113 Sentences With "more rhythmic" | Random Sentence Generator

Is there anything more rhythmic than the motion of walking?

Maybe something more rhythmic, try something more metal or even like Meshuggah.

Each character had its own recurring musical theme, with more rhythmic sequenced interludes accompanying action scenes.

The hallucinations the women experienced while drinking ayahuasca inspired them to make tribal chants more rhythmic, and craft work more intricate.

The Sufis are more rhythmic with a more limited range; they don't work from a score, but their song builds in speed and intensity.

On its seventh album, "Sleep Well Beast," its new songs have more rhythmic ferment and melodic crosscurrents; they translate emotional complexity into musical counterpoint.

I followed along with the rewritten script, and could see that Hnath had been making more small alterations, in order to make the dialogue more rhythmic.

In theory, such nanobots would be able to stimulate our brains in a much more rhythmic, dynamic and deliberate way than traditional 'blunt' psychedelics ever could.

Harder, heavier tunes (think Fox's blaring N.F.L. theme, complete with its armored robot) have replaced the more rhythmic and synthesized selections in the past, which typically went lighter on the drums and guitar.

This offering from Dead Letters Spell Out Dead Words gives a more direct and beautiful approach to a hazy, suicidal bleakness that has become the bread and butter of Trepaneringsritualen's more rhythmic industrial approach.

This works slightly better—it's quicker and more rhythmic and bodes fairly well for the start of the sex – but most interestingly it kind of suggests that being "Ordinary People" is what gets Ivanka off.

During the onset, the music becomes more rhythmic, and during the peak of the drug's effect, which lasts a couple of hours, the music swings between different emotional intensities in what Kaelen called a pendulum effect.

At times it could have used more rhythmic bite, but it offered a chance for all sections of the ensemble to shine, with lush, passionate playing from the strings and admirable contributions from the winds and brass.

Instead of the meaty, distorted power chords and hyperactive riffs of its adolescence, Paramore has dipped into cleaner, more rhythmic and synth-kissed textures of the '70s and '80s, owing to recent obsessions with Talking Heads, Tom Tom Club, Cyndi Lauper and Blondie.

In 2009, KFRH and KCYE swapped frequenciesThe station then began leaning more Rhythmic, but has since moved back to a more mainstream Top 40 direction.

The station would also add more rhythmic material. By November 2015, the station removed most of the 1980s music from its playlist, thus having Mediabase move the station back to the hot AC panel.

Like most warblers, it is insectivorous. The song is fast and similar to marsh warbler, with much mimicry and typically acrocephaline whistles added. Its song is weaker and more rhythmic than that of its relative.

According to Larry Flick from Billboard, although The Colour of My Love is full of the "grand pop balldery", it also has more rhythmic depth than Dion previous projects, including jack-swinging "Misled" and the "haunting but spine-crawling" "Refuse to Dance".

The station used the imaging voice of the late great Billy Moore and had a new jingle packages by TM Century. By 1997, WBLI was one of the more rhythmic mainstream CHRs in the Northeast, including "Classic Dance Weekends". Ken Medek left the station in September 1998 to return to WKRZ.

In 2005, the station rebranded with the full frequency as FLY 92.3 and tweaked its format to be more modern rock-leaning to separate itself more from co-owned WAJZ (which had taken on a more rhythmic format); however, over time, the station has reverted to a more mainstream CHR format.

Laukika metres are Vaidika metres used in a more constrained manner to instill more rhythmic regularity. Anustup is an example. The Sanskrit Ramayana by Valmiki is composed in Laukika Anustup metre. There are very few poems composed in Kannada in these metres and this category is mostly of academic interest in Kannada.

The station's other competitor is CIBX-FM in Fredericton. Since 2011, the station began phasing in more rhythmic contemporary content; however it is still a Canadian hot adult contemporary reporter per Mediabase and Nielsen BDS. Even though non-pop rock music still gets a few adds, they remain a modern adult contemporary.

South African psytrance is a form of darker psychedelic trance music that started and is produced mostly in South Africa. Unlike the Russian dark psytrance, South African psytrance is more rhythmic, melodic and danceable, yet keeps the 'nasty-like' attitude. Notable record labels include Timecode Records, Mind Manipulation Device and Nano Records.

On January 22, 1988, the FM station flipped to Spanish adult contemporary, and on September 15, 1988, its call sign was switched to WAQI-FM to match its AM sister station.Broadcasting Yearbook 1989 page B-61 On April 16, 1990, the station changed call letters to WRTO, to reflect its younger, more rhythmic sound.

After its release, "Lucy Doesn't Love You" received favorable reviews from music critics. A critic from E! Online declared the track a "summer anthem" and predicted that the release would increase Ivy's popularity. Michael Padletta, writing for Billboard, praised the "effervescent" track for "effortlessly manag[ing] to merge guitar leanings for a more rhythmic palette".

In music, 5th graders are asked to sight sing from sheet music. They may use solfege, scale numbers, or fingering without an instrument. Songs must be sung with a steady beat, correct pitch and correct rhythmic value. A 0-point response will result with six or more rhythmic errors or not maintaining a steady beat.

This develops to more rhythmic movements of the entire body at 3 to 5 months to demonstrate the child's anger or delight. Between 9–12 months of age, children view themselves as joining the communicative world. Before 9–12 months, babies interact with objects and interact with people, but they do not interact with people about objects.

The album Unieqav is the third and final installment in his Uni trilogy after 2008’s Unitxt and 2011’s Univrs. This is also seen in the coverart for each, which, when combined, form a triptych spelling Uni. The music is more rhythmic and dancefloor-oriented. Noto explains that the compositions sonically represent an underwater dive.

McCracken, David. "Piatek's switch to acrylic energizes his expressiveness," Chicago Tribune, December 28, 1990, p. 64. These new methods—inspired by research for an SAIC painting course he developed—shifted his work toward a more layered, soft-edged, painterly approach with a loosening of form, more rhythmic surface activity, and more brilliant color and spatial depth (e.g., Glowing Forms, 1984).

Just The Way You Are from Bruno Mars. This issue of whether WPGC might be shifting to a broader Rhythmic sound continued to be debated on message boards like Radio-Info.From Radio-Info Washington/Baltimore message board Even though WPGC-FM was still considered as a rhythmic, it added more rhythmic-friendly tracks but reduced the urban lean from 2010 to 2018.

