests for some of the most important noble families of the time. Even though these chests were used to put objects inside of them, many were used simply for decoration.

This legend says that there was a viceroy, who was quite fond of wild parties, inviting the highest-class families of New Spain. This viceroy gave the wife of Don Enrique de Luna, Doña Sol de Olmedo, a sumptuous mansion located very close to the Viceroy's Palace as a token of appreciation for their “platonic” relationship. Luna became jealous over the gift and, according to the story, had the house completely demolished to its foundations. He then built in its place a new and even more sumptuous house there for his wife. Furthermore, to show to her that their names were forever linked, he had the reliefs of the sun (“sol” means sun) and moon (“luna” means moon) at the corner where the two main facades meet.

Relics found in these caves suggest a connection between the religious and the commercial, as Buddhist missionaries often accompanied traders on the busy international trading routes through India. Some of the more sumptuous cave temples, commissioned by wealthy traders, included pillars, arches, and elaborate facades during the time maritime trade boomed between the Roman Empire and south-east Asia. Although free standing structural temples were also being built, such as the Bairat Temple (3rd century BCE) and the various free-standing apsidal temples in Sanchi, Taxila or Ter, rock-cut cave temples continued to be built in parallel. Later rock- cut cave architecture became more sophisticated as in the Ajanta Caves, belonging to a second, and last, wave of Buddhist cave building.

The association immediately proposed building a larger and more sumptuous opera house than the one it had lost, which would become the symbol of their changing fortunes and their capacity for ′rebirth′. It was therefore to be called La Fenice, like the mythical, immortal bird able to rise out of its own ashes, to symbolise the association's splendid rebirth after its misfortunes. Interior of first theatre, 1829 The piece of land between Contrada Santa Maria Zobenigo and Contrada Sant'Angelo was bought for the purpose in 1790 and the private houses on it were demolished. A competition was then announced for the design of the opera house, and the committee of experts selected the work of the architect Giannantonio Selva from the 29 plans submitted.

And that was the worst week's business we ever done in that > theatre. In 1925, movies were added to the vaudeville, but within a few years, competition from the newer and more sumptuous movie palaces in the Broadway- Times Square area forced Keith-Albee-Orpheum, which was merged into RKO by May 1928, to sell the theatre. Several attempts to use the Hippodrome for plays and operas failed, and it remained dark until 1935, when producer Billy Rose leased it for his spectacular Rodgers & Hart circus musical, Jumbo, which received favorable reviews but lasted only five months due to the Great Depression. After that, the Hippodrome sputtered through bookings of late-run movies, boxing, wrestling, and jai alai games before being demolished in 1939 as the value of real estate on Sixth Avenue began to escalate.