"I was trying to create music based on the last two years of my live shows that were getting, from gig to gig, more experimental and more rhythmical," Hauschka explains.
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In dancing, the term syncopation has two meanings. The first one is similar to the musical terminology: stepping on an unstressed musical beat. The second one is making more (and/or different) steps than required by the standard description of a figure, to address more rhythmical nuances of the music. The latter usage is considered incorrect by many dance instructors, but it is still in circulation, a better term lacking.
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Later in 1984 Zeena Parkins, playing electric harp and keyboards, joined the band and remained until the end. As a trio, they made their second studio album The Country of Blinds in 1986 (again in Switzerland and produced by ex-Henry Cow member Tim Hodgkinson). Here the music was richer and more rhythmical than their first album. The songs were more developed but the cynical edge of the first album remained.
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They were well suited to the Functionalist furniture of the times. Her designs became more rhythmical and less naturalistic than those taught at the Arts and Crafts School, eventually becoming almost entirely abstract, while displaying intricate detail. As a teacher (1952–70), she encouraged hundreds of students to experiment with new designs, colour combinations and materials. She also played an important part in Denmark's cultural sector, serving in a number of administrative positions where she emphasized the importance of developing textile arts.
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The Country of Blinds is a studio album by United States experimental rock and jazz band Skeleton Crew, recorded at Sunrise Studio, Kirchberg, Switzerland, December 1985 and January 1986. It was their second and final album and was released in 1986. Skeleton Crew had become the trio of Fred Frith, Tom Cora and Zeena Parkins when this album was made. The music here is richer, more rhythmical and the songs more developed than on their first album, and this ultimately led to the band's break-up.
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Cory Brandan played guitar for a tour through Norway and Sweden but was then replaced by Rocky Gray (who would go on to play drums in Evanescence and We Are the Fallen and guitar in Soul Embraced.) At the end of 1999, Matthew Putman joined Living Sacrifice as a percussionist. In 2000, Living Sacrifice recorded their fifth full-length album, The Hammering Process, with a more rhythmical sound—more oriented towards groove metal. Bruce also sang in one Evanescence song, "Lies". In 2001, A Tribute to Living Sacrifice was released.
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It was basically a two and a half minute punk/pop song with fuzzy distorted guitar and Scottish inflected vocals, but already the band was evolving with a sparser and more rhythmical sound. Bootsy Collins, George Clinton, Gang of Four, ESG, Buzzcocks, and The Clash were all filtered through three teenagers from Aberdeenshire to create a catchy, rhythmic sound. A change in their sound first became evident with their second single for Oily, "I'd Like To Shoot You Down" (1981). The single did well and sold out its first pressing, with some copies finding their way to New York City.
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181 Victorian critics of the 19th century, who were hostile to Sterne for the alleged obscenity of his prose, used Ferriar's findings to defame Sterne, and claimed that he was artistically dishonest, and almost unanimously accused him of mindless plagiarism. Scholar Graham Petrie closely analysed the alleged passages in 1970; he observed that while more recent commentators now agree that Sterne "rearranged what he took to make it more humorous, or more sentimental, or more rhythmical", none of them "seems to have wondered whether Sterne had any further, more purely artistic, purpose". Studying a passage in Volume V, chapter 3, Petrie observes: "such passage...reveals that Sterne's copying was far from purely mechanical, and that his rearrangements go far beyond what would be necessary for merely stylistic ends".
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