When the piano was added to the son conjunto, the harmonic possibilities were widened, facilitating the adaptation of jazz chords into guajeos in the 1940s. As Rebeca Mauleón points out though, the main "role of the pianist in Afro-Cuban music is a more rhythmic one."Mauleón, Rebeca (1993) Salsa Guidebook for Piano and Ensemble. p. 117. Petaluma, California: Sher Music. .

Dhrupad music is primarily devotional in theme and content. It contains recitals in praise of particular deities. Dhrupad compositions begin with a relatively long and acyclic alap, where the syllables of the following mantra is recited: > "Om Anant tam Taran Tarini Twam Hari Om Narayan, Anant Hari Om Narayan". The alap gradually unfolds into more rhythmic jod and jhala sections.

A comparison of the music of the two composers greatly favoured Delibes,"Léo Delibes", Ballet Notes, 2001. Retrieved 11 June 2005. whose contributions were considered "fresh and more rhythmic", with one critic suggesting that the whole ballet score should have been assigned to Delibes. La source was his first big success, marking him as an important composer for the ballet.

It was recorded and reworked at Woodstock Studios in London, the United Kingdom. A reviewer of Wiwibloggs described the song as a mid-tempo power ballad, while Nicole Janke of Eurovision.de called it a rock ballad. During an interview with Wiwibloggs, Tarifa explained in regard to the revamp that she had to shorten the song and "wanted to make it feel more rhythmic for Eurovision".

In the second, discantus, style, the tenor was allowed to be melismatic, and the notes were quicker and more regular with the upper part becoming equally rhythmic. These more rhythmic sections were known as clausulae (puncta). Another innovation was the standardization of note forms, and Léonin's new square notes were quickly adopted. Although he developed the discantus style, Léonin's strength was as a writer of organum purum.

Material of the tour was included in the Kaurismäki brothers film The Saimaa Gesture.Saimaa-ilmiö on nyt.hs.fi – Retrieved on 6 March 2008 For Harsoinen teräs (1982), Jukka Orma replaced Reijo Heiskanen on guitar and some additional members were hired to work on the more rhythmic and progressive album featuring saxophone, xylophone and keyboards. The classical and prog background of Alanko was more and more evident in the songwriting.

In addition to the main parade, the Caribbean community also celebrates a smaller pre-dawn parade known as J'ouvert (Pronounced "Jou-vay"). This too has been modelled after and taken from Trinidad Carnival. In Caribbean French-creole this means "day open" or morning. The J'ouvert portion of Carnival is the more rhythmic part of the Carnival celebration and is usually featured with steelpan bands, and persons using improvised musical instruments.

When performing Tahitian drumming, the musicians have a very close bodily connection with the act of playing itself. For example, the physical strength used is a large part of performing for the men in this position. Drummers today use a much faster pace and more rhythmic complexity than that of the past. This musical progression has made the concept of strength, skill, and stamina far more essential than ever before.

Jhumar performed before 1947 Jhumar or Jhoomar (also called Ghumbar in Sandalbar area) is a lively form of music and dance that originated in the Multan and Balochistan, also thrived in Sandalbar areas (Faisal abad, Jhang, Chiniot, Nankana Sahib, Toba Tek Singh districts) of Punjab. It is slower and more rhythmic form. The word "Jhumar" comes from Jhum/Jhoom, which means Swaying. The songs evoke a quality which reminds of swaying.

On stringed instruments, this is played by sounding a muted string. "Muted to the point where it is more percussive sounding than obvious and clear in pitch. There is a pitch, to be sure, but its musical value is more rhythmic than melodic or harmonic...they add momentum and drive to any bass line." Occurring in a rhythmic figure, they are purposely deemphasized, often to the point of near silence.

"Cimarrón" (literally, "one who lives on mountaintops") refers to African slaves who ran away from their Spanish masters. In 2006, Vivanco recorded his second solo album, La Isla Milagrosa, produced by Descemer Bueno and Roberto Carcassés. In recent times Vivanco has started to distance himself from his funkier, poppier tunes in favour of music that is more "Santiaguera" (from Santiago), more Cuban, more rhythmic – more traditional. Vivanco has performed in France.

On 1 August she performed a set of 4 songs on the closing concert of a pop-music contest New Wave. It was her first performance since January 2009. The arrangements of this set were used in the mini-tour in September that included 5 cities: Saint-Petersburg, Yekaterinburg, Minsk, Kiev and Moscow. Critics admitted that her old songs became more rhythmic and resembled demo-versions due to the new minimalistic style of arrangements.

Built around a dance breakdown, the track eschews common ballad structure in favour of more rhythmic verses. The lyrics find the group questioning the seriousness of a relationship and whether their partner wants to be with them. Ty Dolla Sign responds in his verse near the end of the song by singing about how he is similarly affected by the relationship's insecurity. His verse is sung alongside Jesy Nelson and Jade Thirlwall.

Moreover, the Bönnsch pronunciation is thought to be softer and its intonation is considered to be (even) more rhythmic than that of Kölsch. However, such characteristics are difficult to measure and may vary greatly among speakers. Finally, there are different forms for individual words, e.g. Bönnsch att instead of Kölsch allt ("already"), donn instead of dunn ("to do"), ühr doot instead of ehr deit ("you [all] do"), du siss instead of do sühs ("thou seest").

A few months later, he acquired a new cut, which included music influenced by German electronic group Tangerine Dream. Toward the end, Soderbergh changed again and used contemporary soundtrack music that was "more energetic and more rhythmic". Ultimately, Martinez used aspects of all three approaches: "I reasoned that combining them would not only be effective but would give the score a style all its own." The score was released by WaterTower Music in September 2011.

On December 10, 1990, WSNI's call sign was changed to WYXR and the format switched to Hot AC. The new station rebranded as Star 104.5. In a group deal, WYXR became owned by Evergreen by 1993. The station experimented and leaned toward Top 40/CHR in 1996, but kept the "Star" branding. The station quietly evolved back to Hot AC in 1997; unlike most Hot AC stations, WYXR played more rhythmic cuts.

