" Record companies switched from jazz to a more rousing "national music.
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The scene is all the more rousing because of what Streep is wearing at the time. Mrs.
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Senator Chuck Schumer is no more rousing than a robo-scoreboard admonition to cheer at a baseball game.
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It does get a bit more rousing at the end, but I really wanted to retain the simplicity of the melody and the lyrics that they sent me, because I found them so moving.
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Electronic squeals imitating voices and a synthesizer riff doubled on guitar adorn the rigid yet slithery "Easy Tiger," while "Live in the Moment" blasts forth with splendid confidence thanks to chugging bass, a smashing organ effect, and one of the band's more rousing singalong choruses.
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Looking (and, it's safe to say, feeling) resplendent in a velvet jumpsuit, backed by a seven-piece band, Mr. Hoard sang balladic jazz numbers on his knees, as if worshiping or hanging out alone in his room; on more rousing pieces, he pogo-ed as he sang, sometimes launching off the stage and parading through the crowd.
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At first, she argues that performing sex produces normative ideas about what makes sex authentic. These normative beliefs then transfer into personal experiences where people feel an obligation to perform sex as they have viewed it in pornography. Webber discovered that there is no true authenticity surrounding sex. Sex through the lens of pornography is still legitimate, yet most performers exaggerate the act to make it more rousing and intimate to the audience.
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The Post Crescent, "Golfers Plan Roug House Meet Saturday", Appleton, Wisconsin, p. 31 July 1924 The Winnipeg Tribune called the fight, "a tame, uninteresting fifteen round exhibition", and noted that "The crowd, a scant 5000, booed the exhibition and hissed the decision", perhaps anticipating a more rousing spectacle. The Tribune noted, as had Runyon, that Ledoux had been down twice in the bout, and was very game to last the full fifteen rounds.
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On the morning of 20 November 1915, the Dungarees marched from Cambooya and to Wyreema Hall for breakfast around 8am. Colonel Lee arrived with Mr and Mrs Ramsay from Harrow and joined the men for breakfast and some more rousing speeches before the Dungarees were on their way again. As they marched through Westbrook, the boys of the reformatory school lined up to cheer them on. Then it was on to the Drayton Shire Hall for lunch, provided by the Drayton Shire Council.
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A rare CD single featured an extended remix version of the track. The second single, "I Don't Want to Live Without You", reached #5 on the Hot 100. Markedly softer than any of their work to date, the record was their first and only #1 on the Adult Contemporary chart, after the more rousing ballads "Waiting for a Girl Like You" and "I Want to Know What Love Is" had reached #5 and #3 on that chart respectively. Allmusic would later observe that while "the end result lacked the distinctive rock touches of past Foreigner ballads, "Lou Gramm" contributes a lead vocal that avoids histrionics in favor of an emotional but very smooth delivery" over "washes of synthesizer...fleshed out by some meditative electric piano riffs".
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He described the film as "One of the better and more rousing labor strike films that calls attention to class war in America, though it doesn't offer enough analysis or balance on the issues (it sees the struggle solely through the miners' eyes)...The film does a good job chronicling the plight of the miners and telling their personal stories in a moving way, and the meaningful catchy coal mining songs add to the emotional impact of the historical event. Hazel Dickens's folk song lyrics of 'United we stand, divided we fall' and Florence Reece's lyrics for "Which Side Are You On?" give one the full-flavor of the miners' mood and the union fervor sweeping the mining community in the black mountains of Appalachia."Schwartz, Dennis. Ozus' World Movie Reviews, film review, September 3, 2008.
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In the first episode of season five, Scottish teacher Billy MacGregor (Billy Connolly) arrived to replace the departed Charlie Moore (in the first episode of the season, it is explained to the dismayed IHP students that Mr. Moore's acting career finally took off). Despite initial uncertainty and some hostility from the students, Billy proved to be a successful replacement for Charlie. Mostly when he usually comes into the class bringing his bike. He insisted that the students refer to him by his first name, and although he was more rousing and less laid-back than his predecessor, he proved to be just as wise and caring (Billy also had a habit of boisterously greeting his class every morning with the phrase, "good morning, geniuses", and facetiously barking to his students to, "get out of here", when the bell rang at the end of the class.
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The oratorio is divided into four parts, corresponding to Spring, Summer, Autumn, and Winter, with the usual recitatives, arias, choruses, and ensemble numbers. Among the more rousing choruses are a hunting song with horn calls, a wine celebration with dancing peasantsThis chorus ("Juhe, der Wein ist da", "Huzzah, the wine is there") contains the so-called "drunk fugue", described by Humphreys as "a riotous fugal chorus in which the voices drop the subject halfway through the entries (as in a drunken stupor) while the accompanying instruments are left to complete it." (Humphreys 2009: 111) (foreshadowing the third movement of Beethoven's Pastoral Symphony), a loud thunderstorm (ditto for Beethoven's fourth movement), and an absurdly stirring ode to toil: :The huts that shelter us, :The wool that covers us, :The food that nourishes us, :All is thy grant, thy gift, :O noble toil. Haydn remarked that while he had been industrious his whole life, this was the first occasion he had ever been asked to write a chorus in praise of industry.
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