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14 Sentences With "more plaintive"

How to use more plaintive in a sentence? Find typical usage patterns (collocations)/phrases/context for "more plaintive" and check conjugation/comparative form for "more plaintive". Mastering all the usages of "more plaintive" from sentence examples published by news publications.

His story, less visibly traumatic than Jason's, is more plaintive.
Yet as time goes by, such European messages have become ever more plaintive and homegrown issues demand attention.
While the original is pretty spare, stripping everything away but the acoustic guitar makes it even more plaintive and calm.
Even the title of his guide to creative protest and freeloading, " Steal This Book " (20163), seemed more plaintive than audacious.
"I loved being in the middle of something big, and the biggest thing in my life was Ralph," she wrote in one of her more plaintive passages.
Then, the same synthesizer as before plays a slower and more plaintive melody; derived from disco, its lyrical ache is particularly blatant when juxtaposed against the band's fidgety harshness.
With winsome songs like "Random Name Generator" and the more plaintive "You Satellite," Star Wars is an album that hits the laid back but grooving sweet spot any Wilco fan can appreciate.
Along with contemporaries like Nils Frahm and Jon Hopkins' more plaintive work, two-piece Icelandic outfit, Kiasmos are known for melding classical, ambient-tinged melodies with immersive electronic sounds that massage your mind and body in blissful tandem.
The dresses are lovely and > charming, and the scenery charming and lovely. ... [Pounds's] charm of > personality was as irresistible as ever, and he sang his best number, "The > Burmah Girl," as only Courtice Pounds could sing it – even with a cold. The > discovery of the evening was Miss Florence Smithson. Never has a daintier, > quainter, more plaintive little singer graced the boards of the lyric stage.
European robin song The robin produces a fluting, warbling during the breeding season. Both the male and female sing during the winter, when they hold separate territories, the song then sounding more plaintive than the summer version. The female robin moves a short distance from the summer nesting territory to a nearby area that is more suitable for winter feeding. The male robin keeps the same territory throughout the year.
The African broadbill produces a very loud sound which has been compared to an old fashioned car horn. It is loud, vibrating "Prrrrup" which is produced during a display flight, and it may be preceded by softer more plaintive "tui-tui-tui" calls, which are also sometimes made without the car horn call. Unusually, the call of the African broadbill, like other Smithornis birds, is produced by the vibration of its wings during flight, the sound being produced by the sixth and seventh primary feathers.
" Melodic Pär Winberg called it "a good album" that had "a lot of great melodies and a nice solid production" from Wisner. The album's music had "a twist of a more bombastic edge" with Lancaster's piano work. AllMusic reviewer Gregory Heaney said Lucky Street "felt like the promise", and with Close the Distance, Go Radio "makes good on that promise." He found the album to have a "mellow, more plaintive vibe" than Lucky Street, "attempting to wash over listeners rather than simply bowl them over.
Leitartikel (Leading Article) op. 273 is a waltz composed by Johann Strauss II in 1863 and first performed at the Vienna's Artists and Journalists' Association ball called 'Concordia', which glorifies the Roman goddess of civic harmony, on 19 January 1863. Theoretically, this work would have been Strauss' only contribution towards the festivity of Vienna's Fasching of that year as his health did not permit laborious hours of conducting nor of composing. This work, which is the first of his many dance pieces to bear his august title of KK Hofballmusikdirektor, brims with enthusiasm which was rarely heard in many of his later waltzes which are more plaintive and reflective in nature.
The track was described by NME as, > One of the earliest songs on the session, toughened up from the Perry era, > this confessional song is nonetheless one of the record’s more plaintive > moments, in the vein of 'Malibu'. Lyrically, it finally addresses the scars > she still bears over her husband’s death in the most brutal fashion: "I knew > a boy who came from the sea/he was the only boy who ever knew the truth > about me... I knew a boy who left me so ravaged/do you even know the extent > of the damage? ... I’m overwhelmed and undersexed?/Baby what did you > expect?/I’m overwrought and so disgraced/I’m too ashamed to show my face/And > they’re coming to take me away now/what I want I will never have/I’m on the > Pacific Coast Highway/With your gun in my hand".

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