Cavendish gives this as a maximum age in order to make his tortuous verses more rhythmic (such as "thrice nine"). In addition to Cavendish's verses, foreign diplomats believed George was too young to be appointed as Ambassador to France in October 1529. Mary's date of birth is again generally accepted as being c. 1500 but there is some disagreement as to Anne's date of birth with arguments for 1501 and others for 1507.

Over the next several years, WHJX moved from mainstream Top 40 to a more rhythmic contemporary direction. The station became WSOL-FM on September 8, 1995, playing a variety (thus the "V"-brand) of Old School/Soul and current R&B; music. The station was acquired by Jacor, which was a forerunner to current owner iHeartMedia. Jacor also owned Mainstream Urban WJBT, Jacksonville's other FM station serving the African American community, although aiming at a younger audience.

Online music magazine Hits Daily Double announced on February 22, 2017, that Future was set to release another album a week after the eponymously titled album Future (2017), set to include more "rhythmic- leaning and radio-friendly" tracks. The release was first announced by Future during a Q&A; on social media on February 21, 2017, along with him tweeting the pre-order link for Hndrxx. The album is also eponymously named after Future's alter ego, Future Hendrix.

That has the effect of making his sound far more rhythmic and distinctive. His brand of Mbalax that can be heard in most Youssou N’Dour albums, especially those released on the Senegalese market, puts percussive bass playing to the fore. With that he gave more power to the afore-mentioned African traditional instruments. His experiments culminated into the release of a live album, only available in Senegal, Special tribute to Jaco Pastorius, Live at "Central Park" Dakar.

Broadcasting Notice of Consultation CRTC 2011-190 This application for increasing the ERP was approved by the CRTC on September 8, 2011.Broadcasting Decision CRTC 2011-573 In early 2011, the station's ownership change to Golden West Broadcasting was approved by the CRTC.Broadcasting Decision CRTC 2011-190 On December 7, 2011, the Range changed their branding to Air 106-1, and shifted its format to adult top 40 from modern adult contemporary by adding more rhythmic contemporary titles.

On February 12, 2007, WDKS' musical direction initially leaned more Rhythmic, but after a month into the new direction the Pop/Rock product once again showed up on the station, only to once again move back toward a Rhythmic direction the following August. The shift to Rhythmic resulted in WDKS filling this format void in Evansville. But by March 2008, WDKS returned to a Top 40/CHR direction. The station added Kidd Kraddick's morning show in May 2008.

Crave logo (2007-2009) Just before Midnight on June 3, 2007, Z95-3 played its last song, "Walk Away" by Kelly Clarkson. CKZZ then began stunting by playing a mix of comedy/novelty songs, TV show and movie bits, etc. At 7:00 a.m. on June 5, the station was renamed 95 Crave, and relaunched with a more rhythmic adult contemporary format, but retaining the same adult top 40 sound as Z. The first song was "Music" by Madonna.

Sublett is known as the father of "rhythm tap," a form of tap dance. Sublett included percussive heel drops in his tap style, as opposed to the tap dancing of Bill Robinson (Bojangles) who emphasized clean phrases and toe taps. Sublett's taps were made to the traditional eight-bar phrase, but allowed for more rhythmic freedom. He blended the improvisational style of jazz music with the traditional techniques of tap to create a unique style and sound.

The earliest extant work is the Gnostic Psalter of the 2nd century, a collection of Psalm texts in hymn form reflecting a Gnostic theology. The first orthodox work are the hymns of Ephrem the Syrian (306–373), some of which are still used today. Both hymns and antiphonal psalmody were brought by St. Ambrose to Milan and are apparently the basis for Ambrosian chant. Modern Syrian chant is much more rhythmic and syllabic than Gregorian chant.

Instead, Rogers swapped the CJAQ-FM calls in Toronto with the former CKIS-FM (a Jack FM station) in Calgary. More recently, as of the fall of 2009, CISS has begun to lean more rhythmic again and dropped most modern adult contemporary artists. As of 2011, the station has eliminated the majority of its pre-1999 playlist and moved towards a more 2000s-now direction. A new logo was added, along with adding the tagline "The New" in its "KISS-FM" branding.

The author sought nomination to the Académie française several times, but was never elected. Jammes was the original author of Georges Brassens's song La Prière ("The Prayer"). The lyrics were taken from the poem Les Mystères douloureux ("The Agonies of Christ") published in the collection L'Église habillée de feuilles ("The Church Clothed in Leaves") (1906); Brassens changed some of the words to make the text more rhythmic. Jammes was known to have an ardent passion for field sports, especially game hunting.

A&M;/Octone executive VP and head of promotion, Ben Berkman, explained that Jeremih was picked to redo the hook to give it a more rhythmic format. The song makes fun of their own rejections. The single peaked at 36 on the mainstream top 40 chart, at 36 on the hot R&B;/hip-hop chart and fell just short of charting on the Billboard Hot 100, peaking at 102. The group's video for "Crickets" has over four million views.

On October 31, 2007, WYJZ picked up the WNOU call sign, completing the "move" of "Radio Now" to 100.9. By 2009, when Cumulus Media's WRWM picked up the contemporary hit radio format, WNOU started to lean more rhythmic as it forced sister station WHHH to move from rhythmic to urban. The rhythmic lean was reduced when WRWM switched to hot adult contemporary. WRWM has since reformatted to a Mainstream Rock station and no longer is in direct competition with WNOW.

The performance of this style of music is a matter of conjecture. Some scholars suggest that it should be performed in a free rhythmic style and with limited use of accompanying instruments (especially those songs with more elevated text). Other scholars, as well as many performers, believe that instrumental accompaniment and a more rhythmic interpretation is equally valid. At least one modern ensemble has used the name "Trouvères" to perform music loosely set in the period that historical trouvères performed.

This is considered by some scholars (such as P. Aubry) to be a result of Turkish influence, although others (such as R. P. Decevrens) consider it to be of great antiquity and use it as evidence in favor of a more rhythmic interpretation of Gregorian chant. The chants used by communities in the Armenian Diaspora are usually harmonized and differ from the original forms. The source of the most traditional music is the liturgies at Echmiadzin, the religious center of Armenia.

The set opens with the quintessential waltz rhythm: the "oom-pah- pah" of the bass note played on beat one followed the chord on beats two and three. Brahms never strays too far from this familiar idiom, and the simple, easy to sing folk melodies allow his work to stay grounded as he adds more rhythmic complexity. Brahms is known for his unique manipulation of time, particularly his use of syncopation and hemiolas. This begins right away as a subtle hemiola creeps into the first stanza.

Jarre's disappointment was such that he "could not cope with Mexican food for two years". About two years later he released Chronologie, an album influenced by the techno-music scene. From a technical standpoint, the album is a reversion to a concept seen in Jarre's Oxygène/Équinoxe period, where a grandiose overture precedes more rhythmic sections. The album features Jarre's traditional collection of instruments like the ARP 2600 and Minimoog, as well as newer synthesisers such as the Roland JD-800 and the Kurzweil K2000.

This record was described as a return to form for Sanz, focusing more on melody as opposed to the experimentation he pursued on his previous two albums. He commented that "On this album, I first composed the melody and then the lyrics. It is more of a rock album than my past releases, with more elegant and positive lyrics and a happier and more rhythmic spirit." The bilingual single "Looking for Paradise" featuring Alicia Keys reached number one on the Billboard Hot Latin Songs chart.

In a positive review of the album, Rolling Stone's Geoffrey Himes noted its similarity to Wilson's previous album Blue Light 'til Dawn, but added that New Moon Daughter has more feeling and a darker tone. He wrote that Wilson makes Billie Holiday's "Strange Fruit" "her own". Himes noted the album's overall slow tempo as a weakness, wishing for a little more rhythmic diversity. Scott Yanow of AllMusic described Wilson's voice on the album as "quite bored and emotionally detached" but noted that she was "stretching herself".

Musically, We Were Exploding Anyway has a stronger electronic sound, featuring more dance beats, electronic bass and drum tracks, and less complex guitar-driven patterns that distances the album from the band's earlier math rock/post-rock elements. In a review by The Line of Best Fit, "...[the album] also sees them seemingly desperate to rid themselves of their characterless post-rock moniker as they delve well and truly into the more rhythmic qualities of dance music.". The song "Debutante" was used for the E3 2014 trailer for the video game No Man's Sky.

However both also acknowledged the debut film's flaws. The New York Times notes flaws in the script: "Heard has to utter the wince- inducing line "I wanted to be a better dad," but mostly Mr. Jun's script is sharp". Entertainment Weekly summarised that "Steel City could have used more rhythmic drive, but if Jun keeps weaving together characters this compelling, he could be a major film artist in the making". Time Out also pointed out that the film had the teething problems of a first effort but otherwise praised the script and the casts performance.

Alpha Wave Movement (established 1992 in Miami, Florida) is the electronic music project of Gregory T. Kyryluk. Alpha Wave Movement's musical style can be considered ambient, new-age, some space rock, the classic 1970s period German style electronic music otherwise known as Berlin school as well as the ambient aesthetics of Brian Eno, and Steve Roach. Releases such A Distant Signal and Terra have more ambient space elements than other Alpha Wave Movement releases. Beyond Silence has more space rock elements and has a more rhythmic feel in their overall music compositions.

His compositions are based on harmonics, and thus just intonation, played either through a bowing technique he developed for his modified bass, and other modified and conventional instruments which he specially tuned. He originally used a steady pulse provided by the bowing motion on his bass (placing his music in the minimal category), but he eventually added many more instruments and more rhythmic variety. Dreyblatt received a 1998 Foundation for Contemporary Arts Grants to Artists Award. He has also worked with Paul Panhuysen, Pierre Berthet and Ex- Easter Island Head.

From this period of time until January 2005, the station broadcast an uninhibited range of music genres and programming, with a slight focus on Top 40 music. In January 2005, the station was re-branded to the programming format based upon its predecessor, Switch FM, focusing on playing a more Rhythmic format, along with adopting the brand name of Switch 1197. In April 2013, the station celebrated its 10th consecutive broadcasting year on the AM band, by airing daily compiles of material collected both on and off-air over that decade-long period.

"Closer" marked a musical departure for Ne-Yo, taking on a dance-pop style over the more rhythmic and urban sound his songs usually possess. In the song, Ne-Yo sings of having an urging attraction to a woman he sees, having the desire to "come closer" to her. His attraction to her becomes stronger, and almost hypnotic, as he sings, "And I just can't pull myself away, under a spell I can't break/I just can't stop." The song was featured in episodes of The CW shows Gossip Girl and 90210.

A main theme for the franchise exists as well (which is the music of the main titles), but a main theme does not exist to represent a particular trilogy. Instead, each trilogy (and to a lesser extent, each film) has its own style or soundscape.The scores to the original three films are melodic and romantic, as is – largely – the score to The Phantom Menace. However, Episodes II and even III feature much more rhythmic music, and Revenge of the Sith, in particular, is more operatic in its use of choir and even solo vocals.

The skriker's Joycean babble is sometimes more rhythmic than coherent, but, paired with Myah Shein's sinister choreography, it certainly loosened my grasp on reality." David Chadderton wrote that "for me the obscurity was a bit much to take in for a piece that ran a good quarter hour over the 1 hour 40 advertised time with no interval. While technically impressive, if you come out understanding more than half of the play, you've probably done better than me. And possibly than the playwright, if Wing-Davey is to be believed.

In 1993, Jarre released Chronologie, an album influenced by the techno-music scene. From a technical standpoint, the album is a reversion to a concept seen in Jarre's Oxygène/Équinoxe period, where a grandiose overture precedes more rhythmic sections. The album features Jarre's traditional collection of instruments like the ARP 2600 and Minimoog, as well as newer synthesisers such as the Roland JD-800 and the Kurzweil K2000. Jarre was invited to the inaugural celebrations of the Palace of the Lost City, a hotel located within the Sun City resort in South Africa.

More than that, she used a very artificial language breaking many linguistic norms, in order to achieve a much more rhythmic speech. Marianne Fritz intensified this individual esthetics with her fourth and fifth novel, which jointly have more than ten thousand pages. During the 1980s, especially after the political scandal around former UN secretary and eventually Austrian federal president Kurt Waldheim, a new and more distinctive Jewish literature formed. Robert Schindel published the novel Gebirtig, which deals with a contemporary Jewish society within Austria and the difficult memories of the Shoah.

In August 2007, guitarist/vocalist Leon del Muerte left the band to focus on Murder Construct and was replaced by Dave Timnick. Shortly thereafter Intronaut toured Europe for the first time in support of The Ocean. In January 2008, the band announced that they had signed a worldwide deal with Century Media Records and completed their next album, Prehistoricisms. As the album was the first without del Muerte - whom the band described as their "metal riff guy" \- Prehistoricisms took on a more rhythmic quality that was exemplified by the double-drummer ending of "Any Port".

Like tics, stereotypies are patterned and periodic, and are made worse by fatigue, stress, and anxiety. Unlike tics, stereotypies usually begin before the age of three, involve more of the body, are more rhythmic and less random, and are associated more with engrossment in another activity rather than premonitory urges. Examples of early tics are things like blinking and throat clearing, while arm flapping is a more common stereotypy. Stereotypies do not have the ever-changing, waxing and waning nature of tics, and can remain constant for years.

Phleng phuea chiwit typically incorporates elements of Western as well as Thai folk ballads, more rhythmic Thai styles such as samcha, mor lam, and luk thung, and occasionally elements of Thai classical music as well. More recently, elements of reggae, ska and Latin music have found their way into the genre as well. As for the instrumentation, early phleng phuea chiwit was generally in a more folk style, with acoustic instruments, while later versions often more rock- style arrangements, with electric guitars, bass, and drums. Many artists also use Thai instruments such as the phin, wut, khluay, and saw.

Lazy Lester in 2004 Swamp blues has a laid-back, slow tempo, and generally is a more rhythmic variation of Louisiana blues, incorporating influences from New Orleans blues, zydeco, soul music and Cajun music. It is characterized by simple but effective guitar work and is influenced by the boogie patterns used on Jimmy Reed records and the work of Lightnin' Hopkins and Muddy Waters.. The sound of swamp blues was characterized by "eerie echo, shuffle beats, tremolo guitars, searing harmonica and sparse percussion".R. Unterberger, S. Hicks and J. Dempsey, Music USA: the Rough Guide (London: Rough Guides, 1999), , p. 175.

Apparently, Davis leaned over his pianist's shoulder, commenting on his piano playing. What was said by Davis is still unknown, but it was enough to make Garland leave the studio, leaving Davis to play piano on the track and straining the friendship between the two musicians. Evans was subsequently hired by Davis for his rich precision and ability to understate the piano's solo voice. While Davis was fascinated and taken with the new sound Evans brought and the challenges it inspired, the remainder of the band, including Julian "Cannonball" Adderley, preferred Garland's harder, more rhythmic sound.

In 2007, Olta Boka was announced as one of the contestants selected to compete in the 46th edition of Festivali i Këngës, a competition to determine Albania's entrant for the Eurovision Song Contest 2008. For following the competition's rules, the lyrics of the participating entries had to be in the Albanian language. Boka took part with the song "Zemrën e lamë peng", composed by Adrian Hila and written by Pandi Laço. For the purpose of the singer's Eurovision Song Contest participation, the song was remastered and reworked in Italy with few modifications leading to a more "rhythmic version".

In 2005, the station became an affiliate of the Steve Harvey Morning Show. The Carter Broadcast Group, owners of KPRS and KPRT, along with The Sherman Broadcast Group, were co-owners of an Urban Contemporary station known as KSJM, “107-9 Jamz”, in Wichita, Kansas. In late 2007, the two groups sold KSJM to The Ag Network Group, which dropped the Urban format for Country as KWLS "US-107.9" on January 19, 2008. In fall 2009, KPRS added more rhythmic/pop crossover titles from artists like Justin Bieber, Miley Cyrus, Iyaz, Kesha, Katy Perry, and Jason DeRulo.

Fifth Harmony being interviewed by Vevo in 2015 On January 23, 2014, Fifth Harmony headlined the MTV Artists To Watch concert, an annual concert which showcases breakout artists that will be promoted by MTV during the year. The concert also featured performances by Tori Kelly, Rixton, Echosmith and Jake Miller. In early 2014, Fifth Harmony confirmed reports that recording had begun for their full-length debut album with record producers Julian Bunetta, Daylight, Joe London and multi-instrumentalist songwriter Ricky Reed. The group stated the album is less pop, "more rhythmic" and has a more mature sound than Better Together.

The All About Jazz review by Jeff Stockton states "On second saxophone, Wong sounds like an Anderson student, his lines just a little bit less weighty than the mentor's but equally well-thought-out and coherent, seamlessly complementing Anderson's lead."Stockton, Jeff. Live at the Velvet Lounge Volume III review at All About Jazz In an article for the Chicago Reader Bill Meyer notes that "Anderson and Wong have similar tones but contrasting styles: Anderson is more rhythmic and gives each note in his dancing figures an individual emphasis, while Wong works slurs and eerie vocalizations in his horn’s upper register."Meyer, Bill.

With an ERP of 3,000 watts, 95.3 could be reached as far west as Kalamazoo and was changed to a top-40 station as WMKG then switched to WMJC as "Magic 95" these calls came from 94.7 FM in Detroit now WCSX. The ratings proved the best of this frequency has seen. Top-40 powerhouse WKFR was dominant mostly due to its signal on 103.3 FM which reached as far as Jackson to Benton Harbor. In the late 1990s the station began to take a more rhythmic sound similar to how WGRD was in the 1990s.

Telling the stories of the North American lower class, the emerging genre gave a voice to a generation that felt marginalized by society.Hhe The use of social media has also allowed Argentine trap artists to achieve fame and recognition much more quickly than their North American predecessors. One of these artists is Duki, who boasted over 47 million views with his single ‘Si Te Sentís Sola.’ As one of Argentina’s biggest names in trap, Duki combines rhythms found in both reggaetón and rap; his music is a unique blend of trap’s tough original sounds and more rhythmic electronic Latin American genres.

Logo used as "The New Flow 93.5" until 2011 In 2005, the station began to shift towards a more rhythmic direction. In 2007, the station re-branded as The New Flow 93.5, completing its shift to a rhythmic contemporary format. By 2009, with Rogers' launch of KiSS 92.5, CFXJ shifted back towards an urban direction. However, this proved unsuccessful, and many of the adult urban tracks were dropped by March 2010. On June 23, 2010, it was announced that CTVglobemedia's CHUM Radio would acquire the station, subject to CRTC approval; the transaction was approved on December 23.

" Although the album is almost entirely instrumental, "Riversong" features vocals credited to TONTO which were processed through the machine until they resemble "deeply synthesised signals" more than vocals. The influence of science fiction is also present on the album, as is evident by the titles of "Cybernaut", "Jetsex" and "Aurora". The great bell of the Great Lavra Bell Tower was simulated on the album using an analysis by Hermann von Helmholtz. Side one of Zero Time is subtitled "Outside" and contains shorter, more rhythmic material than the second side; Cecil, who is a bass player, felt the rhythmic emphasis was because rhythms are "part of my stock in trade.

Critical response to the album was generally positive. AllMusic's Andy Kellman wrote that "the material, while mostly well- crafted, runs together as a block of slow, serious songs broken up by only a couple brief upswings in energy" and how "Chrisette, naturally, sounds outstanding throughout, as a supernaturally talented vocalist whose songs are nonetheless easily relatable to anyone going through a breakup—or, to a significantly lesser extent here, newfound love." He also felt that the album "could have really used more rhythmic punch than a token throwback strutter." Maiya Norton of Vibe commented on how her album gained some edge, expressing some anger and heartbreak.

The debut single "Je veux te voir" was a humorous reply to the misogynist lyrics of some French rappers, especially Cuizinier of TTC. For Safari Disco Club, they retained the sound of Pop Up while incorporating more rhythmic drums into the production, such as Caribbean influences and new wave influences in the synthesizers. Budet described it as a marriage between "hotter rhythms and cooler synthesizer", highlighting the sense of humor and melancholy coexisting in the lyrics as well. The melancholy was attributed to Yelle having toured for three years for their first album and having that experience abruptly end to begin work on their next album.

McGuire played on The Honor System's debut album Single File and subsequent EP 100% Synthetic. Whereas vocalist Dan Hanaway tended to play lower and more rhythmic parts, McGuire typically contributed higher-register arpeggios and leads, frequently featuring bending, sliding and double-stops. However, neither guitarist was limited to lead or rhythm; trading and interweaving of guitar parts played a large part in the band's sound. Nolan left the band some time before their second album, The Rise And Run, and was replaced by Tyler Wiseman, whose arrival heralded a shift of the band's sound in a heavier direction, although the interlinked guitar parts remained a key feature.

Through the 1980s and 1990s, KZZU aired a mainstream top 40 format. As the 1990s went on, the format shifted toward a more rhythmic contemporary direction with a slight focus on Hip Hop artists from the inland Northwest. In the early 2000s, changing tastes towards rock music and increased competition caused KZZU to move more towards a rock-leaning Top 40 as hip hop music fell to the lower end of its playlist. In its last year as "93 Zoo FM", the station was noted in having an all-female DJ line up with the exception of Rick Dees and Hollywood Hamilton on Sundays.

The Peruvian researcher Castro Nué has dealt with the origin of certain dances, and maintains that the Marinera has its origin in the Zamacueca or Mozamala. This dance of manners probably originates in the North Coast of Peru, La Libertad region. In its origin it derives from dances of European, Andean, and African origins, that were typically danced in the Peruvian coast. The northern version is more lively, moving and played on trumpets as well, although in Lima, the Zamacueca has more African influence and the guitar playing style is sweeter and more rhythmic, that is, contrasted with the northern version which is more "agitanada" and "mestiza".

The duo wrote three songs while touring in support of their debut album Felt Mountain, but decided to take their work in a different direction with more rhythmic music. Goldfrapp chose to record in a studio in a Bohemian area of Bath, England, because they needed a place to put their equipment and start working. The band began working on the album in January 2002 with a list of songs they wanted to try to record, such as a disco song with only string instruments. The studio's walls were covered in neon lights and Alison Goldfrapp used them to write down her song ideas.

On July 4, 2011, began a new programming under the name of "HOT 102", leaving behind the brand "Toca De To'". The new format of the station is an American CHR, featuring a heavily Rhythmic/Dance-leaning direction but includes Pop songs. They are the only Top 40 in Puerto Rico to have a format consisting of English-language hit music. In August 2011 and after 102.5 FM change its name to Hot 102, 107.3 FM adopted again the brand "Toca De To" but this time as a slogan. In September 2011, WTOK began to shift from a Top 40/CHR direction to a more Rhythmic/Dance-based approach.

Since the station rebranding as 101.5 Energy FM in early 2010, most of the rhythmic tracks returned in order to go up against hot adult contemporary radio station CIGY-FM, which plays more classic hits instead of rhythmic content. On August 17, 2010, CKCE relaunched as Kool 101.5; the format remained Hot AC, but phased out a majority of the pop-rock hits, and began leaning rhythmic again. It continued to play pop-rock tracks for a time, but as of 2013, its playlist has become more Rhythmic/Dance driven with pop-rock product notably getting less airplay, in part due to increased competition in the market.

New automation equipment allowed the station to run 24/7 without the need of a night disc jockey, which stood in contrast to the operations of the early 1990s when the station would sign-off at 1 a.m. and return to the air at 5 a.m. The music mix also changed slightly, as The Peak became a somewhat more conventional and more mainstream CHR station, though still playing more rhythmic material and being faster on new music than WKHQ. Despite excellent ratings and the battle with 106 KHQ still in swing, the station's Grand Rapids-based management decided in 2000 to make the station Hot AC, dumping most of their rap/hip-hop tracks.

The station changed its call letters to WPRT to match the "Party" handle. In 2009, WPRT began to add more rhythmic pop titles to its playlist, and by June shifted directions to Rhythmic Top 40, thus resulting in Mediabase and Nielsen BDS moving the station to their respective Rhythmic reporting panels the following July, even though non-Rhythmic flavored pop artists like Taylor Swift were still also played, a trend that other Rhythmics on the panel (like KLUC-FM/Las Vegas and WJFX/Ft. Wayne) were also doing due to a changing taste among listeners. Because of its Rhythmic direction, WPRT now took on Urban Contemporary rival WUBT and Mainstream Top 40 rivals WRVW and WNFN.

She also used a typical costume of rumba dancers, a dress featuring a tightly fitted bodice with a deeply ruffled skirt, to set the scene for more rhythmic, celebratory poems. She designed her sets and chose the accompanying music, becoming an artistic director of each performance, rather than simply a performer. Cosme was trained in the tradition of poseía negra, a specific type of recitation of poetry which is tied to the African experience, with particular attention to the irony of blacks' peculiar societal position in the wake of slavery. Originating in the Antilles, the genre is often synonymous with Afro-Cuban poetry, though there were numerous artists from other islands, such as Puerto Rico.

While some of Mitchell's most popular songs were written on piano, almost every song she composed on the guitar uses an open, or non- standard, tuning; she has written songs in some 50 tunings, playing what she has called "Joni's weird chords". The use of alternative tunings allows guitarists to produce accompaniment with more varied and wide-ranging textures. Her right-hand picking/strumming technique has evolved over the years from an initially intricate picking style, typified by the guitar songs on her first album, to a looser and more rhythmic style, sometimes incorporating percussive "slaps". In 1995, Mitchell's friend Fred Walecki, proprietor of Westwood Music in Los Angeles, developed a solution to alleviate her continuing frustration with using multiple alternative tunings in live settings.

Their new material signalled a change in the band's sound with songs becoming more pop-oriented, including the group-written track "Follow You Follow Me". Collins recalled it was the only song on the album written from scratch during rehearsals. Rutherford felt comfortable taking on lead guitar duties in addition to his usual rhythm and bass roles, although the band had considered auditioning replacement guitarists or using a session guitarist on the album. Collins later saw the album as "a very vocal, solid album" that lacked more rhythmic tracks like "Los Endos" or songs from Wind & Wuthering, as coming up with ideas on the drums while living in his flat in Ealing with his family was difficult. ...And Then There Were Three... was released in March 1978.

On January 19, 2010, B94 (93.7 FM) changed again, this time to sports talk as KDKA-FM ("93.7 The Fan"). CBS Radio also announced that they would merge Star with B94 to bring B94's music and some on-air personalities onto Star for listeners to continue to enjoy. In doing so, WZPT eliminated the 1980s, 1990s and 2000s tracks in favor of Adult Top 40 music, playing current and recent current music only. Star added more rhythmic artists such as Lady Gaga, Kesha, and Timbaland in addition to artists such as Shinedown, Kelly Clarkson and John Mayer. On January 5, 2011, CBS Radio reacquired the WBZZ calls (which were approved on January 19, 2011) from the former WQSH-Albany, New York and plans to use the calls to replace the WZPT calls.

As mentioned above, WKST's musical direction had always favored Rhythmic and/or Dance hits since its 2000 debut, although at times it will add artists like The Lumineers to stay within the Mainstream realm. With B94 changing formats after Valentine's Day 2010, WKST-FM became the only top 40 station in Pittsburgh, and with competition coming from Adult Top 40 WBZZ (whose direction leans towards Top-40 and Rhythmic Contemporary) and a new version of WAMO (via a FM translator, as the AM is a daytimer; now a full-blown Rhythmic Top 40), WKST has continued to add more Rhythmic hits to distinguish itself from the two stations. In addition, WKST is the Pittsburgh affiliate for On Air with Ryan Seacrest weekdays, the iHeartRadio Countdown on Saturday mornings and American Top 40 on Sunday mornings.

In the late 2010's, a further modernization of the format focusing on pop, rhythmic, and dance hits from the 1990s and 2000s began to emerge, with examples such as Edmonton's CKPW-FM (which initially branded as Power 107 in reference to a heritage CHR station that once operated in the market, but was forced to rebrand the station as Play 107 after trademark disputes with the station's owner), which promoted acts such as the Backstreet Boys, Britney Spears, NSYNC, and Rihanna as core artists (while also featuring some CHR recurrents), and WKAF in Boston (which is more rhythmic-based, and includes occasional songs from the 1980's, closer- resembling a modernized version of rhythmic oldies). Harvard Broadcasting and iHeartMedia both used the term "rhythmic classic hits" to refer to this format.

In March 2008, The Breeze shifted its format again, to a Modern AC sound, playing currents and recurrents from 3 Doors Down, Ferras, Sara Bareilles, Amy Winehouse, Plain White Ts, O.A.R. and Coldplay. The station eliminated most of their softer titles from acts such as Kenny G, James Taylor, Carpenters and George Benson. On September 28, 2009, the station shifted towards a Top 40 (CHR) format, renamed The New Z93 - Today's Best Hits, complete with new imaging and some jock changes. The station now incorporates more rhythmic and pop material, particularly during the evening hours, from artists such as Britney Spears, Lady Gaga, R. Kelly, The Black Eyed Peas and T.I.. With the format shift, the station did not go all-Christmas for the 2009 holiday season, leaving WLXT as the sole all- Christmas station in the market (save for WLXT's Dial Global America's Best Music sister station WMBN).

In addition, CISS-FM was more rhythmic-leaning than most Top 40 stations due to the market not having an urban or rhythmic station until 2001, when CFXJ-FM signed on the air with an urban format. Station personalities included Jay Michaels, first paired with Daryn Jones as "Mad Dog and Daryn" and then with Billie Holiday in mornings as Mad Dog and Billie (frequently accompanied by voice actress Stephanie Beard as "Suga BayBee"), Kris James (a re-hired veteran of the country format, and temporarily the CHR format's first morning host) middays, Tarzan Dan afternoons, Cory Kimm and Taylor Kaye evenings, and Slim hosting "Slim Jams", a slow jam/R&B; program in overnights. By 2002, somewhat ironically, the station moved to take CFXJ's turf with a complete shift to a rhythmic contemporary format billed as "Toronto's Hip Hop and R&B.;" The station hired local urban flavoured talent DJX and Haddy, Axel, Kwame, DJ Baby Yu and RG.

Interview with Tony James, April 2002, for the 'Generation X Anthology' (2003). On commercial sale in October 1980 as a pre- release single from the new band's forthcoming long-player Kiss Me Deadly (1981), 'Dancing with Myself' was a retail failure, reaching only #62 in the UK Singles Chart. In late 1981 Idol, now a solo artist after Gen X had broken up, had Forsey remix the record for its release as a single in the United States, fading down the guitar(s) and bass tracks from their dominance in the 1980 U.K. release and accentuating the vocal and percussion tracks to produce a more rhythmic sound for the American commercial market. It became his first hit single in the United States and launched his career there, two versions being issued: the 3:20 single version (which was later included on Idol's 11 of the Best compilation) and the 4:50 extended version that appeared on Idol's Don't Stop EP.

Bruno Kramm and Stefan Ackermann met in Bayreuth, Germany, in 1989 at a nightclub called the "Crazy Elephant." Bruno had already been involved in several band projects, and after some hours of socializing the two decided to begin a project together. Bruno Kramm at the 10. Nocturnal Culture Night festival (2015) In 1989, the members of Das Ich founded the Danse Macabre record label which released their first EP, Satanische Verse, and their first album, Die Propheten. Die Propheten was released in Germany in 1991 and was reissued in the US in 1997, selling over thirty thousand copies. Their second album, Staub was released in 1994 and charted in Germany for 11 weeks. The band played many live shows in Europe but made its first US tour in June 1995 and a second, longer US tour of 13 shows in 1997. In 1998, the album Egodram, saw the group moving towards a more rhythmic, industrial dance- oriented sound, resulting in the club singles "Kindgott" and "Destillat".

Like the German band Einstürzende Neubauten, another Some Bizzare label signing with whom they are often compared, Test Dept used unconventional instruments such as scrap metal and industrial machinery as sound sources; however, Test Dept's use of these objects was far more rhythmic than was Neubauten's, and was often accompanied by film and slide shows. The group were noted for large-scale events in unusual site-specific locations, such as Bishopsbrige Maintenance depot at Paddington Station, Arch 69 and Titan Arch near Waterloo station, Cannon Street station, Stirling Castle and the disused St Rollox Railway Works in Glasgow. The band's album The Unacceptable Face of Freedom was praised by a music reviewer for The New York Times, claiming the album was notable for a "sophisticated use of sound-collage techniques and the helter-skelter momentum of its cyclical rhythms"."The Pop Life: British Rock Bands add a message to the music" by Robert Palmer. The New York Times, 18 June 1986, Section C, pg. 18.

Göransson used the base talking drum rhythm, 808 rhythm, solo talking drum, and "T'Challa" talking drum motif as the primary rhythm for T'Challa in the score. On top of this rhythm, Coogler and Göransson chose to use horns to make the character's theme sound more royal, with Göransson writing music for the horns that he felt was more rhythmic than melodic and allowed them to be interpreted as coming from the rhythm of the talking drums rather than a traditional western theme with drums in the background. Göransson did write a specific six-note melody for T'Challa, also played on the brass, which serves as the final piece of the character's main theme and also is used as a main theme for the film during scene transitions and for driving the overall story forward. After hearing a musician in Senegal named Amadou Ba playing a tambin, or Fula flute, Göransson told him the backstory of villain Killmonger in the film and Ba played some music in response to the story.

Still, over the years since its inception, the genre has grown and evolved in its position between traditional R&B; outlets (who claim that the Rhythmic contemporary format does not target or serve the African-American community properly) and the traditional Top 40 hit stations. However, both R&B; and mainstream top 40 outlets have taken cues from the Rhythmic contemporary format through the years; as of 2018, the cycle continues to dominate the current Top 40/CHR playlist as more Rhythmic and EDM songs are making their way onto the Mainstream chart. An offshoot format of rhythmic contemporary is rhythmic adult contemporary, which targets an adult audience with a mix of current rhythmic hits and gold tracks (often termed "Throwbacks") which may date as far back as the 1980s or even the disco era of the 1970s. As with Rhythmic CHR, Rhythmic AC may vary depending on the market as to how much hip- hop and R&B; product are included in the playlist; for example, the current WKTU (one of the late 1990s pioneers of the recent crop of Rhythmic AC stations) leans toward pop and dance, while WBQT in Boston is very hip-hop heavy.

Acoustic Guitar, no. 33, September 1995. Back on her own after her divorce from McCoy, Minnie began to experiment with different styles and sounds. She recorded four sides for Bluebird Records in July 1935, returned to the Vocalion label in August, and then recorded another session for Bluebird in October, this time accompanied by Casey Bill Weldon, her first husband. By the end of the 1930s, in addition to her output for Vocalion, she had recorded nearly 20 sides for Decca and eight sides for Bluebird. She also toured extensively in the 1930s, mainly in the South. In 1938, Minnie returned to recording for the Vocalion label, this time accompanied by Charlie McCoy, Kansas Joe's brother, on mandolin. Around this time she married the guitarist and singer Ernest Lawlars, known as Little Son Joe. They began recording together in 1939, with Son adding a more rhythmic backing to Minnie's guitar. They recorded for Okeh Records in the 1940s and continued to record together through the decade. By 1941 Minnie had started playing electric guitar,Spottswood, Richard K. (1993). "Country Girls, Classic Blues, and Vaudeville Voices".

On March 14, 2014, the station started repeatedly playing Nelly's "Hot in Herre" uninterrupted, reportedly an act of stunting to promote their branding change to "Hot 105.7." On March 17, 2014, Hot 105.7 FM started broadcasting at 5:05pm, beginning with a "history lesson" about the first "Hot" station that covered the San Jose area from 1988 to 1995, followed by the return of former KMEL personality Chuy Gomez, and aired a Mix Show. Programmed as a Rhythmic Top 40 with a focus on hit-driven hip hop and R&B;, KVVF's target is a bilingual and younger Hispanic audience (mostly around the Southern portion of the Bay Area surrounding Santa Clara County), patterned after sister station KBBT in San Antonio. In a statement from Station Content Director Mark Arias, “We just feel like The Bay Area has been asking for something new and fresh. It’s a format they call Top 40/Rhythmic with a little bit of hip-hop, R&B; and Top 40 crossed-over.” In March 2016, after two years of modest ratings (it barely registered in Nielsen's San Francisco ratings) and difficulty competing with KMEL and KRBQ, KVVF de-emphasized its hip hop and R&B; direction and added more rhythmic friendly pop hits.